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The procession soon turned back without entering the village. By now, I noticed, the team had grown to more than 100 young men. They moved towards Kat Hing Wai. On the way they turned the paper image to "shine on" an alley opposite the food stall at the market, and the paths leading from the main road to Tsi Tong Tsuen and Tai Hong Tsuen. Beside the alley was a shop, where a few women fled when they saw the King of Ghosts facing them. Then the same "shining on" procedure was repeated at the other spots they passed on the way to Wing Lung Wai: the path leading to Tai Hong Wai, the path leading to the Tung Tak School of Shing Mun San Tsuen and a place on the other side of the road. Partly for fun, the young men did the same to the two doors of the Jockey Club betting centre, "to influence the outcome of bets". The procedure was also applied to the village gate of Wing Lung Wai and a spot opposite the gate across the road. Then the procession turned back and proceeded to Tai Hong Wai, where some of the men in the team shouted, "tell people to keep clear and shut their doors". Some of the younger men added, "thank you for your co-operation". I had the impression that they were talking like that partly for the fun of being in command. The procession went back to the main ritual area after "shining on" the village gate of Tai Hong Wai.
G. Renewal of the jiu
This took place in the morning after the final main rite of Grand Offering to the ghosts, after the Taoist priests had performed the brief purification rites at the individual households. It took place at the temple of Jau and Wong, the two main gods of the festival. To their altar was escorted the image of Gwun-Yam, the other patron god of Kam Tin.
In the preparation for the rite an elder explained to a younger ritual representative that this rite is to heui-ping-on, to beseech the gods for well-being, giving a promise that in ten years' time another celebration will be held. Only the no. 1 to no. 15 ritual representatives (which was in accordance with the traditional rule) and the priest participated. The priest chanted a eulogy and the invocation for blessing.
H. Sending off the gods
This took place after the end of the Opera performance period. I overheard previously the villagers telling one another that those who fetched a god should send them home afterwards in this rite.