Wednesday,
HONGKONG TELEGRAPH
DONALD DUCK
DRIVERS' LICENSA
BUREAU
CORRECT!
ABSOLUTELY
CORRECT!
ADF
CPMN OLOHKJ ENOPOH
THAT ONE WOULD HAVE THE RIGHT OF WAY!
AH-EXCELLENT!"
--AND .IN THE COUNTRY,
THE SPEED LIMIT'S 45 MILES AN HOUR!
SPLENDID ALL
CORRECT! NOW, WE'LL SEE HOW
YOU DRIVE!
July 31, 1940.
By Walt Disney
Supreme
NO
ANCHOR
Butters
THE WORLD'S BEST
OBTAINABLE FROM ALL LEADING STORES
Sole Agents: LANE, CRAWFORD LTD.
6-17 Cher 1910, Wit Disney Prod
MAGAZINE
Distributed by King Pracores Syndicate, Ind
PAGE
43 WORLD'S END
Here's The Man With
Things To Think Of
THE man with 43 things to think of and the job of shooting down the enemy as well-that's the fighter pilot.
· Come into his cockpit à mo- ment and take a look round.
1. The ring sight for eight mu-
chine-guns.
2. Crash pad to take the edge off the shack if the plane crashes and the pilot is pitched for- ward.
3. Electric switches,
4. Indicator showing the oxyzen
necessary at any given height.
5. Indicator showing the oxygen
still in store,
6. Under-carriage and tall wheel
indicator.
7.
Emergency "Loost." This is where the pilot's hand Bles when he's in a jam. When he pulls out that know all other engine controls, except the throttle.
are cut out. This
gives the absolute maximum power for a top-speed swerve or dive, but it must only be for a minute or two. If that knob
were held out for longer the
engine would seize up, dle.
8. Clock, with stop-watch
trol.
9. Electric starter.
10. General Petrol switch
cot!-
11. forn to warn pilot if under-
carringe
landing.
is nut
12. Magneto switches.
down when
13. Navigation light switches.
14. Air
Air speed indicator.
15. Super-sensitive altimeter
rc-
the plane's height in
hundreds of feet,
10. Dash-board light.
17. Pilot's oxygen plug.
18. Tail trimming wheel.
19. Rudder bar.
20. Throttic (in pilot's band) and
petrol-und-air mixture lever.
21. Compass.
22. Directional gyro.
23. Gyro horizon, showing lateral
Liit,
24. Slip and turn indlentor.
25. Climb Indicator-thousands of
feet per minute.
20. Engine revolution indicator, 27. Boost gauge.
23. Oil and petrol pressure gauges 29. Oil temperature.
30. Starting primer.
31. Radiator temperature gauge, 32. Duplicator magneto switch. 33. Petrol gauge.
34. Switches for petrol supply
from individual tanks, 35. Light.
36. Lever for
wing flops.
Ane adjustment of
Swing's King Rumoumurs
is Sick of Jitterbugs
THE King of Swing is dead; long live the King of Swing. Burly young Artie Shaw has snapped his clarinet across his knee and says he'll play no more.
He
sick.
says terbugs make him
So, the new King of Swing is an equally · burly, spectacled twenty- nine-year-old town named Gleni Miller. His fans call him Killer- Diller Miller.
Mr. Miller takes the crown from Mr. Shaw by playing the trombone to please the multitude more than even the great Tommy Dorsey. To use the swing slang-Hts allp horn aends then.
NOW why should Mr. Shaw give up?
He was earning an easy £10,000 a year, and the college kids ganged up night after night to listen to him play. When they took the dance Roor, they stood, locked in an endless embrace, and swayed on the balls of their young feel while the Shaw clarinet soured and brake.
Mr. Shaw gave up becausa Mir. Shaw is smart. Ho knew he was on top. a man's on top, there's only one way he can move. Mr. Shaw saw the reports coming in. The hot bands were gradually los- ing favour, all over Amerlen, to the. sweet bands.
Mr. Show got going, not because he hates jitterbugs, but before the Jitterbugs who made him king grew up,
He Is now in Hollywood, having a · honeymoon-with--Lena Turner, 'who' danced so prettily for him in Every Other Inch a Lady." He is also planning to make a film of his lito. And to return to the Gimaestro's stand with a now sweet
Do not believe the tale the
milkman tella;
No troops have mutinied at Potters Bar. Nor are there submarines at
Tunbridge Wells.
The B.B.C. will warn us when there are.
Do not believe the Major's
cusy plan.
He wants to land a force
at Budapest.
He known the Danube well, the dear old man,
►
But maybe General Iron- side knows best.
Do not believe in Mr. Told-
you-80.
Do not repeat the "Might-
have-beens"
"Buts."
:
and
Now is the time to let youY
neighbour know
We have the gold, the ginger, and the guts.
Do not believe that God has
been cast down, Because the Berlin beast is breathing still. This is the one truc story
in the town-
We can defeat the devil,
. and wa will.
A. P. HERBERT.
band composed purely of strings and woodwind.
to
Glenn Miller's: method is switch without Interval. He made his reputation with the swing 'con- noisseurs by the super-sophistica- tion of his playing.
Then suddenly he switched his. tone His playing of "Eightcenu Century Drawing Room" and "Moonlight Serenade", were sweet, so simple, the great Amerl- can publle took Mr. Miller and his trombone to their capacious hearts.
Postscript: He really does ploy well. Try his two serenades, "Sun- riso" and "Moonlight on H.M.V."
37. Control grip with press-bution styltch to itre the eight ma- chine-guns, and brake lever for landing wheels.
38. Main release lever for wing
flags,
39. Handle for auxiliary pump to lower landing wheels in emer- gency i normal hydraulic mechanism is damaged.
40. Release for forced landing
slures on wing tips.
41. The parachute, tightly packed, which acts as a cushion on the pilot's seat.
42. Parachute harness.
43. Lever to raise or lower seat.
And when the pilot is sure all these are O.K., he can get on with lighting the enemy.
One-Minute Sermon
By Hugh Redwood
Abundantly
ISAIAH, 55. 7. (OMEWHERE I read a story of man who went bankrupt through trying to smash a trade rival. The latter not only forgave him but helped to set him up fr business again.
That is how God forgives and that is why the action was justly described as Christ-like. God not only cancels the wrong: He be- stown power to do right.
For the quality of Divine for- giveness see. Maithew 18. 23-27; Like 15. 7. 10, 21-23. But see also Luke 17.. 3-4, and remember (Matthew 6. 12) that God expects and commands us to slow the same abundant forgiveness to others,
Thought- reading with-
out tears
VOU frst "fix" things with
You
your accomplice. You then tell your friends to choose any number between one and ten-e and go out of the room while come back. they choose. You place your two hands
upon the temples of the nearest person→→→ you gaze into her eyes you say nothing and you pass to the next person and 10 on right round the room. Then with start you come out of your trance and announce that the number Is alx-or four-or. whalever it is. And every one says, "Well done, old chap how did you know?" Well, how did you? See Below.
a
SOLUTION: * THOUGHT - READING Your: necomplico,knows the number bee causa fie was in the Toons when they chore ft. So tchen: you place your hands on hla; temples, he makes the intacles there move to the requisite Number, Jia Libga 15 Di Kouping nu teath tightly" tdoocher' and clenchtig thenone, two, three,Try it.
Telegraph Short Story: Reading Time: 7 Minutes
PERHAPS because the re-
port from the laboratory was due the next day she was more wakeful than usual. Latterly she'd been sleeping too much like a top; which might be one of the sinister symptoms. As she sat up sleepily in bed she saw Dave, half-dressed, on the other side of the room.
"What's the matter, Dave dear?" "Hungry." He didn't look up. Her wrist watch said it was one o'clock. "You don't have to put on all your clothes to go to the icebox."
side.
Wha
"I thought I'd take a turn out- I couldn't sleep." 11s voice he must have edgy and realised it, for he came over to the bed and kissed her.
"Dave, are you nervous and restless?
"I'm nervous and restless."
It was a problem that couldn't be dodged any longer. "Probably it's time we were off, Dave. May- be we've been here too long."
Sure,
long."
We
we've been here too
couldn't stay forever." She tried to keep the funeral touch out of her voler. "We knew that when we came here. I'll be glad to go." If Joan of Arc ever said anything more herole than these last five words, it never go! into the histories; but she hoped he wasn't reading her thoughts.
"Time to move on," he said looking at the floor. "Tomorrow 'get a For Rent sign
painted. That's only fair to the fellow who this bungalow. I chopped up his the day we moved in here. Well, on to Bojador."
owns
"On to Bojador." she cchord.
He clumped out of the room and moment later she heard the ouier door. close softly.
tl
she was once more sound asleep.
Dave was her kind. She had known that at first glimpse when she had seen him in the cafeterin line-up. He had friendly eyes, a shock of dark curly hale, a daun easy smile that seemed to come of its own accord. His hands were strong but finely moulded.
"Do you like Milwaukee in February?" he had asked, after her maneuver had placed them at the same table. "Not that I care: I'm from Delphos, Ohio. Looking over the hired hands?"
"Oh, no, I'm demonstrating a new kind of salad dressing, down in Groceries. You own the store, don't you?"
"Gave it away Monday, Now I'm doing show cards. All for art that's my molto. That is, all for art so long as I don't have to stay
long in one place."
too
"Move on and be happy. Me
too.
"When I get nervous and restless
I pack the old sultense. I've done It for four years. Right now I'm making
for Cellfornia. You headed anywhere in particular?"
"Oh, stie said with cluberate
"Just Bojador."
Bojador" "Don't you know? Africa," Which was neat climax for the end of a lunch period.
That night in a little German restaurant off Grand Avenue he asked her again, "If you're not
Undy Bojador?"
Whit gave me the idea." "Well, let's have the details, if you think I'm old enough to know." "First"she demonstrated with the menu-"you open an alias and pick out a name.'
What sort of a
"Any
that
дате?"
name at all. Any nume appeals to you. Then
pack up and get under way. Only you mustn't aim at the place too directly."
"Why not?"
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oak
How far have you gone to date?"
SHE parted the window cur- tains, patterned with rocking horses and camels, and breath- ed deeply the perfume of the in her garden below the
pow. The leaves of
the little tree sel up a
whispering, while fainter came the murmur of the river as it flowed over pebbly shallows. In
the
distance she could see the sky cut by black peaks.
Now from the living room came MacPhairson Clonglocketly Angus M/Clan
cold nose rab his to against her palm and nuzzle her inboratory flagers. Even H the said the const was clear, even
bitssful whe could forget this valley where they had spent their ve months honeymoon, what could coun they possibly do about Angus except give him away or sh-sh-shoot him? Despairingly she dropped back on the pillow. But - before she could taste the
Ave
polgnance of this ultimate griet
"Because that would spoil every- thing. You've got to zig and you've Rot to zag. Time mustn't count. Then one day you'll find yourself there."
"After two years I'm eight hun- dred miles farther from Bojador than when I started. But I've loved every hour of it.".
"Did your
Uncle Whit get to
Bojador?
"Oh, he picked Beatrice, Nebra- ska. It took him twenty-eight years.
"What did he do-walk there on his hands?"
"No, but he had to fight his way through three wars and be shlp- wrecked in the Persian Gulf and lost in the Gobi Desert; then, when he was off the Australian coast n shark nipped off most of his left fool. Two days after he reached, Beatrice he married a widow and Turn to Pago 7, Fourth Column
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