Your character is
in
I
your
handshake
ان
which
handshake
3
Here is the drooping, lan- Ittitl
un-
Bhows weak chracter and
Jack
stamina. The people being introduced are emotional and plilegmatic. Usually you'll find that they lack courage,
100.
fingers The two-or-three handshake shows toppishness;
it was popular at the French Court in the eighteenth century. It denotes insincerity, indifference, lock of affection. And it's probable that this type of handshaker is mean.
The people who greet cach other with s high-handed shake ilke to gush and flailer. They make exaggerated com- ments 00 trivial things, They often prolong their handshake. Though it's not. one to be proud of; "It indientes affectation and effeminacy.
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Some people just can't be bothered to clasp hands. Their handshake shows them to be selfish, even heartless. After they've met and talked for a time they'll be bored; for these hand- shakers are Invariably dull.
CONVERSATION
the
other evening turned
to "joy." What is joy-or does it exist?
A famous artist said he had never met it, in a long and varied career.
"If you mean achievement," he said "Yes. One has it with the finish of a picture, or any work on which one is engaged.
"If you mean marriage-one has it in the first halcyon days-rarely afterwords.
"If you mean health, one has it. and enjoys it while it is there. But
neither achievement, nor marriage,. nor health is joy-they are much too hard to capture and to hold!"
But the artist found plenty of
disagreement with his view.
To everyone joy represents some.
thing different.
I set out to glem Interpretations
of it. And they seemed to enlightening.
A Sick Child
ដ
This handshake will give away people having deep. affection for each other. It shows an ardent, impulsive nature, especially the man's two- handed clusp. Distinguish between him and the man who squeezes your hand till it hurts; he is a ruthless
type.
州
6
Here is the beal handshake of the Arm, but not too Arm, grip. It is the) handshake of warm-
hearted people with strong character and deep feeling. Thef grip, too, of people who gref likely to be lenders.
j-o-y
SPELLS
?
By ELISABETH ANN
momentary. It can come from the gratulations. His joy must be shared | simplest and the greatest causes.
It can be at its greatest with the first steps a woman takes after a severe iness: she takes a new pride in herself, an unmitigated joy in
LETTER to a child patient
can mean all the joy In living.
the world. It may not be good news
it may be only from a school chum self, beginning, health anew. who writes, in an almost undecipher- able hand "The football on Saturday
Her joy is in the discovery of her-
was jolly good."
But it is contact with the outside' world so far removed to a child in
hospital ward.
The patient will be transported to
the playing fields for a few moments,
playing his game with the health
The Woman
In Love
to be real.
The Woman In The Office
CONTRARY to the belief that her only joy is a rise in salary (which is mainly gratification when it comes), she will experience the greatest joy in a word of praise, in season, from the right man; and just as much in a colleague's con- fidence.
Her jou must lift her from the
Joy to her is in being in hundrum and is more lasting since
love. She knows joy only she takes precious care of it.
that was his. To him it is the as a mixture of fright and fear and essence of quiet joy-kis joy ties in concern; of brief happiness, of long- the imagining and visualising, not in delayed promise. reality.
Wife Awaiting Motherhood
WOMEN wait on joy with motherhood, but it is not always joy to have a child who will be only a burden to the woman and her husband.
The Woman
It is not a quality she can really At Home
enjoy, but it is something she be- lieves she has. Her joy therefore is almost entirely faith.
The Man
In Love
HE finds joy in possession,
SHE
HE rarely seeks or looks for joy in her household routine. She waits for things to happen, but an unexpected ticket for theatre in often more joyous an experience then a husband's pro- motion.
Her joy lies always in the un- expected. AND
I would say joy is a quiet thread running through the tapestry of life. often overshadowed by more exciting colours and patterns. But strip the
I have seen joy in a woman's eyes
but it is a joy easily over- over the arrival of smult Imitted shadowed by jealousy, hurt pride, shoes from someone she has forgot- and by disappointment. ten-greater joy over the promised recovery of a member of her family fulness, from the woman he loves, tern and you will begin to know the He gets his joy chiefly, in thought- tapestry of the colour and the pat-
Joy is a queer quality, usually and also in the other fellows' con- real quality of Joy.
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THE
THE brown satin
gown on the left
is made up of the dull and shiny sides of the fabric. The Tíodel
on the right is, composed of a coal In Burgundy and green cheek worn oler a brown woollen dress.
A Spaniard named Tico, who is a
HE woman whose clothes come from the latest collecton of the most fashionable dress house will also take a pride in going to the most fashionable mun of the medical pro- fession. The women patients of young, go-ahead doctors buy their clothes from the younger dress de-
on with a bodice that crosses over in signers, the woman who insists the doctor with a good bedside man- front and has a "V" at the back ner will stick to the dressmaker who which is cut in the same way as that cherishes her carefully and caters to on the coal. A flame-coloured crepe all her little whims and folbics. dress is shirred at the neck, at the In Paris it is not easy to find this top of the sleeves, 'and-again-at-the type of dressmaker, but if you know wrists. where to look you can flad him or her easily enough in London. These dressmakers have one advantage over real artist in furs, opened a small the bigger houses their models do but luxurious showroom in Bruton- street a few months ago, and is al- not date so easily; a woman's catty friends are unable to tell whether her ready making fur coats and capes for of the most sophisticated dress is from the last collection or some
women in London.. the last collection but one.
latest models Include a lovely Emilienne is one of the London
squared dress houses of this descripilon. The sheared benver coat with
generous sleeves, a clientele can take their case in a shoulders and drawing-room-like showroom and mink coat with a great square collar each customer can flatter herself and the furs placed so as to give the that the whole staff cares for her and w
and waist a very narrow look, an enor- her alone. The latest collection here mous knee-length silver fox cape,
the includes
brown satin dress and a knee-length ermine, coat dyed sketched. It is made up of the dull to a deep, dark shiny brown, with a and shing sides of the satin. The stand-up collar. shiny side is used for the leaf motif
His
which forms the decolletage and the DISTINCTIVE COLOURS yoke of the bodice and the lower port of the skirt.
There is a
lof
fancy
into
Yda Irvine is a young woman with enough common sense to design good tobacco brown cloth coat for town wear with a Peter clothes not only for country women Pan collar, belt section and front but for the older woman. One of her The newest models has been sketched for shaved brown lamb, panel dress underneath is of coral-coloured you. The coat is of Burgundy and with crepe done with a band of brown green check tweed, gathered
cartridge
wide suede the
pleats outside seam of the
belt worn over a
a reddish-brown wool long sleeves,
belt and tiny revers of
There A fine wool in the dress stitched with white. brown crepe. same tobacco-brown is used for n are two slit pockets siltched with little loose jacket with a small turn white, one on the right side of the over collar which is worn with a bodice and the other on the left hip. dress which has two godels in the A black woollen dress has a collar front of the skirt. The yoke at the with long ends of lemon-coloured front of of the bodice and short the front of
The the bodice and the whole velvet.
ends are tucked under the bodice, which sleeves are of brown wool Jace in a slashed. This dress is worn wir a A bunch of cheeries loose jacket, hip-length: and lined square pattern, is hung from the front of the waist- und bordered with scallops of astrak-
with lem
lemon-coloured crepe de Chine band.
the pa
П
A dark green town coat of rough han cloth. The turn-down collar woollen material has
-large bordered with scallops of the fur brownish-grey fox collar. The bodice cloth. A maroon and pink striped of the coat comes down to a deep "y" tweed dress is severely tailored, with at the back. The dress underneath the stripes going round at the front is in a fancy weave silk material, and back of the skirt,
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