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APH
WEDN
JANUARY 12, 1921.
REGAL OPERAATTIRE
unnoose Drapery, is Used in Trains Dropped in a Deep Loop
Modes of the Moment.
Skirts had to be more or less to show an elongate! bodice- short on ming on this panel richly embroidered with season-Pari- deman feel it.. Büt ever thread. The front drapery adeuste dignity is lent to the of the skirt is also embroidered:
PHOTOS
BYODEL FEDER
Opera Wrap of Recedtail and Monkey fur, that
ase New' Silhouette
JOTTINGS.
NOVEL SASHE.
J
SITTING DOWN FROCKS.
The Tulle Train of this Gown is Looped Up and the V.Decolletage is
Fashionable Again
Velvet Evening Gown made findStraight Lines
CHOOSING FURS.
How to Wear Winter Wraps Becomingly.
SHOW LOBES OF EARS. short skined opera wown by a with silver thread-and here hairdressing styles must show
Fashion decrees that the newest! train that sweeps siano inches eagalu is the visit velvet flower, the lobes of the cars. the foon These Ling trains are this time low on the train. The experts advise rouging the tip of Beauty! really no more than dragging gown is of tangoise velvet, the the ear vers delicately.
Points to Study When sashes, for they are narrow and embrullery in war and the sometimes the materialis weight- velvet flower vivid corul.
Choosing Indoor Gowns. A fan: ed at the end of the train with a shading from faint pink to deep; All sorts of n wellies are to bej How many girls when choosing tassel or some other ornament. (coral accompanies the rastume found among the new sashes. & tea frock or other type of indoor wearing apparel aids so directly Net anything in the way of There are two kinds of opus BUSTLES ON DANCING DRESSE composed of several lengths of what they will look like when remember, the right furs.
There are the rain sashes, gown ever give a thought as to to beauty as the right furs, gowns. The down that appears in an opera box and is picked out
There is evilence of a return to different coloured ribbons sewed sitting down? Yet this is really can't all afford sables, bat the Eastle sunt of drapery. by handels of opra glass of the opera incks pictured has ing rows of face insertion ribbon. The ars of sitting down gracefully cheap, ugly looking fars. Don't
One together, and sashes of alternata most important consideration can less well afford to apart, exclusively as it is in its what seems to be a looped up tulle Sashes of lace with ribbon ends is a rare accomplishment among wear furs for their beauty, but effective frames and the OR train forming an unmistakable and of ribbag with hee ends are modern girlst they usually flop for yours. that must be crushed into a chain, bustle silhouette at the back of to be had as wellassashes of silk, down anywhere and anyhow. in rows of chairs, boh 14 only be the skirt. This frock is of rose all-over embroidered, "and brual
A bit of angora cat eyes of inmediately near ofende land greg Frockade, ant
may be far more becoming to And should you mildly protest you than priceless chinchills. The first gown must retalle, & panel of the tuile with
Vers.
at the back.
A
Krey velvet ribbon sashes.
a certain dignity and pojesindescent bead embrollerg fall- the second one mag bawa megeling at the back of the skitt prettiness and coquetry.
Thei
thelow the looped-up grey tulle fire: sort of even is ilustrat d'inidrapery. The bodice with Vị the trailing malet of valves, with decolletage and surplice crossing fines that might have been her at back and front is especially! rowed from an artistic portrait, grse, ful. The second grown, or rather prellgiven, typical of the gorgeous. stunning opera frock, is pictured in the dainthues wern this seron, is shown model with bouffant tulle drapety in the mole of black and green; MANY VELVET OPERA GOWNS ¦ palm leaves in an all-over pat
brocade. the design in great The new velvets for evening tern. A panel of jet beads at the wear are wonderfully light and front gives a straight, flat line, eapple they drape like chiffon contrasting with the looped-up itself and give lines of perfect drapery at sides and back of the The dark velvet gown skirt, and the jet bead shoulder pictured is a notable example straps
continue downward in long festoons to the waistline at this wine front and to the knees at the ter. It is a black velvet go back. The loose bodice is draped with bands of gold face forming over an under bodice of Jesh- short sleeve-straps and panels coloured chiffon. that outline the straight, Dat back
grace.
of the favour for dark, rich bues: in evening altire
drapery. The back and fron: WRAPS AN IMPORTANT FEATURE panels extend down
over the Four splendid models are pic- skir: drapery which is a masterly tured and these wraps evidence arrangement of fabric in flat and the favour for rich, dark, gar! looped lines of grace, the velvet ruchts rather than those of gay! straying downward in a long, or dainty sort. There are even slender train that is outlined by black wraps this winter-cne of a hanging garland of velvet broadtail with a cape collar of flowers and leaves; the velvet sable is pictured, and particularly flowers of a deep rose colour, the smart is the Kevillon Freres) leaves dull green. Another stun-wrap of broadtail trimmed with oing opera gown of Parisian monkey far. This wrap has the extraction has a draped skirt of deep yoke that is fancied in Paris black chantilly over cloth of this winter. Gorgeous is the silver that clings to the limbs, wrap of orange and black brocade and the bodica which comes with facings and scarf-collar below The waistline. is of bearer and a splendid big of heavy silver lace. A bright tassel depending from its drapery. scarlet velvet poppy catches up And most women will fancy the the skirt drapery at one hip. blue wrap a graceful affair of A velvet opera gown pictured deep blue panne velvet with has the skirt drapery dropped in ample drapery confined in yoke
long Burnoose loop at the back outline by a baud of broadtail.
EXPRESSIVE EYES,
NO. 4-DISDAINFUL EYES.
care in
past-masters trade. They
balkiest
st
сад
We
We
wear
shoulders you are not adding to your beauty though perhaps to your physical warmth.
JOTTINGS,
QUIET WALKING FASHIONS. Bright colours and startling checks are voted bad taste for outdoor wear by women of dis- cretion, and if a colour note is desired it is to be found in the frock bidden under the cloak. Quiet colours such as prana, & deep green and a dull blus wili season. be the correct ones for the coming
BUT VIVID LININGS. One can always stand abit more!
But when it comes to the make-up with furs, the cheeks question of the lining to your. may be a triñe more flashed, the tailor-made you can let your eyes a bit darker, the lips redder, fancy run riot. The mare gor- You can't look wan and drawn; geocs the lining the better, from you must look bright and cheer-vivid futurist silk and brocade Iful sad roag in firs Under designs to really artistic-shot---
less. fur hat your hair must be faultlk in such shades as bine and looking shiny. glossy emerald, or green and gold. and well arranged,
OUR LOVE OF THE DECOLLETE. A fur hat is the loveliest setting It is usually supposed that the for hair.
arm-loaking bats instead of the decolletages. Nothing could be One wonders why Parisienne is the woman pat [people don't wear more soft excellence to indulge in excessive
not an imaginary frame. eternal box sort of things. Hata farther. from the truth, for French should be made to fit the head women seldom wear evening
4
• lat of bother
acquire it likewise,
SMART FEATHER FAN..
dress at the theatre or at the restaurant, though the English A BIT OF EVERYTHING, woman dresses for these enter- Evening frocks aro vory rarely tainments as for a ball. The composed of one kind of material French-woman understands the at the unpleasing picture they First decide the colour of for alone. It is not unusual for a art of the bigh make and suggest a little more that is becoming to you, then the dress to comprise at least three gown
avening far better than arranging their arms style of the garment, which is materials, such as satin, chiffon do. What and legs you are pretty certain to quite as important. Never wear and brocade or late, chiffon and fit might save if only we could be laughed at, and told that no thick-looking fars. The French velvet. one bothers about being graceful are theso days. That truth is pain- for
tha | taka fully evident as a glance at any the crowded gathering of young stretch and batten it out until it fur, and things will prove; but it is als toe most supple, graceful great pity, for there is a charan in thing imaginable: while the mos: ja graceful bearing that no amount priceless black sable, if not pro of good dressing or facial beauty perly dressed and drawn thin, can rival.
Taffetas is a material that imitation or otherwise-should
can be decidedly ugly. Furs always needs very great care in be as soft and pliable as wool. tha making, for it possesses a most Never allow your farrier impish spirit, and jast loves to interline, or in any way-stiffon, puff up whenever you want it to your furs, or in fact to line them drape smoothly. For this reason at all except with the most sup the woman who is rather plump ple, clinging sort of silk or satin. should not regard it with a tool Never, never velvet. friendly eye.
There is Far better for her something repellent about fors specially for indoor frocks-are lined with velvet. the more amiable satina, crepe de never have your furs made into Then, too, chines, and such soft falling stiff, elaborate garments. Fors materials.
Care should also be taken not on or wrapped carelessly about should always be soft and thrown to have indoor frocks too narrow one.
to
at the bem or too short, for charming as these may look when band about the head, the top) A wide piece of fur word 85 2 one is walking or standing verypiece filled in as a sort of cap, in ladicrous effects are often given becoming to almost any woman, when the wearer sits down.
and Very full hip draperies again irresistable. Muffs are decidedly s pretty one it makes are risky things to indulge in for out. Cut your last one in half, all but the very tall and slim. and use it as cuffs on any coat. And so are those short fall tunics (A press batton holds them in of talle or net.
place.) You can't lose it if it is Straight lines should be aimed fastened on your arm, and then jat for all sitting down frocks. An it is so becoming, and your bande overskirt is not in itself look soft and white peeping out disadvantage, providing it is not of lovely fars.
Fars represent warmth, and
puffed up on the hips. Accordion- pleated skirts are excellent, for should make you look warm, cosy they fall most gracefully, sad and comfortable and cheery. If & rucked-up ap(you look as if you had the Ibedroom mat swung across your i
never give pearance,
The Prince of Wales for has three feathers and comes in soft as well as gorgeous. shades,