village and its inhabitants. The dancing teams would perform at the opening of ancestral halls, schools and village offices, or when a wealthy villager built himself a new house. They were part of the ritual performances at the main festivals, at the re-installation of ancestral tablets after reconstruction of a lineage hall, or during the re-dedication of deities following a major repair to a local temple. They carried out other important functions, also. If plague menaced the village, in an old local customary practice, the lion or unicorn dancers were sent with Taoist priests in procession around the neighbourhood to dispel the threat. And if the village was threatened with attack, the strong and brave lion dancers under their respected instructors formed the core of the defence. Furthermore, the dance teams were a principal means for maintaining and extending a village's status and prestige.
As part of the training, youths and boys would be instructed in how to carry out the dancing steps, and also how to perform some of the basic martial arts. In discussing unicorn dancing with two village friends from Tsuen Wan, it was emphasized that the beasts (meaning in practice their human performers) had to follow kwai kui. For instance, there was a correct way to enter a building, and how to worship at a temple, and how to behave when meeting another unicorn. If the right decorum and etiquette was not observed when this happened, it could lead to a fight. This aspect, that of lai or decorum, was the most important to be taken into account in training and performance.
Boys learned the art of cooperating together, and discipline was imposed, especially self-control. This was needed during the tense excitement generated by the accompanying drumming and gonging during the dance sequences, and particularly on festival days when the element of competition was well to the fore. The dancing was exhausting for mind and body, and relays of boys took turns to dance inside the at times stifling mask and body of the "animal". Self-control was an important requirement for the participants. "We won't put up with uncontrolled temper”, a Kaifong friend said on one festival occasion when a dance team was performing, "If a lad can't keep it, he gets put out of the dance group"." Thus, in these various ways, the village dance team constituted one of the principal means of giving practical effect to Confucian teaching.
To conclude this account of traditional instruction and entertainment,