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the 71st birthday of Dang Nga-Chyun, a member of a rich family descended from the mou-geui-yan Dang Ying-Yun. Also on display in the same room were other scrolls of calligraphy and painting. Put on display for a couple of hours were relics of the wong-gu. As many of the Dangs were proud of telling, there were two of them (1) a set of twelve small paintings known as Gwai-Fei Tip, believed to be the work of Fu Qing, a lady-in-waiting in the Song court; and (2) a painting of an eagle, reputed to be the work of the Emperor Song Huizhong; both given to the wong-gu as souvenirs.54 Although they were put on display during a visit by about 200 members of the Hong Kong Branch of the Royal Asiatic Society, to put those two antiques on display had always been part of the tradition.55
Each of the villages was decked out with fa-paai banners too. In most cases there was a fa-paai presented by all the members of the village in celebration of the ten-yearly jiu. In the case of Tai Hong Wai there was one from all the descendants of Sung-Gok jou (father of Dang Man-Wai and his brothers) as well as one from the "youngsters" of Tai Hong Wai. The village gate had red slips of paper saying Fast (tsai-gai) and Clean (git-jing).
C. Ritual Representatives
It was explained to me that the people in each gu divided into family groups (chu). In some cases, the nearest common ancestor such a "family" group could trace was more than ten generations distant. For example, under Mr. Dang Tim-Kau's entry were his blood brothers, the sons of his father's brothers, as well as others who were more remotely related to him. The nearest common ancestor of the chu as a whole was Git-Sau jou, who was, from the standpoint of Dang Tim-Kau's grandsons, 12 generations up the lineage tree. The selection of ritual representatives was done by divination with bui.56 The theory of an elder is that each chu chooses its own candidate for ritual representative. But, according to a younger ritual representative, if a man failed in the divination, then his son would try his luck in the same selection process. The candidate who got the longest series of sing-bui would be the no. 1 ritual representative. The others were chosen and ranked in the same manner. But there were additional rules. Each gu section must have one man among the no. 1 to no. 5 ritual representatives, and each had to have three men among the no. 1 to no. 15 ritual representatives. The last three places (58-60) were, as a rule, alloted to the Ying Lung Wai people,