347
who were not allowed to compete for the other places among the 60 ritual representatives.
The selection of ritual representatives, which I did not witness, took place on the fifth day of the first moon. It lasted twelve hours on this occasion, and I was told that in the past it took even longer. Several hundred men were present. In casting the bui every man in the chu could try his luck. Therefore those chu having more members had better chances of winning the first places. The men from each chu numbered from two to a few dozen. The first five places were filled before the others, and some of the participants avoided them because the first five places entail much work. Many people repeated the divination process several times for better results.
In the festival memorial one can see that for the Dangs of Kam Tin, there were 60 ritual representatives entries and only 50 ordinary entries, and the number of members in each chu, as represented by an entry, ranged from a few to almost 100. It is obvious that for those who could get more people into their chu it would not be difficult to get a good place among the ritual representatives.
Each of the 60 places was actually shared by all the male members of a chu, who took turns to attend the rites in their cheung-saam. There were different reasons why a person would be eager to compete for a good place in the group of ritual representatives. I know in some detail the case of a young man in Tsi Tong Tsuen. His deceased grandfather had had the position in many of the previous celebrations, and he had been pressed by his mother to compete for a place. To gain the favour of the gods by worship was one of the reasons why she would like him to be a ritual representative. Another important factor is that ritual representatives get better seats in the opera matshed than ordinary participants, and the higher one was in the list of ritual representatives, the better the seats one got. It is usual that a Kam Tin family invited their relatives to the opera. In the case of this young man, the family had invited his mother's brothers, among others, and the guests took up the six seats they received in the distribution. Seats were distributed to each chu, but the seats for ritual representatives were towards the front, while the other seats for the chu were towards the back.
347
who were not allowed to compete for the other places among the 60 ritual representatives.
The selection of ritual representatives, which I did not witness, took place on the fifth day of the first moon. It lasted twelve hours on this occasion, and I was told that in the past it took even longer. Several hundred men were present. In casting the bui every man in the chu could try his luck. Therefore those chu having more members had better chances of winning the first places. The men from each chu numbered from two to a few dozen. The first five places were filled before the others, and some of the participants avoided them because the first five places entail much work. Many people repeated the divination process several times for better results.
In the festival memorial" one can see that for the Dangs of Kam Tin, there were 60 ritual representatives entries and only 50 ordinary entries, and the number of members in each chu, as represented by an entry, ranged from a few to almost 100. It is obvious that for those who could get more people into their chu it would not be difficult to get a good place among the ritual representatives.
Each of the 60 places was actually shared by all the male members of a chu, who took turns to attend the rites in their cheung-saam. There were different reasons why a person would be eager to compete for a good place in the group of ritual representatives. I know in some detail the case of a young man in Tsi Tong Tsuen. His deceased grandfather had had the position in many of the previous celebrations, and he had been pressed by his mother to compete for a place. To gain the favour of the gods by worship was one of the reasons why she would like him to be a ritual representative. Another important factor is that ritual representatives get better seats in the opera matshed than ordinary participants, and the higher one was in the list of ritual representatives, the better the seats one got. It is usual that a Kam Tin family invited their relatives to the opera. In the case of this young man, the family had invited his mother's brothers, among others, and the guests took up the six seats they received in the distribution. Seats were distributed to each chu, but the seats for ritual representatives were towards the front, while the other seats for the chu were towards the back.
No comments yet.
Private notes are available after approval.