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CHINA MAIL, WEDNESDAY, MAY 17, 1950.

Woman Today

Some childhood fears

Thero, dro some specific fears which are likely for worry children at different ages. Naturally fearful or timid children are particularly prono to fears of all sorts, but modely all childzen, érap tha- bravest,ore apt to be, beset by cor- tain foars of same time or other The very young child, under two years, is most likely to be frightened by sudden intense hap- penings, such as a sudden loud noise, a flash of light, a feeling of loss, of support, or a quick, unexpected movement.

From two to three years, strangers, or unfamiliar-qħjects or situgilo?alid alko, aflibils, arð often regarded with dread by the

chlid,

Very few children, manage to get ffrough their second year without collecting one or two fears...

des

Some of the strange objects are obviously feared because of their association with one or other of theodden, happenings already mentioned,

They may be Barfießlirty volky things, such as fire engines, train or vacuum cleaners. They may give the child the fealing that he is falling, as is so often the case with its. On the other hand, ho may learn, to fear a situation through suggestion or imitation, Other fears that arise at this timo seem to have no foundation at all. Some children quite un accountably, develop fear of water (the sea, is noisy, certainly, but even still water is 6 common cause of fear), smoke rising from

• chimney, til forts of animals, especially dogs and horses at sometimes feathers i

Imagination

|

mother; to, stay with him or leave the light, on just a little longer,

Probably, most of these crea- tures originally developed out of a nightmare, but as the child of this ago. Is Usually too young to recall and.relate hls dreams 19 any detail, the mother is unable to account for them.

During the day, the child vory! often enjoys talking about the terrifying Booboo, and even in sists on playing games about him and dramptising all sorts of frigh- teping, episodes with himself usually the vietor.

At four, too, the child begins to be aware of and therefore, to four, strbrigeness in people, and so, sometimes, develops a fear of very old men; people of a differ- ent colour or cripples...

The five-year-old is usually fairly free from many fears; though, there may still be some left over from an earlier stage, but at six, a fear of death or illness may develop,

Obsessional

The six-year-old pormally fears these things, only in regard to himself, but by the time he seven, he is afraid that his mother might dia or become !!.

By eight, he may still have some fears,, but he is trying very hard to overcome them Hd

known.os

obsessional" about anything he fears. He talks about it incessantly, often boost- rune

1

At 3%1⁄2 or four years of age, the child's imagination begins to de- velop and so other, oven, sttanker fears come into existence. Now is the age when the child begins to be afraid of the dark and f-, at this ego, became what 1 oginary creatures, who furk un- der his bed or in dark corners and cupboards ready to spring on him when the light a turned out.

Sometimes, there creatures are images of real shumáls, big dogs;; Hons, walves, etc, but often they are the creations of the child's imagination and. are given

"རྔ° │ fantastic, names,

There'

a Boo- Boo or a Wdoshery walling to get me," says, the child as he begs, his

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The normal child who has had the right, sort: of help from his parenta is usually, well on the way to...overcoming his childish fears by the time he is nine; though the timid child máy, takd ülot longer than this before hd can really face iffe without the fear of Fear lurking in the back- ground.

How quickly and easily any chlid managed to control, any specifle 'fear depends firstly on la own temperament and. secondly, on the way in which each fear as it arose was handled by the adults around him.

RECIPES

Todsted chedió. sandwiches, new-style-

1 shelled hard-cooked egg.

lb. grated American cheese 10% (2¬cupa).

1 tsps, drained, chopped

pimentos.

ibsps, minced onion.

tsp. salt.

tbsp. butfer or margarino.

1 tbsp. dranulated sugar.

1 tbsp. figur,

2 tbaps vinegur.

1⁄2 cup top milk or evaporated milk. Dask cayenne pepper

Sarend

Chop CKR: add's

"next 4 the dients Melt butter in a double boiler add sugar and our blend Add vinegar, milk and pepper, beating with egg beater, Cook over hot water until thick ened. Add egg mixture; stle until melted. Use to All 8 sand- wiches, Toast in skillet or boller, Note: This cheese mixture keeps, covered, in refrigerator. several days.

Scope

the Cigarette holder that

part bord-oploured Telescopes/

holder that.«mu‡őnyttő÷ ully efecte olgura stubbs, and whi toleSCOPES and tucke away. In anitary: motat

Individualising the popular ckirt and blouse: combination is this dictinctive costume originated, by Orty, Kelly, for Bab bara Stanwyak. The Manhal skirt in a light chamole shade is gored for fullness and dach gore marked with a flange, Tho tailored Blouse is in the same; light shade barred with brown, with deep French cuffe of the dame fabric as the skirt, Brown alligator leather buttons set with gold, macob down the front of the blouse from the high band collar and are also fashion éd'info buftalinks for the claevOR.. A brown alligator belt completes the note of trim.

Successful furniture

arrangements

By Doris Denisön

The success of any room arrangement depends factors — convenience and, ap- upon two pearance. Sometimes one of these factors must be subordinated to the other, but thô ideal grouping is the one which makes the most of both of them.

Glittering

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u- ann prove you, the fact by New York; advertis mants. Adding to ex-

alusively featuring the sophisticated footwear

dos

by MADEMOISELLE," Moda Elite features

the figure ja one off

many other finer, ""EXCLUSIVE-LINES" "PENALJO" originals noted for EXTRA" comfort and durability, Many lines of popijler.priced shoes with matching bags at 50%

in feathers and also in multi straws.

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HAL AND PURSE GLAMOUR AGAIN NOWHERE ELSE IN TOWN CÂN YOU DIS. COVER: BUCH¿A, WIDE WORLD OF FINER HATS BRIGAGET AND RIGH RUBLES BY “PICHEL, to whose JOSEF EVANS etc pursu masterpiece are ve

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distributdr for gay "PLAQ TIGA „COIL vilnawiwell, MT *LUMURED BEADETTE PURBES” veholesale, nantes

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THREEWAY PATTERN

elyas you thres „pürgen, för oreonly it

As are there is one point square-room, arrange your contBE BUYING

of Interest in every room such as a picture window, a fireplace, or } det the a large, paluting. focal point in the rook, you are and arranKe your decorating main pieces of furniture aroun!

• Frame a large window by pla- cing two good sized chairs on either side of it,

versation, 'grouping slightly off centre. For Instance you hight pláce a couch at the end of 'önd well instead of in the centre of it.

અ Break up, long room by placing a couch out into the room on the long side...

Largo rooms

i

If you have a fireplace, put.A long, living room should be your sola in front of it, with broken up into a number of in-

two thing. strapazbenuine, 1950 -pat- torn with one broad, strap

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evallábia-dily at Mode Elite. At Mode Elite also available wide collections of; straw, plastio, in white, natural, multi only at $16 and $20 bach-+|| "WARRANTED". genuine American bags 1950 Patterns -nothing "COPIER

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Kayamally Buliding, ground noor.

two chairs on either aide. Or, interest centres perhaps two con 22, Queen's Road, G

a small room, place a love acat on either side of the fireplace, right angles to the wall,

4

Conversation groupings

+

Chairs anÀ ̈

"couches should be arranged to that it is easy for people to converso without shift- ing that chalvs. That is why two chairs and a couch are so often placed in a semi-circular pattern or several chairs ard placed facing one another. These arrangements are called conver- sation groupings,

If your room is quite large and you have a lot of furniture, several of these groupinga ́ ́ muy be employed.

аге

Good balance is one of the things that makes a room attrac tive. If most of the furniture, of several heavy pieces placed at one end of the room It looks lopsided. If most of the furniture is placed in the centre of the room, it looks bare

versation groupings, one-reading- lamp, and bookcase near by. Also corner with comfortable chair,

a writing area -near · a window; If possible, containing a desk, thair, wastebasket, - and good light for evening work,

Renommée

resses

When you place a couch on one GLOVE CADDIES

elde of the room, balance the other ride with two gondi sized chairs.

Avold Uning up your furniture along the walls, leaving a large empty space in the centre of the

room

Don't be afraid to try unusual arrangements as long as the room is still pleasing to the eve

Try placing your desk, out into

the zoom, sylth and end against the wall

clever arrangement

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