Page

CHINA

INYOZA TAM

NOVEMBER 28, 1988.

MOTT AND JEFF 70HOTO FISHER

BUT, MLOVE I DON'T

KNOW A THING ABOUT"]"TIME YOU LEARNED!

BUYING WOMEN'S.

CLOTHING.

WELL ITS ABOUT.

OTHER MEN HELP THEIR WIVES TO SELECT CLOTHING!

MUST!

FAH SUCH BEAUTIFUL CLOTHES! “AND WHAT DOES MONSIEUR THINK OF ZOSE MODELS?.

By BUD

MOHSEER WONT TELL! MÖNSKER DON'T WANT

TO GET SLAPPED!

IF I'M WRONG. SUE ME!

BY

HORTENSIE DEBRIS

10:19

HORTENSE

SMART JANES WILL BE WEARING

SHEER BLACK STOCKINGS BEFORE

THIS GETS INTO PRINT!

Horty

IN THE COCKTAIL

AFTERTHE SWIM

FOR THE GOLFER

FHEERING

HEERING CHERRY BRANDY

FRAPPE

AS A LIQUEUR

IN A LONG DRINK

P.F. HEERING

Cherry Brandy

Obtainable Everywhere.

靠可用耐油漆牌駝駱

PAINTS, ENAMELS,

ANISHES & SPRAY LACQUERS

RABLE A ECONOMICAL

HE NATIONAL LACQUE

"KING SE ROAD, HONG KON

RODUCTS CO. LTD.

限有油漆

THE DAILY SHORT STORY"

Driving Lessons

Jo, that's the last time you'll take the car out alone! I'm tired of get ting you out of jams. Sergeant Ryan is tired of it, too. He told me to-day that he'd let you off for the last time."

"Really, Art, there's no need get- ting excited over the silly business. The car is mine as much as it is yours, Moreover, I intend to drive it. I've got to learn. sometime. And with the road laws as strict as they are fa be- ginner is bound to get tagged once or twice."..

.

"Now look here, Jo. I've listened. to that story for the last time. It's always the same. At first I was will ing to consider the fact that you were Just learning, but after a month of it, it strikes me that you should have acquired some skill as a driver. Enough at least, to keep out of trouble.

but never believed them. She could Art! Her hus- scarcely believe it now. band! Probably carrying on an affair. with another woman. And she, Jo, had believed in him implicitly. Believ ed in his love, his loyalty, Believed his excuses, his lies.

She suddenly flung herself on Q divan and wept

A half hour later Jo dried her eyes and went up stairs. Her mind was made up. She'd pack and leave on the 6.30 train. She could never be happy with Art again. She could never trust him, never feel that he was loyal and fine as she had always thought.

Hastily she scribbled a note explain- ing that she knew of his deceit, and went down stairs, paused at the foot and stared wide-eyed.

Art, grinning broadly, was standing

Art Phillips went out and slammed the door. Jo watched him hurry down, 'In the centre of the living-room floor. the walk, climb into the car and drive

"Going some place?" he asked. "Say, away. Or late Art had been consiI'm glad I got home in time to see you. derate enough to leave the car at home. off.

They brought the car around

By Karl Grayson

for her use. But now. it looked as earlier than I expected and though all that was over.

"Art! Please! I don't care, to listen to more of your lies!" She tried to get past him, but Art stepped: in her way.

"Don't be follish, Jo. You'll regret it. Wait till you hear, my story."

Jo paused. After all, it was "only fair to let him explain. She did love him, and she'd never feel right unless she had given him a chance.

Jo didn't mind so very much. In the first place she didn't like to drive, and in the second place she was a little tired of trying to talk herself out of traffic misdemeanors to burly and irate policemen. If Art's: decision hadn't come on this particular day, she wouldn't have minded a bit But the fact that that afternoon she was scheduled to be at a, bridge party in the neighbouring town of Benton, and had been depending upon the car to transport her there, was annoying.

Jo glanced at her watch. The last bus to Benton for over an hour had left ten minutes ago. She became a little panicky at being deprived of the his arms, afternoon of bridge; and became angry getting sore.

All right. But hurry."

You're "Then you do care?

.not really going to run out and leave me flat? I didn't think you would honey.". ****I said I'd listen.'

Jo." Art suddenly swept her into "Jo, I don't blame you for I shouldn't have taken

"

at Art for his attitude in the matter. the car, knowing you wanted it this Then, abruptly, came a thought. afternoon. But," he paused to grin, Quick action followed. Ten minutes "the fact la I saw you drive off from I wanted to later she was on a bus riding down in front of the office.

That's why I town. As she had expected the car teach you a lesson. was parked at the curb in front of hatched up that story about the garage. Art's office...

You see, I went up there this after- noon to make arrangements to have them give you driving lessons. That's what gave me the idea. I was at the garage when I called. why I was so late in getting home."

Jo, both arms about Art's shoulders, reached inside her bag, extracted the note and crumpled it.

Feeling somewhat like a small boy stealing apples she took the ignition key from her bag, which Art had fail- ed to deprive her of, climbed into the car and was away. Once beyond the city limits she didn't care a hoot whe ther Art discovered the theft or not. It would do him good.

Jo returned, to town just before five. There was no indication of excitement about Art's office, and she parked the car in the exact spot where it had

And that's

(Copyright 1988, by The Associated Newspapers)

stood three hours previous, caught an BRITISH INSTITUTE

out-going bus, and was home by 5:14: She had hardly divested herself of coat and hat when the 'phone rang. It

was Art.

"Hello, honey. Sorry I can't be home

to dinner. Something happened to

IN LISBON

London, To-day.

With the co-operation of the Por-

the car this afternoon. I Brought it tuguese Government the British

to a garage and left it there. They Institute has been established in Just called and said it -wouldn't be

ready until seven. Guess I'll wait." Lisbon and will be opened to-day Jo's art leaped. For a moment she by the Chairman of the British was silent. Then: "What:

what

time did you say you brought the car Council and representatives of the

Portuguese Government. to the garage?"

"This noon. Right after I left you." Object of the Institute will be to "Oh Jo hang up without replying further development of culturað She felt weak. So this was why Art relations between the two coun- had been making excuses to stay out

late... She'd read about such things, tries,—Trans-Ocean.

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