1933-05-16 — Page 10

Hongkong Telegraph 港電新報 士蔑新聞 All

199, 19 (349yggnamenjak – KA

ST

10

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KING'S THEATRE

COMMENCING TO-MORROW

"DYNAMITE”

That's what they called hor...boauteous...primi- tive...impetuous...walling to be tamed,

CLARA

BOW

The incandescent Ramo of her personality undi- minished and undimmod

CALL HER BAVAGE:

The throbbing adven tures of a woman who unleashed her heart.

from the novel by

TIFFANY THAYER

Dunciadhy

POLRI FRANCIS BILLON

FOR PICTURE

She joins the great in an immortal role!

MADAME BUTTERFLY

(

SYLVIA SIDNEY

CARY GRANT CHARLIE RUGGLES

R.P.SCHULBERG

PRODUCTION

Pronat de MaSION VELING

COMING SHORTLY

QUEEN'S THEATRE

MRS. MOTONO.

Hand and Electric Massage. Holder of Diploma and Certificate, of Tokyo Denki Ryoko Kenkyusho |

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24. Wyndham Stroot, Telophona 24945.

THE HONGKONG TELEGRAPH. TUESDAY, MAY 16, 1933..

LOVE OR MONEY?

(Continued from Page 9.) his future. Well, she would do it. Her husband and Barry would bolli be happy. Only she herself would suffer by the arrangement. Suffer? That might be two strong a word, She might learn to love her hus band. She could try.

CINEMA SCREENINGS.

NOTES SUPPLIED BY THE THEATRER

to the

TOC H. DINNER.

SYMPATHETIC RESPONSE TO MESSAGE IN NORTH

That a sympathetic response had What "Street Scene" was city, "The Night of June 19" whichbeen received to the Tac H. mea-. will be shown from Thursday at the sage they had taken to the north It was 11 o'clock but she could Queen's Theatre is to the suburbs, was the note struck by Rev. F.E.

Like

ila distinguished predecessor, ("Bohs") Ford and Harry Chap not sleep. The fire she had order The Night of Juns 13" tells of sen- pell, the Toc II, travellers to the ed earlier while she and Lottle talk-

Far East, at a dinner and meeting ntional events which transpire bc- ed, still glowed softly and gent hind

commonplace, apparently. little tonguca of ahndow ncross the serene exterior. Like "Street Scendat the Volunteer Headquarters last

ceiling.

terested parsons.

il deals with the tangled lives of evening, attended by about 40 in- several midille-class families, living in Rev. Ford stated that an excel-

restricted area.

It had been a happy Christinas but now she was alone. She won-a dered if her husband had found and like her gift, an Italian leather casa fitted with two photographs of herself. Silly to give one's own ple- ture but what was there to give such a man? A man who had everything!

But there ita similarity to "Street lent start had been made in Shang- Scene ends, for "The Night of June hai where at present there was a 13" is well capable of standing on its group. formed with about 40 mem beru. In Tientsin and Peking Toc own feet as a dramatic unit and as exciting and unusual photoplay. Its had started in a small way with story it remarkably well told by both rosy, proupects of growth.

Mr. G.S. Dunkley gave a resume east and director, and it moves with steadily increasing power to its excit.of the activities of the local group nowing climax courtroom scene that is since the departure of Padre Ford rather a startling departure from the and extended thunka to Mr. II.B.L. usual.

Dowbiggin for the use of the Volun- i Particularly commendable is the teer Headquarters for the gather- work of Clive Brook na John Currying. falsely accused of murdering his wife and almost convicted on circumstan- the stars of the screen are ulike in tial evidence because none of his the possession of beauty, they are neighbours quite tells the truth. radically different and individual in Each seighbour has a reason of his

and retaining their Scintillating own for not wishing to account for their methods of improving on anture hin movements on the night of June 13, and each thinks that, as John is guilty anyway, his little lie can't do any

Probably he was rending She knew he was a light sleeper, schtium retired early. He had given her jewels, furs, the happiness of making her family happy. She had given him-only her portait.

Suppose she were to call him now and give him, as a Christmas gift, herself? A gift in all likelihood for his last Christmas on earth? Her mind was made up. She would make him happy. She would call him now and tell him.

Taking the little French tele-

phone from the night table Monn poke the Twilands number. The telephone at Twilanda' rang in the hall and in the butler's pantry. but at night, she knew,

it was switched to her husband's bedroom, The operator repented the ring ing. They do not answer," she droned,

"I said 9709," Mona Insister, "Are you sure you're ringing that number?"

At that instant the ringing was "Hello," said a strange cut short. voice.

"Is this Twilons?" An ominous fear overwhelmed the girl. She scarcely knew why. The voice was not familiar.

karm. Brook, with so many

charin.

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Clara Baw, as vivid in her screen characterizations as Mike Gaynor 18 sophisticated roles to his credit, in demure, believes that wrinkles, result remarkably fine as the middle-class are sent to overworked muscles,

can best be guard against by completo PACIFIC who is caught in this strange man's most deadly enemy and mass of petty intrigue.

relaxation. When Miss Bow feels Next honours go easily to Mary herself growing tired, she stands with Boland and Charlie Ruggles as the feet apart, hunds on hips, and allows inquisitive Mrs. Strawn and her the shoulders and bead to drop and propitiating hand. They erente the waist to bed. She closes her eyes than their roles and holds that position for three even more laughs

minutes. warrart.

During the year and a half that Miss Bow has been off the screen, His

has gone through A complete transformation. So

complete in it that for her appearance in "Call Her Savage," the new Fox screen play in which she is starred, she has called the new Clara How. Here is new type of beauty, a new personality, And credit for the change gacs, not to the beauty experts of the film BUTTERFIELD & SWIRE. rapital, but to Clarn Bow herself.

as the suave,

Arc

"Hot Pepper" Strikingly

The contrasted

Quirt in characters of Flagg and "Hot Pepper, new Fox Film produe tion with Etmund Lowe and Victor MeLagien. In this hilarious comedy at the King's Theatre, Lowe oppeurs

urbane and smooth talking chiseler,

while

McLuglen is excitable, savage and

and rough. Their netivities in Hot Pepper" find them in civilian dress fushion plates with silk huts. Though in as cutirely new atmosphere as speak ensy owners, they are still the Bight- "I wish to speak with Mr. Town-ing Flagg and Quirt, the characters send. Has He retired?"

originated by Laurence Stallings and Maxwell Anderson.

The

"Yes, Madame."

Madume! A strange voice would lave, in all likelihood, have said "Miss," Someone was speaking who had recognized her!

"Is that you, John?" she asked quickly,

"Mrs. Townsend? This is Dr.

They battle principally for affections of "Pepper," a brown legged little firebrand discovered

stowed

abstract

There was a silence. Mona could sense rather than hear a slight rus- tle. as though the telephone had changed hands. She could hear quick breathing against the trana-away on one of Flagg's rum boats. initter. Then another voice smote.

This role is portrayed by Lupe Velez. El Brandei, the Swedish dialect her ear

comedian, also plays a featured role. "Madame Blanche." Regardless of what the Dunn speaking. Your husband—†idents of art may be, the director's Mr. Garretson is on his way now to job in this day of "box office" is to tell you-"

that produce a result on the screen "But

my husband!" Monu ↑ has a definite appeal for the general gasped. "Is

public and at the same time achieves Trai, you've cut me off, Is he 17 the highest standards possible. This Answer me!"

is the formula for successful screen product offered by Charles Brabin, who scored in the realm of art with "The Bridge of San Luis Rey," and recently directed the "The Secret of Madame Blanche,” in which Irene Dunne is currently starred at the Queen's Theatre.

he i

Wait-cen-

"I received the signal to discon- nect," the operator's voice came in "Shall a monotone.

I try them again?"

"Never mind," Mona said. She repinced the receiver: Dressing slowly, she awailed the coming of her husband's lawyer. Already she knew what he was coming to tell

ker.

(To be Continued.)

The Drink

of the

Season'

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A Squibb Specialty

"In the final analysis, the box-office, method of producing films does not have to be a compromise with art, as ench individual scene offers

many för

detail artistic opportunities The camera work can be so balanced with the action of players that a

will result," pleasing harmony Brabin

Ray

"In "The Secret of Madame Blanche, the charm and grace of costumes and backgrounds of 180 in carly sequenCCA

full were used to benefit for every artistic result pon. sible. Our story progresses to the vecent war after Miss Dunne is shown nging through a thirty-year period, and when she meets her son after years of separation we tried to obtain pictorial results on the screen that Whistler, the famous nrtist, might enjoy."

even

"Call Her Savage" With the parade of beautiful screen stars going on, seemingly without end. ove cannot be ridiculed or even censured for fancying Hollywood a highly-geared beauty

where girlą, going in at one end to be scrubbed, polished, rouged and mar celled under a patent, never-Calling process, emerge creatures of glamor ous and delicate charm,

But Hollywood has no sreret formu. la o panacea for wrinkles, bei com. plexions and sheenless hair. Though

heen

n

at the

Call Her Savage" open King's There on Wednesday next.

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RECKLES

IS GETTING RESTLESS

AND ANXIOUS

TO GET STARTED

FOR

SAN PEDRO,

WHERE

UNCLE HARRYS

YACHT

AWAITS

THEM....

I HAVE MY THINGS ALL PACKED, READY TO GO ANY TIME YOU SAY THE WORD ...... JIA AFRAID WE'LL WAIT UNTIL THE FIRST THING You KNOW, WE CAN'T

GET AWAY!!

CAN'T GET AWAY? WHY, THE SEAPLANE'S

ALL FUELED AND

READY!!

YES, BUT ONE OF THESE NIGHTS A COLD SPELL MAY COME UP AND FREEZE MR.SEAPLANE RIGHT IN THE LAKE... AND WHERE'D

WE BE? JUST OUT

OF LUCK, THAT'S

WHAT!!

DONT WORRY...I'M KEEPING AN EYE

ON THE BAROMETER!

I WON'T HAPPEN AS LONG AS BILLY BOWLEGS

15 ON THE

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WHY WHAT COULD YOU DO TO KEEP IT FROM

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S

RIQUES, MAT, OFF.)

Page 10Page 11

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