RAS-1983 — Page 200

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed
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178

Example 3.

a

Original first pitch E

AZ

[Pvl, Pv3]

[Pvl, Pv2, Pv3]

c Pv3, Rv1J

a

d

[Pvl, Pv2, Pv3]

[Pv1, Pv2, Pv3]

[Pv1, Pv2, Pv3]

[Pvf, Pv2, Pv3]

-ETC-

Excerpt three is part of the solo chanting session with the accompaniment of the suo-na. The transcription shows the suo-na part only. The voice part has essentially the same melody, two octaves lower than the suo-na part. The unit-pattern consists of four motifs and is repeated in the forms of : a-b-c-d :|| and its re-arrangements |a-b-c-b-d| and | a ||: b-c :|| b-d[.

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2026-05-13 01:40:46 · NVIDIA / meta/llama-4-maverick-17b-128e-instruct
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178 Example 3. a Original first pitch E AZ [Pvl, Pv3] [Pvl, Pv2, Pv3] c Pv3, Rv1J a d [Pvl, Pv2, Pv3] [Pv1, Pv2, Pv3] [Pv1, Pv2, Pv3] [Pvf, Pv2, Pv3] -ETC- Excerpt three is part of the solo chanting session with the accompaniment of the suo-na. The transcription shows the suo-na part only. The voice part has essentially the same melody, two octaves lower than the suo-na part. The unit-pattern consists of four motifs and is repeated in the forms of : a-b-c-d :|| and its re-arrangements |a-b-c-b-d| and | a ||: b-c :|| b-d[.
Baseline (Original)
178 Example 3. a Original first pitch E AZ [ Pvl, Pv31 [Pvl, Py 2, Pv3] c Pv 3, R v 1 J a d [ Pv l, Pvz, Pv3] [ Pv 1, Pv2, Pv31 [Pv1, Pv2, Pv3] [Pvf, Pv 2, Pv3] -ETC- Excerpt three is part of the solo chanting session with the accompaniment of the suo-na. The transcription shows the suo-na part only. The voice part has essentially the same melody, two octaves lower than the suo-na part. The unit-pattern consists of four motifs and is repeated in the forms of : a-b-c-d :|| and its re-arrangements |a-b-c-b-d| and | a ||: b-c :|| b-d[.
2026-05-13 01:40:46 · Baseline
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178

Example 3.

a

Original first pitch E

AZ

[ Pvl, Pv31

[Pvl, Py 2, Pv3]

c Pv 3, R v 1 J

a

d

[ Pv l, Pvz, Pv3]

[ Pv 1, Pv2, Pv31

[Pv1, Pv2, Pv3]

[Pvf, Pv 2, Pv3]

-ETC-

Excerpt three is part of the solo chanting session with the accompaniment of the suo-na. The transcription shows the suo-na part only. The voice part has essentially the same melody, two octaves lower than the suo-na part. The unit-pattern consists of four motifs and is repeated in the forms of : a-b-c-d :|| and its re-arrangements |a-b-c-b-d| and | a ||: b-c :|| b-d[.

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