The second excerpt is an instrumental prelude of suo-na solo with percussion in the background. The transcription shows only the suo-na part. The unit-pattern is composed of four motives a, b, c, and d. Repetition of the unit-pattern takes the form of ||: a-b-c-d:|| which remains unchanged for the remaining portion of the prelude. Variation techniques used are basically those of the pitch-variant type.
Example 2.
Original first pitch
[A1] & [Px2]
*
Eb
•3] — C [Pub, Rv3]—|
1,
A2 a 5 Pr2]
C [P1]
[Py L. Pv
Pvl, Pv3]+C [ Pyt2 Pv2]
b c
[ Pri, Pv2]
-CEPVI P11
**
¡A3]
a [P2]
1 Pr1 Pra
CEPVI, P¥ 2 ] —
a- b
*
177
The second excerpt is an instrumental prelude of suo-na sọlọ with percussion in the background. The transcription shows only the suo-na part. The unit-pattern is composed of four motives a, b, c, and d. Repetition of the unit-pattern takes the form of ||: a-b-c-d: which remains unchanged for the remaining portion of the prelude. Variation techniques used are basically those of the pitch-variant type.
No comments yet.
Private notes are available after approval.