FIVE ART CATALOGUES
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same tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.
On the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.
However, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.
This type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8
FIVE ART CATALOGUES
87
same tradition. For instance, Pien Yung-yü's * Shih-ku-t'ang shu-hua hui-k'ao A÷+±‡‡‡✯ of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan 4 of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu ★✯ of 1712 (20 chúan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's ✯✯ Mo-yüan hui-kuan ♣✯✯✯ of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chuan with simplified descriptions of painting); and finally, Ku Wên-pin's ⇓ (1811-1889) Kuo-yün-lou shu-hua-lu &#t ✯✯ of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.
On the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chro- nicle were far fewer. From the earlier period, only Huang Po-ssu's ✯ (1051-1107) Tung-kuan-yu-lun ✯✯✯ (2 chüan, edited
#) and Chou Mi's
in 1147 by the author's son, Huang Nai (1232-1298) Yün-yen kuo-yen-lu
(4 chüan, edited pro- bably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.
However, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most impor- tant were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan *** (8 chuan); Tu Mu's ## (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's ♣ (1501-1583) Ch'in-shan-r'ang shu-hua-chi #L± ✰✰✰ (1 chúan, edited in 1565); Chu Chih-ch'ih's *2* Ao-an shu-hua-mu »A★✰ ¦ (1 chúan); Sun Feng's M, Shu-hua-ch'ao ★₫✯(1 chüan); chen Chi-ju's (1558-1639) Ni-ku-lu ↓✯
B.
(4 chüan); Tung Ch'i-ch'ang's ✯✯☎ (1555-1636) Hua-chan-shih sui-pi ***(4 chuan); and Li Jih-hua's # (1565-1635) Wei-sui-hsüan jih-chi *** @ (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.
This type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng- che's *** (1592-1676) Kêng-tzŭ hsiao-hsia-chi ✯†✯ L 22, (8
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