W

DONALD DUCK

FAINT

Der Jpet, Walt Barry I'miluction

17-16

Wednesday,

HONGKONG TELEGRAPH

OH, HERE WE GO GATHERING EGGS ́IN MAY! TA DA DE

DUM DE DUM..

CONTRACT How to Play

BRIDGE

How to

JOSEPHINE CULBERTSON

Keeping an Exit Card

WHETHER to "hold up" an ace or should see that his best chance, un- to take it at the Orsi opportunity less the diamond queen fortunately

is one of the most bafting of all drops on the ace or king, is to make questions for the average player. the defenders lead clubs-preferably, No hard and fast rule can be em-of course, up to A-Q. ployed; the right decision depends entirely on the objective of each (again excepting the diamond

The only way to take nine tricks piny.

tlon, which will take care of itse.

ans

In a hand such as the following to win the first spade trick

19 the uce should not be held, up, be-keep the spade ten as an exit card. cause declarer needs his low card in After winning with the spade nce, top diamonds, then exists with the declarer cashes his hearts and s spade ten. West, thrown on lead, ehn do no more than cash' his four, good spades; he then must "come to" decinrer in clubs.

the suit as an exit, or throw-in, card

South dealer.

Both sides vulnerable.

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South West North Enat 3NT l'ass

PABE South's three notrump Lid slightly unorthodox, Inaseuch as this" call announces 4-3-3-3 distribution and 7 to 714 honour-tricks. However, South has eight sure tricks, he long suit, and with his space and club, holdings would rather have a lead up to his hand than through it.

West opens the spade king, and the fate of the contract depends on South's action right now. If he holds up the see, he can never take more than his top trieks. He cahnot) reneh dummy for a club finesse.

The objection may be raised that this plan would not succeed If West arginally held six instead

of five spades. The answer to this is very simple: In that rase, no other plani would have more chance for success. Moreover, even then, West would have to throw away a spade in order to guard the club king. If he held it.

To-morrow's Hand

South dealer.

Neither side vulnerable. Match-point dupliente.

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should

How

East-West defend

(which would lose anyway), hence,(against South's six heart contract?

Crossword Puzzle

ACROSS

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mountain nymph

International

confict

Carbonated drinks

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mythology, spirita

15-Buite of rooms 17-Youth

I-Borrowful

20-Entall vegetable 21-Gadness

31-Leiter of alphabet

23-Alter ends of

church

25-bitral bout

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30-atendicant derrish

of Persta

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fortress

34- sharply

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37-Pastening devices

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44-Waaled cart

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49-Forers AWET

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Count the TELEGRAPHS"

everywhere.

Dverified by King Pestuses Sredicate Jor.

August 27, 1941. By Walt Disney

Ubinary, Supreme Court

ANCHOR

Butter

it

THE WORLD'S BEST

OBTAINABLE FROM ALL LEADING STORES, Sola Agents: LANE, CRAWFORD LTD

James Hilton's strange and gripping tale of a paranoiac has RADIO

'been made into a motion picture, with Robert Montgomery, Ingrid Bergman and George Sanders in the leading roles.

RAGE IN HEAVEN

SYNOPSIS:

Seeming normal, intelligent and attractive, Philip Mourell falls in love with Stella Bergen, a beautiful refugee, companion to his mother, Mrs Monrell must go away for her health. She intimates that Philip is weak and needs a woman's guidance. Out of gratitude to her, Stella marrics Philip. They are happy but the erratic, morbid side of his nature appears. He becomes obsessed by the notion that she is secretly in love with his friend Ward Andrews. To confirm his suspicions he offers Ward an engineering job at his steel works and then starts to spy on them. Each innocent action he secretly builds up into.great significance. Then his behaviour causes trouble at the steel works. To prove his own importance, he refuses to approve the housing project for the workmen.

IT

Chapter Four

WAS ABOUT TEN O'CLOCK the next morning that the workers at the factory began their grin chant. They kept at it for an hour.

"We

-want-new-roofs.

We-want-new-roofs."-

As Philip latened to it. something began to happen in his brain. It was all hot und scorched. It seemed to be burning up, killing him. And. then the fire went down into his body and almost stopped, his heart. It felt like dying.

Suddenly he could stand it no longer. He sprang to the telephone and called police. A few minutes later Ward came bursting in.

"Blast your nerve!" shouted. Why did you call the police

Do you want to start a massanere?"

the

he

Philip was pale with fury. "Get out of here. I won't be bullied by you or anybody else." He gasped. The polico whistles were blowing outside and the men

were running into the building,⠀

The door opened and Stella rushed in. She had heard of the trouble at home from Eric, the chauffeur. "They're coming," she said in a stilled voice. "They're coming in the front door."

Philip's eyes were bulging out of his head. "But the police must stop them. Where are the police?"

"Here."

Ward shouted, "for heaven's sake, get down the back stairs, There's no telling what they'll do in this temper."

'Now Philip's face shone with hatred."I understand. That's what you want, both of you. To see me run away. Well, I'm going to disappoint you." He looked at Ward malignantly. "You can't al- ways be in the limelight, yot! know." He wasn't afraid, he told himself. He'd handle that mob all right.

*

HE started down the

staircase. The men were in the large open office just below.

He faced them. "Wh-what. are you doing here?" he asked weakly. "Go home."!

One of the men stepped up. "If you want us to go home, call your coppers off and let us have a straight answer! Will you give us our homes or

1

Now Philip turned and watched them дл they left the roon. Ward's arm Wits around her shoulder. How he hated them, He wished they were dead.

R

full week before he was out of bed and on his frat day up he went into the library. and wrote in his diary, "May ninth, What I feared hins hap pened." It was true. Hadn't he seen them, heard them in his room together? "I know now, I can't bear it any longer."

ho

Now, housing

It

The

But when Word camus to see him that day he was his old charming self. Shyly, he apologised for his behaviour at the office last week. The only way he could account for it was the fever. It niust have been coming on. Fever was like that. mirror in a funhouse. that, a made the whole world look ugly.

assented to rendily

Was also terribly Project. He

concerned and interested when Ward tok him about the acetdent at the works. Ted Dob. son had beef standing on one of the platforms. The trains kept

slack.

have lost his balance.

Philip shuddered. . "I

suppose It's quick death." What a queer end. Gone in a moment and there was nothing left but a bubble In over a block of steel. "Word," he molten metal. Nobody could cry said eagerly, "I'd like to see the place. I want to show the men that I take an interest in these things. Maybe we should put up some safeguards."

golng past there full of molten

He

must

shall we take them? Now DESPITE Ward's protests that he

the other men began to shout. "Silence !" Philip cried shrilly. "How dare you break into this building? I'll have you all arrested."

Quite good-humouredly, one of the young workers said "Ah, shut your big mouth." He threw his cap at Philip, hitting him in the face. There

was

#t rone of laughter. Philip, in a panic, ducked to- ward the back stairs.

was still too shaky, Philip came to the foundry with him that afternoon. Carefully,

they walked down the steel staircase to the platform where the accident hud laken place.

"Be s standing just about Ward shouted above the of roar the furnaces. His back was to Phillip. "We bught to fix up a safety railing and net, run- ning all the way along—”

Philip's brain was on fire. His eyes were murderous. He stepped forward and raised his hand, to push Ward- push that would send him into the furnace below. But at that second Word turned. Philip's hand dropped gulltily.

Word had apparently seen noth- log, "Don't you agree with me?"

asked.

he

"Yes-oh yes." Philip passed his hand over his forehead as if ho were awakening from a bad dream. He said faintly, "I feel giddy. It must be the beat. Let's get away from here

"After him lads," one of the workers shouted, "don't let him give us the slip."

But as the door closed be- hind Philip, Ward tore down the

stairs. "Wait!" he shouted commandingly, In- stantly, there was a respect ful silence. "What's the mat ter with you men? Mr Mon- rell has already decided to puss the housing project. He'd have told you so himself A Philip's Insistence, Ward just now if you'd have given him half a chance."

"Do you expect us to be- lieve that?? one of the men asked suspiciously.

Ward faced them down.. "I do if I tell it to you." There was a short pause. Then a cheer went up.

Ward stood there grimly. That housing project would go through now if he had to the order for it down Philip's throat.

rum

*

ALL day long,

Philip

was missing and by. evening Stella was frantic.

Ward was just making tele- phone inquiries at the police station and the hospitals when Philip came into the house: He WAH tottering, could barely walk.

His eyes were glazed. He. brought his words out with difficulty. "No need to be frightened. Nobody can hurt me just run away and hide." Suddenly he swayed and fell to the floor in a dead faint.

The doctor. Was summoned, and all that night long. Philip tossed in bed feverish- ly. It was after midnight when Stella and Ward tiptoed into the roomt..

Philip was very still. What would his wife and Ward do? What would they say?

"He's brealiing so heavily," Stella whispered.

"Please," Ward pleaded, "you're worn out. You've got to get some sleep.

She looked at him. "Very well." Her voice was soft, obedient, "PIE go to Bed a

came to dimmer that night, Over the men though, they were Loth so silent that Stelta found it necessary to comment.

Then "Think

I'

HO

the laughed and rose. into the musfe room and play the piano for you. Maybe that'll, brighten us all up."

The door closed behind her and Ward turned to Philli "To-day

"he

sald

slowly, to kill me? "why did you

Philip was holding a glass. dropped and shattered. "Get out of

my house!""

Then

a horrible stream

of abuse came from his Ilps. Ward had taken his wife from him. What had they been saying behind his back? What had they been doing?

in the found to

it

It

Ward faced him steadily. "Philip, your whole mind's distorted by Jealousy..

Yes, I am in love with Stella. But she knows nothing of

and she's never going to know.” Stella had heard them quarrel- ling. She flung open, the door. Ward. Philip. What on earth's the

mattar

Phillip laughed harshly: "Come on, Ward, why don't you tell hor that you're in love with her? It's true Stella, ho's told me himself."

Very simply Ward sald. “Yes, Stella and I should have left here long ago." Her eyes were shiny bright with tears as she looked at him but she said nothing.

He went to the front door find she accompanied him, "If you ever need me," Ward said, "Lon-. don's not very far away, you know.

In the library Philip waited tersely until she returned. Then, as the appeared, ho asked, "Has he. gone?"

"Yes, he's gone,"

He looked at her with infinite sadness. "And you've gone with, him."

(Philip fa'utterly poisoned by his hate and jealousy." His thinking has become strange and warped almost to the point of manla. Will this" prove a menace to Stella's safety? Reatt tomorrow's ‚epl

·sode)

ZBW, 355 matras (845 ke.) and 31.45 metres (9,520 kilo-cycles) Talk by Miss Galbraith

From the Studio Radio Programine Broadcast by ZBW on a Frequency of 845 k.c.'s and on Short Wave from 1-2.15 p.m. and 8.30-11.15 p.m. on 9.52 m.c.'s per second.

H. K. S. T.

12.15 Short Service of Interces-

sion.

12.30 The Boston Promenade Or- chestra.

Espana Waltz (Waldteufel); "Alda" - --Ballet Suite (Verdi),

12.45 Welsh Songs.

Over The Stone; The Ash Grove; Tou

Con Carol (A Welsh Carol); Spring- tine. Is Returning (Trad.),. .Ben Morgan (Tenor) with Martin Fearn The Little Thatched Cottage (Piano); (arr.

Osborne Roberts).....Leila Megane (Contralto) with Plano; Adieu To Dear Cambria-Old Welsh .Evan Williams (Tenor) with

1.00 Local Time Signal and Pro- gramme Summary.

1.02 The Milla Brothers in Variety. 1.30 Reuter and Rugby Press and Announcements.

1.45 Flims Selections. 2.15 Close Down

0.00 Indian Programme.

6.45 Closing Local Stock Quota- tions.

6.47 Humorous and Vocal Variety. 7.30 Old Tunes In "Swingtime." Pagan Love Song (Freed und Brown)....Teddy Foster and His Kings of Swing: Loch Lomond (Tru- ditional, arr. Thornhill)....Maxine Sullivan with: Orchestra; Avalon (Jolson and Rose)..... Val Rosing and ifs Swing Stars; Alive, Alive-O! (Corry, O'Brien). AI and Bob Harvey (Vocal Duet) with Orchestra; Alouette (Trad. Canadian Song). Horace Heldt and His Orchestra; I'm Forever

"

vin-Kelling-Bubbles (Kenbro

Elfa Logan (Vocal) with Orchestra; Handel In-Harlem (Scott Wood).

Wood)....Scott Wood and His Six Swingers; Hindustan Wallace, Weeks)....Bob Crosby's Bob

Cate; Annie Laurie (Trad.).....Maxine Sullivan (Vocal) and His Orchestra. 8.00 London Relay-The News, 8.15 London Relay-War Com-

Relay Listening

mentary.

8-23

POS

London

of Points in Dully Propaganda,

Germzation

8.30 Programme Summary. 8.32 Warlock-"Capriol" Salte. The Constant Lambert String OT- chestra cond, by C. Lambert.

8.10 StudioEnglish Humour No. 1-Butler's 'Hudibras,

Talk by Rev. Father T. Ityan, J. 9.00 Local Time Signal and An- nouncements.

0.02 Light Orchestral Selections. Plymouth Hoe (A Nautical Over- ture-Ansell)....Light Symphony Orchestra; La Folletta (Salvatore Marchesi); Melodiou Intermezzo ....Erich Ols- (Edmund Kotscher). chewski and His Orchestra.

9.15 Studio Talk on "Develop- ment

of Social Services" by Iss Winifred

Galbraith.

8.25 Charles Trenet (Vocal) and The Orchestra Mascotte.

D45-10.00 News in French (On Short Wave

9.45

Vare Only).

Operatio Operatie Duels.

Valkyrie Siegmund

(Wagner)

Call Me

....Georges Thit and Ger-

malne Martinelli

with Orchestra;

"Madam Butterfly" And Why Was He So Careful (Pucelni).

Conchita und

Roselta

While Marla Carbone (Soprano) and Piero Paul (Tenor) and Members of La Scala Orchestra and Chorus: "Aida" Tó Die So Pure and

Rest Thice. "Clusquez;

I Read The Letter (Bizet).

Rosa Ponselle

Martinelli

nt

10.00

News

* Lovely! (lovan

Commentary.

with Orchestra.

News and

10.15 Compositions of Elgar. Woodland Interlude (From "Corac- ticus"); Dream chi

Children, Op. London Symphony Orchestra; La Capricieuse, Op. 17....Josef Hassid (Violin)

with Plano; Song Of Liberty

(Pomp and Circumstance March, No. 4)....Dennis Noble and Chorus with The Band of H. M. Coldstream Guards; Enigma Variations, Op. 30. The BBC Symphony Orchestra cond. by Adrian Boult

11.00 London Relay-"Britain day,"

11.15 Close Down."

IF YOUR BREATH HAS

A SMELL YOU

CAN'T FEEL WELL

To-

Unless 2 pints of blis juice flow from our Te Into our bowels every day, our movements get hard and constipated and our food decaya un naturally in our 28 feet of bowels. This decry polmon all over our body every six minutes. It makes gloomy, grouchy and no good for Knything. Chứ friends smell this decky coming out of our mutthi and cali iz bid breath. Lan tives and mouth washes only belpale. Take Carles'tila Liver Plita. They get those 2 pints of tile flowing freely and then post feel on the "op and up." Ask for Carter's Little Liver Pilla by name and get what you sak, for

NOTICE

DEFENCE REGULATIONS 1940

will ba

The following rateg charged for malling single copies of the following newspapers abroad

South China Morning Post China and Macno

10 cents per copy British Empiro and Foreign 23 cents per copy

The Hongkong' Telegraph China and Macao 10 cents per copy British and Foreign 20 cents per copy

25 cents Saturdays.

Only a bragrance but a fragrance that's *Kat something Makes you fool smart.. makes you look gay,:. makes HIM feel romanttel Very chlo

SAVILLE'S

Interesting

very

and

not very costly. And 1 ALWAYS keepa fresh on frocks furs, undies, hankies.

Mischief

APS COSMETIC SHOPPE -opposito HONGKONG HOTEL

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You are invited to donate old -books, magazines, gramophono records and gamos for the men who keep Britain's Mercantile sailing the seven seas.

Please send parcels addressed;}

"FOR BRITISH SAILORS" c/o REV. A. STRONG. NAVAL CHAPLAIN

R. N. DOCKYARD...

ora

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