SATURDAY, MARCH 19, 1988
SNAPSHOT GUILD
среб
PICTURE ARRANGEMENT
KEEP-FIT CALENDAR
4TH WEEK
15
HONGKONG TELEGRAPH WEEK-END SECTION
All the Charm
and Freshness
of Spring
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dress lengths in
Pure Silks
and Satins
14
18-12X
1+7.
6-10× 1+r
16
A simple arrangement, but a good one, partly because the same curved Ins le repeated in the boys' backs and the back of the chair. This given rhythm to the plature,
MANY
(ANY snapshooters rend about|turo, Lines have a definito “pulling picture composition, and declée power," especially two ran to It is something subtlo and "arty," gether to make a point near the pic and pretty much of a puzzle. But Itture edge. Suppone, for instance, you
mont.
needn't be a puzzle, at all. Compos-want the eyes to stand out. In that suap a plcture of cat's face ned tion in almply pleasing arrange case, the cat's sharp-painted cars need to be in window, or the picture. should be trimmed so that the tips of the ears are cut of--otherwise. they will draw attention upward away from the cat's eyes.
The woman who arranges flowers In a bowl, or furniture in a roum, is "composing" in much the anong way as an artist compunes a pleture, Hoth are seeking balance, harmony, The shapes and outlines of things and an attractive arrangement that | appeals to the eye.
Picturu composition can be very Aubtle, but it does not have to be. As a rule, the simpler the arrangement, the more effectivo it is.
play a great pari In establishing the "feel" of a pleture, A "pyramid” ar- rangomont gives weight amd stabil. 11y, whila alender forms, such as a flower with a thin stalk standing in ja sile bud-vane, Buggest Ughtness. Clearness is the fral need of an Lines differ greatly in their effect. effective plcture arrangement. One) Dow, level Hues suggest quietness way to obtain this is to seek con- fand sadness, while tall straight linen, trast. For instance, if a gray object much as the trunks of forest treen, in pletured against a gray back-mingent dignity and grandeur. ground, the two tend to "run to Curved lines have grace, expecially gether," But if a gray object is ple. the Seurva such as in seen in the tured against a while background, |aret of a horse's neck or a swan'a with lights so arranged that it enats neck. When the same shape of line a black alındow on the white back-fs reputed several tinjen in a ple- ground, there in good contrast, and ture, the arrângionent tends to taka the object “atnude out.” A good ex-|on a plensing "pattern quality." ample of contrast would be a Hght- Try choosing your viewpoint no haired person plctured against a that the Hues and forms in your ple- background of deep shadow.
tures have a definite character. The Another thing fo to avoid contus-posuits will please you. log lues that "lendi out" of the pics i
John van Guilder
12-16X
8-12 X 1+1
18
10-16X
19
20
Start with one exercise and add one new one every day. Each week's group stands by itself. Follow the instructions given with the picture, eff..., 12—16×14-r. means do it 12 to 16 times loft and right. Do each exercise twice in slow motion, then at normal speed. Breathe OUT through your. mouth when bending, IN through your nose jöken stretching. Keep your feet parallel and ant wear little clothing.
What They Blame It On
"IT JUST GOES TO SHOW THAT TALENT ISN'T APPRECIATED! --- HERE I AM.
READY TO TACKLE
ANY JOB...AND YOU
DON'T SEE BIG BUSINESS › MAKING A PATH
TO MY DOOR!!
French double side
CLOQUE'S
MATERIAL
Designed to meet the thrilling Fashions of 1938
We suggest an
carly call at
BOMBAY SILK STORE
2 D'AGUILAR STREET
VIGNETTES OF LIFE
By J. NORMAN LYND
IT'S THE WEATHER." NOW IF IT WASN'T RAINING I'D BE
THE FIRST ONE TO GO OUT AND HUNT. A JOB. BUT GOSH! - LOOK AT IT!! W
T
FIRED! ME! JUST BECAUSE I WOULDNT. WORK OVERTIME." HOLY MACKEREL!
A FELLOW HAS TO
HAVE SOME TIME FOR ' RELAXATION AND
AMUSEMENT!
WHADDY THEY THINK.
LAM?
A MACHINE!
"IT'S THE SAME IN
EVERY JOG IGET! SOME SAP TELLS ME HOW I SHOU DO MY WORK! {MAGINE! TEACH ME !! I DON'T NEED ANYONE TO
TEACH ME
WANY SHOULD-
I WORK?
I SEE LOIS OF PEOPLE RIDIN* 'ROUND IN CARS. WITHOUT WORKIN ...WHY SHOULD
SWEAT?
SOME OF THEM DONT
KNOW WHAT
TO BLAME TONI
THEY DON'T SMOKE, DRINK RUN AROUND OR STAY OUT
LATE AT NIGHT-EXCEPT MAYBE AT A LECTURE-
BUT THEY DON'T SEEM TO GET
ANYWHERE!
PERSONALIT
NORMAN LYND.
OH SURE THEY
BLAME IT
ON THE
OTHER DRIVER THEY HAD THE RIGHT OF WAY, AND
TOOK IT
I NEVER GET
THE BREAKS! LOOKUT CLARK GABLE-WHAT'S HE GOT THAT
I HAVEN'T GOT? →TELL YOU IT'S
LUCK-JUST LUCK! IF Y DONT GET THE BREAKS Y GET NOTHIN
́IT'S POLITICS – THAT'S WHAT||
IT IS
YOU CAN DE
A
CUTICS YOULL BE A