THE HONGKONG

TELEGRAPH.

SATURDAY, MARCH 24, 1934.

THE WORLD

OF WOMEN

SIMPLE GOWNS ARE

ALSO ORIGINAL

Patou Creations Show Elements of Fantasy, Yet

Remain Within

Limits of Good Taste-Faille Aids in Attaining This End

By Jean Patou

DECCA RECORDS

Popular Recordings By AMBROSE & His Orchestra, F40414 I'VE GOT YOU ON MY MIND. (From "Gay Divorce")

WHO'S AFRAID OF THE BIG BAD WOLF

(From Walt Disney's "The Three Little Pigs"}

Slow F.T. F40420 I'M HITCHING MY WAGON TO YOU

LA-DI-DA-DI-DA (From That's a Pratty Thing) Slow F.T. F40419 MY SONG GOES ROUND THE WORLD SYMPHONY OF THE BREEZE

F40418 MAKING CONVERSATION

'TAIN'T

F40417 WITHOUT THAT CERTAIN THING

THE MONKEY ON A STRING

F40416 LOVE LOCKED OUT

HAPPY AND CONTENTED

F40415 EXPERIMENT

HOW COULD WE BE WRONG?

F.T.

Slow F.T.

Slow F.T.

Slow F.T.

Slow F.T.

F.T.

Stow F.T.

F.T.

F.T.

"[From "Nymph Errant") Slow F.T.

For a complote list of the latest recordings by AMBROSE, ROY FOX, JACK HYLTON, LEW STONE, etc., etc. Please ask for Supplement No.. 24.

TSANG FOOK PIANO COMPANY. Ice House Street.

Tel. 24648..

Paris-Probably nobody has so consistently preached the gospel of simplicity in fashions as much an I have. This long-standing conviction was but a natural reaction against any kind of com plication, so discordant in our modern scheme of life. Many people have criticized this but I usually found that they misunderstood what I meant by simplicity.

A gown can be both as simple and an original as desired, that is, simple in its conception, but original in the execution and details. These points are better demonstrates perhaps in evening styles, where simplicity of conception alone can produce a really beautiful and harmonious creation.

There is n model in my mid-nenson collection, for example, of black fleur de soie-a sober and almost classical medium-which I believe would stand out anywhere. The line is simple, without a hint of exaggeration, but the element of fantasy introduced In the buttom part of the skirt by a fan pleated flounce, repented in the orange cape jacket of the same material, provides a new feature.

*

+

Faille is a fabric which lends itself to a number of original fantasica without spoiling the simplicity of fine. I have treated it. in another model, as I would a sheer fabric, with 'n pleated Aounce to the skirt underlined by fan motifs which appear to draw in the fullness at the

A perky bow under the chin makes the bare back of this velvet evening gown (left) by Jean Paton all the more dar- ing. The skirt is long and form-Otting with a moder. ate train at the

back.

An evening gown (right) hy Marcel

Rochas is fash- ioned from striped lame in

pale blue and

gold. It has an upatanding, flaring baaque and a long train. This sil- houette, high- lighted at the recent spring openinga, will be popular throughout the spring and

summer.

OUR BRITISH CROSSWORDS

126

30

MAKE-UP IN

Exaggerated Effects

men

Spoil Beauty

(By Jane Gordon).

knees. A youthful eape, also pleated, of black organza, provides the invariably attractive note of transparency. Despite all these details, the general impression is one of smart sobriety.

So far as originality is concerned, in every collection I like to create a gown where the note of fantasy borders almost to the extreme, while still remaining within the limits. of good taste. This original feature ja usually applied to the . decollete or bodice the point that nearly always strikes one at first glance in an evening gown-us in a certain black velvet model I made. Here the nudeness of the back is perhaps emphasized by a huge butterfly bow of velvet at the of dash and charm very high neckline, imparting an air

can who becoming and attractive on the

this type of dress..

woman

wear

The beat thing is to moisten the the rouge should be placed is to outside corner of the eye and form strenuous a kind of heart shape with the a few minutes you may lose your eye for colour

notice which point downwards. and make your face far too con-cheeks with a little water, then take

Double Chins Disappear. aprend the rouge with dampened exercise and then NATURE'S WAY spicuously bright.

. In the evening the electric light finger tips and get it properly part of your face is pinkest. This The Right Rouge.

blended before it has time to dry, is the portion to which the cruffy will all and bet you in certain

Generally Although the majority of እ

use compact powder rouge, After it a dry the foundation should be applied. this is not necessarily the best cream is put on and the powder speaking a wide face will look tricks with rouge. If you have a narrower and longer if the rouge suspicion of a double chin try a kind for them You can get it in on top, in the ordinary way.

For Evening Wear.

is brought well in towards the faint rouging under it and the quid ur paste form, as well as

If your nose la more retrousse The paste is rubbed on with the nose and not out over the check shadow will take it away. and for oily skins tho

tiny shadow compact,

For long, narrow faces the rouge than you care for liquid is usually the most satis-finger tips after the foundation bone. factory if

you know how to put it cream has been applied, and this The curious thing about make-on. It should be placed on the really is most natural looking for should be placed well back to- of rouge on the tip will make it them at before the foundation evening wear. If you use com wards the cars, leaving as much look long and classic. The loben up is that although you need a checks

is used, and it must be pact, be careful to put it an under white space in the middle of the of all nice-looking ears should be

face as possible. For oval faces faintly rouged to give great deal of practice to get the cream hang of it, after you have been at placed correctly before it has time the powder and not on top.

The best way to find out where the rouge needs to start at the healthy glow, it for a certain number of years to dry.

1 Soup of cld.

Across

8 When It's turned in a hole it's

quite unfriendly.

9 A leading light on many ex-

peditions.

10 United nautically.

11 "Find lie" (anag.).

14 The sporting photographer never

missed this.

18 Bordered,

20 At the end of a long journey there's nothing left for it but to this.

22 Sultana's companion in delicacy,

perhaps.

23 Girl's name.

25 Net.

28 "Coy tale" (anag).

20 Applaud weight in London,

32 The destination-of-the-wicked,.

we are told.

33 A lock fastener.

31 "Use sago" (anag).

Down

1 There's tragic middle to

journey.

2 Con this and be happy. 3 Top.

4 Do this to remove

ronk.

5 A creator of strains,

$ Severe.

this

compiener

7 The swindler obeys this sheonish

advice.

12 Roman equivalent of the market

place.

12 Rich man seen at any summer

Renside resort.

1 One of the U.S.

10 Pleasant to the palato.

A meeting-place,

10 Yea would need a hundred

this to make it plural.

21 Part of Africa,

24 Bird.

26 A water course in the East.

27 19 down is your clue here.

30 After fifty these amphibians

claim no rights.

a1 Italian river.

Yesterday's Solution CHARYBDIE

BEFOG

ASHURA AIR RESILIENT. LARGO ARNEBE YOU ARE ME TRELLIS RENTALS SEVETŐNYES COMEN DOTAGE X BERENE BNA1VEN | B BUYLLAL ABATEB TOTEAANban

REQUIRE LARGEST AUTE SKLE ORANE TRADITION TERERE HE CAN TO STEWS EVERGREEN

They change so fast, there should be a new picture at least once a year. for photographs of the children never. grow up..

Make an appointment to-day. THE MING YUEN STUDIO 17, Queen's Road Central (First Floor) (Botween the H.K. Hotel and Dalry: Farm Store, Queen's Road C.) Tol. No. 24310.

Teething troubles

Because SCOTT'S Emulsion

contains 44% of pure cod liver

oil and lime sale

for bone formation

It provente teething

troubles, rickets and soft bones. Ask for

SCOTT'S EMULSION

SALESMAN SAM

MORNING, FRANKIE! YOU'RE NEXT, IN BOTH CHAIRS!

TOPING]

["TRY US,

FRESH

LATHER

Right in the Neck, Too!

By Small

(WELL, WHAT'S A LOTTA HAIR-SAY! WHAZZA MATTER WITH ONLYER MIND AN'I WANT IT, NA T'DAY? YERALL FIGGETY

ANT GLUM! I'Dec

AN YER, GAS

CUT SHORT!

OH, TH' BOSS OVER AT THE RUG FACT'RY HADÍ ME ON TH CARPET!. SAID I'VE BEEN

NAPPIN' ON TH JOB!;

CLIP сыр

S'GOT ME WORRIED, FELLA! I'M AFRAID I'M GONNA GIT

A CUT!

I KNOW YA ARE-IF. YA DON'T SIT STILL!

ONDA

KAPOST

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