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THE HONGKONG TELEGRAPH. FRIDAY, JULY 1, 1932.
Cinema "Shots" and "Sequences"
A REMARKABLE GERMAN FILM
Work of Famous Director
to
their
NOTES & NEWS
HEARTIEST cougratulations the Queen's Theatre on
enterprise in securing the brilliant German production of Four Infantrymen G. W Pabat'a reply to Uni- versal's All Quiet on, the Western Front. When I name the ple ture as Pabst's reply to All Quiet, I may be do- ing the famous director an injustice, for there is no attempt to pro- duce Four Injantrijuca on the same spectacular scale as the epic Uni versal War film. It is really an attempt, and a very successful one too, to express the in- tense national Pride the and patrotism of Germans when they entered upon those four years of titantie afrug- with the rest 1 The work.
•
"4 Infantrymen" A Sensation
BY "CELLULOID" BUT
223
vivid
UT despite the really brilliant acting, the exceptionally brau- tiful photographic effects the opening scene is 100 for pen description), and the generally speaking, high ston- dard of directing. I have my complaint to register, Holly- wood is still sex- ridden, by which is meant, that an mut- ter the theme, the
action or the settings, Hollywood has got to have predominent its love-interest. The studios defend this
PUT one of the many dramatic scenes in G. W. Pahat's vivid
one of the my dour Infantrymen, which comes to the Queen's next Wednesday. It is the first German picture In be shown in Hongkong, and is incidentally regarded as one of Fabit's masterpieces.
PSYCHOLOGY FILMS,
by pointing to
21
1 Palm
writing.
OUR BRITISH CROSSWORDS
Across.
ES
utt nothing in band-
Not even a Varsity man over took it to London (two words). & Their revised version is so clear. 9 A stone that seems to stand out
more to view.
10 Let's go to Hastings now: I think it's hot in town in August (hidden).
..
11 Made better when you're in n box-
hurry.
office receipts, which
12
A Genesis Indy.
I Dow
15 It's all about all of us.
A little
16
saint in smething
sweet growing possibly in your Karden.
18 Fruit apparently intended--thr
fruit of some brain or other. The Fleet-street crowd.
If in deer, it is but empty with- out wine.
Foremost quite the outstanding cinema photo- † in "Frankensteið, Universal saya 25 Bunny's danger signal.
that line
understande his instruments, but his is a frilucind way of trying to prove I feel certain that Hongkong is enius in given its full value when he their cases, Give the people
takes up his scissors in the cutting type of film without sex controlling Kuing 10 appreciate this film.
AN EXPRESSIVE CAMERA, which, although the dialogue is in
and ruling its destinies, and the pub TF my memory serves me correctly, lie will very quickly begin to appre German, has English titles. It is
the original title of this film cinte what realisas on the screen could a typical piece of work by Pabst.
WAN W'eatfront, 18, in which men. There must, almost inevitably who, with the Inte F. W. Murnau,ease, the Camerman in Wagner, bo love interest, but let it be Rene Clair, Podovkin and Eisen-who is Pubst's right hand man, and servient to the demands of the story. stein. ranks 23 24 the
Clive Colin has cinema director in the world. Krapher of the age. Certain it is
is young wife to is right up to
to be pitatography
return, so instead of munt
Itim Pabai bases his direction.
tip
the front profound knowledge of the pyscho- top standard, and having but few being killed when hurled
rivals among even the most recont windmill by the Munster, he would logy of people. In fact most of American productions. The effects in real life and was in the book bis films are remarkable psycholo-
Kained by the cameraman on the version, the producers have to stage gical studies. The homan touches battlefields almost tempt alte to a mirnentum egeape and a
Loa believe that he has adapted a few of union. Thank heaven they spare us with which
works he
Pudovkin's ideas in the use of light the painful close-up of he and his wife subtlety into his seenes, lift his films from the ordinary rut and shadow. It is a most expressive in a final fade-out. This is typical camera and sets a pulsating rigthm of the manner Hollywood pampers to put them in a sphère which up aptly Lynifying the tension and denna spenfled popular demand for happy prouches nearer and nearer the fof war and its accompanying effects. ending, perfect einemua,
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1. PEKING ROAD.
AT
LOW PRICES
COMMENCING SUN., 3rd AT THE KING'S.
The SILENT WITNESS
with: LIONEL ATWILL GRETA NISSEN
Helen Mack Draniwell Flotcher Fox Picture
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PHARMACY'S
SUNBURN.LOTION PRICKLY HEAT LOTION MOSQUITOL
AND
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THE PHARMACY.
Phone 20345.
but he certainly does manage
TIE introduction of German produr. Lions to local einemus is at the
to film
of the acture, camera and set-ups, 1G
if
"happy re-
SUPERB FREDDY MARCH.
#1
ร
at ne
in The cinema, then I can versatile
give
15 Not one of the aristocrata of the Turf, but everything in France. Speech for an envelope..
7 Not necessarily at the top of the
map.
Seems a small quantity for a hundred in a tub.
13 "And the
of their spears
wan ko staru OPTI the
(Byron).
14 Danes
17 Many ch
(anng.).
10 Material for Mrs. Gamp?
20 Shi
Shin-bone.
sca"
21 Not wise in France, but, if you -
are lucky, you enn get a smooth'
ong to it.
22 No matter how tightly, it may
be rescued.
2.The beast that arrived after
losing his tall,
20 What the artist-colony may de
In Leichworth,
27-Mary's close companion.
Yesterday's Solution.
BRIGADFECARBINE
UAN N LAPLAN RECITED
24
Here you get by in Neddy-
very deep.
28
A holy Oriental who hns
the
same relations on both sitles.
IF
M
The relation Dr. Ross's
cow
bears to these puzzles.
30
A part of Lunden that hardly suggests nuderate language, by Goorge!
RO
31
Down.
Part of Germany.
1 Anything you can ent, though seemingly bit burd on the ivories.
2 The source of "Ho! jolly Jenkin!"
3 If a certain type could drop its two eyes you'd have this source of powder.
Bruce didn't, possibly because he saw a spider here.
WHERE AMERICA SCORES.
ARBAS JUNU
ETNADS] GLEAN ET TORRENT
AVARICETRUBICON
DATE VALEI
N
REENACT.LUMP ISH
0
NUSEGA
EVANGEL
threadbare the one of the plastic surgeon making the silk purse from. ngENERALLY speaking, the sow's ear-places Itn birth about America's efforts in the past two years ago, and in these days to reproduce English scenes, customs when films rench Hongkong within a
This is where Pabst is in advance of: 4y over America. England and for this "laced and personalities have been pretty few months of their release from the
Contemporaries. Unhindered by
the full l ideas And
his creative
him thether receipts. Pabst is an artist and ehough contrast
the
that in The Silent Witness.
IT is doubtful if Faar Infantryma
: prisent un experiment. Pour Infra-THEN a supreme artiste and reaches the same standard of trymen in the first film from the
of technicians who deretional artistry as that displayderman studies to be shown here, the know their jobs meet together to pru
in his masterpiece by Pabst
The Queen's Theatre having secured it dueen picture, then the result, is to (The Threepenny from Shanghai, I understand attras- Strangere in Luce the reaction takes Hreigroschenper
the least. interesting. With Opera),
Tor there he strpassed him- |it offers the desired appeal and set with his delicate satire and un- tion to local audiences farther Ger une pust that stage: the film is de- expected touches of wit and paths. man pictures may come here. If local initely brilliant. "So virile 11 por-
fans wish to appreciate the frayal does Frederick Mareh convey his lens through the medium La rentouR advance made by that
frels he was just waiting to display is any is the more German Als we splendid. Kay Francis is outside influence, Pabst can express to receive the better. Directors like full rein and in consequence displays cisnal failures, but I must confess niakers, it is seldom the opportunity:
Pabst are nut
not worried about box | a
of 24 Hours, Stuart Erwin done themselves justice in handling tions with the earlier attempts in Fox have comes to compare the present produc lighting
effects, set-ups through him und men of his calibre gets right above anything he Bas and actors play their in the silver screen is being raised to accomplished in the past, and it
Lundan svenes and
court talking bls. Son English dividual part in the making of a film the hired of art. His role idea is to docent look out the proceedure. So faithful are the re- He can express as much through a
productions that at first I imagined | camera angle as many of less artistic press in adequate terms men, ife, in the firmament of "stars," the most Dunning Process had been put ALCOHOL IN LEMONADE. emotions, and nature: Pabst diesilusionary goal over conceived by into effective use, but
the dizcelor does in a sequence which had propaganda as his stimulus in the cinema world.
later learned calls for elaborate settings and the king of Four Infantrymen,
the settings
came HollywoodKIN DEEP
ut tima hundreds of feet of action. Pabst and the film consequently jus not
studis staff. Incidentally, the Dun- when the public was clamour- inuite the sathe artistic touches which
Provesa, an invention which has ing for talking films, irrespective of enerally mark his work.
revolutionsed the film industry, was their entertainment value, and SECOND ONLY TO ALL QUIET.
originally the work of an English old kind of a story was seized on and
not without precedent, rushed into celluloid: man, whe
consequently FRANKENSTEIN left an inde
could not dispose of his marvellous some painful tripa was projected invention to the British producers from making, the film itself was in
the the machine cabins, although
ability. Furthermore tr camera,
21.
'RETA Nissen and Bramwell Fletcher, a Siren and Pawn
in Fox's remarkable film of "The Silent Witness, which starta
A
short sonLDA at the King's on Sunday.
$1122122
be impression 3x1 me. Though it was not that of being thrilled or horrified: as I left the Central Theatre this week I wonder- id if there was any other film pro- durers who could tackle such story as Frankenstein and do it with such outstanding success and
A
pressiveness 09 Universal. I very much doubt it. Univer- sal have always cleaved to the #pec- bacular and sensational; in fact so intent are they upon creating the maximum of physical reaction that their cinema has often suffered. Portunately, in the experianced hands of Whale, the picture, which ngenders stark horror, is relieved
and by some deft touches, rupting All Quirt On the Western Front, which rentains more di a ¦documentary film than a mere in- j dividual attempt to express the
Great War, Frankenstein ranks is JIMMY Glenton, the finest Universal production since the inception of the talking
Isereen.
FRECKLES AND HIS FRIENDS
WHO IS THE OLD MAN YOU'RE GOING TO SEC OVER IN KRINGTOVIN, DOCTOR.....
WHAT'S THE MATTER
WITH HIM?
A MR, BORSON.... HIS TROUBLE IS THAT HE HAS SIMPLY GIVEN UP...AND THAT'S WORSE THAN ANY ILLNESS...NICE FELLOW,
Too...
tho famous American hunourist, who is fen, tured in "Dumb-belle in Ermine", which opens at the Queen's Theatre on Sunday.
GEE! WHOSE SWELL CAR 15 TH' DOODLE GOING AWAY IM? HOH FRECKLES
The Sick Call!
MES OH, I WAS JUST GOINKS WITH DR. KEMP, ONER. TO KRINGTOWN SEE A SICK FELLA... C'MON, AN' GO 'LONG, NOODLE !!
that
tu
are
to America
*
any
and
Which meaning.
and had to have his labour rewarded. This the highest grade of its day, process, which allows scenes
scenes to be ilustrated all the notion taken anywhere, quite separate from makers knew. studio ghots, and in be superimposed, more than that they were silent pic- placel the American productions tures, with voices instead of
Aub. miles ahend of any of their rivals, titles.
The Prora has now been perfected. That is Skin Deep. A film with a --by Hollywood!
弥
THE OLD AND THE NEW.
by
who
story
that modern audiences cannot
possibly swallow despite any appeti- ser and a technique, direction
and camera work as bureft of interest as UEEN'S Theatre crowds alcohol in lemonade. It is plain and straightforward with a monotonous are attracted this week repetition of direct camera shots Long Tack Sam's troupe, varying
between close-up and long live Skin Deep, · ឆ
spicion of a moving Warner Brothers Vitaphone All camera and entirely lacking in deft fating production, thrust upon them. directorial touches, Students of the cinema Who comu Skin Deep is as uninteresting as early enough or remain late enough, its most unattractive trailer, which as the case may be, to se both catage proves that the old simple photo- and screen show, will find in the lat- graphed film has had its demise in fer much to interest them-not in en- the same way as the old fashioned tertainment, but as an example of trailer of a member of the cast tell- the strides follywood has made even in two years..
Skin Deep is not a recently pro- Jueel film: its theme.
worn
SURE. HOP IN ALWAYS ROOM FOR 'ONE MORE!
GEE, IT SMELLS STRONG OF MEDICINE
IN HERE, DOESN'T IT !!
HOW
SHUCKS! YA WOULDN'T EXPECT A DOCTOR'S
CAR TO SMELL OF GARDENIAS,
WOULD
YA3
ing the unseen world of the quality of the product. Film fans need an unusual trailer to attract them there 8lm-conscious days.
By Blosser
WHY DOES HE WANT TO TAKE YOU WITH
HIM TO SEE A
SICK MAN, DOODLE?
OH, FOR WO REASON AT ALL... GEE, YOU WOULDN'T EXPECT MAG TO TURN DOWN A RIDG IN A SWELL CAR
LIKE THIS,
I HOPE !!
Flosson
THE DOCTOR'S CAR NEARS
KRINGTOWN, AN ADJACENT SUBURB OF SHADYSIDE....
in
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