"THE HONGKONG TELEGRAPH”
AMATEUR PHOTOGRAPHIC
COMPETITION
$150.00 CASH PRIZES
First Prize
Second Prize
Third Prize
$60.00
$40,00
$20.00
Three Consolation Prizes $10.00 Each In addition to the Cash Prizes The Eastman Kodak Company offer a Special Plize which will be known
as the--
EASTMAN KODAK PRIZE.
A 1932 Model Kodak 616 with 1.6.3 Anastigmat Lens, which will be awarded for the
BEST STORY TELLING PICTURE.
SECTION FOR SCHOOL CHILDREN.
Messrs. Waibel & Co. (DEFAG") offer six "AGFA" cameras 10 be competed for by school-children These will be awarded to best six pictures in this class.
Bathing Scenes, Picnic Illustrations, Local Beauty Spots. Typical Chinese Studies, etc. All photographs must be of subjects taken in the Colony. Photographs may be submitted forthwith, and it is intended to reproduce selected pictures the Telegraph Pictorial Supplement as from the first Saturday in July. The Competition will close on August 31st, 1932
in
to
The following rules will govern the Competition— 1.The Competition is confined exclusively
amateur photographers. 2.--The prizes will be awarded to the competitors sending In what are adjudged to be the best photographs submitted up to August 31st, 1932. In the event of two or more photographs being considered of equal merit, any or all of the prizes will be divided accordingly. The decision of the Judges shall be final.
3. The right to publish any or all of the entries in the Telegraph Pictorial Supplement is reserved. 4-Photographs which have been already entered in
local competitions will be ineligible,
5. No photographs will be returned.
6.
Photographs, preferably in black and white, must be addressed to the Editor and must bear on back the name and address of competitor,
7.--No correspondence will be entered into in
connexion with the Competition. 8.--The six "Agfa" cameras donated by Messrs.
Waibel & Co. ("Defag") may only be competed for by local school-children. Each entry in this section must bear the name of the competitor together with that of his or her school, THAT "SNAP" MAY WIN $60.00 !
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IN
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We invite you to come and inspect our wonderful display of UP TO DATE modern furniture and get an idea for your HOME how to decorate it and make a cosy home.
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Show Rooma:-Cloucester Building,
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16, Queen's Road, C Tel. 28326.
THE HONGKONG TELEGRAPH. FRIDAY, JUNE 24. 1932.
Cinema "Shots" and "Sequences"
SHOWING TO-DAY
What There Is To Be Seen At The Theatres
King's
*."24 Hours"
(Technically Good)
Queen's.She Couldn't Say No"
(Miss Lightner Amuses ond
Атиген)
Central
"Humanity" Majestic
"Black Came?" (Charlie Chan Agnia)
"Gentleman's Fate" (Recommend This)
Star
MONVERSATIONS with regular cinema-goers have impressed
ARE FILMS
VIEWED IN
SUNDAY'S SHOWING
Gruesome Thriller at The Central Thentre
RIGHT WAY? King
TECHNIQUE TO BE STUDIED
ONE OR TWO HINTS
-
Quern's
.."The Magnificent Lic" (Ruth Makes Good Picture).
"Skin Deep" (Not Forgetting Long Tack
Sam) Central
“Frankenstein** (Thrills to the Marrow) Majestic
."The Cheat" (Fascinating Tallulah)
businesslike and efficient even if it did not offer anything now over which to enthuse. It is plunging to note the attention be- UE need for this broader viewing puld by Paramount to back-
BY "CELLULOID".
me with the extraordinary variety af opinions a film engenders, and,
varying standards by which pie-! lures are judged. The majorityarly noticable in thematic pictures are so shallow and secondary that [mch as lip the River, Indice of the they lead one to nak "Do we see By Home, which centre round our films in the right way?"
American prisons, Confessions of Cold, THE WRONG TEST.
Goud
Men, Demand Kæritement, callege life.
what of a more importance, the point of criticism is particu-rounds for the acknowledgement
GES a person who relies en-
rerigin-depict
Giris
16
14
129
OUR BRITISH CROSSWORDS
ម
1207
121
123
Acrons.
ມ
anal Litle shots. Introductory music too is now becoming less haphazard, suitable numbers and effets are being used in order to allow the audience to catch the rhythm and spirit of the picture: immediately the first title shot is which projected. Hollywood is still ex- Scandalperimenting in this direction, but! When a vessel goes here--well a
renson is apparent, any of the story obtain complete Sheet, Young Man of Manhatten has already put a number of ori
Synonym for flatness. satisfaction rot a film? Is it Seerst Sir, Quick Million ginal and pleasing ideas into cf-
The
9 Not a lampooner, a lamp-owner. fair to judge n picture
on the Front Pag, and others which fea-phere for a film, especially of 11 Devours most of Kents,
fect. To create the right atmos-10 Interluer. physical attractions of the "star" tur- newspaper offices, or Gratte-dramatic type, before the story 12 A Shrew rather strangely, if she la Greta Garbo or he a John Gilbert? Can a film be suld¦ tanto's Fote, Quick Milliona, The has begun to unfold, is just as 13 What a lot of schoolboy nonsenso to have achieved its aim as an en-Secret Sir, and City 'Street, which easieretofore this aspect of 16 Gay and cheerful
essential as Avoiding an anti- there is in the school roll. tertainment merely because it has are only a very few of the big the film has been somewhat neg-17 either local enlour or provides ex-cycles of gangster films. rellen! British or Ameriena propo-
BYOBER
ing ranked as an educative contri- bution.
TECHNIQUE OF THE FILM.
After lected, but some revolutionary im- provements are promised in the not too distant future, RUTH CHATTERTON GETTING
STEREOTYPED?
to
18
Put maney in my first. It will be
useful in my second: but the far- mer sees to all this,
Ishing!
You may well any this is nston-
21 No one cuttid so describe Itahe-
Inis. 24 In retrospection the poor 25 Intimate outjuairings from
singer becomes very dull.
dairy.
20
old
the
thle
ganda according to the viewpoint? one or two of these have been scen, I say, without hesitation. that the story of the next is so obvious of these attractions, by it holds practically no interest, and themselves, are suelent to war audiences rapally tire of seeing
ns auch films. On the other hand a DUTH Chatterton makes raal a film being regarded
R complete entertainment or of he though most of the gangster, col-Hongkong on Sunday, when one of welcome re-appearance in lege days, back-stage and news-her intest production The Magni- paper dine bear similar themes, ficent Lie, another of the domes Mr. Chalmers would like Lench ceminins its own
peculiar tie type of films which seem to be river: he could always be sure of 105 main reason why numbers features, which, if they can be ap-gaining popularity probably ba- getting a rise in it with any fly.
of really best class films leave preciated, adr
entertainment,cause they so often get near to 20 or course it's spiteful, but the
the King's indebtedness is plain. realism), comes the average cinemau "fan" cold is sometimes beauty and a
Krent because the production of a picture dent of attraction. A film, if it is part: in fact her assignments are
Theatre. Ruth plays a typical 30 This indicates that there is agit-
tion in the air. has a rather complex technique to be appreciated and judged fair-becoming a typical these days 31 An eminent personage. which the majority of the audienen i make n attempt to understand. must be taken in its context. To that I have a nasty suspicion that Its chivalrous when the The audience will take unto itself dissect one particular phase and Hollywood is making her stereo- its numeret heros and heroines of upon that base one's whole opinion typed. Although she stands the acrece and make them into of the entertainment, artistic, erlu-one of the finest emotional demi-gods, but the sam proplecative or propogandist value of a
tresses on the screen, this hardly never rave about a Director, a
renson an adequate Photographer, Cutte, or any of the picture is like saying that a foot-Hollywood's persistence in hand-
misconceived the ball match is ruined because one ing her out other technicians who are people who really make the "stars" of the players can't shoot straight. what they are. I am not advocat- ing that anybody should make the same, fool out of these technicians as are made of the actors and ac- Tresses, but I do maintain that a film cannot be enjoyed to the full unless one can appreciate the gen- uis of these unobtrusive technical.
CULTIVATING A WIDER VIEW.
CLIVE BROOK WRONGLY CAST.
acem
ZLA
AC-
for
love
script every time they want her to produce few more thousand feets of celluloid. That she can "put it over" and still retain her ERTAIN types of films leave magnetic attraction, is but further critles puzzled, and included tribute to the remarkable abilities ung them is 24 hours, which is of this lady. showing at the King's Theatre. The story offers some unusually fine opportunities for character studies, and, apart from Miriam complete knowledge of the | Hopkins, they are allowed to slip terhnique of the cinema is not by unheeded. When Clive Brook sary for this. All that is becomes drunk one can easily needed in the cultivation of a wi-imagine him as a "T. T." He has der view of the whole film, Even a personality which demands if its love-interest is lacking, or its studies which allows him to be- sentiment too heavy, its action too come dominating. He does not stow, or its plnyera ineffective and take kindly to these hang-dog, woe- unimpressive, the value of a film is begone. I'm-down-in-the-dumpis-a0- by no means destroyed. Sports the-Lord-save-me types. He did eitirnsinsts do not judge a game of not do himself justice in Silence Brook is seen at cricket, football, tennis, or any because of this. thing elve merely on the appeal of his best when he can be assertive player. Principles of theand has some cutting repartee for game are applied and upon them dialogue. Kay Francis gave are based the judgments of the the impression that she positively enlooker. The same argument dislikeil the part she was called holds good with the cinema, Has upon to play, and she was not the a photographer made the best use polished actress we have been used of angles, his lighting effects, his to seeing. set-ups? Are the "props" in keep ing with the theme and the nction the various sequences? Has
one
me
MIRIAM STEALS THE PICTURE,
TARAMOUNT co-featured them
of director held a shot too long. this film, but Miriam Hop. or converted a dramatic elimax in-
di-concerting anti-climax kins thoroughly stole the picture. through extending his sequences? I have never before heard a ro Is the cutter lost the full value mance-song sung in such a realis- of a scene by faulty use of his tically cabaret style, but over and scissors? These are the questiona above that aleasant little surprise which the technicians ask them was Miss Hopkins handling of a selves and which they are anticipat-complex role, n role which positive- ing the rudience will also ask. Ifly Invited amateur theatricala. the cinema-goer can secure satisfy-Mirlam Topkins has at last dis- ing answers From such questions, covered her niche. Another part then be is going to have his enter such as was given her in The per Smiling Lieutenant well ruin her: tainment increase by 100 cout, and in any case his aprecla- additional tales similar to that in tion af filmas is going to bo based 24 Hours will make her into one in a much wider foundation than- of the finest character players in
Hollywood, before.
average person takes his rest.
Down.
1 No professional would turn cut
arum ten like this.
2 Replayed.
3 Sundown enfolds it,
4 Although he tortures mans. the
law does not interfere. Now a gift.
What the trawler does.
OLARK Gable does'nt lack for charming feminine company,
as you see him here with his wife (centre) and brilliantly gowned Norma Shearer, attending a Hollywood "First-Night".
20
7 American Sinte. 8 Raise up.
14 City in which a slato of equality
16 Obscure but, for the most part,
not at all quiet.
18 The Strange Case of the Small Town that was Larger than a Large One.
19 Political confusion-rather more
marked than usual,
20 Contradict.
There's profit in it
as well as talk.
21 Belong.
22 Tan may be seen in this month,,
but it doesn't last long.
23 Why should there be harm in
Auch sweet concord?
27 Ground where there's all. 28 Fish.
Yesterday's Solution.
STOCKHOLME DAME
NG TO OMAFLIISI DAMASCUS, PAR NOTAIRE TRESCUE SCHEME TRONG HIS ENDOYEN OUDTSH KOSMEROM SAN HA10. ARCHERYS HELPFUL
STAYEHTREACH AU E-PENE ROTTE AING HEIFER FOTOSED ON IN FER FRACTION OVERGUES CHES N
YO YO ARCHANGEL
HERE COMES FRANKENSTEIN!
RANKENSTEIN comes to tho Central Theatre to-morrow with a world-wide roputation of being the most gruesome thriller the screen has ever put into collu- loid form. That it is even more thrilling and dramatic than Dracula, is quite sufflelent to vindicate its reputation. I havo not yet seen the film, and so can give no personal guide to ita ap- peal either as an entertainment or As an example of modern cinoma. Nevertheless the cast re-assures me on the score of acting. With Boris Karloff and Colin Clive in the leads, there is not the slightest doubt that some remarkably fine acting will be scen. Boris Karloff played an insignificant part in The Miracle Man, though what ho had to do, ho did well.
A WELCOME RETURN.
BY
DY the way, Gentleman's Fate 18 back again, and now showing at the Star Theatre. This, GI- I humbly consider, is John bert's best effort since he entered the talkins. Tho film takes him away from ladies' boudiors and petting-parties, and allows him to try his hand at characterising a man's-man study. He is remark- ably successful. Playing opposite In the late Louis Wolhelm, whose powerful acting lifted more than one film above mediocre standard. the Its gangster in theme, but machine gun-cum-"gats" sequences are sprinkled with scenes of mas- terly satire which keep one rock- Ing gently in amusement and ap- preciation. Sco this if you want to spend an enjoyable two hours.
By Blosser
Your need these for the
Summer.
PHARMACY'S
SUNBURN LOTION
PRICKLY HEAT LOTION MOSQUITOL
AND
COCKROACH POWDER
THE PHARMACY.
Phone 20345.
FRECKLES AND HIS FRIENDS
OSCAR
FEELS VERY
SORRY
FOR FRECKLES,
WHO 19
LAID UP
IN BED
FOR
A FEW
DAYS....
SEE... IT'S UP TO US OODLES TO CHIP IN, OR
EACH TAKE SOMETHING TO TH⋅ DOODLE... WE GOTTA BE LOYAL!
SAY! I THINK ITD BE NICE FOR US FELLAS TO TAKE
TH' DOODLE SOMETHING.
Jay Is Smart!
WHY, SURE THING THAT'S TH LEAST WE CAN DO....
I'M ON!
YEAH... BUT WHAT CAN WE TAKE
HIM?
WHY... LOTS OF THINGS! FLOWERS, CANDY, COOKIES, CAKE, PIE.... ANY. THING BUT COCDANUT
CREAMS.... HE DOESN'T LIKE
THOSE
I KNOW! ILL GET HIM A DIME'S WORTH OF COCOANUT
CREAMS
THEN
I JUST TOLD YOU HE DIDN'T
LIKE THOSE,
DIDN'T I
3
YES...BUT I LIKE
THEM
#!
SURE, VE COULD EAT
THEM FOR
HIM, COULDN'T
WE, JAY!!