PICTORIAL SUPPLEMENT
A
HONGKONG TELEGRAPH, SEPTEMBER 14th, 1929.
PAGE THREE
Smart Wardrobe for Autumn
Schiaparelli Creates This Trim Tailleur Of Tweed.
The Length Of Its Coat Is Fashion's Newest Whim.
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A Town Ensemble By Louiseboulanger., Blends Salmon Red. Black and Gray In Its Lace-Weave Tweed... The Coat Shows the Newest Three-Quarter Length
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Madame Irande Uses Pale Yellow Chiffon And Heavy, Lace To Achieve This Charming Tea Gown
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All Costumes Shown" Here
Are Modeled by Lillian Fischer. New York Stylist for Whom They Were Created in Paris.
Especially Becoming to Brunets Is This Warp-Printed Taffela In Capucine Shades...
Panels
Almost Touching the Floor Heighten Its Princess Cut.
Cheruil Creates A Classic Air
In This Gown Of Simplicity
The Color Note,
Of Chifon.. Red Poppies Add
This Palou Yachting Costume In the Usual Blue and White Combines a Striped Jersey Sweater And a Sheer Woolen. The Scarf, While Felt Hat, Antelope Cloves And White Bag Are Smart Touches.
ZOMEN with individuality find themselves
W occupying a place in the sun this fall, as
far as Paris fashions are concerned. For couturiers seem obsessed with the desire to pro- vide becoming creations for special personalities. And if they flatter a bit is there any harm in that?
The molded silhouette is the foundation upon which the new fall fashions are built. From that 'they evolve an effect of simplicity for daytime and a picturesque style for evening wear that affords the woman with height and dignity her chance to be her most effective best,
There is width in the new silhouette, often concealed cleverly to give a slender effect. As skirts travel downward until they trail in sophia- ticated manner in the evening, waistlines travel in the opposite direction until the high-waisted belt is the accepted one of the hour.
Many details of the new mode are refreshingly new. There are, for instance, the multiple panel treatments that conceal a skirt's" fullness "with feminine deceit. There are quaint flources, posed at irregular lines to achieve the popular pointed or scalloped hemline: Sometimes they round up in the rear to give the 1880_bustle ef- fect. Tunic themes are excellent. Ruffles of exquisite delicacy edge coats, tiers and flounces of firmer fabrics.
The two-thirds and three-quarters coats come into unusual prominence this fall. There is a dignity about them that the short jackets lack. Therefore it is fitting that they should be given attention in the new formal modes.
Tuck-in blouses find themselves in good stand. ing. The separate tuck-in blouse, however, must have an intimate relation in color and spirit with the suit it complements.
Many of the best points about fall styles are contained in the costumes illustrated here. They were created by famous Parisian couturiers for Miss Lillian Fischer, a stylist of note. Miss Fischer is a tall, slender brunette who can carry extremely individual styles with tremendous chic.
I. SCHIAPARELLI created this tailleur
that uses the very smart new horizontal.... tweed in black, red and white. It features the new two-thirds or "long-short" coat, one thał fall will see becoming popular.
The coat is double-breasted, with very soft, deep lapels and rolled back collar. The sleeves are beautifully fitted to give a smart, snug and feminine look to the suit. The coat buckles its belt and is trimmed with leather" buttons, in black.
The black and red shantung scarf is worn like a cravat, quite in the new fall mode. Topping this suit is a red felt bat from Marie Christiane, with its brim tolling slightly on one side and no trim save a banding of black grosgrain ribbon. The accessories for this consist of beige gloves, black purse and shoes,
II. WARP-PRINTED taffeta will be one.
of the popular fabrics for panty frocks for fall. Especially if it comes in the capucine shades that Paris has made a fad. This charm ing warp-printed taffeta, fills every requirement made for fall styles.
It is princess in cut, with a Hounce posed in irregular, curved line. It har panels in the back that fall to the floor. The decolletage, bath front and back, has winged revers, which
are extremely smart made of this fine fabric that, in spite of its delicacy, has such a crisp look to it. With this frock of oranges and yellows, so be coming to a brunette, neutral blonde satin slip- pers are worn. The gown is colorful enough not to need any other vivid touches.
III, LOUISEBOULANGER created this
enremble of new lace-weave tweed, fen- turing an unusual combination of colors--salmon red, black and gray.
The skirt has deep pleats below a smartly fitted yoke and is well below the knees in length. The tuck-in blouse is of red, white and black checked foulard, finished with a scarf neckline that is very smart flaring from the coal.
The coat is the new three-quarters length with side widths inserted from the belt of the material cut cross-wise. The narrow belt fastens on one side with on ornamental modern- · istic chameled buckle to hold the coat shut.
The smart shoulder fit and the unusial small collar and turned back revers increase this suit's" distinction. With it Miss Fischer wears a blank hat from Jean Patou, black shoes and calfskin purse and beige antelope gloves.
IV. WITH the rode more formal, the cos
tumes Milady wears inside her home differ more and more from her street things. For informal dining at home, for instance, the woman of chic may prefer one of the new and utterly lovely tea gowns.
Madame Irande designed this beautiful, tea» gown, using pale yellow chiffon and heavy silk lace in a rose pattern. "Full sleeves, &"spiral ar- rangement of the chiffon ruffles and a graceful. trailing effect give it extreme loveliness, "The skirt is of chiffon, with many little ruf fles. The wide-sleeved coat, edged in ruffles, is separate and drapes around to follow the line of the skirt.
V FOR very formal wear, there is this ex
* quisitely femaining gown designed · by Cheruit. Its most readily recognized mark of distinction is its waistline, which is shirred and bloused across the front to achieve an unusual and vely becoming line.
The full skirt hangs unevenly, though it is not very short in front and reaches the floor in the back. The rear decolletage has soft revers that float gracefully. Three large poppies adorn the back, too, and accent the revers. The crepe de chine slippers are of matching red.
VI. SPORTS wear is represented here by this Jean Patou yaching costume, in the accustomed color combination blue and white. It combines a striped jersey sweater with one of the new, sheer, featherweight woolens that are one of the big reasons why clothes are so beau tiful this fall. NA MA
The skirt has unusual pleating, very, very deep pleats making side panels below the futed yoke. The white sweater blouse has graduated stripes in blue and a very feminine little side: closing to its square neck, pointed scallops with several little pearl button.
The scarf is white jersey, like the blouse and the coat almost a seven-eighths length. It fas tens, double-breasted, with nautical looking gold buttons. The accessories are a jaunty white felt hat, white antelope håndbag and matching gloves.