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INTRODUCING THE CONSERVATION SECTION OF THE HONG KONG GOVERNMENT
PAUL HARRISON1
I am sure most members of HKBRAS regularly attend Hong Kong's museums and libraries. They might, however, not be familiar with all the work that goes on behind the scenes to make these institutions effective.
One group of specialists are the conservators. The author is employed as a conservator and is a life member of the HKBRAS. He is one of a team of thirty-five specialists who work at laboratories at the Museums of Art, Heritage and History, the Film Archive and the Central Library. These are further divided into ten specialist teams, to work on the many varied materials that these institutions collect. There is another similar team at the Public Records Office to conserve the Government's archives.
A question that the author is often asked is 'What did you study to be able to do this?' The answer is that he has a B.Sc. in Archaeological Conservation, and an M.Sc. in Ancient Metal Working Techniques from University College London, and, accordingly, works in the Metals team. The other teams are Archaeology, Ceramics/Stone, Central Library, Film Archive, Historical Documents, Organic Materials, Paper, Photographs and Textiles/Natural History.
The other, curatorial, members of the section are locally employed chemistry graduates who after serving an apprenticeship at a museum head overseas to study a conservation discipline. Previously they all went to UCL too. Now people have been to Canberra University, Australia; the Canadian Conservation Institute, Rochester, New York, USA for Film Conservation; De Montfort University, Lincoln, England, and Southampton University for textile conservation; and Camberwell, London to study paper conservation. But training is a life-long experience and experienced conservators are sent on short training courses, overseas, to expand the skills base of the section.
Another question that I sometimes get is 'Can you do carbon-14 dating?'