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recollections, Jonathan Spence's depiction of Hong Xiùquan's madness in God's Chinese Son, and the argument of Robert P. Weller where he suggests the Taiping king's responses did maintain an appearance of sensibility to those in 19th century Guangxi and Guangdong (Resistance, Chaos, and Control in China: Taiping Rebels, Taiwanese Ghosts and Tiananmen (Seattle: University of Washington Press, 1994)).
38. No recognition of this kind of cultural logic is explained or addressed in any direct manner within any of the materials published about Ch'ea. Wherever Legge hints at this kind of problem in his 1861 "Journal of a Missionary Tour," the new editors of the EMMC/MM in London (Legge's father-in-law having died in 1858) consistently deleted it from his original text.
39. This rarely mentioned factor in late Qing political movements is hardly given the attention it rightly deserves, but has been recently readdressed in Frank Dikkötter's study, The Discourse of Race in Modern China (Hong Kong: Hong Kong University Press, 1992), especially the section on "Race As Type (1793-1895)", pp. 31-60.
40. Advocated in Paul A. Cohen's evaluation of historical writing about China as the appropriate new direction for academic studies. See his Discovering History in China: American Historical Writing on the Recent Chinese Past (New York: Columbia University Press, 1984).
41. Illustrations from the text are explained with translations and notes below each image, appearing in Paul A. Cohen, China and Christianity: The Missionary Movement and the Growth of Chinese Antiforeignism, 1860-1870 (Cambridge, Massachusetts: Harvard University Press, 1963, third printing, 1977), consisting of nine plates (seven with scenarios) between pages 140 and 141.
42. The book title was also translated by Christian missionaries who exposed the content of the volume in a tamer manner as Death Blow to Corrupt Doctrines. See Paul Cohen, China and Christianity, pp. 277-281.
43. Whether or not these exact images were being employed in the ideological opposition to Ch'ea's conversion is not certain. In fact, Legge himself possessed one copy of Bixie shilu only later in his life, possessing it only after 1884 when he received an "LLD" from Edinburgh University. The copy he received in Oxford originally was owned by Alexander Wylie, if the signatures on the cover portray the story. This same copy was later donated to the Bodleian Library by "H. Corbett", and is a text without pictures (Ms. chin. d. 23).
44. This is the argument of An Pingqiu and Zhang Péihéng, editors of Zhōngguó jinshu dàguān (A Complete Introduction to [the History of] Chinese Censored Books) (Shanghai: Cultural Pub. Co., 1990), esp. pp. 102-144, and also illustrated with extensive detail in Okamoto Sae's new publication, Shindai kinsho no kenkyu (The Prohibited Books in the Qing Dynasty) (Tokyo: University of Tokyo Press, 1996), where she discusses the kinds of books censored, the contents of these volumes, the authors and their fates.
45. And so the Taiping in their own demonology cast the Manchurians into the role of demon devils in response to these intergenerational racist oppressions. Spence notes the presence of the demonology, but does not point out the connection with the previous imperial tactics oppressing intellectuals (God's