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altars erected within the enclosure. On more social occasions, especially among the kaifong associations, it was also usual (and tedious for those present) to invite principal guests to speak: some orators did not need a second invitation!
Owing to its super-glossy surface, this particular card does not reproduce well, nor does its successor for the 1985 Ta Chiu. I have therefore used the invitation card for the similar event at Shatin, held also in 1985 to indicate type and content (Plates 2-5).2
Although the majority of invitation cards were printed, some were still being hand-written in black Chinese ink using a brush (Plate 6), and even on the printed ones, the recipients' names and ranks were usually added by brush rather than by fountain pen or biro (Plate 2). Owing to their intrinsic interest, and the fact that most were destined for the wastepaper basket, I kept many of those I received, and sent specimens to library collections as ephemera, literary productions of a fleeting kind. The Hong Kong Collection at the University of Hong Kong has, or should have, them in its holdings today.
At the scene
Invariably, there would be some indication on site of the event being celebrated. Decorated archways and banners raised on bamboo scaffolding (pai lau), and/or floral tributes (fa pai), were the norm, and very colourful and ingenious they sometimes were, too. They were the work of skilled artisans, but their wording had to be supplied by the host body.
Here are a few examples. The elaborate archway erected at the entrance to the ground used for the Ta Chiu at Kam Tin in 1985 features in Plate 7. The floral banner erected to mark the District Commissioner, NT's ceremonial opening of a newly completed local public works concrete track on Cheung Chau Peak in 1960 is shown in Plate 8, whilst the subject of Plate 9 is one of the large floral tributes made to honour a new chairman and his two vice-chairmen of the Tsuen Wan Rural Committee, which, along with others, was set up outside the restaurant
1 I must apologize for the high family content of the illustrations, the selection being made, of necessity, from our own photographs and memorabilia, from my wife's and my own service in the relevant departments.