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The Marquis is usually represented on altars by tablets though where there is an image it conventionally portrays him as a scholar-official, sitting wearing a scholar's winged cap. He has a pink face, a black beard, a rolled scroll in his left hand and a plaque bearing the characters 'May the State Prosper and the People Enjoy Peace' in his right hand.
He is usually accompanied by two aides, generals on horseback:
Yinma Jiangjun The Silver Horse General [mounted on a white horse]
Jinma Jiangjun The Gold Horse General [mounted on a black horse]
In the temple in Hougang Avenue 5 in Singapore where the main deity is Shuiwei Shengniang, the side altar stage left is dedicated to Wenzhou Houwang whose image stands on the left hand of and paired with a deity simply known as 'Da Laoye' whose image is remarkably similar to that of Wenzhou Houwang. Da Laoye has two guardians mounted on horses and armed with long handled swords. They are Generals Gan and Meng [see below 4e - list of deities in temple loose-leaf records]
b] "The Holy Mother of Shuiwei,' Shuiwei Shengmu, is primarily a Hainanese local deity who, in Hainan, was a protective deity prayed to mainly by fishermen. In South-east Asia where her cult has been established within Hainanese communities, she has also been adopted by devotees of other Chinese ethnic groups. In Singapore she is worshipped as a goddess who heals the sick by both Fukienese and Chaozhou devotees, the two ethnic groups which dominate the Chinese community in the island state. Her shrines have been seen in Malaysia, Thailand, Indonesia [even in a Chinese temple on the island of Bali], in Vietnam and Cambodia but not in either Hong Kong or Taiwan. It is claimed that the oldest Chinese temple in Thailand is dedicated to Shuiwei Shengmu, at Paknam pho. Other old temples dedicated to her have been noted in Korat and the surrounding area. Her images have no unique identifying characteristics. She is a motherly matron, sitting on a throne, attended by several assistants, and in several places she is portrayed wearing a cap bearing one to five birds with open wings.