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not only by the white races but the coloured ones as well. Being by birth Eurasian, she made an only too easy and vulnerable target from both sides. In volume three of her epic autobiographical/historical cycle, Birdless Summer, explicit and abundant evidence is provided of almost unsurpassable difficulties in her first marriage to a Chinese aristocrat, chauvinist and Chiang Kai Shek general, due to her half-European roots. Let us quote just a short and very mild passage from Chapter Four, introducing us to this serious and later on gradually growing problem:

It was on this journey that Pao's [the Chinese husband's] friends began to tease him about me. When we stopped at night they would comment about my looks... "There is foreign blood in her, one can see that..."

“Not at all, she is pure Chinese," retorted Pao. As if it was not written on my face that I was a Eurasian!

The greatest resonance of Han Suyin's artistic prose, echoed in the field of film-making also, was attained by a tragic love story, entitled A Many-Splendoured Thing (later made into the motion picture Love is a Many Splendored Thing by Twentieth Century Fox with Jennifer Jones and William Holden in the leading roles). It describes a great love affair between the author (then a medical doctor in Hong Kong) and Ian Morrison, a foreign correspondent of the London Times. This sublime love affair, perhaps the greatest in the whole of Han Suyin's life, lasted several months only and was tragically ended by Ian's front-line death in Korea, when reporting on the Korean war. The love affair was also a scandal in Hong Kong society of the early fifties, when interracial amorous ties were still considered improper and an attempt on the divine social order. Where they occurred, they were rationalised as the virtuous white man, assiduously corrupted by a sly coloured female of loose conduct.

Han Suyin can indisputably be regarded as a reliable eye-witness and a true expert in the most subtle and often confounding issues arising from colonialism. Her painfully sober judgement is highly impressive. I myself very frequently return to fragments of Chapter Ten from The Crippled Tree, very eloquent about the colonial powers' cunning attempts to win ‘native' hearts and minds. Here is one fragment:

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