111 tablets were set up on a table before the picture. The one in the middle is dedicated to Taishang Laojun (styled Taishang Hunyuan Jiaozu Daode Tianjun) and the masters of the priest. On the right was one for the ancestors of the groom styled Pengshi Tangshang Shigaozhengzu Kaobi shenwei (“Founding ancestors, and great grandfather and grandfather"). On the left-hand side was one for the gods of the four domains Heaven, Earth, Water, and Yang. Offerings on the table included plates full of homemade red-colored buns from, I was told, each household of the village.

The rite started at a quarter to 7 p.m. and continued, with intermissions, until about half past 4 a.m. the next morning. The assistant who dressed as a woman joined the priest in most of the rites, with the exception of the first rite “invitation of gods”, and probably the last one of “seeing off the gods” which seems to have been performed by the priest alone, and the rite of “pacifying the kitchen god" which was performed by the "woman" assistant alone. The assistant held a fan in one hand and a handkerchief in another. The two danced together, forming postures in which the priest kicked at his "female" assistant. The rituals made frequent use of the horn, the divination block, and mudra formations. A third assistant played percussion instruments to their accompaniment.

The series of rituals begin with an invitation of gods. I recorded in my notebook that in the final section of the rite the priest faced the table at the ancestral altar and mentioned langming and gongming in a recitation about the purpose and scope of the ritual. I have already mentioned the rituals connected with the maintenance of an army under the control of ancestors. Another important session is the Jianchao, "witnessing the Chao”, which is an offering of a raw pig. The pig was placed before the table at the altar, with its head facing inside. The offering included the whole pig, with even blood and hair. On the back of the pig's neck, three cuttings had been made; fixed in the middle one were incense sticks and the two sides candle sticks. The chicken song should have been performed in the series. Some of the villagers present expected to hear it. But the priest and his "female" assistant omitted the singing because they had not recovered from their sore throats that had resulted from the Anlong rite they performed at Cheng Lan Shue a few days ago.

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