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above it which could be used as a further bedchamber. A small window lights the cockloft, and there is also a single-brick opening near the ladder to the cockloft which provides a little light. Apart from this, the only light for this area comes through the archway linking it with the Main Hall. In front of the bedchamber was a small living hall, originally with chairs and side-tables this space could also have been used as sleeping space if the number of guests was large. The nunnery Bell and Drum are housed in this area, near the arch.
The front part of the fourth section is the kitchen, with a store-room behind it. The kitchen is quite large, with a large wok built into a brick stove, and three charcoal stoves on a stone shelf. The kitchen also contains the big water jars and the guest latrine. There is no cockloft in this area; the kitchen occupies the whole space below the rafters. There are two tiny windows in the front wall of the kitchen, one above the other, to let light in and fumes out.
In the kitchen, in place of the more frequently found Kitchen God, is a paper tablet to Na Luo Wang (**捺罗王**). This rare deity, found only in monastic kitchens in the Hong Kong region, is the deity who supervises fasting and vegetarian diets, and his shrine in the kitchen is intended to ensure that the kitchen is not defiled by being used to cook meat.*
The ruins of the Lung Kai nunnery seem to show a plan similar to that of the Cheung Shan Kwu Tsz. The Lung Kai nunnery was larger, forming a rectangle about 60 feet deep and a little over 60 feet broad. It was divided into five sections rather than the four of the Cheung Shan Kwu Tsz. Whereas the Cheung Shan Kwu Tsz faces approximately south, with the residential area on the west (to the left as you look at the building), the Lung Kai nunnery faces approximately north-west, with the residential area on the west (to the right as you look at the building). The worshipping halls at the Lung Kai nunnery were three in number, and occupied the back part of the three easternmost sections. They opened into a large Tin Tseng, which occupied the central part of all three of these sections, and which was surrounded on all four sides by a covered walkway. The Tin Tseng was one or two steps lower than the worshipping halls. The three altars were to an eighteen-armed Kwun Yam, to Yuen Tan, (2), and, it is thought, to Kwan Tai.
* I am indebted to the kindness of Mr. Keith G. Stevens for the information in this paragraph.