NOTES AND QUERIES
201
CHANG'S descendants did not know his name, and so he was simply called by them Millionaire CHANG (...). When the writer first saw the images of CHANG and his family they were covered with dust and cobwebs. There was also a wooden carving of an award from the Emperor of that time. CHANG'S images in the bedroom, and parts of the other images, reflect the mood prevailing at that time. CHANG'S image in particular depicts him as a contemplative but determined old man.
His image depicts him seated, his forehead is high and long, his face too is longish; he has a slightly protruding jaw and thick lips which appear to be smiling. His head is inclined slightly to the left; his shoulders are level and his arms lowered with his left hand on the arm rest of the chair while his right hand rests on his lap. He wears the everyday robes of the man in the street, and despite the age of the image the carving is still well defined.
There was also an image of a female, probably his daughter-in-law, and another of a younger man dressed in official robes, perhaps CHANG'S son. Both these latter two have been carved by the same craftsman and probably at the same time. However, the image of CHANG is older. All in all, the three are rare works of art.
There are no descendants left of the CHANG family in the old house, and the images are worshipped by people in the neighbourhood. The writer found a woman of about 30 who claimed that she was one of CHANG'S descendants but she knew nothing about the legendary figure. Whether she was or not, the images are of great significance in Taiwanese folk art.
A large number of people on the Pescadores 300 years ago were of Fukienese origin and whilst we do not know the ethnic origins of CHANG Pai-wan, it is probable that he was either of Fukienese or Ch'ao-chow origins.
In addition to the discovery of these 300 year old ancestral images, I have also seen a couple, husband and wife, carved in wood, seated on the front of the ancestral shelves in the Hall of Remembrance at the side of the Cheng Hoon Teng Temple in Malacca (See Plate 23). There is no identifying detail and the temple keeper was unable to say who they were.
The man, sitting together with and on the right of the woman on a high-backed bench with sides, is dressed in blue robes bearing