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native of Pan-yu of Kwangtung Province, who was born in 1909 and died in 1960. He was not only a collector of Chinese art, but also happened to be a minor seal carver. In this branch of Chinese art, under the experienced guidance of an elderly Cantonese seal carver and scholar, Teng Erh-ya (1884-1954), Chang Hsiang-ning was trained as a seal carver. He has also carved two seals for another well-known Kwangtung paleographist, Jung Keng35.
Lastly, in Prof. Li's A Thousand Peaks and Myriad Ravines there appears a little problem of use of references. Some useful information has occasionally been neglected. For example, Hsiao Yün-ts'ung's long handscroll called Kuei-yü I-yüan T'u -λ (pl. LV-LIX) or as Prof. Li has rendered it in English; "Going Home and Living Abroad Are the Same Thing" (p. 172), the following aspects are disputable. Firstly, his introduction about the length of Hsiao Yün-ts'ung's landscape handscroll. It is certainly true that the amazing size; 23.5 × 1302 cm, of this very scroll now in Drenowaltz Collection makes it one of the longest paintings in the handscroll format in China (p. 172). However, it is believed that this figure can be made still more meaningful to student of Chinese art if this particular measurement is compared with the measurements of other long handscrolls. Prof. Li could also point out that Hsiao Yün-ts'ung seems to have been an artist in favour of producing very long handscrolls. To be more specific, the length of Hsiao Yün-ts'ung's other landscape handscroll, according to a Japanese record3, measures more than 40 Japanese feet, namely, 12.12 feet37. This is almost as long as 13.02 feet, the length of Hsiao Yün-ts'ung's handscroll now in Drenowaltz collection.
With regard to Hsiao Yün-ts'ung, it is undoubtedly true that not much is known about his early life. Yet, some useful information related to Hsiao Yün-ts'ung's middle age has not been taken into account when Prof. Li wrote his general introduction about the life of this artist. To be more specific, in 1638, when Hsiao Yün-ts'ung was 43 years old38, like many of his contemporary literati-artists around the same time39, he joined the well-known Fu She Association (復社 Association of Reconquering)40. The major interest of this association, from the very beginning, was always politics. At first, around the 1630's, the general motivation of this institution was to encourage the disorganized intellectuals of that time to stand up against the political power established by the eunuchs which