BOOK REVIEWS

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academic subject. Indeed, Scott has tried this with American actors: the Butterfly Dream was played at the Institute for Advanced Studies in the Theatre Arts of New York. This approach to theatre breaks a new path in research. Generally speaking, academics store culture in books as if they were canning it — but tinned food loses its flavour. Here Scott treats Chinese plays as a living part of culture, made to be played, not to be kept in libraries.

But if the author, by trying not to cut culture off from life, shows that universities need not necessarily be funeral parlours of art, his publisher is singularly backward. It is very difficult to visualise movements from written descriptions alone. It would have been much better if we could have had photos and drawings of each movement in the margin and colour photos for the costumes; and if, as well as providing the tapes, the publisher could supply a little film. Books continue to be published on the same old pattern. In this instance, a little case with a tape, a film, an album of photos and the text itself would have suited the aims of A. C. Scott far better. A documentary film might have been even better than a book; but from my own experience here in Hong Kong, where I have tried to persuade companies and so-called “cultural” organisations to make a purely explanatory film on Chinese opera, I have learnt that films are the monopoly of a mafia and the scholar is condemned to be book-bound.

Hong Kong, 1970.

ANON

GOLDEN GUIDE TO HONGKONG AND MACAO. P.H.M. Jones, Hong Kong, Far Eastern Economic Review Ltd., 1969, pp. 453, with colour and black and white illustrations and maps. HK$10. (Paperback)

The preface to this work states that the Far Eastern Economic Review had long planned a companion volume to its Golden Guide to South and East Asia in the form of a detailed guide to Hongkong. This has now materialized in the present Guide ‘which is designed primarily to help tourists and travellers on their way and to sharpen their interest in the modern scene'. The compiler

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