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CHATTER ABOUT FILMS

By LEDO

"THE LADY'S FROM KENTUCKY”

SUNDAY. AT THE QUEEN'S AND ALHAMBRA

What's your system for making money out of horse racing? Is it doubling up after every loser, putting a level stake on somebody's daily nap, or what?

or

Whatever your system, I'll lay 6 to 4 against your system making more dough out of nags than the Hollywood formula.

Hollywood takes man, girl, crook,| jockey and horse...

Man falls for girl and horse.

Girl loves man and horse.

Jockey loves horge.

Horse is a noble animal that loves, everybody.

Crook is a beast who loves nobody. Eventually, horse wins big race to bring fame and money to man, girl, and jockey, while crook (gnashing teeth) retires defeated.

Of course, the big race is always the roaring, thundering climax with the hero's mount winning by a nose.

re-

It happens again in "The Lady's From Kentucky", which I can commend as a good racing drama along the usual lines. -

THE CHINA MAIL, JULY 22, 1939.

A frothy dance frock of white. tulle is selected by Gracie Allen for evening wear. Note the full- ness of the skirt.

King's Theatre.

It tells the story of two boya- ordinary dirty-faced kids, brought up in the teeming slums of a great city-who took opposite roads. One to the shadowy realms of the underworld, the other to priest- hood's serene light. The conflict between these two characters, with Drew is the girl. Hugh Herbert and the lives of thousand of boys as Zasu Pitts are also around.

George Raft is the bloke and Ellen

*

*

*

'ANGELS WITH DIRTY FACES' TO-DAY AT THE KING'S

Dedicated to the thousands of slum boys who next week or next year must choose between crime and honesty, "Angels With Dirty Faces," a powerful human docu-

enacted ment dramatically

by James Cagney, Pat O'Brien, the "Dead End" kids, Humphrey Bo gart, Ann Sheridan and George Bancroft, on Friday. Opened at the

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the grim stake, is strong dramatic fare and carries with a deep social message.

The boy who ran a little faster måde a vow to save a million other dirty-faced kids from the fate that was almost his: Ordained as a priest, he returns to the slums to battle against the forces of crime for the lives of the dirty-faced an- gels who never had a chance to go straight.

"Angels With Dirty Faces" is the story of two of those kids- and the men they grew up to be: Powerfully produced with stark realism, It is destined to be a great and memorable experience for all who see it.

James Cagney and Pat O'Brien have the strongest roles of their careers and each makes the most of the character he brings to life on the screen. Cagney, the hard guy, reckless, daring, invulnerable until he clashes with O'Brien, the priest, who both loved and hated. him, is Cagney at his best. O'Brien, as the fighting, priest, serenely sacrificing his personal happiness and safety that his slum boys may grew up into good and useful citizens, shows his extreme ver- satility as an actor.

Contributing their unique tal- ents for both comedy and drama to the story. and then serving as the unwitting motivators of the tale's soul-searing climax are the "Dead End" kids, Billy Halop, Bobby Jordan, Leo Gorcey, Ga- briel Dell, Huntz Hall and Ber- nard Punsley,

whose fame has grown by leaps and bounds since they were first assembled to play the gutter-rat roles in Sidney Kingsley's stage play, “Dead End.” Humphrey Bogart and George Bancroft create memorably sinister underworld characters, and beauti. ful Ann Sheridan displays a re- markable talent for emotional act- ing, in the role of Cagney's sweet-

The film starts out with the two boys committing a petty crime; | heart. then running for freedom, with Based on a story by Rowland police in hot pursuit. A split sec-Lee, which was treated for the onda single stride and one of screen by John Wexley, and War- them was made into a killer. He ren Duff, the production was di- returns to the slums to get his ven- ricted by Michael Curtiz, who geance on the world—a big-shot | recently won world-wide fame for killer leading hundreds of kids into his work in the recent hit, "Four" a life like his.

Daughters."

OFF THE RECORD

HAKICH

By ED REED.

QUIET

ON THEAR

The way Luther's announcing those

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Here's Luck

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