Introducing...
A Crisis
THEN two people are liv
ing together in the in- timacy of marriage for the first time, they inevitably find out everything about each other. And as they are both passing through a highly emotional period it is a shock to each of them to discover that the other is but human after all
He has a doting mother, per- haps, who has never told bica that he really should not leate his boots just where he takes them of
She, on her side, may reveal other Ettle,weaknesses. Maybe she can never find her handbag
when she wants it. Almost cer- tainly she will want to go back for something after they have started out (iate, of course) Yos the concert "party.
It needs common sense to get the right angle on this problem of irritability. Each of them feels that it would hardly be the thing to criticise during the honeymoon. But that is where they make a very grave take.
When, for instance, she found that one of her brothers had left his pyjama coat in the bathroom. she probably called "Hi, Jim! How many more times have I get to tell you about your pi-jams! Do you think mother and I haven't anything else to do but ren about after you
While he almost certainly call- ed out to the offending gister: *Joan, if you don't put the top. on my ink after you have Slled your pen I'll get my slipper to: Jou!"
That is precisely the way they should tackle these little-inci- dents during the honey2007. lightly and jokingly. If they say nothing, if each steadfastly determines not to utter a word which might “sound like fault- finding, then they will go their own sweet ways entirely oblivious of the annoyance, they are caps- ing.
The soundest rule for success- ful marriage is "Get it over ät once." If you do find that the irritable period leads to heated words, stop them at once.
Do not worry who started it-trying to settle that never led anywhere. Just stop, and each of you say, "I'm sorry for my part." That's a wonderful formula; never mind whether the proportion of blame is fifty-fifty of ninety-ten; just apologise for "my part," and leave it at that.
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BEAUTY DIARY
** Esther
Some Beauty Questions For You To Answer
SATURDAY, JUNE 22, 1935.
is the exact tone of your skin, and to avoid any look of artifi- ciality the face should be cleansi ed once or twice during the day before you apply powder again. Remember that the effect to be achieved is that of youth and Daturalness, a dairymaid beauty. newly washed in dew
How often doen your hair look as well as it did the day "you" were married?
JAVE you ever thought of sitting before your mir- ror and asking yourself a few frank questions? We all want to improve our looks; and this is a good way of finding out just how we, can.
Do you remember your face when you dress in the morning? Skins seldom look worse than they do first thing in the morn- ing. Pores are relaxed, colour is poor-and daylight is cruel If you cleanse with soap and water on rising, it's a good idea to splash on clear, cool water afterward. Or use an astringent if your skin is oily. Either will help to bring up that missing colour and to reduce too-visible. pares
Or if you begin your day with a cleansing cream, then remove with tissues and pat on a toxic There are with a pad of cotton. many delightful tonies that are not too strong for a dry skin and that have a pleasantly in- vigorating effect.
*
And whether or not you use make-up before breakfast. foundation cream or lotion is a good idea.
Do you treat your dressing table as (a) a worktable, (b)
a showcase, (c) e catchall?
The ideal dressing table should be really a worktable on parade. But with our busy lives there's always the inclination to let it be mostly showcase.
Find the treatment that suits
your skin. Select the make-up
items that are becoming: Then collect them all on your dressing table, or on a shelf in the bath- room if that's more convenient, The important thing is to have
SECURE A CLEAR COMPLEXION!
them together. If your pore or blackhead ointment is sitting close to your cleansing cream, then you're more likely to use it frequently and get the utmost benefit from it. If your eye cosmetic is next to your rouge, then you probably won't forget to put it on the very time yon. most wish your eyes to be ea- trancing.
How do you use your make- up, and with what end in view? Beauty experts writing from abroad tell us that the veg latest fashions in make-up de mand a much more natural effect. that we have seen for some years, and no longer do we find powder used with such a liberal hand that little is left to be seen of the charm and texture of a fresh young skin.
The point is that the effect. is. wonderfally youthful, since a heavy make-up was always,, in- alimed to give a coarse appeat- ance to a fine skin, while it never. really hid the discrepancies of a not-so-good one,
To begin with, then, our faces to-day must have a gleam, if not altogether a shine, and this gleam is the result of a careful choice of one or two special lotions.
Powder fouge is rather out of favour at present It certainly seems to be more artificial-look- ing and to have a tendency to stand out on the cheeks when seen in a side light. Use, there- fore, in preference, one of the various paste or liquid rouges in a tone suited to your colouring. Lipsticks, too, should not be heavy and greasy these days: An indelible one is best, rubbed in after the lips have been gent- ly massaged with a touch of cold
cream
If, added to the powder lotion, you should insist On a little - powder as well, be sure that it
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A morning dose of
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SECURES A CLEAR COMPLEXION. AR good Chemists sell it
"
Brushing does many things to keep the proed halo of hair we had when we were married: it helps to stimulate the growth of thin hairy it brings out colour. and sheen, în dull, mousy hair, it keeps unruly mops smoother and sleeker.
Many women are afraid of daily brushing lest it take out their wave. Yet brushing really belps to keep waves in.
The first requisite is a firm- bristled brush. The best way to
se it is to divide your hair into: strands, and brush each strand out from the scalp with firm, long strokes. Impossible if your hair is short? Not at all Try it and see.
FAMOUS WOMEN
(Continued)
Not the Francesca of history, but the poetical creation. Dante, has in the past 600 years, like an enchanted road, lured innumerable poets, painters, and sculptors to glorify again and again the tragic love story of Rimini According to Dante's student. Locella there are about seven hundred books in the world literature of the Francisca epis- oder most of them cany only her. name just as Dante lets only Francesca speak in the Inferno. The best known literary worics are those of d'Annunzio, Rossetti, de Musset. Among the great painters who have used the Francesca tragedy as an object for their paintings are Boecklin, Gabriel Rossetti, Ingres, and Dore.
picture
The ·Dost - popular is that by Ansel Feuerbach 講 the Munich State Gallery. The artist shows as the lovers sitting in the garden reading the story of Lancelot..
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