WEDNESDAY, JUNE 10, 1931.
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DAILY CROSS-WORD PUZZLE.
(This cross-word puzzle has been made by an expert but our readers are warned to look out for occasional phonetio spellings, such as harbor, plow, and altho,)
47
38
42
10
13
14
15
11
THE CHINA MAIL.
•
MUSIC DRAMA FILMS
*STRANGLEHOLD OF MR. MAUGHAM AND
"THE CIRCLE.”
U.S. FILMS.
95 Per Cent. of World's Supply,
the spot and then work it out at a later date. I have found that it is a mistake to write at once. It is better to get an impression of a place and then deal with it after-
It is no use letting, characters speak weds. Otherwise, all kinds of as they do in real life. The talk irrelevancies get into the atory.: must be succinct. It must give an "I have been nearly all over the Impression, of reality, not a copy.. world; in fact, practically every- Theatre-goers have been educat-where except South America. I
11
DREISER ATTACKS HOLLYWOOD.
Trade's Unwillingness to Face Realism.
Fallacy of "Natural" ed by the cinema, to a state of quick visited Central America onda in who recently slapped Mr. Sinclair Mr. Theodore Dreiser, the author, Dialogue.
er. comprehension, and they do not search of material, thinking the Lewis, has mado a violent attack on want long explanations. The great country had probably changed since Hollywood, whence he has returned BRITISH AT FAULT.`
HOW PLAYS ARE MADE.
difference between the old and the Q. Henry's day. I found it was still to New York after seeing what the modern play is that nowadaye It is exactly like his short stories and film producers have done with his not necessary to spend three or four that there was no material left for book, "An American Tragedy." He Remarkable figures disclosing the If this interview is disjointed it almost complete stranglehold which is because my talk with Mr. Samer-minutes to explain a situation. You mal" the American film industry has upon set Maugham took place in the can-got-to-it-in three or four senThe revival of "The Circle" open-double doors to meat generalissimos, said he had been "led through the cinema world have just been Vaudeville Theatre during what la tences."
ed at the Vaudeville published in the yearly statement of technically known as a photo-chil" Maugham's plays have been made mance Mr. Maugham returned to covered they had drastically altered Although moet of Mr. Somerset, and directly after the first perfor and talked like children," but dis- Theatre who jumped around like monkeys the Association of. Motion Pictura At every crucial point. In the con- into Alms he has never Producers of America,, anys the versation a flash and a bang on the direct for the pictures. I asked him G.WB. in The Observer.
written his home in the South of France. his book until "It" pletures me as London Morning Post.
stage lifted us both off our seats, if he thought of doing ao. ́ ́.
writing something I never in the According to this statement, although the actors and actresses,
world could have written." The estimated capital invested in used to being photographed, carried the world cinenia industry is on quite composedly, Mr. Maugham £500,000,000, of which the "ap- told me that he was seeing "The proximate capital · in Amèrica is Circle" for the first time. He was £400,000,000,
in Java when the comedy was or ginally staged at the Haymarket."
I asked him if the actors added much to the play:
The United States produces per cent. of the world's supply pictures.
95
of
The picture industry is the fourth largest of all the industries in the United States...
**
"I have just accepted an offer to write a talking picture because it was such a tempting idea to cater for an audience of twenty million people. No, I shall not go to Holly wood. I am quite content to supply the dialogue and leave the rest to the producer."
As he is a great traveller I asked Mr. Maugham if he went abroad chiefly to And material for his plays and stories.
་་
Pittsburgh, a big industrial town, may be dirty, but "Lysistrata," the
Mr. Dreiser declares that he will comedy from the ancient Greek by bring an action in the federal courts Aristophanes, is a great deal too to restrain the showing of the alm. dirty, in the opinion of Mr. James He argues, that the film industry is M. Clark, Director of Public Safety, unwilling to face realism. of Pittsburgh.
Emphasis on sex, Mr. Dreiser In- "Lysistrata" has been playing insists, is smelling the doom of Holly- Pittsburgh and Mr. Clark attended wood, and he predicts that the a performance. Conferring with | American publfe will demand good the producer afterwards, Mr. Clark foreign pictures - rather than the waxed eloquent on the Indecency of Hollywood drivel.. He states "the the play, saying it is vulgar to the bankers will get control of the film He had now announced that industry and force them to give up Estimated. American production audience. The actora add their material. Wherever I am themes only if the "dirt and vulgarity" are selling sex at so much, a seat. No-
personalities, and I discover there thrust themselves at me. I get an removed will be permit the play to body objects to sex, not even are jokes in the dialogue that I did idea and make elaborate notes on continue.
but there are other things in life." not know existed. I can sit in the theatre in a quite detached way. and laugh at them myself. I have heard Ethel Barrymore put so much meaning into a single word that
Captial in Coast (Hollywood and district) Studio Properties is £16,000,000,
schedule for the current year, £40,000,000.
"A very great deal," he said, "and so do the audience. An author really doesn't know his play until it is put on the stage.
The whole thing is a collaboration between the "I travel for pleasure,” he replied, dramatist, the actors, and
"but I have a natural nose for core. the
The number of people employed in the industry in America, 375,000.
Six billion lineal feet of film are manufactured and used annually.
'About 25,000 miles of film pass through the American film, ex-what I imagined was an ordinary changes each day.
phrase, became something exceed- ingly witty."
15.000 picture advertisements are placed daily in various media, and the annual cost of motion picture. publicity is £20,000,000.
The weekly picture attendance in the United States is 115,000,000, out of a world total of 250,000,000.
Gross takings in American cine- mas yearly arę £312,000,000.
Lessons of Rehearsal. "Have you usually attended the rehearsals of your playa?
HONG KONG MARKET PRODUCE.
APPROXIMATE RETAIL PRICES.
June 4, June, June,
Butcher Meat.
*** 15.
"I do so whenever T'ean, because Beef Sirloin ... I learn so much from them. It is
in the theatre that the, dramatist really learns his business.
Yes,"
| Mr. Maugham · sàid with a smile
This is the problem that the Bri-after we had recovered from an- tish film industry has to face. other flash on the stage. ". "I Moreover, it must be borne. in mind still learning.
47X
Watching a produc-
The
that American, filmas imported here er at work the dramatist sees what have usually not only paid off their situations carry and the sort of cost of production in their native dialogue that is effective. country, but have also returned a most surprising things happen, substantial dividend. Further Some years ago I brought out a play more, there are various ways and called "The Unknown,' When I was means whereby income tax or any writing. it I thought it was a drama
other tax is not paid on such films of situation: it had not struck me in this country, so that every penny that the argument of the play was they earn in our cinemas goes to the really dramatic thing about the assist, American producers to make piece. At the rehearsals I dis- large and better films, to beat pro-covered: that: the drama lay not in ducers on this side of the Atlantic. the emotion stituation at all, but
American Banks.
in the argument; that on the stage it became a diferent play, it is al most impossible to visualise this on paper."
"Very little," Mr. Maugham said,
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The figures quoted make it clear why, in America, the biggest banks and corporations have controlling interests in the great film produe Do you actually add much at re- Pig's Chittings tion units of that country. Thehearsals." now directors of the Fox Film Com- pany, include Mr. Carnelius Vander-"but I revise a great deal after. I bilt, Mr. Philip Stockton, Pre-have written the first draft of a sident of the First National Bank play. No. I do not work from a of Boston Mr. Philip Clarke, Pre-synopsis: I turn an Idea over in sident of the Central Trust Com- my mind until I get tired of it. pany of Illinois, Mr. Frank O. Then I write straight ahead, and Watts, Chairman of the First Na- the first draft usually takes me a tional Bank of St. Louis, and Mr. month or six weeks to get down on George M. Moffett.
paper. In this way I keep the spoň- taneity of the story,"
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This is but one company, and it is well known that behind Western. The Stage and "Real Life." Electric and Radio Corporation are "Have you eet out consciously to aome of the most powerful finan-satirise the life of to-day ?". clers In the whole
of the United “No, within the limitations of the States.
stage I try to represent life as I Sucking Pigs, to order One other significant fact comes see it. As a matter of fact, I do not, Best out of this notice of the reorganisa- not believe that the stage has much tion of Fox Films. After stating to do with life. There must be a that. Fox owns over 500 theatres in similitude to life, but pure natural- the United States and '90 In Aus- lam, which I prefer to the word tralia, It is added: "It also con- realism, is not effective. I have a trols the Metropolis and Bradford notion that in the future the theatre Trust Company, Limited, which will become even more theatrical, Barbel owns 05 per cent of the ordinary and I cannot understand the critics share capital of Gaumont-British who slam a piece because it is then- Picture Corporation."
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trical, it is absurd. When you Canton Fresh Water UK) How does the Britich industry praise a picture you praise it for stand against this gigantic In- being pictorial. dustry? In production costs, com- "Natural-dialogue is no good, ex- Catah pared with the annual expenditure copt in plays that depend entirely of £40,000,000 in America, we may en situation, In which, of course,
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compete with America, and how
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the face of such competition?
can we hope to get into America in that American exports of films last Dog Fish
year exceeded £4,000,000, ;
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where the advantage, apparently, la
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In our natural market, the possession of our own market. Loach? British Isles and the Continent, Big finance in this country has Lobsters
there are 28,454 theatres. It is fought shy, as yet, of films. That, Mackeral
a disturbing reflection, however, to some extent, has been the In Monk Fish
(Continued at, foot of next Column) dustry's own fault, and reflects its Mallet.
Oysters failure to organlee itself properly."
YESTERDAY'S SOLUTION:
TWIDDLE VAIN RARE
ERAJE
NO
Over two years ago, the Morning Parrot Fish Post, stated that the only way for Perch the British film industry to get on. Pike Its feet was to copy America and Plaice
Balmen
build up a central agency almilar Pomfret, White to the Hays Organisation. Jealousy, Pomfret, Black however, it was suggested, rawns would prevent the formation of Ray such an organisation.
Rock Fish Roach But big finance Itself is equally to blame. It forgets that films are the finest means of commercial ad- verilaing that the world hid vət seen. It forgets that "Trade fol; bws the Film, and that -"For every foot of flam, Bold in a foreign co try a dolar's worth of trade comes
back
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to States there are just over 17,000 "golden gate" of America, with its cinemas. If, to this total, is added £800,000,000 annual box office 're- the number of theatres in Latin turns; and not only are we not in Herrings America, the United States; na possession of the tural market, the full total is 22,- market, but we are 000.
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