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- THE.....
OHINESE AND JAPANESE ART.
A largo and, in one direction, a very full exhibition of Chinese and Japanese pictorial art was opened to the public Dea 15 at the Manchuster City Art Gallery. Except for a small collection of Japanuso objects lent to the Gallery a fow youre singe by Mr Walter. Behrona no slow of Eastern art has been held there before, and the Committee: offer pornothing very interesting in the collection of Chinese and Japauose paintings and of Japanese colour prints which Mr Juhu Hilditch has now lant. Europe han known #dmothing of Orientabari for centuries, and nowadays wo, nin more than familiar with its cheaper fornis, Drawing rooms and curiosity shops swarm with Japanese bric- à-brac; every bazaar lots looss a flood of cheap and nasty objects on our householde. For a century, or two Chinese porcelain has been imitated more or less; Chip- pandala had a "Chinese" period in the course of his furniture-making caroar: Whistler and not a few other modern artists have shown their indebtedness to Japanese art. Oriental, art has been valued, mostly, however, for ifa Hizatre and grotesque elements, or else for its charm of space, and colour; and it is only within comparatively recent years that its deoper meaning has been at all generally re ecgnised and that the spiritual expros siveness of its highest forms has been realized as rivalling if not surpasing the spizitai intanaity of the finest European art. That a very ordinary piecs of Japaness cloisonne wars or a quite cheap piece of ivory carving showa-an amazing technical skill which would not be found in corran ponding European productions is obvious to anyone. What has not been readily admitted is the possibility of a really great and serious school of art ranking with the
ORCHESTRA OF S.M.S. FRANZ JOSEPH 1, other great ones of the world. William
UNDER THE DIRECTION OF HERR KODULF
WILL GIVE A
CEPELAK,
CONCERTAGADEMIE
IN
ST. PATRICK'S CLUB, (GARDEN ROAD),
ON
SATURDAY, JANUARY 14, 1911.
Intimations.
TORIC LENSES
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THE OLD STYLE Bab les gives a restricted field of visions you must look through the cen tra
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WITH THE TORIC LENS, on the con Lary, you have correct vision looking through any part of the lens. You move your eyes instead of turning your head from side to side.
TO THE TENNIS PLAYER, trap, shooter, the cricketer, the billiard player, in fact in all fields of port, the TORIC LENS us a better stors because of quicker and better vision,
THE TORIC LENS. corrects the error of. vision better than any other--it comes nearer making the eye natural. Warers of Torie lenses nuver go back to the old style.
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PHILIPPINE
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76, Espeita,
MANILA
Hanakosa, Jaly 26, 1910
SCIENTIFIC OPTICIANS –
ELMANSIONS
HOTE
HONGKONG
ENTRANCE on PEDDER STREET.
is hang mainly with Chinese paintings assigned to various dates between the sixth and nineteenth centuries. Among these may be mentioned an impressive picture of Confucius and various paintings of flowers and birds. Here also and clac where are a few interesting Japanese paint- ngs. The walls of the other. three rooms are given up almost entirely to colour prints, which oven overflow on to screens Morris dismissed the question with the in the contre of the rooms. The prints *phoriam. **Japan has no architecture and represent the different periods and phase en de com a ing of the work of the popular school very Most of the chief mos 40 therefore no art"-a rather severe condeur fully. nation to enforce sterility of a country included, and their work in most cases Bo volcanic in its structure that arhitecture illustrated by several examples, Ee As we understand it is impossibinonging-to-the-early-routeenth and eighteenth century periods are prinis within its borders Ruskin, when designed by the originator of the art, the question was brought before him, Moronabe, by, the Torn artiste, by Ma "planded that he was too old then te in-sanoba, and others. These, which are very simple and expressive and for the quire into it. The canons of Greek art, an
most part in monochrome only, are succeed. art with whose forms our national tempersed by the lighter and more delicate work of ment has little natural sympathy, have artists like Harthiobu and Shansho, some been interpreted to us and to some extent of those by the latter, being orceedingly fine in drawing and in spacing. Following
SATURDAY, 14th January, at 8.30 p.m. sharp.mited. A few people only have got on these are prints by Kiyonaga and othere,
IN AID OF
The Orphans of St. Lewis Industrial School PROMINENT VOCALISTS will contribute to the Programme.
PRICES OF ADMISSION..
....DOLLARS 3, 2 AND 1.
Tickets may be land at ST. JOSEPH'S CHURCH and ST. PATRICK'S CLUB, or at the Dout on the Night of the Concert.
Hongkong, January 12, 1911.
JUST ARRIVED
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behind the conventions of Oriental art and until we come to the climax of grace and grasped its true inwardness. Few of a delicacy both in form and colour in the work of Utamaro, Coming to the fast room, either, are ready to admit that the con- the portrait of actors by Toyokantare also vention themselves may be a permissible, of interest, but all here is subsidiary in in- as adequate for purposes of expression, as terest to the work of Hokusai, the greatest Our own pictorial methods. Now, how artist of them all. Nuts, for instance, the ever, contact with China and Japan has vivid drawing of "The Isle of Tsukuda" (405) and the marvellous way in which the intressed our respect for their art. Contact clear, bright light is rendered by a few with a larger world has also destroyed that colours. Notice, too, the power of general. art by turning it into purely commercial iantion shown in such a print no "The Great channels, so that now we have explored † Wave" (414), this splendid understanding |and have come to understand it little of it of Bowers to bo seen in other samples. and
is left but fireless romains.
the sureness and vigour of his drawings: The Best-known form of Japanese pictorial Some charming, prints by Telzan and art and the one most popular in Europe is Toyokuni 11. follow; two wonderfully ex- the colour print. The painter in Japan pressive drawings by Kunisada (494, 495) was a meraber of a dignified professions should not be missed, while the landscapes the designer for colour prints was no more of Hiroshige close the list. Besides the than an artisan. His realistic art, despised paintings and prints already mentioned, a in a country where rigid tradition gave number of books illustrated by Hokusai dignity to symbolism only in painting, was and others are included in the exhibition, called, in contempt the mirror of the together with some smaller examples of passing world."". His subjects wore vulgar, | painting, his patrons were, vulgar in the eyes of the
Morris's strictures on Eastern art were an upper classes. We, looking at prints and far true that it does lack the architectural paintings from the thestic standpointualy, quality of that of the West. It makes no miss rauch of the meaning of the latter, use of light and shade, sitempts no solidity. but, on the other hand, wo can see the But it provokes a curious.comment on our beauty and skill of the former with an - Western convections to paes, after a careful bised eye, and their gulgarities are bidden examination of this Chiness and Japanese from us. So, while we can now, in the art, over to the permanent pictures in the light of fuller knowledge, take a much gallery and notice there how we seem, in higher vlewof Japanese painting, our admir Lation has taught the Japanese themselves to appreciate in the colour prints the beauty and delicacy of the greatest popular art the world has known. Perhaps its beauty is not surprising in's land where, we are told, notices, are placed on the public bighways to indicate to the wayfarer the points from 1519 which the most beautiful prospects are to
A. P. JEANNOU,
SOLE AGENT No. 15, QUEEN'S ROAD, CENTRAL, 2nd Floor."
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be obtained. But we have to remember that in the rigid artistic hierarchy of Japan. the colour print designer, however omquisite his productions may seem, was on'a love! with the designer of the rudest woodcut broadsheet in Europe; and that for us to rate Hokus among the greatest artists of the world most surprise the Japanese con- 'noisseur as roughly as though Macaulay'a fzuzalive New Zealander in a survey of European art were to place a designer of comic valentines, or a draughtsman of the boulevard, on a level with Raphael or Michelangelo.
Paintings and colour (prints, the latter la great sumbers, make up the, prosent Art Gallery exhibition. Questions of apthor ship, of states, and if conditions difficult matter with European art and more so with the less familiar
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ho left to the exparis. We may be content to enjoy what is evidently for the most part of good quality. A word should be said about the attractive general appear ance of the exhibition. Although the WAIIK ste rather overcrowded, the prints in simple frames, spaced according to their shaper, make admirable decoration, add the maltitmie of delicately coloured picturon gires a curious affect The first spaciousness to the rooms.
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SOLE AGENTS
Hongkong, December 17, 1910.
1822
day. We are not likely to abandon our MITSUI BUSSAN KAISHA. own conventions, but we may perhaps and as Hokuent did when the realiam of Wost eru art was brought to his notice, by ad- mitting the possibility of the rightness of both points of art from China and Japan.
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