defined. There were several successful attempts to diversify the section's output, the most notable being the introduction of Chinese music to the non-Chinese audience. This was done by the newly appointed Ms Stella Fu, who combined good scripting with an excellent choice of music to give an interesting weekly insight into the beauty of Chinese voice and instrumental pieces. "Time Out" made its appearance late in the year. A programme aimed at telling the audience what is happening in Hong Kong when and where and how to get there. Other well established programmes, like "Book At Bedtime" continued to win listeners. But sadly, due to production difficulties, "Books To Read" and "Time To Remember" went off the air much to the disappointment of many faithful listeners.
Serious Music
39.
This section continued to be the mainstay of RHK-4. Under the guidance of Clive Simpson it was responsible for fifty hours of music a week; a considerable output for a small staff of four. The sheer variety of material offered is impressive, and it ranged for such esoteric fare as an inastera opera and contemporary Chinese music to Chopin's Nocturnes. The section also continued its fine work in recording local and visiting musicians. There was extensive coverage of the third Hong Kong Arts Festival with live broadcasts of over a dozen concerts by the English Chamber Orchestra, the Orchestre National Francis and the Spanish National Orchestra.
Light Music
40.
1974-75 has been an exciting year for English Radio Service's Light Music Section. The year got off to a good start with the arrival of singer-composer-disc jockey, Tony Orchez, and his Monday-Saturday "Tony O Show". Ashton Farley continues to dominate Hong Kong's pop-scene, and seven days a week he keeps his vast audience tuned in and turned on. Ray Cordeiro, of course, continues in his own inimitable way to delight his late night audience on "All The Way With Ray". And judging by the abundance of phone calls Ray is inundated with nightly, there is no shortage of people wanting to go all the way with
him!
41.
As part of the English Radio Service's move to develop the radio personalities of presenters, the broadcasting day was divided into broad bands, particularly in the case of RHK-3. The results of this policy was that Ralph Pixton's "Morning Show", Sue Earle's "Bits and Pieces", Tony Orchez's "Tony 0 Show",
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