2
Queen's ALHAMBRA
AIR-CONDITIONED,
SHOWING TO-DAY AT 2.30, 5.15, 7.20 & 9.30 P.M.
M-G-M's MAMMOTH MUSICAL TECHNICOLOR SPECTACLE!
Bathing Beauty
Metro-
Altwer
Mayer
MOTUMI
Starring
RED
SKELTON
with
ESTHER
WILLIAMS
Basil RATHBONE
Bill GOODWIN Ethel SMITH Jean PORTER Carlos RAMIREZ
HARRY JAMES
and his MUSIC MAKERS with HELEN FORREST
XAVIER CUGAT
and his ORCHESTRA
with LINA ROMAY
THE HONGKONG TELEGRAPH,
SATURDAY, OCTOBER 2, 1948.
ALITA SEAT IN-
WHEN YOU VISIT A STUDIO,
AT A CALL SHEET
LOOK AT
21
By MELROSE GOWER
7
starred, listed on his Call Sheet
"man to blow smoke request for rings. That did not mean, however, peculiarly gifted with that dd cigarette-smoking accomplish- ment. The man who "blows" smoke rings for a movie scene does not blow them at all. He la a dechulcian who
HE "Call Sheet" is Holly was asking merely for six feminine
extras as background pedestrians. wood's Bible.
"Best boy and guffer on vet at The Call Sheet is
A.."
a R inmiruction on the was an piece of white paper
nino Call Sheet of RKO Radin's techni- Boy With Inches wide by 13 inches long. colour pleture, "The containing an assistant diree Green Hair." For your Information. n "galter" is the head electrician on tor's instructions for the day's a picture, the "best boy" is his assto- filming of a motion picture.
names
tant.
The Call Sheet lists the
for One of the last Call Sheets of all actors and "Berlin
Express," to be released actresses "on call" to work each shortly with Merle Oberon, Ilobert Korvin at "Paul day, names the location where Ryan, Charles
following memo Lukas. bere the takn filming will
place, trom Assistant Director Nate Levin- describes the sets. states the son: exact time work will start on "Will motily if part of clown will ench
scene, and outlines the work." day's demands on all studio de- partments.
The Cat Sheet, 19 worth mort than a star's paŁY cheque. No star would get a pay cheque if the Sheet did Instructions an the Call
DIA not make it possible to Blm pictures areurately, swiftly and uni Directors out their assistants,
star, department brads,
feature players and extra carry the day's Call Sheet stuffed in their pockets. The Call Sheet is pinned to quint- less bulletin boards, where he who runs may crush.
T
MUMBO-JUMBO
2
6) the studio visitor, however, far
Call Sheet
much mumbo- Jutube, fununing ni. It anght well be written in Sanskrit, for all the information it comveys to them.
instreitona Its cabalistie, cryptic
phrased in the strange kartunge en- ployed by film technical men, would baffle even a cipher expect.
Samplent Certainly,
"Six steel wother' were retest- ed me any on the Call Sheet of the Le McCarey
“Good Sam Assistant Director desde it
production,
A BIC ORDER
Texte to what much of the clown
THAT was all
No reference was
the might be out of der. But Casting Ofec
im- understood
told it mediately that Weld be later whether or not to enll the actor assigned to play the role of a cireus. clown,
It sontext like a mighty big or- der when a Call Sheet for the pic- requested Hire Weep No More" "three fat-tuies." As I turned out, Assistant Director Harry D'Arcy did not me three aeroplane carriers. He was calling for three plain, run of-the-1}. flat-toppel dressing A distinguished freadin the corner, more huxurious trailers provided for Elas The stars, Jiseph Cutter and Halian actress, Valli.
West," Jane
thue of the respárements listed on
Call Sheet for "Station on which Bick Powell an Geer are now working, was "four sauteuses grips on set." But 20
the day's were in Pvidence when
ming started-the answer
being
thust a "grip" is a husky movie stage: hand.
Maxwell Henry, assistant director
dis el want six women +f wasy on "But the Moon." in which virtue to holanob with Gary Cooper
Iwever, and Ann Sheridan,
Robert
Ele Geldes
Mitchum, Bartuara Bel and Robert Preston
are
-can containing a round hole in the top with smoke-thun, tapping the bottom selentifically, he pro- duces the most perfect smoke rings ever seen
The Call Sheet for Roslind' Hus- sell's Intest plelure, "The Velvet
askell one Touch."
day for "two **8.5,'N to open big doors." Quiet, please-an “s.b." In movie parlance is a "stand-by."
Deceptive, surely, is the phraseo- logy of the Cull Shivet, deceptive as the remark of the braggart who re- turned from Africa with the state-
a club."
"Weren't you reared?" gasper! want listener.
11
"No," was the blend reply. "There were fifty members of the club!"
LEE THEATRE
ADVANCE BOOKING OFFICE:
6, QUEEN'S RD., GR. FL. CHINA TRAVEL SERVICE
BOOKING HOURS: 11,00 A.M. TO 5.30 P.M. DAILY
SHOWING TO-DAY AT 2.30, 5.15, 7.20 & 9.30 P.M. A PEAK FILM PRODUCTION "UNDER TEN THOUSAND ROOFS"
DIALOGUE IN MANDARIN
SUNDAY MORNING SHOW AT 11.30 A.M. ONLY
WALT DISNEY'S CARTOONS
IN TECHNICOLOR
INCLUDING COMEDY & SPORTS REVIEW
AT REDUCED PRICES!-
COMING SOON
HISTORY'S GREATEST ADVENTURER LIVES AGAIN!
dventures
Robin Hood
ALL ITE SPECTACIE IN COLORAT TECHNICOLOR!
WARNER FLYNN deHAVILLAND
BROS.
BASIL RATHBONE-CLAUDE RAINS
SHOWING TO-DAY-
KING'S
AIR-CONDITIONED
BẨN KREUGENE PALLITIE MCCRAE CERTADAN KEKNİ
2.15, 4.45
7.15 & 9.45 p.m.
The Biggest Show On Water!
ENTIRE NEW PRINT-Please Book Your Scats Early!
– QUEEN'S SUNDAY MORNING SHOW
AT 11.30 A.M. ONLY Joan CRAWFORD - John GARFIELD
-
"HUMORESQUE"
A Warner Bros Picture-AT REDUCED PRICES!
ORIENTAL
CONDITIONED
SHOWING TO-DAY: 2.30-5.15-7.30-9.30 P.M.
THE STORY OF A GUY THAT WOMEN GO FOR!
BODY and SOUL
TO-DAY,
ONLY
JOHN GARFIELD - LILLI PALMER
"Bady and Soul'
------- HAŽI BROOKS....
15 ANNE REVERE
WILLIAM CONRAD • JOSEPH PEYKEY
LLOYD COFF CANADA LEE Disclad by ROBERT ROSSEN Produced by BOB ADDERYS AN ENTERPRISE STUDIO Production Released By METRO-GOLDWYN-MAYER
Cathay
Wanchal Road, Wanchai,
1 AIN'T GOT NOBODY"
AT 2,30, 5.30;
7.30 & 9.30 P.M.
JANE
LYNN-WYMAN.
The BODY DISAPPEARS
AWARNER BROS. MIT WIR
EDWARD EVERETT HORTON » HERBERT ANDERSON-use by D. ROSS LEDERMAN
TO-MORROW
"ANTHONY ADVERSE" Starring: Fredric MARCH Olivia De HAVILLAND
•
UNADULTERATED NOSTALGIA
UNTIL
By LEONARD MOSLEY
JUH experience this week changed my mind for me. I used to envy young people between the ages of 15. and 25-and not just because I will never know adolescence again myself.
No. 1 considered them furtu- what is a messy nnte bernuse and neurotic world to me must appear quite normal to them. any never known They have other world. They never knew the years of plenty, never tast ed the gaieties, the follies, the carefree days of the pre-war
years.
Lucky people. I thought, They what it is like to be don't know
realise Blled with nostalgia, don't that a zest is missing from 1948, the of don't sigh over memories past.
SOMETHING LACKING ND then I took a 17-year-old girl
"Life With Father" ks sheer an-
It is set New York in the spacious, uncaring days of 1900, and it recaptures its period brilliantly.
adulterated anstaiga.
From the munient it opens with # view of the brownstone house
3+11
nong Madison-avenue, with horse- trains clapping down the street, and chatting smiling people leisurely on the cntners, you are buck in
of mental and physical case. "Than were the days when the not about war, but rich worried about new maids and next week's dinner party, when the poor worried not about atom bombs, but he to help themselves lo a part of this period of plenty and become rich themselves..
SIMPLE CRISES
didn't exist. PSYCHIATRISTS
Women had the "apours" instead of nervous breakdowns. Food was cheap and so was beer. You argued about the prospects of the local team instead of wondering whether your workmate was a Communist spy.
We sat through it, laughing at the
FATHER OF WITH simple-minded crises in the family
mte:
(soon to be seen Hongkong), and what she maid to ne when it was over made realise that present-day youth also aware that something important is licking Iron this new world.
Court, British
Alm
Hazel actress, models a dual-purpose play and swim suit in red, blue ant while collon. The outfit bolero and skirt, which has a
she holds over right arm.
is
of Air Clarence Day in 1900, weep- ing at the sentimental moments. Afterwards, my girl companion was silent for a long time.
She sipped at her ersatz orange juice and nibbled reflectively at
shpaste sandwich.
*
#
in
and
Phyllis Coates
Is an up coming young actress to watch. So far she has had small roles, but she has been offered a leading part.
LORETTA ANSWERED
THE CALL
By PATRICIA CLARY
opportunity knocks but
once,
Loretta Young eer- tainly answered the right call.
She often wonders now what would have happened hadn't.
if she
Mas Young was only 13 when bathtub she scrambled out of the
Suddenly she said: "What stupid lot of people they were those days. They got worked L}> bo answer the telephone in her San over such silly things." And then: Fernand valley cottage. "Heavens, wish we could do the same sometimes. It's a shame, isn't We picked the wrong moment
to be born.
to
the studio im- "Cuine over to mediately, Polly," a voice said. "We have to get rolling on this picture right away. If you aren't here within half an hour, you'll lose the part."
Not that I would, want you to go his aim for a Jesson in soclol behaviourism: Go because it is fun. Mr Day, the Father of the film
by
Miss Young didn't answer to the William playect (excellently Powell), is a man with a temper of name of Pully but the voice on the brimstone and a heurt of gold. te lire didn't give her a chance to say couldn't likes to feet that he runs his family so. She realised that she with a red of iron. And his family, reach her sister. Polly, in time for Just to keep him happy, let him re-her to go to the studio, so she went
herself,! tain this erroneous illusion.
BEAUTIFULLY TEARFUL
sung periness
Director Mervyn LeRoy THEY know how to get around the amused by Miss Young's
old man. Mother has only to look when she told him why she was immediate for there. He gave her an beautifully tearful (not hard
screen test and a part in the plelure, Irene Dunne) to get an increase In
her shopping allowance, Invite home "Naughty Bui Nice." It wasn't
Learned to Camble
a couple of relatives father dislikes,big part but it lunched her career. or even persunde Mr Day to have himself buptised 50 years too late. His three red-hended song have their own hilarious methods of getting
their own way.
*
"I learned then, and remembervil thereafter, that you have to gamble
if you expect to get any place in You will be richer for watching show business, Miss Young said, “I them, and regretful, like my 17-| have always tried to take advan- year-old giri, that
nowadays we
can't ret quite so worked up about tage of situations as they come up." such gloriously silly things.
"JOAN OF ARC” PREMIERE
Now, 20 years Inter, Miss Young has a gold Oscar, the motion picture Industry's highest award for artistic ability.
Currently starring in Hot Wallis' Accused. Miss production, "The Young has never forgotten the tele- phone call which resulted in her acting career.
"Joan of Arc," the spectacular technicolour production which slarg Ingrid Bergman, will have its world "I often wonder what would have premiere in the newly renovated happened," she said, "it Polly Ann Victoria Theatre on Broadway, New hnd been home, or if Mervyn had York, on November 11.
given me a chance to tell him
t
Walter Wagner produced the ple-wasn't Polly Ann. or it. I had been ture, and Victor Fleming was the afraid to answer the call. director. The costliest film ever "I didn't know what I raight be of doing today in that care. I never produced in Hollywood, "Joan
Are"
пп required
outlay
US$7,000,000.
of might have had another chance."—
United Press.
Darryl F.Zanuck
Forever Amber
TECHNICOLOR
şlarting
LINDA DARNELL CORNEI, WILDE RICHARD GREENE-GEORGE SANDERS
Directed by
Produced by
OTTO PREMINGER-WILLIAM PERLBERG from the Mart by Kathleen Winsor
AT USUAL PRICES
20
LINEAR-FOR
CENTRAL
270, QUEEN'S ROAD CENTRAL.
❤
PHONE 25720
5 SHOWS DAILY
TO-DAY ONLY AT 12.30, 2.30..5.15, 7.30 & 9,30 P.M.
TERRIFICO!
MAGNIFICO!
CARNIVAL COSTA RICA
Technicolor VERA-ELLER
20
JCENTURY FOR
TO-MORROW
DICK HAYMES
CESAR ROMERO
CELESTE HOLM
HAL ROACH PRESENTS
"TOPPER TAKES · A TRIP
with
CONSTANCE BENNETT
SHOWING
TO-DAY
ROLAND YOUNG
MAJESTIC
Pirates of
Monterey
TECHNICOLOR
MARIA MONTEZ ROD CAMERON
•
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A UNIVERSAL-INTERNATIONAL PICTURE
AT 2.30, 5.20.
7.20 & 9.20 p.m..
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