TO
HONGKONG TELEGRA
Starts TO-DAY AT KING'S THIRD FINGER,
、
"I loved you once
...would have gone, with you—even to Hudson's Bay! How
I hate you!
HOPE
THE
EP HANG YOU!”
PAUL
MUNI
klinight for a
HUDSON'S BAY
with
GENE TIERNEY. LAIRD CREGAR. JOHN SUTTON
VIRGINIA FIELD
• VINCENT PRICE. NIGEL BRUCE Directed by Irving Pichel Asociate Producer Kenneth blacgrim • Original Screes Play by Lomas Trotti A 19th Century-Fox Pictura
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Young Stars
Take Voice Training
By James Arthur
Radio broadcasts are thoroughly scouted by, the studios and all young artists carefully listed. From radio came Charles Holland, the Negro tenor, who sings `in, a new Frank Morgan picture.
John Carroll has not yet sung on the
1941.
LEFT HAND LEFT.
MYRNA LOY has the quality'known as insouciance
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carelessness, indifference, uncóncern, says the dic-Paid-up Capital ............. 13,000.0
tionary.
¿
Her sleepy but alert eyes are always saying things not written in the script. She is cool and mocking, and seems to want references from every one.
When the dialogue is snappy and the theme fluffy, as it is in "Third Finger, left Hand," now showing at the Queen's and Alhambra, Myrna adds a good fifty per cent. to the charm of the piece by those unwritten lines dictated by her eyes.
She has the soft answer that turneth away criticism. That ring on the third finger of the left hand, says she, is what keeps a girl in a good job.
She is editress of a society magazine,, and she pretends to be married, so that the boss's wife won't think her a menace to *her husband and give her the sack.
When she meets Jeff Thompson the artist (Melvyn Douglas) and he falls in love with her, the pretence of having a husband in Rio leads her into serious complications.
.
For laughs, nonsense, soft answers and turned-away wrath -this-picture should be awarded considerable marks. It in-a de- lightful, thoroughly entertaining show, and makes you feel that a little insouciance goes a long way in these times—that is, while Myrna is in charge of it.
Hudson's Bay
The romantic history of the Hudson's Bay Company, screen but he is another member of the founding of which in the reign of Charles II supplies
the voice, reserve society. He, too, has
daily lesson. Recently, he made a the subject of this spectacular film, offers great scope to
test one of the most complete of its
kind ever Blmed. In it he ang every an imaginative producer. The theme of a struggle
type of song. He "crooned," he sang
"Jazz" and finished with an operatie against seemingly unsurmountable odds is always interest-
aria.
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When Mary Howard was given her ing, particularly when it is handled in the purely pictorial Subscribed Capital
contract, she asked if she could take
voice lessons, Sho had never sung be: sense...
fore but knowing how important it might be to her later on, she wanted
Her
With the trend in Alm entertalament to learn. At first she despaired. She fiction are welded into a smooth-running story alive with elements In "Hudson's Bay," now showing at the King's, fact and Inclining more and more toward even had dificulty carrying a tunc. musicals, Hollywood is preparing is But she persisted. The voice teacher of mental and physical conflict. players by an intensive drive ou voice gave her instruction and the conches culture. There are dozens of musical showed her how to read music.
Paul Muni adds another accomplishment to his long Hat of Alims in preparation, and dozens of coach says she has made great strides, unusual character parts as the trapper, Pierre Radisson, whose young artists getting ready, to end and will one day be able to take her dream of an expedition to Hudson's Bay for furs is here depicted, their talents. Hollywood, in fact, is place with the best of them. bullding up its "voice reserve."
Probably one of the most remark. With its practical difficulties, its heartbreak and its final success. All newcomers with voice possibili- able young voices is that of Kathryn Muni plays the role on flamboyant lines, delivering a num- tles are being trained, and even those Grayson. She has not yet appeared on ber of long speeches with oratorical fervour. Good as he is, as who are already established singers the screen. She has been preparing take dally conching in avery type of for six months. It was her valce tea- always, the acting honours really go to Morton Lowry in the re- music from opers to "swing."
cher who brought her to the studio's latively small part of Lord Gerald, cowardly, treacherous favourite Douglas McPhail has often been attention. After the audition, both heard on the screen. His largest role teacher and pupil were, signed. In her of the King.
to date is the romantle lead opposite first test Kathryn sang both popular All the other parts are well handled, and Gene Tierney, as Judy Garland, He is An accepted and operaile numbers. singer, yet he has a daily lesson in the Virginia O'Brien is an entirely dif- a lady of quality, is particularly effective. She is the young ac- music department. When he is work- ferent type. She plays strictly for tress who gave such fine work as the effusive girl reporter in Jag in a film, he spends his lunch hour comedy, a known as the dead, pan "The Return of Frank James," and she has done so well with with the coach. "It' the Kreatest singer, And although she specialises, opportunity I've ever had." McPhail she is being coached in other types of her short experience that she has been starred in the film version says. "And I certainly mean to take music, Versatility is deemed tremen- of "Tobacco Road," soon to be seen in the Colony,
dously important. advantage of i'
VIGNETTES OF LIFE
'HI, BUTCH!!
'BEFORE WE WERE MARRIED YOU USED "TO SAY:KY NAME WAS THE NICEST NAME YOU
EVER HEARD
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Naming the Baby
BY KEMP STARRETT
I GOT IT! CALL HIM STINKER
4
THEIR OWN, GENERATION SEEMS TO KNOW BEST WHAT TO CALL THEM...THIS ONE'S GIVEN NAME IS PERCY
A GOOD LONG. LOOK INTO THE FUTURE MIGHT PREVENT NAMES LIKE VENUS BEING BESTOWED ON LADIES-
LIKE TUIS.
IT FINALLY COMES OUT THAT HUBBY PREFERS OTHER FEMININE NAMES THAN THE ONE THEY STUCK, YOU WITH.
'I KNOW!. CALL HIM WHETHORE
THERE'S ALWAYS” A RELATIVE HANDY WITH A SENSE OF '
HUMOR?
IF YOU DADE NAME THAT KID OF YOURS ETHELBERT AFTER ME I'LL FIRE YOU
· YOUR RICH AINT HEPSIBAH KNOWÍS
WHAT TO NAME THE BABY... GIVE YOU THREE GUESSES?
THE CORFIMAN GETS UUS- BEST IDEAS IN THE DA MIDDLE OF THE NICHT
́T YOU NAME HER : AFTER YOUR MOTHER, I'LL GET A DIVORCE
NOW AND THEN YOU'LL AND SOMEBODY WHO HAS SOME SENTE ABOUT NAMES.
благояте
Ladger Byndiente
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