1938-03-10 — Page 2

Hongkong Telegraph 港電新報 士蔑新聞 All

Peter Kent says: AT THE PARIS SHOWS

ME THESE

SAVE from WOMEN

THE Pavement Hog is will do it,

sald...

on

A

So, of course, I simply

wail:

usually a rather small, The Loud-Speaker is at her loud- inconspicuous woman who est and best when you are sitting is addicted to day-dreaming he top of a bus quietly, inoffen- sively, assimilating the day's news. in a big way. She is to be Suddenly the silence is shattered by

plereing, nerve-racking found in large numbers in "Conductor! Are you sure this is all any street where there are right for Church-street?"

YOU

head Incline your shops.

slightly, and out of the You invariably encounter her on a crowded pavement when corner of your eye you catch sight of 11 Jarge female vainly clutching at you are in a desperate hurry, non-existent Attings. At her feet is She is always moving in the ridiculously small and frightened- "Come along, darling," She locking doet's sit down and re- same direction as you are.

she says. carries a purse, a large paper cover from our exertions." bag, three small paper bags, and She usually makes a rapid

covery. YourN Is a rather more an umbrella.

leisurely affair.

The

re-

You are weaving in and out Booking Once (or Pay Desk) among a sea of pedestrians Lolterer is probably the biggest with some difficulty, when you think menace of them all. She never by you see an opening with a clear, un- any possible chance has her money obstructed rum of, maybe, len or ready and, anyway, she can't count. fifteen yards. You side-step, you swerve, you emulate the movements of a ballet dancer. You are almost

TWO-AND-EIGHT," she exclaims in a surprised through when--crush! You have sort of voice, as though she had ex- collided with the Pavement Hog pected it to be seven-pence. "Deur Of course you folled to spot her, me, I wonder if I've got any change." At this stage, and nol before, she but that is because she is unspot- table. She materialtses from no- opens up her handbag with great where. One moment the way is deliberation and begins an elaborate clear, the next she is unaccountably exploration of the interior. "Let "I did have there to baulk your progress,

me see, now," she says.

did I Or half-a-crown, didn't I?

HE will be trundling gaily change it when I bought the rib- SHE

along at an even two-and- bon?"

u-half miles per hour when she will You move uncasily from one tool suddenly pull up dead in her tracks. to the other. You glance at your Possibly she just wants a short rest, watch. You turn round and look at Or maybe she has caught sight of the queue of people forming up de- something in a shop window which hind you. has been marked down to eleven-three.

two-

66 A H. here we are," she says A delightedly. "At least, But the reason for the unexpected. cessation of movement is immateriat. I think this is right. Two-and-four- The point is you collide with her, pence, wasn't it? No? Dear me, I'm bewildered, afraid I'll have to ask you to change And she gives you painted look as you retrieve her a note-if I can find one, that is."

But you have had enough. You paraphernalia from the pavement, Kindly forfeit your position in the THE Loud-Speaker is a dif- queue and stamp off blindly in any

ferent sort of pest. She direction except the right one.

This does not by any means ex- gives warning of her approach. Long before her well-filled-out figure haust the list, There are plenty comes within your line of vision your more of them, but it would take too ears are assailed by a mighty cascade long to describe them all individu- of words. "And I said to Martha, ally.

'My dear, I said, 'you can't possibly

I

car, however,

describe

them

are

all just-

do a thing like that. And she said collectively. They

to me, Jane,' she said, 'I can and I Women.

PROTECT THEIR DELICATE

Ammo .........

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NIPPED-IN WAISTS AND LOW HIPLINES

CHANGE THE SILHOUETTE

PARIS TAKES WITH ENTHUSIASM TO OFF

THE SHOULDER EVENING GOWNS `

(By Jane Gordon) THE most Important Paris dress houses are opening all day long and every day; some of them even give their first dress shows in the Itouff's evening evening. Maggy dress show was a very grund affair, sa grand that the men put on their white ties and tails and the women were jewelled enough for # Court ball,

This is one of the important collec tions that we shall be accing in, and it is brimful of originality. The beach clothes Include linen shorts with backless lops enlivened by star and heart necklaces. One in white linen has a lapis blue cord necklace from which is hung on enormous blue heart outlined in gold and two ftat blue stars.

Trousers for beach wear are mid- calf length with turn-up cuffs; one is red and white striped silk with a white shirt and brillant green jacket. Beach clothes and tailored suits are fastened with brassy-gold

buttons.

TIGHT WAISTS

A charming pink and white-striped flannel sult is shown with a brown Jumper fastened with a gold button. The tailored jackels are all close At- ting and the long tailored coats are of a very severe cut, nipped in round the wolst.

navy nnd Afternoon dresses of black silk jersey materials and flat heavy crepes are pulled tightly round the body from below the bust to a

TUDS

scarlet frieze coat is drawn in tightly at waist with navy patent belt. But- Site tons match belt. pockets are embroider- ed with arrow heads.

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INGH RENIT.

JOM

a

hus A white crepe dress low hipline with fine gathers or shir- 1955, ring. An ornament shown with al- little black lace bodice. most every one of these dresses takes the form of a Bigger's head on " FLOWER TIARAS white medallion held by two tiny hands, one in red and one in black. Many of these dresses are worn Some of the lighter afternoon with tiaras of stiff flowers to match and those

White dresses in belge, aquamarine

the on

decolletage. pearl-grey crepe de Chine have ful shadow chiffon is used for one frock, ness from the shoulder down the with black ribbon threaded round the front of the bodice, which continues decolletage and tied in an enormous down the front of the skirt.

bow on one shoulder. One brown

Many of the evening dresses have tulle dress has gold thread barley high necks and long sleeves. White with long golden stalke embroidered crepes are popular. The darkc dresses on the skirt. have sequin

the on

embroidery

bolero Jackets White and gold is AT Patou all the suit jackels are used a great deal for evening. There thigh-length, very tight atting, is a whole series of crinoline dresses and most of them single-breasted. with tight bodices.

over frocks.

*

*

have a

of the

bodice

The cuck, closely to the hips

Almost all the skirts are box-pleated, and all the day dresses are made Chanel's collection is very con- with long tight-fitting tunic servative in-day dresses and thigh-length and plainly cui.

the skirts tailored suits, but goes all romantic pleuta in many of In evening clothes. Navy and whites dark material let in on the inside to and black and whites, and a curious match the dark material of

dress

of the coat. dried mud brown slide are colours of the

or revers of reserved for the day-the dark Any amount of spotted surah is used colours are used for redingote coats for

dresses

and tight-fitting Jackets patterned

fle erepe

Chine

dresses are cut low front and

At and then flare

the out to ROMANTIC VOGUE Cyclamen, light lupis blue, bright

green are the new colours About 60 per cent. of the evening Chiffon, tulle and satin are the even- dresses have full skirts of chiffon, Ing materials, pearl-grey crepe de tulic, fine lace and net with tight- Chine is used for very smart ofter- fitting little bodices and the new off- noon frocks, shown with coats of the-shoulder line which is shown navy blue or black

ack repp. with every type of evening gown, in- cluding the long clinging sophistient ed variety.

Dating waist

EEP close-

band, hem and the sile in the skirt are all

ground.

here.

The materials in all the collections

so far are flat surfaced and closely woven. Surahs are spotted, silks are brightly striped, and there has been nothing very original in the way of flowers or printed crepe de Chine,

BABY'S

FIRST

PHOTO

HOW many times have

mothers been bitterly disappointed with baby's first picture, blaming the photographer for not hav ing "caught" baby. Even with mothers of families it is astonishing how few have that "picture sense" which will adequately portray baby.

Usually the average mother sees and likes a certain study and decides to have her child taken that way, entirely forget- ting that baby may not be that type.

It is impossible to generalise as opinions differ so vastly, but here are one or two reliable sug- gestions which may prove help- ful.

If baby is very young he takes the best picture in his christen- jing robe. He will be reclining of course on a comfortable pillow with a simple lace or embroider- led edge.

Both the robe and the pillow case should be carried to the photographers and put on there. (Tnis will obviate creases and save "touching up" which al- ways takes character and crisp-i ness away from a picture.

When baby is over a year old he has distinct characteristics. These should give you the key to his picture and lead to a de-

blue and makelightful study.

striking contrast to the golden

#ellow of the

drcas which is piped with brilliant blue over the shoulders.

1CW)

Yet another example of the

tine

is drawn-in walat shown in the white silk plque bolero with deep band below. This is worn over a black crepe drcas.

A full-skirted dress of bright coral- coloured net has the off-the-shoulder line of heavy gold and cornt em-

LOVE BIRDS

HERE Arc some charming debutante drestes among the ∙new Paris creations.

One model is in white crepe de Chine patterned with brightly- coloured love birds sitting in naire on branches; the dress is cut short and full skirted.

broidery which forms a "y" at the back of the shoulder,

A very lovely heavy white lace, which looks like the real Point de Venise, is used for two or three dresses, one of which has little extra cuffs of the lace, although B'in sleeve».

On no account "dress him up" | for the occasion, but just pack up favourite toys and take him along in an everyday play suit.

TO MAKE A NATURAL PICTURE

Let him play naturally оп the Istudio table, catch his attention once or twica and the photographer will have the opportunity of achieving iden) "shots." Thus you will have indelible records of baby' BA you know him.

It is well to remember that "warm": colours photograph dark; reds invariably reproduco black, yellows too come out in solid tones. White, of course, is the ideal light colour, and pastel blues or greys also reproduce white.

If baby is a chubby six-monther, don't have him taken without any clothes on. Remember he will grow up and look askance at his small naked self adorning the piano top. thelo Taking into consideration rait should be achieved. If, how small points a successful frat porte ever, you go to a child photographer. who has proved his work, you can-

THE HONGKONG TELEGRAPH, THURSDAY, MARCH 10, 1988.

IF

If only every

VAPORIAMY TO MOTHE

mother knew močner

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Repulse Bay Hotel

Announcing

TIFFIN CONCERT PROGRAMME

Played by Classical Sextette-Leader Geo Plo-Ulaki

1. Oberon, Ouverture.

SUNDAY

2. Drelbund-Walzer.

3. Trio in D min.

13th

MARCH

1.00 p.m.

to

4. Eva. Belection,

Weber.

Benafiky..

Mendelssohn.

.Lebar.

5. Andante Cantabile from Quartet,

Tschaikowsky,

2.30 p.m.

6. Mazurka, Fresco.

7. Van Herwijnen.

March,

Plo-Ukki

~Also

WEEKLY DINNER DANCES EVERY WEDNESDAY 9.00 p.m. to 1.00 a.m.

Excellent Entertainment in Charming Surroundings !

For Reservations please 'phone 27775

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not do better than enlist his dynd- THE HONGKONG & SHANGHAI HOTELS, I

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M.:P

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