1936-10-30 — Page 2

SQworl

PICK OF THE London

Fashion SHOWS

You'll be wearing :

MATERIALS: Velvet.. famé

COLOURS: Black LINE: Slim

•

syrup shade

flowing

THE HONGKONG TELEGRAPH, FRIDAY, OCTOBER 30, 1936.

PIANO INSULATORS: --

Eliminate All Ankle Strain &

Protect Floor Coverings.

PIANO BENCHES

Made of Solid Teak &

Polished to Match your Piano,

MUSIC CABINETS & RECORD CABINETS

Made of Solid Teak &

Polished to match your Furniture.

LIQUID VENEER

For keeping that glowing polish

on your Piano and Furniture.

EVERYTHING MUSICAL

Obtainable from the Manufacturers

of the

MORRISON PIANO.

TSANG FOOK PIANO COMPANY. Marina House, 19, Queen's Road, C. Tel. 24648.

Schidh an felli

DRAWN

BY

ROBB

ell

16

OUR BRITISH

CROSSWORDS

123

13

10

[20

114

16

17

125

377

ONE MORNING YOU WILL BE SAYING-

BRHH !!

-THINK

IT'S CHILLY—

I'LL WEAR MY TWEED SUIT.

But is it really in fit condi-

tion to wear? It would be

wise to have a look at it

now, as well as your other winter clothing, and should they require cleaning and smartening up send them right away for

ZORIC

ODOURLESS

DRYCLEANING

THE STEAM LAUNDRY CO.

Kowloon Works Hongkong Depot

ADVERTISE

where there is no

doubt about

CIRCULATION

Telephone 57032. Telephone 21279.

Paris ideas made practical

HOOSE velvet for your evening gown and you will be right. Let it be black or one of the subtle "syrup”. A shades of green, brown, or red.

Stiebel goes flat out for velvet; so does Molyneux.. Molyneux Thick and heavy, but so soft has a velvet specially woven for him.

it drapes like chiffon. He keeps his straight line with a alight flare below hips and at the shoulder.

As change Stiebel varles the dominant black with strong colour. from velvet, he uses a heavy crepe and sometimes a Ane uncrushable woollen. Chez Paquin, velvet and yet more velvet, with lame a runner- up. Occasionally fine wool jersey woven with gold or embroidered. Everything's Embroidery

Embroidery creeping in everywhere. Schinparell has given it her blessing. Hartnell embroiders Ane lace with sequins (he does it by hand) and mounts it on gleaming satin. Nearly as well as black, Hurtnell kes decadent colours.

Absinthe (or, if you are kitchen rather than cellor minded, dried mint), a green-bronze like dirty copper, and a colour that is the result of a marriage between a damson and a prune. He uses this effectively for a crepe dress panelled with sequins of the same lush tone.

Hartnell is rm about line. Peplums; exaggerated fare (except below the knees), no. Like Stiebel, he believes that for evening the slim, flow- ing line best flatters the English figure.

Skirts for evening are slightly shorter in front.

Rich or Austere

• Prodigal of yardage, your evening cloak.can flow out on to the ground behind you, or it can be wrapped round the body like the cloak of a Spali. Materials. . . . 7 Anything you like, from sable-lined velvet to ficed cloth.

If you have furs of any kind, prepare to use them now, Hartnell places fur up, down, and around a sleeve; hugging the throat, out-lining the spine; or throws a couple of foxes from shoulder to waist like a sling.

SALESMAN SAM

Left to right:

• HEAVY black charmeuse. Neck and epaulette sleeve em- braldered in military red and gold. Jabot of rich deep blue gathered into a V front.

satin.

DANGER-RED Skirt slightly gathered into bow of duli blue. Two-way wrap- over skirt forms train at back,

• WHITE ROMAINE tunic dress. Skirt is alim-fitting with shirred panel back and front. Wide shirred sleeve cut in one with tunic. Cummerbund sosh of saffron yellow romaine. Bouquet of yellow flowers to match.

velvet.

• PRUNE-BROWN Foot-fare stiffened by rows of padded stitching. Top of bodice heart-shaped with padded stitching to match skirt. Mode- rately flared tunle coat of tinsel brocade in white-gold and silvery tones. Three-quarter length sleeve; high, stand-up · collar.

Nice Guessin', Duzz

ACROSS 1 Wandering of a French father

showing delight.

8 The shelf which would be com- paratively useful in an office, She figures in "The Last Days of Pompeil."

11 Wrote "The Dop Doctor." 12 Trains are not signalled to stop

lerc.

14 One thinks of this bird with. regret, having lost its head, 15 Making a loun is a great blow

to Leonard.

16 Shape.

18 Refrains,

21 Makes loud

smithy.

22 Pluck.

noises in the

24 Blow the space; there's plenty

of room for a drink here. 27 Chauncey M. is the rest of his

name.

20 All this was associated

cricket the vast season. 20 'Asiatic.

with

word

30 Take "darling Anna to" this

event sporting anag., B, B).

(two

DOWN

2 Home of a Biblical witch.

3 Chewing gum. (You can divide

it between Elt and me).

4 Simply ripping, isn't 11?

5 Very much so in the East End

(two words, 3, 4).

6 Bob requires a couple of these

workmen.

7 Not so young as it was once.

8 A character In "Redgauntle!""

(two words, 0, 0).

10 Stone this man, to create great

surprise.

13 Add, I'm not dry (anag.). 17 Sounder.

10 Both ends of a perfect day

(two, words, 3, 4).

20-A suggestion from Parls:-the-

course may be clear..

21 An the sides are to top and bot-

tom.

23 Equally at home as an eques- trinn, or in a lawyer's office. 23 Softly, now!

20 Woman novelist.

Yesterday's Bolation.

EOLATE ALLOWANCE

UCWRETRAZPENUR

PELOTA REPLICAS

• N=CONIINPO

GROWHEYRESEARC

STRAIGHT CREwan

PINNACE ASPIRE B NCHED A LASENFE GRUPA LSP TRAULE DROGIES VICHES MULTIPLE ATTICS MMGEHEN RENZIOTE BANNERETS AVION

Hoo, SAM! WHERE ARE YA? ARE YA LOST,SAM?

400 HOD, HOOOO!.

BOO! HERE I AM, DUZZIJES' HIDIN, THASS ALL

GOSH, I THOUGHT VA WERE LOST, SAMIWOTS THE IDEA SCARIN' ME

LIKE THAT?

"AW, I DIDN'T MEAN -TO! I JES' CLIMBED

IN HERE TA FIND OUT WHAT KINDA TREE THIS IS!

YEAH ?WELL, I KIN TELL YA! IT'S A MAPLE!

MAPLE, HUH!HOW| DO YA KNOW?.

THE

COUNT "TELEGRAPHS"

EVERYWHERE

By Small

BY TH SAP THAT'S COMIN' OUT!