1934-11-03 — Page 2

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THE HOUSE OF PERFECT STYLE * DIS VEOUX RE CENTRAL HONG KONG,

MAKE-UP HINTS

By

MAX FACTOR

HIGHBROWS va LOWBROWS

Orichtal brown, Straight brows.

Arched brows,

Who can ever forget the fad startedl a few years ago by Greta Garbo's narrow skylarking brows which net the women of the world competing for high altitude recordin

the

Ian

Ind But fortunately changed. Now 80 per cent. of Holly. "Alu wood's players are going natural" as far as eyebrows are concerned. The proof of this is offered by the example of Marlene Dietrich, Mirlam lopkins, Jorn Crawford and many others.

So take a good lesson from Holly- wood and forget the promiscupar shaping of your brows. The perfect brow harmonizes with the general shape and expression of the eye. It should be just as high above the eye as the eye is wide, and just an long as the eye in lung.

Colét Burgane in the crust of beauts 1% make-up. Under ¿das-- ing motion pleiste light, Max Facent

Lollywood's Make Up King, paved this and trading sierry stars" adopted hier Factor Suciety Aluke-1p because of the grester beauty gained with life-like cosmetic calming '.

Fruits Haver

Ilyicesinde type, UX Phyllo Haver, with 1 wars and falz wein, pont find new bran on thur Mas Factor or harmony make-up.

To achieve thin effect, use an eye- brow pencil to carry on where nature left off. Don't exaggerate, tut follow the natural line-and above all, he subtle and use your pencil lightly. Blondes, redheads and women with light coloured eyebrows should une brown eyebrow pencil. Black for all others.

Much controversy was aroused recently when Max Factor, Hollywood Make-Up King, declared that Sylvia Sydney had the most perfect features in Hollywood;

"Perfect features are a question of mathematical proportion," said Factor in reply to the storm of questioning that followed his commitment. "Bylvia Sydney in ons woman in Hollywood whose features are mathe- matically perfect. The statement still stands. But us for the perfect face, photographically speaking, there are one!"

"The perfect feminine face," he continued, "would be the hair of Jean Harlow, the forehead of Dolores del Ric, the eyes and mouth of Irene Dunne, the nose of Billie Dave and the chin of Marion Davies."

And as for the perfect masculine face-

"He would have Gilbert Roland's hair," says Max Factor, Clark Gable's forehead, Ricardo Cortez's eyes, John Barrymore's nose. Ronald Colman's mouth and Richard Dix's clin,"

Max Factor's

Hollywood Art School of Make-Up Today our rotorkles are tuned to harmaster, with The whole Idea being cur whine, hair and eyes,

that make-up to-day stil: Indispensible-but not "noticeable!"

Bo, if you are wine, Madame, use the powder, rouge, lipstick. and other mak

up essential that harmonise with your

own particular complexion,

And the result will always be--happy harmony!

DEMONSTILATIONS OP

By

Max Factor's Hollywood Art School of Make-Up- pintment në Matie's Beauty Shoppe. Bank of Canton Building, let floor. Come and became

Factorite like 98% of screen stars.

On Sale at

May May Co., and other Alorer

Wholesale Distributor

J. M. da ROCHA & CO..

THE

HONGKONG TELEGRAPH.AY, NOVEMBER 3,

ARLISS AT WORK

UNHURRIED

DILIGENCE

MAKING FILM OF IRON DUKE

BATTLE IN

A STUDIO

"

Ten o'clock in the morning at Shepherd's Bush fim-studios. Outside in brilliant sunlight and s hot day. Inside is the grilling glare of a hundred arc-lamps---a very much hotter day.

Some Battle of Waterloo scenes from the new Alm, "The Iron Duke," are being shot. In the middle of the vast studio is n whole small hillside, made out of hundreds of tona of earth and hill ΠΡΕ turf. On top of the horses; and on top of the horses are Mr. George Arllas, as the Duke, and members of his Staff, writes a correspondent.

After lunch and a rest, he dis- quares his technique. "You ask if it is not dificult to have to getį straight into the 'spirit of a scone' by doing it a septence at a time? For an experiented actor it should not be so difficult. After all, in

NEW OUTFIT

Made Of Grey And White Wool

RAGLAN SLEEVES

The facket of this outfit has raglan sleeves, and is made of grey wool, while the skirt alac in grey wool checked with white and tighter grey lines.

•

FASHION NOTES

ין

1934.

ABUSE OF WORDS DEPLORED

Dangerous Tendency In Language

OATHS NOT

SO ROUND

Mr. L. Urwick, late director of the International Management In stitute at Geneva, speaking at the Oxford Conference of the Associn- tion of Special Libraries,, said that "one of the most outstanding of our current characteristics society" was its capacity for abusing words of use. It might be the counterpart of a declining com- potence in using words of abuse. "Whether this can be traced to the discoveries of Professor Einstein or in merely to better manners it dificult to say," he added.

Mr. Urwick said that one form of abuse of words was what might be called "pharmaceutical abuse." Instead of inflating a simple mean- ing into a complex group of phrases, this form of abuse took a now and straightforward term ex- pressing a useful conception, and inflated its meaning until it burst, and the idea with it;

He called this pharmaceutical abuse because it originated in the Bame tendency which tempted people to rely on patent medicines

a theatre he has to make his en-THERE is quite un 1870 touch instead of on medical skill,

about some of the new even- trance and begin straight away in!

of her dress suggests a skirt which use

"At this juncture in the world's

Is of ample dimensions for dancing Urwick sald onthe and enay and graceful movement round as they once were.

The, materials for evening wear

NO

the character. He cannot say, ing skirts, with their fullness all history," he added, "it is an ex- 'Excuse me, ladies and gentlemen, in the back and sometimes alightly tremely dangerous tendency. es- bunched up The use of taffetas,pecially in matters which touch on I've just been having a talk and

The one chance everyone possess. drink with a few friends in my and the revival of moire silke, fur. economic life."

ed of minimising the strains and dressing-room, and it will be a few ther enhances the effect. minutes before you can expect me

The new skirts are kept very stresses of the modern social struc- to get into the swing of my part."

"Also, when making a film, Istraight in front and on the aides ture, was to learn to think as clearly always believe in the fullest possi to prevent any suggestion of full- and precisely as possible in terms ness detracting from the slender compatible with the probleme with ble system of rehearsal before ever appearance on the hips, but let which we were trying to deal.

Referring to the "decline in the going in front of the camera at Madame turn round, and the back

of words of abuse," Mr. all. The whole play la learnt by

were not heart and rehearsed in ita con- ilnuity, an for a theatre. We have tinal rehearsala (not in dress, of course) that are like a perform.

Kame ance, and could be played in a

BO over bere. 1 notice that theatre. This has two very great are interesting. There is a craze same

lovely and looks like fine lace or Saville very rarely keeps any mem- advantages. In the first place, cellophane cloth, which in every actor knows all about his satin, or solid jet, or silver cloth. bers of his stan on alter six ut, part, what is expected of him, and And there is another, and newer, at latest, neven in the afternoon, his logical place in the story. He material for evening clothes. I which, to me, seems all to the good. knows the mood of every scene as would not dare to say what it is It's coming to be common know- it comes, when the shooting begins. woven with, but it looks as if it ledge in every way of life that you were tucked all over and the can often get better and more in- of people by wire tensive work out Lucka bound round with

"Also it

for the spirals. There is an Indfention of working short hours rather than is invaluable producer. Just as in the theatre, the return to favour of shiny satin, long ones. In America the stafs a play may mean something as one and there are several gowns in and artists still often work very chiffon-very feminine in long hours when there may be no

to-rather. reads it to oneself-and may begin suft to mean something very different design and most suitable for In- particular need

Is there any new light shed when it begins to be rehearsed by formal evening occasions. Trap seems, out of habit." living actors. The process of re- pings of the circun queen are all hearsal is like the development the go.

A FORTNIGht's reheARSAL

fatigue-the

harry, Mr.

it

PARLOPHONE RECORDS

We are now agents for thèse records and our first shipment from the monthly releases will arrive shortly.

Parlophones 'best known artists include:

RICHARD TAUBER, JAN KIEPURA, CONCHITA SUPERVIA, LOTTE LEHMANN, LILY PONS, RIA GINSTER; EMANUAL ́LIST, RONALD FRANKAŬ, LESLIE HUTCHISON (HUTCH), SOPHIE TUCKER, PATRICIA ROSSBOROUGH, BINNIË BARNES, HAROLD RAMSAY, HARRY ROY and His Orch.. LOUIS ARMSTRONG and His Orch

TSANG FOOK PIANO CO.

9. Ice House Street. Hong Kong.

USE ELECTRIC CHROMIC NEEDLES WITH YOUR PICK-UP =

OUR BRITISH CROSSWORDS

Across

1"1 Bert, a plumber," put out?

Not a bit (anog.).

Sounds a queer time to turn oul, doesn't it?

10 A valve you all know.

11 The apparition that entertains

a number,

12 Go away on it for a holiday. 13 Flora's companion.

16 It is very easy to get into this

1 You can hide" then animals.

(anag).

clothing. There are tinsel clothes-on the character of Wellington in of a photographic plate. And ns not silver, but tinsel-and there the present film?". I naked, the process of developing goes on. are silks that are. striped and flaws may be revealed and may be stamped with tinsel.

manently in evidence against you for the rest of your life. camera la like a very acute eye fow feet from your face"

VERY HUMAN PERSON,

17 Carrying.on business as usuni. 20 This may give you an appetite. 22 Exclude this, please...................

without moving. 23 They put out to

25 Birds: what fun! 27 Call out.

28 House.

Down

Ken

2 Very large-just big enough to

finish off an Insect, in fact, 3 Careful to extort.

"In a sense there is," said Mr. remedied. It also helps the pro-j French silks that are primed] ducer in timing scenes accurately. for autumn make a great point of Arliss, "for most people know nothing whatever about Welling- and may even allow him to do a certain amount of his cutting be gold or silver threads that are woon--he starts as a blank sheet. fore the cameras have ever started. ven in with the silk, or used to or perbang a few phrases, such as 26 They make fine soup.

the 'Up Guards, and at 'em l' and The whole shooting of The Iron make patterns on it.

Publish and be damned' are writ. Duke' may take about five weeks.

ten on it. That was almost the But we had a full fortnight of re-

extent of my own acquaintance hearsal to begin with."

"Are you unique in using this

The with him, until I began to read his Correspondence and so forth-- asked. method?"

na I should probably not have done "Up to a short time ago, I believe

"A diabolical eye?"

unless I had to make the film. He 1 was," said Mr. Arliss. "But I

"Yes, a diabolical eye Home-

comes alive as a very human per- believe it will come to be generally taken up by the entire profession; times," said Mr. Arliss, with en-son, which will perhaps be the and it would generally further the thusiasm. "It seems to see not originality of the film. He had a work of the profession if it were, only mechanically, but with intui-good deal of malice and wit in him, And though outwardly it appears tion. It picks up everything, and a sense of ordinary fun; and, to take more time, it lessens time And It records if you are tired in even after he became the Duke' when the shooting begins."

"Is the Hollywood legend about you true: that you insist on knock- ing off at half-past four in the afternoon whatever is happen- ing?"

a second."

ENGLISH METHODS.

One leaves Mr. George Arliss- English trained,

and the victor of Waterloo,, he liked playing hide-and-seek In a iarge house, and, on occasion, was "This is the first film that you not above sliding down the stairs have made over here. 'Do you on a teu-tray. His letters are very notice any particular difference intelligent and shrewd, and some- "It is," said Mr. Arliss. 1 do it between English and Hollywood times witty." 38 ü matter of principle-and picture-making?" sheer expediency. It seems to me "No," said Mr. Arliss. "No English-born, absurd that any artist should particular differences. It seems vegetarian, light smoker, light seriously think of giving to the to me that both sets of studios drinker, going neither into theatre public anything but his bestand have large numbers of very cap- nor cinema ner party while a flim equally absurd that he should have able and efolent directors and of his own is in progress, but con- the vitality to go on giving his technicians. I think that English centrating entirely on the job in best for an unlimited number of studios are well on the way to hand-with a feeling that one has hours on end. On the screen, putting out as large a percentage been in the presence of a good what one does should be the very of successes as American studios. workman, a genuine expert and top-notch of one's ability. Every-The small difference is a difference technician in the serious business thing that you do is recorded per-in tempo. There is not quite the of making a film.

:

SALESMAN SAM

WAKE UP, SAM! NOW'S )AW, I'VE HAD A CHANCE TA

YER CHANCE!

20

MOITAT?

WAKE UP ALL DAY, BUT WHATS THE USE? VA JUST KEEP ME

SITTIN' HERG!

WANTED HOST WAMED see

OTHA

How out. 11ml)

I MEAN YER CHANCE TA NAB A CROOK! PETER PIKER, POCKET PICKER, JUST PICKED A POCKET AT TH' CORNER OF MAIN and SECOND, AND ONE AT SECOND AND MAIN, AND ANOTHER AT HIGH AND FIFTH

7209 24418

wow!

WHERE TH'

HECK IS HE , NOW?

A remodelled theatre.

5 Make vold.

6 Red opal becomes this creature...

7 Potting a score (anng.).

Commander-in-Chief.

10 Inclined to upset a well-known

urtint.

螺片

13 Dreadful person though he be, he has a definite purpose in view.

14 He's not so out of place in a

factory as you might think.

18 Mother's up, and father's down:

to take current meaSUZES.

19 Your car has several. 20 Meddlen.

21 Rather rude to start, but goes

. down, all right.

24 The notation for foals.

25 Not half a doctor.

Yesterday's Solution

ENCE A E Q OAKUMANONYMOUS

1 B-1 - LANE E JA BASED INTEREST

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