1933-03-21 — Page 22

NEXT CHANGE AT THE CENTRAL.

COUNSEL FOR CROOKS OR PUB- LIC PROSECUTOR!

*: He Wom at Both, Unë til the Woman He Loved Faced Him Across the Stanel ...

JOHN

BARRYMORE

HELEN

TWELVETREES

In Drama Dramatic ar u

Judge's Sentencel

STATE'S ATTORNEY

JILL ESMOND

WILLIAM (Stage) BOYD MARY DUNCAN

Directed by

HA

·GEORGE ARCHAINBAUD RKO RADIO. PICTURE

cannot

Yord not to fit

Decarbo

10% to 20% less Petrol. No Decarbonising.

THE HONGKONG

CINEMA SCREENINGS. the romance."

NOTES SUPPLIED BY THE

"THEATRES

TELEGRAPH.

Glazer, in co-opera- tion with Garrett, followed closely Hemingway's story of the young American officer in the Italian - bulance corps and the latter's devasta- ting romance with an English nurse. "Blondie of the Follies" Boris Karloff ascribes all his

"Blondle of the Follies," the latest present success, ás a talkie player to

Metro-Goldwyn-Mayer film showing luck.. "If I hadn't gotten a lucky at the Queen's Theatre, is another break," says Karloff, "I'd still be example of what this producing firm plugging along as Ldid for years, in can do in the way of combining stock and

repertory

excellent story with superb acting companies.

direction. Marion Davies and Certainly I'm not a better acter now Robert Montgomery, prove their com than I was in those days.". The petence to head a cast which includes. 'breaka' mean everything in Holly-such players as Billie Dove, Jimmy wood." "The Criminal Code," as Durante, James Gleason, Zagu Pitts, produced on a Los Angeles'ta The picture tells the story

Sidney

Toler and Douglas Dumbrille. of the was instrumental in bringing Kar-advantures of a pair of working girla lolf's acting ability to the attention who graduate to popularity and of Alm producers and directors. The luxury in the Broadway show

of their role of the Trusty" was taken by the It is the story actor, in a cast that included Arthur from the poverty of their tenement Byron and Russell Hardie. When environment, their sojourn in luxury, and their return home. "But in the Columbia was casting the talkie telling of that story Frances àlation, version of the memorable prison who composed it, and Anita Loes, drama, Karloff was instantly signed who wrote the dialogue, have in-

parted strong drama. to recreate his role for the screen. "The Criminal Code," proved to be Karloff's first big 'break' Later he Charles Laugton, noted character made "Five Star Final," "Craft," actor of the London stage, has play "The Guilty Generation" and "Scared two roles in America, and in both face," contributing outstanding por-Devil and the Deep", in which he

"Devil and the Deep"

TUESDAY MARCH 21, 1933,

TALISMALT

and SPORT

he's been a case for a mental expert are inseparable. TALISMALT gives the energy

trayals to each production. Fran- plays with Tallulah Bankhend and that makes good sport possible.

kenstein" was Karloff's next great Gary Cooper at the King's Theatre, success. He had the exacting role of to-day, presents him in hig first pic "the Monster," a being created by a curious medical student The actor

ture moving has been highly

by critics for an insanely jealous" He is cast 13

And again he is

husband. "Pay.

draun TALISMALT, the health giver, contains Malt,

this brilliant lently cart in debut last season, had him cast as

in

one of those pictures

ures that strikes

he

in which he made his American slage. brooding bank clerk, who murders a

Laughton

Milk, Eggs, Cocoa and Honey.

terror in the hearts of audiences relative and successfully conceals the In "Behind The Mask," film of on a mystery and horror, coming crime but whe broods himself to to the Queen's Theatre, insanity thinking about it.

a wealth of experience to the plays a diabolical role. Others brin featured are Jack Holt, Constance screen. He was for several years,

the most sought-after characALISMAL of Cummings, Edward Van Sloan, one Bertha Mann, Claude King and ter actors in London. His stage de Willard Robertson. John Francis but in America, coupled with a screen Dillon directed, -

test, convinced Paramount officials that he would be equally as desirable in the movies.

"A Farewell to Arms"

Far more difficult than adaptation {

of the ordinary play or novel into ap

"Igloo"

If an Eskimo perspires in his screen story was the task of coparks, or upper garment, of reindeer verting Ernest Hemingway's Farewell to Arms" into the pieture hide, he simply removes it, turns it which Helen Hayes, Cary Cooper and inside out and wears it thus until the freezes and can be Adophie Menjou will enact on the

Pespiration

OT in the form of ice. But,

screen of the King's Theatre, begin-

ning on Thursday. That is the with the winter temperature ranging and from 50 to 70 degres below zero the opinion of Benjamin Glazer

seldom

"Igloo" perspires. the two gentle wearer

The tast the Universal's strange drama of the whole frozen Aretic, with all its roles

Oliver II. P.

men

whom he and enneted by Eskimos, is now having

Glazer says:**

book cannot be

A

presented in less than two hours. its final The first thing we did was to drap

of the plot which

useless purtiway lover will not

even a

miss. But on the other hand. several cases we expanded a parn

But graph into a series of seenez, the screen play is Hemingway be cause we are using his story, his) charaters, his ideals and his actual words in all the major key scenes ofį

run at the Central Theatre.

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THE

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DEPRESSION: This is no place for

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い

[Exit]

Act III. Scene I..

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FRECKLES. SAID HE VASUT GOING TO PLAY

IN THE MILFORD GAME...I WONDER IF

HE WAS PUT OFF

THE TEAM 3

IS THE TEAM PRACTICING TODAY?

AN' COULD I GET IN TO SEE

'EM

YEAH...THE COACH

HAS SOME OF THE

PLAYERS OUT

THERE NOW !!

YEP!...... FRECKLES.

IS THERE!

HOT DOG

#!

THATS BETTER „... YOU'RE GETTING IT DOWN PAT, MY BOY!!

NOW! HE SURE CAN GET UNDER THOSE PASES

#

WHY DID HE TELL

ME HE WASN'T. GOING TO BE IN THE MILFORD

GAME?

HEY, FELLAS. FRECKLES IS STILL. ON THE

11

TEÄM

'COURSE HES

ON THE TEAM... WHO

SAID HE WASNT

YEAH... WHAT'S EATIN'

ATCHA