1920-06-19 — Page 2

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Mr. Horbert Mgere Pim, the author of “Unconquerabla Ulater,” has fast published another in- forming Hitla book en Irish affairs entitled "Sla Fein" Ha was a member of the Natiooniti Council of that organization, and the founder of the Sinn Fain clote, but resigned his jconnexion with that body in 1918. He Was interned

1

England along with others believed to have been con cerned with the Dublin rebellion. Mr. Pim is engaged on a larger work dealing with the ravaluţion-. ary body whose name is now a household word, and in this littla | book treats his subject in a rather }superficial manner. It is well, however, that the British public should be told something of the Srigin of Sinn Fein.

Originally started twenty years [ago to organize Irishmen on the mathods pursued by Hungary in

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Sir Reginald Blomfeld, R. A.

ture, they were unable to instruct is what we were to admire in art, what was the business of the artist, and how he ought to carry | it out. As for the artist, he was to bare no voice in the matter at all; he must just do what he was being left out in the cold.

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cotting Austrian goods, fostering an Aspects of Art, unter the Hungarian industries, and gener Hazrietta. Fartz Trust, to the ally acting on the principles of members of the British Academy passive resistance--it was a com-af the Rooms of the Royal plete failure, perhaps because it Society, Burlington House. He would have nothing to do with took as his subject "The Tangled violence and outrage. It had been Stein; Art in England, 1800 to practically extinct when the Irish

1920," Volunteers were started by the extremists. Then the late John Sir Frederic Kenyon, President Redmood became associated with of the British Academy, presided,

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The papers lately announced of a picture which the critica the presence in a Londòn gallery

assured them transcended all fallowed up by an exhibition of contemporary art, and this was the work of a well-known or, he

be permitted notorious French painter. critics as one body rose to but the wild and the audiance included

lyrical heights in their raptures. men repudiating his authority number of distinguished Fellows The public were told that this was and

the force melting away of the Academy...

no mare presentation of life, bat) to less than

life itself; a revelation, as it were, tive thousand, Sir Reginald Blomfeld said that of some quintessential mystery of it was the Nationalist leader one must admit that all was who nicknamed

existence. the residue not well with the Arts, and requisite spirit of humility to that They went In the "Sinn Fein" in order to pour that in regard to the exhibition, and what did they ridicule on it. At this time Mr. telletucar background, the point Bnd-a collection of canvases Pim took in band she reorganics [of view from which art which appeared to tion of the Volunteers. Then came should-be approached, appre the Retellion, "the work of a very clated. and practised, we were

meaning at all, and प० few persons of which be had no worse off in the year 1920 than

object except the negation of very quality of form, colour, and of the revolt. the execution of lost our tradition and the public past had ever sought to realize.

composition that paintors in the some of the leaders, and the in- had got no standard of its own. ternment of many others reduced The one clear voice of art, once

Referring to another much- Nationalist Ireland to apathy understood of all men, had lost praised exhibition, the speaker and chaos." Released from prison, itself in an incredible confusion said thak nagulinary person lesk. Mr. Pim started to revive Sion of tongues and the genera anxietying at the paint and canvas could Fein, and to establish the clubs, to shout louder than one's neigh | have formed any idea what it He and his colleagues seem bour. There were bad artists in the was all about. This was the case to have followed, mare ur leas 18th century, but not a tithe of with nearly all this work. As the original idea of Arthur what there were in the 20th. Bad it stood, it was unintelligible, and Griffith till the advent of work was done, but it was seldom | sometimes it 'was difficult to es- De Valera and his policy of accepted as good, whereas now.

cape the impression that it was tranny and nutrage. The days it was advertised as the last intended to be so. Nature, the immediate and astonishing word of gedits. There was deessential model and material of success of that person convinced defnite standard of technique expression in all great paintings. Mr. Pim that

been and craftsmanship in these days. | was henceforward to be yauntitej "devoting himself to the support The experiments of the 19th | #egligeuble. Indeed, the logical of a people who, to put it mildly century in art had

would not been conclusion were unfit for self-government happy and their mischievons the artist houldsbus bis So he resigned.

effects had been intensified by

es entirely, jest nature should! The re of the book is a re-the well-meant efforts of the contaminate the spiritus purity | cital of t's "Bushor's reasons for the State, izparant of art, and at heart conviction; and his comments different it. As usual in the character of the Nationalists England, ari had been translated of Ireland are far more cundem-into terms of politics. Our State natory than could be found in educational authorities semed to the spearhes and writings of any think that artists could be turned life-long Univaist. The American out by the gross, given the "delegater" who went to Ireland Lecessary Sac-aided machinery, jat the instigation of President and did not realize that the result Wilson and with the permission of their benevolence had been been of Mr. Lloyd tie age "undid into ser premiom on three days & considerable part of petence. (Cheers the good work which Viscount

had

#

incom-

چرا

that

of his vision, for all was done, as children would say, out of bis head. He might just as well do it on his head, so far as the spectator was concerned for the artist was concerned solely with his en emotions, and if the result

had カウ meaning for anybody else it was, their fault, and

affair of the artist.

ת

Judging by the results, no train- ing would seem to be necessary; all une had to do was to learn how to mix a few colours, draw The critics had found that it id line. and splash some all the tricks ofthe Nationalists. was easier to write about the paint ou the canvas.

French had accomplished because

he was an Irishman and knew

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It would do so-called ('aionist) MP's goed to read this little eloquence was not impeded by a book before they start talking knowledge of the subject or any about the Home Rule

Bil in acquaintance with their practice and that the artist returned to the in this race for the lanatic asylum, L'ommittee.

and the fad in recent years advanced to still further heights llardonly road. There was still by insenting Aunt Sally D ong road for the artist-un- of what they called “Academic wearied effort to perfect bis power Art" and rigging up a fantastic of expression in his art, a patient BIG BATCH FOR SCOTLAND. theory of the reathetic out of study of colour, of light and shade,

ch studio talk of the razing form and its Lorden.

ordering, Armi 12: Firbusts of the

revolutionaries.thought and invention, and the adopters in Scotland are eagerly Those who were most prolific of sure bold of the artist's own ideas, waiing for the unwanted "theorize warenfion, the matter what the critica-said.or tables which the fatial capable of carrying then out, and fashioned for Chefe Children Adoption Association, fong if necessary, in substitute their hope is with artists them- 10, Bioane-street, S. W. I has the kitten or spoken word for her. Fresh problems were promised to send them.

the legitimate methods of ex-nstantly arising. They could The Biz batch of babies pression of their art, and to cover pot stand still, and it was a good Tel. [record one so far as the associa up their technical shortcomings in that among artists there tion is concerned, is expected to by the invention of a series of was no disposition to be ready for the journey from formulas which

had this in The folly of modern art London to Edinburgh in about common, that they one and all due to the camp followers rather ten days.

Beauty was not dispensed with technique. Thus athan to artists. Eaby boy will credominate in movement which might have to be caught by chance, or by the it, and at least eight "nurses will be required to look after the extend the traditional limits of hope of the future lay in the begun with a genuine desire to tricks of the mountebank. The jyoung travellers.

art bal ended in At the moment the expenses of accelerating rush for

spirit of adventure, provided that! it was steeled by discipline and the trip are delaying the start.

medicines. No sconer had one incessant duty and armed with The unmarried mothers who are formula attained notoriety than all knowledge of the resources of relinquishing children to Scots it was cceeded by another, and the arts. (Cheers.) alopt rs are being asked, where we now looked for a new school railway fares have to be paid, to every season. The Impression in this country there were more Sir Frederic Kenyon said that meet the cost. Most of them are ists, the Cubiate, were already people interested in art quite willing to do en, but are rot old-fashioned. From a literary literature, without beinz in a position so pay the money point in a lump sump.

of view bero WAS fessional workers in those subject.) They are handire associs these desperate scrambles than country, and that was not wholly more incident and material in than probably in any other tion so much a week, und until was to be found in the work of the an evil It led, no doubi, the full amount required Pincere received the babies cannot be Epatez le Bourgeois," at all cost, unfair criticism, but it also led to patient artists. a great deal of uninformed and

Special carriages are to be after all, papers most sell. Like literature, which in itself was a was the cry of the new art, and, a great deal of interest in art and reserved for the big family party. Moliere's gens de qualite, the good thing. A larger part of the the younger members of which art: will be safely-pinned to their seals avoir

critics savent tout sans trouble was due to the inveterate for their extra personai safety without technical knowledge of character, which displayed itself rien appris, and thus, individualism of the English and comfort.

paintings, sculpture, or architec-in art as in other matters.

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