RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 L 64 Sacred to the Memory of/ Robert Morrison, D.D.,/ The first Protestant Missionary to/ CHINA:/ where, after a service of Twenty-seven years,/ Cheerfully spent in extending the kingdom of the blessed Redeemer,/ during which period he compiled and published/ A DICTIONARY OF THE CHINESE LANGUAGE;/ Founded the Anglo-Chinese College at Malacca;/ And, for several years laboured alone on a Chinese version of THE HOLY SCRIPTURES,/ which he was spared to see completed, and widely circulated/ among those for whom it was destined. He sweetly slept in Jesus. He was born at Morpeth, January 5th, 1782;/ Was sent to China, by the London Missionary Society, in 1807;/ Was for twenty-five years Chinese interpreter, in the employ of the East India Company:/ And died at Canton, August 1st, 1834. A LIST OF BOOKS MENTIONED IN THE ARTICLE IN ALPHABETICAL ORDER OF AUTHORS OR OCCASIONALLY, OF TRANSLATORS. AINSLIE, ROBERT, 1766-1838. [Reasons for the hope that is in us.] Edinburgh, printed by Ballantyne & Co. [c.1820.] Amiot, Jean JOSEPH MARIE, 1718-1793. Dictionnaire tartare-mantchou-français, composé d'après un dictionnaire mantchou-chinois, par M. Amyot, rédigé et publié avec des additions et l'alphabet de cette langue, par L. Langlès. 2v. Paris, imprimé par Fr. Ambr. Didot l'aîné, 1789. BAZIN, ANTOINE-PIERRE-Louis, 1799-1863. Le pi-pa-ki ou l'Histoire du luth, drame chinois de Kao-Tong-kia représenté à Péking en 1404 avec les changements de Mao-Tseu, traduit sur le texte original. Paris, Imprimerie Royale, 1841. BAZIN, ANTOINE-PIERRE-LOUIS, 1799-1863. Théâtre chinois ou choix de pièces de théâtre composées sous les empéreurs mongols traduites pour la première fois Paris, Imprimerie Royale, 1838. BIOT, ÉDOUARD CONSTANT, 1803-1850. Dictionnaire des noms anciens et modernes des villes et arrondissements compris dans l'Empire Chinois indiquant les époques auxquelles leurs noms ont été changés. Paris, Imprimerie Royale, 1842. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 SHIWAN POTTERY EXPLORED 111 such as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process. I regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression. NOTES 1 Nigel Cameron, "Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977). 2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199. 3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47. 4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160. 5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165. 6 "Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162. 7 Op. cit. Ref. 2. 8 "Gong Yi Ming Cheng Fushan" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37. 9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961). 10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f. This theory is discussed more fully in: Fredrikke Skinsnes Scollard, "Destruction and Creation: The Impact of Revolution on Shekwan Pottery", Leverhulme Conference, University of Hong Kong, 1977, (In press). 11 Manuel da Silva Mendes, "Barros de Kuang Tung", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 192 N° of Column 27. + + + Omens below the black, offer it along with wine and dried meat (?) and it will be auspicious. If sounds are heard on a chen day it bodes ill; parents will die. Offer a peach tree branch 6 inches 8 mu long. Write. + NOTES 1 Cheng Te-K'un, Archaeology in China, Heffer, Cambridge, vol. II (1960) p. 90. For the ning ceremony see the same volume p. 55. For further dismembering ceremonies see note 11. 2 * In Song times canine teeth, bile and penises were thought to possess medicinal properties. See D. Bodde Festivals in Classical China, Princeton University Press (1975) p. 321, "For an entertaining if not always accurate account of the discovery of the Dunhuang manuscripts, see Peter Hopkirk Foreign Devils on the Silk Road, John Murray, London (1980). The manuscripts discovered by Aurel Stein are in the British Library, those discovered by Paul Pelliot in the Bibliothèque Nationale. Manuscript numbers preceded by "P", refer to manuscripts in the Pelliot collection. + During the Song, the same offence carried the death penalty. Two cases of scholars found guilty of possessing astronomical works are on record; the life of the first man was spared because the book in his possession was incomplete but the second man was executed. See Li Tao * Xu zizhi tongjian chang bian * j.123, pp.1a, b and 續資治通鑑長編 j.14, p.10b. * P. 3608, chapters 9 to 14. This manuscript contains characters introduced in 689 which, while remaining in official use only until the end of Empress Wu's reign, continued to be used elsewhere until well into the 9th century. See D. Twitchett Printing and Publishing in Medieval China, Frederic C.Beil, New York 1983, p. 88 note 2. The most inauspicious themes associated with dogs are: the mating of dogs with pigs, thought by Jing Fang to indicate moral laxity in the nation's women (quoted by the Shou Shenji (juan 6) from the Yichuan); dogs growing horns, the birth of deformed dogs and dogs which suddenly begin to speak or sing. In this connection a tale from the lost part of the Shuyi ji by Ren Fang # preserved in the Gu Xiaoshuo Gouchen tells of a dog which suddenly began to sing and wittily announced the demise of two brothers. Although the animal was beheaded and its head buried by the side of a road the evil inherent in this supernatural phenomenon could not be averted and the brothers did indeed die. See Wei Jin Nanbei Chao Zhiguai Xiao Shuo Yanjiu 魏晉南北朝志怪小說研究 by Wang Guoliang, Wenshi Xue Shubanshi, Taipei (no date), p. 148. * E.A. Schafer "The Auspices of Tang" in The Journal of the American Oriental Society, vol. 83, No. 2, p. 210. * E.S. Schafer, op.cit, p. 202 “Our knowledge of popular omens lore is limited to a few random notes made by inquisitive scholars". ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 40 Dean. Kenneth “Revival of Religious Practices in Fujian: a Case Study in Pas. Julian F. (ed.) The Turning of the Tide: Religion in China Today (Hong Kong: Hong Kong Branch of the Royal Asiatic Society & Oxford Univ. Press, 1989), 72. 4 Mr. Pang Cheng-chuen (Peng Zheng-chuen), interviewed by author, Fanling, Dec. 30. 1990. P Dean. 54. A student of the University of Hong Kong told me on Feb. 3, 1991 that he saw, by chance, a Jiao festival in 1990. He could not recall the exact date and location. However, he was very sure, from the celebrating flower boards, that it was a Jiao festival. K Ibid., 776. Liu Zhi-wan, Taibeishi Songshan qi an jian jiao jidian, Institute of Ethnology Academia Sinica Monograph, no. 14, (Taipei: The Institute, 1967). Besides Liu, the research team from the Academia Sinica included Song Lung-fei and Xu Jia-ming. Song's paper concentrated on aspects of folk architecture and decoration while Xu focused on the economic and social aspects. See Song Lung-fei "Song-shan jian jiao jiao tan jianzhu di zhuan shi Yi shu" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 157-217; Xu Jia-ming: "Songshan jian jiao yu shequ" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 109-153. 4 Li Zian-zhang. "Daojiao jiaoyi di kaizhan yu xiandai di jiao” Sinological Researches 5 (1968): 261. Ibid., p. 201. Saso, Michael R., Taoism and the Rite of Cosmic Renewal (Washington: Washington State Univ. Press, 1972), 34. Law, Joan & B.E. Ward, Chinese Festivals (Hong Kong: South China Morning Post, 1982), 83. Okada, Yuzuru, Kiso Shakai (Tokyo: Kobundo, 1949). See Brim, John A. “Village Alliance Temples in Hong Kong" in Wolf. A.P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford Univ. Press, 1974), 93–103; and Suenari, Michio "Sonbyo to sonkyo: Taiwan Hakka shuraku no jirei kara” [Village temple and village boundary: a case study of the Hakka communities in Taiwan] Bunka Jinna Gaku [Cultural Anthropology] (1985) 2:255-260. 15 Ueno, Hiroko, "Taiwan nanbo no osho to sonraku: Tainanken hito saishiken no sonraku aida kankei" (Wang Jiao and villages in southern Taiwan: worshipping area and village relationship] Bunka Jinriú Gaku 5 (1988): 64-82. + Taylor, W.A. "The Spirit Festival" Bulletin of the Cheung Chau Bun Festival 1980 (Cheung Chau: n.p., 1980), 39-41. (reprinted from Wide World Magazine, Dec. 1953). The annual Cheung Chau Jiao festival is better known to westerners as the Bun festival because of the three tall "bun mountains" erected at the ritual area. The festival is the most studied Jiao festival in Hong Kong probably due to the fact that (1) the island is comparatively easy to get to, (2) it is celebrated every year and (3) it is widely publicized by the Hong Kong Tourist Information Bureau. Besides Tanaka's accounts (see note 36), see also Jonathan Chamberlain and Ian Lambot's photographic account. The Bun Festival of Cheung Chau (Hong Kong Studio Publications, 1990). דן I owe my interest in the Jiao festival to Prof. Ward who first introduced me to Jiao festivals in 1980. She then suggested that I participate in the Jiao festival in Kau Lau Wan. K Law & Ward, 83-84. Hayes, James W., The Rural Communities of Hong Kong: Studies and Themes (Hong ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 48 Compiling a book is different from actually writing a book. Before I became so heavily involved in official affairs, I wrote books, such as Yi li shi jing jiao kan ji (Commentary and collation notes for the classic Yi li), 4 juan, 1792 and Shi ju sui bi (Notes on paintings and calligraphy in the imperial collection), 8 juan, 1792, conducting all the research and writing all the text myself. Since I took on official responsibilities, beginning as director of studies in Shandong, works such as Shan zuo jin shi zhi (Identifications of ancient inscriptions on bronzes and stone found in Shandong), 24 juan, 1796, Jing ji xuan gu and Chou ren zhuan, have been published with other scholars shouldering the responsibility for research and writing.23 Time constraint was not the only reason for seeking assistance from other scholars. He had on his personal staff a number of secretaries, also scholars in the Chinese context, who had expertise in various areas, such as coastal defence or grain transportation. Ruan Yuan had revealed that even his official papers were not completely written by him alone, an accepted practice at that time. “I remember that in the days (when we were working to eradicate piracy in Zhejiang), no correspondence or order was ever sent out without hard deliberations. I drafted some of the correspondence myself; while others were drafted by members of my staff and revised by me.+24 Zhang Jian (1768-1850), one of his closest associates, showed how Ruan Yuan worked on a book. Ruan Yuan organizes the compilation of a book usually by working on the conceptualization and outlining the content of each chapter himself. Then he assigns to certain friends, or students, or younger members of his household, the task of research and writing. He always revises the text with a red pen, rewriting again and again very carefully. After he began to take on administrative responsibilities in the provinces, however, he has had very little leisurely time for such creative pastimes. As a result, his efforts have been expended more on compilations which do not demand so much of his time in detailed research and writing.'+25 An insight into how Ruan Yuan managed to publish Ji gu zhai ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 54 - preferred not to enter government service. He was a contemporary of Hong Liangji on the personal staff of Bi Yuan. Ling excelled in phonetics, textual criticism, the Classic of Rites, including music, as well as astronomy and mathematics both the Chinese and Western tradition. He was asked by Ruan Yuan to tutor his son Ruan Changsheng (adopted 1793, d. 1833). It was Ling who brought the excitement of the Tian yi ge collection to Ruan Yuan's attention. Ling, with Li Rui and Jiao Xun, had worked on the chou ren zhuan from the beginning. His own manuscript, Li jing shi li (Exposition on the Classic of Rites), 13 juan, was edited by and printed by Ruan Yuan after Ling's death. His prose, Jiao li tang wen chỉ [Collected prose of Ling Tingkan], 36 juan, first printed in 1812, has been useful in research on Ruan Yuan as well. Zhang Jian (1768-1850) was one of the scholars who had been associated with Ruan Yuan from the beginning of the latter's official career until after his retirement. Zhang had served on the personal staff of Ruan Yuan, together with Yang Fenghao (1755-1816), Shi Guochi, and He Yuanxi (1766-1829). As a scholar, Zhang worked on various compilations, such as the Jing chỉ zhuan gu, and lectured at the Gu jing jing she. He was more useful to Ruan Yuan in his government, however. Zhang was best known for his expertise on sea transportation of tribute grain. It has been understood that Ying-he's famous memorial on sea transportation was based on Zhang's work. Zhang edited Ruan Yuan's papers on famine relief (in Ying zhou bi tan) and Liang Guang yen fa zhi [Salt Administration of Guangdong and Guangxi]. Zhang also supervised the compilation of Ruan Yuan's nian-pu, Lei tang an zhu di zu ji. Liu Wen chi (1789-1856) of Yangzhou had studied under Bao Shicheng at Mei hua Academy. He was a nephew of Ling Shu (1775-1829), another scholar who had been close to Ruan. Liu was of a younger generation of scholars who had not known Ruan Yuan in his heyday. Being a neighbour, however, he had corresponded with Ruan Yuan before the latter's retirement in 1838. In 1837, Ruan wrote a preface to Liu's work, Yang zhou shui dao ji. Ruan Yuan in retirement was an important figure in Liu's diary and they worked together on several works including a new printing of a Song-Yuan edition of a prefectural gazetteer of Zheng jiang, for which Liu wrote a preface in Ruan's name (1843). Liu recorded that he had written prefaces to several other works for Ruan Yuan, as the latter grew more + ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 57 Collectively, these secretaries were known as mu.38 There are a number of learned treatises on the subject in Chinese, but I do not think that the function of these people should be expounded here; suffice to say that they were treated as respected senior secretaries by the officials, including Ruan Yuan, and were assigned certain tasks. A few examples of Ruan Yuan's secretaries follow: Zhang Jian was with Ruan Yuan in Zhejiang, Canton, and after his retirement, in Yangzhou as well. He helped formulate and implement such policies as eradication of coastal piracy, famine relief, salt administration, and transportation of tribute grain by sea. Chen Hongshou's expertise ranged from river administration to coastal defence. Together with Chen Wenxu, Zhu Weibi, Shi Guoqi, and Ruan Yuan himself, he also drafted the memorials Ruan Yuan sent to the Jiaqing Emperor while he was Governor of Zhejiang. Scholars with "an extraordinarily fine hand"39 who worked as actual copyists for Ruan Yuan's memorials include Fang Pu, He Yuanxi, Shi Guoqi, and Wu Shucheng.40 Ruan Yuan found jobs for other scholars in academic institutions. The academies he founded, Gu jing jing she in Hangzhou and the Xue hai tang in Canton, had absorbed scores of scholars. Other academies took on dozens of others. Among the less commonly known academies founded or rejuvenated by Ruan Yuan were the An lan Academy41 in Haining, Zhejiang,42 and the Ta liang Academy in Henan.43 In appointing scholars he considered worthwhile to these academies, Ruan Yuan in fact helped to spread Han Learning throughout the country. Ruan Yuan must have been at his wit's end in trying to find a suitable place for so eccentric a scholar as Fang Dongshu (1772-1851). Fang, from Tongcheng, who only attained the first degree, was noted for his poverty and his inability to get along with anyone, except perhaps Ruan Yuan. In 1819, Ruan Yuan brought him to Canton to work on the Guang dong tong zhi under Jiang Fan. Jiang assigned him research and writing which was supposed to take two years to complete, but Fang finished the task in one month. Ruan Yuan then found him a job at Hai men Academy in Lianzhou, where he lasted less than one year; with a repeat performance at the Chang yang Academy for a similar period. Exasperated, Ruan Yuan took Fang onto his own personal staff. For scholars who worked on various literary projects sponsored by Ruan Yuan, see the Appendices to this paper. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao Ku jing jing she wen ji 詁經精社文集 (Wang fu zhai) zhung ding kuan shi (E) H** Xue shi zhong ding kuan shi 薛氏鐘鼎款識 Jiao shan ding-kao 焦山定陶鼎考 Huang Qing bei ban lu Hai tang zhi 海塘志 Ji gu zhai zhung ding yi qi kuan shi **** 海連考 Hai yun kao I Liang Zhe jin shi zhi 兩浙金石志 Shi san jing zhu shu fu jiao kan ji +¶EAH Yang zhou Ruan shi jia miao bei 揚州阮氏家廟碑 Yen jing shi wen ji 擘經室文集 Sui Wen xuan lou ming Ying zhou shu ji 瀛舟書記 Qu jiang ting ji 曲江亭記 ** Si ku wei shou shu mu ti yao 四庫未收書目提要 Tian yi ge shu mu 大一閣書目 Ling yin shi shu zang mu Chou ren zhuan AM Shi san jing jing fu +* ****! Yi li shang fu da gong zhang zhuan zhu chuan wu Kao x 功章傳注舛考 Han Yen xi xi yue Hua shan bei kao ✶✶U** Ru lin zhuan kao ####N Guo shi wen yuan zhuan 國史文苑傳 Jiao shan shu cang shu mu 焦山書藏書目 (Song ben) shi san jing zhu shu (**)+*** Jiang su shi zheng # Jiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記 Guangdong tong zhi 廣東通志 Gai jian Guangdong xiang shi wei she zhuo bei ji ***** 碑記 Shi shu gu shun 詩書古訓 Yen jing shi ji 擘經室集 Chong xiu Ruan shi zu-pu CEE** Huang Qing jing jie 皇清經解 Xue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記 61 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 10 [bid || 63 &£#* (The He You sheng, "Chen Lan Fu di xue shu ji chi yen yuan" [learning of Chen Lan Fu and its origins], Gu Gong Wen xian 2.4 (Taipei, 1971), 1-19. He's study on Ruan Yuan can also be found in "Ruan Yuan di jing xue ji chi zhi xue fang fa" [Classical scholarship of Ruan Yuan and his education policy], Gu Gong Wen xian 2:1:19-34 (1970). 12 Liang Chi chao, qing dai xue wen gai lun [A discourse on Qing learning], (1921, Taipei Commercial Press reprint, 1975), 22 13 Xiao Yi shan, ging dar tung shi [History of the Qing dynasty], (1935, Taipei Commercial Press reprint, 1976), 11 717. 14 Hu Shi, Dai Dong yuan di zhe xue [The philosophical studies of Dai Zheng], 138. 15 This is the only work of Ruan Yuan's that I have not been able to find. It was never printed because Ruan Yuan was not satisfied with the draft. The manuscript had been kept with Ruan Yuan's papers in his lifetime and subsequently disappeared. There was no indication whether it perished in the fires that destroyed the Ruan residence in Yangzhou in 1843, or that which burned down his studio, Wen xuan lou, in 1935. 16 Ruan Yuan himself, as well as contemporary and modern scholars, complain often of the many errors in this edition. Ruan Yuan gave the excuse of not having had time to proofread the manuscript himself. In fact, he had been receiving admonitions from the Jiaqing Emperor at that time that he was expending too much time and energy on scholarly activities instead of concentrating on the affairs of state. Gungzhong dang (Palace memorials) Jiaqing 017818 (1817/29). 17 This work was not printed during Ruan Yuan's lifetime, but is in Qing shi kao (Draft history of the Qing dynasty). 18 There are a large number of these biographies of individual scholars, not necessarily all Ruan Yuan, scattered throughout rare book collections in various libraries. Copies of the biographies are also among the Guo Shih Guan (Qing Historiography Office) documents in the National Palace Museum (Taipei). 19 For example, the Provincial Gazetteer of Fujian by Chen Shouchi, the Gazetteer of Yicheng by Liu Wenchi, and a new edition of the Gazetteer of the Prefecture of Yangzhou by Jiao Xun. 20 A contemporary print is in the collection of the Harvard-Yenching Library. 21 Struve, 233 22 Ruan Yuan, Ding Xiang ting bi ji [Informal notes from the Ding Xiang studio] 4:1b-2a. 23 [bid. 24 Ruan Heng, Ying zhou pi tan [Notes from Yingzhou] 1.4b; also Ruan Yuan, Yen jing shi ji [Notes written in the Yen jing studio] 11:8:8a. 24 Zhang Jian, et al, Let tang an zhu di zi ji [The life of Ruan Yuan as recorded by his sons and students] 1:19b. 26 The preface was dated 1804, but the work was not printed until later, in 1807 when the manuscript was finally acceptable to Ruan Yuan. 27 Preface of a work entitled Ji Gu Zhai Chong ding yi chi kuan shi, printed in 1853. A copy can be found in the Fu Ssu-nien Library of the Academia Sinica in Taipei. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 64 28 19 3:0 David Nivison, The Life and Thought of Chang Hsueh-ch'eng, (Stanford, 1866), 251 Ibid See Si ku wei shou shu mu u yao, 5 juan, 1807 Ruan Yuan's bibliographical annotations on important books omitted from the Si Ku chuan shu. He had found these books in Zhejiang. The original memorials that accompanied these books and his annotations are in the Qing Archival Collection at the National Palace Museum (Taipei) 31 Yi zheng Liu Meng zhan nian pu (Chronological account of the life of Liu Wen chi), 114-115. 32 Arthur Hummel, Eminent Chinese of the Ch'ing Period, (Washington DC, 1943), 91 33 34 Yang Wensheng X, Si shi cao ji (1801), Preface Letter to Liu Taigong (1790-1855), dated 1802 Liu's daughter was married to Ruan Yuan's adopted son, Ruan Changsheng, 34 Letter to Wang Niansun. 36 Ruan Yuan blamed the errors on the fact that he had not had a chance to do the final proof reading before the book was printed. 37 Ruan Yuan's letters written in old age, Ruan Wen da gong zhi shi hou jia shu, consisting of several dozen memos written to his family after 1838 when he retired from government service, serve to prove that Ruan Heng, always referred to as "my younger brother" but actually a distant cousin who had been adopted as heir to a half brother of Ruan Yuan's father, had taken care of Ruan Yuan's business and financial interests with the aid of a couple of clerks. These letters are in the Rare Book Collection of Beijing Library. I am grateful to Professor Wang Junyi and his staff of the Qing History Institute at the People's University who made it possible for me to have access to the collection in March 1991 38 I am not happy with the English translation "tent friend" or "guest" Ding xian ting bi tan, 1:11a. 40 41 See, for instance, Ding xiang ting bi tan 3.52b-53a Hai ning zhou zhi gao 4:3 shan, 11b-12b. 42 Xie Guozheng, Jin dai shu yuan xue xiao zhi du bian quan kao (An inquiry into recent changes in the academies and schools of China), (Hong Kong, 1972), 2-18. 43 Zhang Ying in Wen lan xue bao 2:1 Lin Bo tong, Xue hai tang zhi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1994 https://digitalrepository.lib.hku.hk/catalog/zk522640g 24 the business in 1876 and died at Dresden in June 1886 (DP 17 June 1886, 31 Dec. 1895). Bernard Harkort established a firm of his own at Shanghai in 1857 when he took over the business of Trautmann and Co (FC 30 June 1857). He retired in 1863 and returned to his home at Leipzig where he died in 1865 (CM 5 Feb. 1863, 7 Dec. 1865). Gustav von Hitzeroth became a partner of Carlowitz and Co. in 1864. The importance of the firm in the German trade with China is indicated by the presence of successive partners of the firm on the Board of the Hongkong and Shanghai Banking Corporation from 1879 to 1914. A branch of the firm was opened at Shanghai in 1877 under the management of Alfred F.O. Krause (DP 3 Apr. 1877). Mr. Krause and Bernhard Philipp Schmacker became partners in the company in 1881 (CM 3 Jan. 1881). Chemical dyes have long been a specialty of the German trade. In 1880 Carlowitz and Co. advertised themselves as the agents for the Aniline Dye Co. of Berlin (DP 30 Apr. 1881). The company represented German financiers in arranging a five million mark loan to His Excellency Li Hung-chang in 1887 (DP 28 Feb. 1887). It also represented the Krupp armament firm in 1912 for a loan of six million marks with the head of Chekiang Province (DP 15 May 1912). The enlarged business interests of the firm were accompanied by the admission of additional partners: Charles Von Bose 1883, Eduard Jean Mac Paquin 1887, Gustav Adolph Degenes, retired 1899, H. Caesar Erdmann, retired 1900 but remained a dormant partner, Friedrich Carl Paul Sachse 1893. This list is not exhaustive. When the firm was placed under liquidation in 1914 the partners were M. March, R. Lenzmann and A. Schultz, all of Hamburg, T. Rusmore in New York, B. Rosenbaum and R. Laurenz in Shanghai, A. von Bohuscewiez in Tientsin and C. Landgraf in Hong Kong. Siemssen and Company Pustau and Co. was the first German firm to open an office in Hong Kong. Siemssen and Co. followed them from Canton some nine years later (FC 31 Mar. 1855). George Theodor Siemssen had established himself at Canton in 1849. In 1855 he bought a lot on Queen's Road near the present Hongkong and Shanghai Bank building. Until the building he Page 45 Page 46 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 102 that around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang." This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang. Lang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults" called themselves gu (for female) and lang (for male). The use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic. 54 We have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 103 Qingzhou. The other, Zhang Zhao San (3) Lang, eliminates epidemics. Less is known about Zhao Hou San Lang, who may be related to a legendary figure Zhao Hou who could have once been accepted into Canonical Daoism during the Ming, but left otherwise no trace in the Daoist Canon. 50 45 Hakka and Cantonese material suggest that Chen Jinggu, one of the three ladies, actually belonged to a separate tradition: that of goddess Wang Tai Wu who was associated with Mao Shan. It is likely that the current Taiwanese version represented the result of an effort to bring into the tradition of Lü Shan the Three Ladies. One observes that the Taiwanese account curiously mentioned Wang Tai Mu and two other female deities under the name of upper, middle, and lower “palaces", which is a corrupted version of an entry in the Cantonese priests' manual. But the connection between the Lü Shan and Mao Shan traditions can be found in the Liannan manuals as well. Perhaps they are found in the same tradition all along. I have already mentioned the appearance of Mao Shan magic much earlier than the 17th century ones to which Strickmann referred. "The Yi Jian Zhi has also a strange story, in more complete form elsewhere, that tells of a man who is destined to become upon his death Mao Shan dongzu (“master of cave?") and is therefore protected even before then from the revenge of a ghost. ** Records of ordination name in genealogies Given the different interpretations by genealogists of the names of their ancestors, some ordination names are not designated as such. There are cases in which genealogies trace descent from the same ancestors but some give “ordination names" their designation and some do not. Examples include the Wen genealogies and the Lis found in the New Territories of Hong Kong and elsewhere. I shall mention this again. Probably in many cases, the descendants have one or more names but no specific information as to the nature of each; i.e., whether ming, zi, hao, or an ordination name. One example is a He whose entry in the genealogy reads "Nian Shi(4) Lang, ming Chuan, zi Yuan Mei, hao Han Ming", leaving the reader no name category to apply to Nian Shi(4) Lang, which is not designated as an ordination name. Another example is the first ancestor of the Diaos, whose names were given as Qing, "original name" Fa Ying, and zi Zizhong, but written Qian Yi(1001). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 119 prestige since the Tang dynasty. I shall return to this point later Genealogies that are available now are the result of many updates and only then prefaces can be dated. Some of those in the collection of Luo, op. cit. contain a preface dated 1269 (p. 363), another a preface dated 1406 (p. 48), another was first compiled during the same period (p. 67). As the prefaces do not usually dwell on the many different names of ancestors, we cannot expect prefaces to indicate ordination names as such. The earliest dated preface in the collection to mention ordination names was written in 1780. It drew attention to early ancestors whose achievements as officials are not known but are immortals in the celestial count, referred to by their religious names. It would be useful to examine unabridged genealogies to find mention of ordination names in early prefaces. 1. Check the Golden Lotus for ordination of a male child. Ordination in a funeral seems to appear in the famous Qing novel, the Red Chamber. NJ Hu Bo'an's *Zhonghua Chuanguo Lingji*, reprinted 1990, Zhengzhou: Zhongzhou Guji Chubanshe, *shang bian*, j. 1, p. 82 describes a practice in Tianjin province of Buddhist ordination; the child will later become a layman again in a rite to be carried out at the age of 12. 21 Qu Dajun, *Beijing: Zhonghua*, 1985, pp. 302–303. The passage is repeated by Yihe Dong Biji, written around the 18th century (the author Li Diaoyuan obtained his Jinshi degree during the Qianlong period, 1736-1795). If the passage in *Guangdong Xinyu* was copied from some earlier book, the original would not have been written before 1569, when Yong'an was first established as a separate county. "The Third Gazetteer of Yong'an, j. 1, p. 207 in the reprint by Chengwen Chubanshe, 1974. The Changle County Gazetteer, j. 4, p. 247 in a reprint in the 70s (2) in Taiwan. According to the *Gongguo Difang Zhi Zonghe Mulu* ('Comprehensive Catalogue of Chinese Gazetteers'), the earliest version, of circa 586 and circa 663 respectively, still exist. 21 The passage does mention that the area has Yao and Liao minorities, but the sentence about the sorcerers seems to refer to Han villagers. See Hu, op. cit., *shang bian*, j. 8, p. 50. 24 Op. cit., j. 1, pp. 8b-9a. 1 Jl, * Michel Strickmann, in 'The Longest Taoist Scripture', in *History of Religions*, 1978, p. 349, suggests that the appearance of the name Satan here attests to the influence of Manichaeism in Southeastern China. The Satan was worshipped by some circles of agnostics, according to the entry in Mircea Eliade, ed., *The Encyclopedia of Religion*, New York: Macmillan, 1987. 26 Interpreted as King of Skanda by Strickmann, op. cit. 27 In some cases written as Mei Shan, Mei Shan, Lu Shan, or Lu Shan. * Li and Huang, ed., *Liannan Bapai Yanjiu Ziliao*, published by Guangdong Sheng Shehui Kexueyuan in the 1980s. See, for example, p. 554 and p. 564 for King of Asura, p. 433 for ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 120 24 Н Tou To Wang, Changsha Wang and various Muowang "demons" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975) For example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil But Muowang "Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection Even then the Jade Emperor's native place, according to the same document, was "Puo Xi" which could have been Persia too See Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province "See Lagerwey for the present situation "The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC "See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all Th Interesting information is found in John Lagerwey was not mentioned, instead "John Keupers", "A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun - See for example the San Jiao Shou Shen Da Chuan Min Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe Yuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988 14 ALL Op eit pp 1181, 1429 + ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 177 self and appeared back home, having lost his lucrative post, where he bore the full fury of his wife as she had been enjoying the perks of the wife of a high official. He explained that he had no intention of returning to the palace as the fortunes of the evil Zhou Xin had a further twenty years to run, and went off spending his days fishing. Many years later the father of the future victorious King Wu heard a fisherman singing and learning that the song foretold the future fall of the Shang and the victory of the Zhou he went in search of the man who had taught the fisherman the song. This turned out to be Jiang who was then encouraged to return to the court of Duke Fa, where after Duke Fa's victory he was made the Prime Minister. In the Fengshen Yanyi he was then despatched to the mystic mountains of the West, the Kunlun Shan, where he was to seek from the great deity, Yuanshi Tianjun, the Primordial Heavenly Lord, honours for the loyal ministers, brave warriors, and all the good and bad immortals, male and female, who had died during the struggle. Jiang arrived at the Palace on the Kunlun mountains and was admitted by the White Crane Youth, Bai Hao who escorted him to meet Yuanshi Tianjun. After Jiang knelt and made his plea the Primordial Heavenly Lord promised to send a decree, which would authorise the canonisation of all the warriors, and name each in turn. Jiang returned to report to King Wu, followed a few days later by the White Crane Youth who descended amidst soft music and fragrance to deliver the decree. Jiang then ordered the Terrace to be prepared and soldiers to guard it whilst he purified himself. He entered the Terrace and after unrolling the decree read aloud the order which promised that those to be deified should be free from transmigration, and would be promoted or demoted according to their merits. He ordered that they should be worshipped by the people as protectors of the nation and its people, and they were to regulate the wind, rain and natural forces for the benefit of the people. They were authorised to reward good deeds and punish the wicked. The list of names of those deified was then hung up and the ministers and warriors ordered to approach in a lengthy queue with no one being permitted to leave it. The first to be called was Bai Jian, who was created the God of Pure Blessedness. He was followed one by one until all 365 warriors and worthies had been rewarded. Not all were straightforward. Some had followed the evil King during the struggle and had perpetrated wicked acts but had eventually recanted and had tried to make ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 165 In 755, during the revolt of An Lushan, Guo helped defend the capital, and in 760 he was despatched to recover territory from Central Asian barbarians and finally, three years after the Turfans [Uighurs] had captured the capital, Guo raised an army and drove them out, more by cunning than military force. The disasters which broke out during the declining years of the Tang Ming Huang emperor were suppressed chiefly by the vigour and determination with which Guo wrested province after province from the hands of the insurgents. He spent a considerable part of his life in warfare and was uniformly successful. His images in temples in Northern and Central China usually portrayed him as an old mandarin, with a parted beard, both halves held separately in each of his hands, and with a tiered hat. Occasionally his image depicted him as an old man, sitting, with a long white beard and a white robe, carrying a ruyi sceptre engraved with the four characters for 'Everything shall be as You Desire'. According to one sect, the Jin Dan H., Guo is said to have founded the sect in collaboration with Lü Dongbin, the doctor of renown and one of the Eight Immortals. His image on altars in Sichuan was referred to as Cifu Tianguan14 where he was regarded as a God of Wealth. No images of Guo have been noted on temple altars in Taiwan, Hong Kong, Macau or South-east Asia, though a temple in Haikang in Tainan county bears the hall title of Fenyang Dian and contains on its main altar not an image of him but one of a local provincial cult deity, Guangze Zunwang, the patron of the Guo clan. Both Mesny and Timothy RichardR claim that Guo Ziyi was a follower of Nestorian Christianity, Mesny even claiming that Guo's name was carved on the famous Nestorian tablet at Xi'an. We move on to images of the two major deified heroes of the era on temple altars who have had their historic figures embellished by tea-house story-tellers down the centuries include: Zhang Xun✯ and Xu Yuan,F are heroes of renown and unique deities whose images have been seen on temple altars in Zhejiang, Taiwan, Hong Kong and South-east Asia [Photographs 6 and 7]. Both are protective deities worshipped particularly by the southern Fukienese, both within Fujian province and in southern Fukienese ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g Carl Crow, 1883-1945 My friends, the Chinese. London: Hamish Hamilton. 1938. Fitzgerald, C. P., 1902- Communism takes China: how the revolution went Red. London: BPC, c1971. Franck, Harry Alverson Roving through Southern China. New York: Century, c1925. Geil, William Edgar A Yankee on the Yangtze: being a narrative of a journey from Shanghai through the Central Kingdom to Burma. New York: Eaton & Mains, 1904. Gottschang, Thomas R. Swallows and settlers: the great migration from north China to Manchuria. Ann Arbor: Center for Chinese Studies, The University of Michigan, c2000. Gray, John Henry China: a history of the laws, manners, and customs of the people. London: Macmillan, c1878. 2 vols. Hobart, Alice Tisdale, 1882-1967 Oil for the lamps of China. New York: Grosset & Dunlap, c1934. Ho, Pui-yin. Dian di hua dang nian: Xiang-gang gong shui yi bai wu shi nian. Xiang-gang: Shang wu yin shu guan (Xiang-gang) you xian gong si, 2001. Ho, Pui-yin Water for a barren rock: 150 years of water supply in Hong Kong; [English translator, Lui Yuen Chung]. Hong Kong: Commercial Press, c2001. Honey, W.B. (William Bowyer) The ceramic art of China and other countries of the Far East. London: Faber, c1945. xlvi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g Rius Mao for beginners. Pantheon Books: New York, c1980. Schram, Stuart R. Mao Tse-tung. Harmondsworth: Penguin, c1966. Shirokogoroff. S. M. Anthropology of eastern China and Kwangtung Province. New York: AMS Press. c1973. Siu, Kwok-kin, Anthony Heritage trails in urban Hong Kong. Xiang-gang:Wan li ji gou, wan li shu dian. c2001. Ward, Edward Chinese crackers. (Xerox copy of; London, John Lane the Bodley Head, 1947). We shall win! British imperialism in Hong Kong will be defeated! Hsiang-kang: Kai Pao, c1967. Xiong, Victor Cunrui Sui-Tang Chang'an: a study in the urban history of medieval China, Ann Arbor, Mich.: Center for Chinese Studies, University of Michigan, c2000. Yao, Ming-le The conspiracy and murder of Mao's heir. London: Collins, c1983. xlix ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 435 VISITING ST JOHN'S ISLAND PETER STUCKEY AND CHRIS BAILEY Introduction St John's Island is about 160 kms WSW of Hong Kong. It is about the size of Lantau Island and is the largest of the Chuan Shan Islands which form part of Tai Shan County. The adoption of the name St John's Island appears to be through anglicisation of the Chinese name for the island, variously spelt as "Shang Chuan Island" on current Chinese maps, or as "Sancian". "Ilhas de San Joao" or "St Jean" Island on older western maps. Our interest in visiting the island was aroused by the Hong Kong Branch of the Royal Asiatic Society's visit to Goa in January 2001. There, in the Basilica of Bom Jesus, in Old Goa, we had seen the preserved remains of St Francis Xavier. His corpse is displayed in an elaborate glass-sided, silver ornamented casket that rests high up on a Florentine marble mausoleum. St Francis, we learnt, had died on St John's Island on the night of 2/3 December 1552, aged 46. In view of the local interest two visits were made by members of the HK Branch, one travelling “independently" and the other through an organised China Travel Services guided tour. Here follow their accounts of the visits. Independent travel Two Branch members, Rocky Dang and myself, Peter Stuckey, went to the Island on 20th and 21st October 2001. We took a Chu Kong Shipping (CKS) ferry from the China Hong Kong ferry terminal in Tsim Sha Tsui, to Xin Hui, leaving at 8:45 a.m. The ferry passes between Macau and Taipa and then follows up the river system past the Yamen Fort to Xin Hui for a fare of HKD 188. At Xin Hui we took a short taxi ride to visit the "Bird's Paradise." Here egrets fly over a huge banyan tree. The tree is reputed to be 500 years old. It extends to cover over a hectare with many trunks formed from the aerial roots descending from the branches of the single organism. Similar trees exist in the Botanical Gardens in Calcutta and in Phimai in NE Thailand. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 17 In the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge). It will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery. During a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time? After a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 20 Dynasty (960-1126). First they tied ropes around the base of the pagoda and tried to pull it down, but when this failed they poured oil all around its base, intending to set it on fire and burn it down. At this stage the account recorded in the local records (zhen zhi) states rather mysteriously that "the strong opposition of the residents and other people" forced the Red Guards to give up. Thanks to the intervention of these nameless people, the pagoda repeated its performance of having miraculously survived many upheavals throughout the temple's history. 1 Nonetheless, the destruction of the relics within the temple halls continued for another month. On September 3rd an estimated 103 antique relics found in the temple were looted. This was followed on September 14th by the intentional destruction of the Da Cang Jing, a sacred Buddhist scripture which weighed 1,763 kilograms before it was shredded into waste paper. Finally, on September 30th the Ming Dynasty bronze bell in the Bell Tower (Zhong Lou), which weighed 2,574 kilograms, was cut into pieces and melted down as scrap metal, as was the last remaining Buddha statue, which had been a gift of Ming Emperor Wan Li, and weighed 334 kilograms. Having now been destroyed as a functioning temple, all that remained were the empty buildings. In 1967 the temple buildings were all rented out as warehouse storage space to the China Rice and Oil Import Export Co. The one exception was the Master's Room (Fang Zhang Shi), in which some monks may have continued to live a hidden existence. After 15 years of having been closed as a place of worship, Longhua Temple was finally reopened in February 1981 after three of the main halls had been repaired, including the Mi Le Dian, Tian Wang Dian, and the Da Xiong Bao Dian. The government tried to make further amends in 1983 by giving the temple a new set of scriptures known as the Long Cang, which had been preserved in the Shanghai Library. In 1984 the Bao Ta pagoda was repaired, and these repairs continued with the restoration of the San Sheng Dian in May 1986. In 2001 a giant new shopping centre called Longhua Tourist City was built behind the pagoda, but this surprisingly has not damaged the environment, and in fact has added the convenience of additional restaurants in the area at which one can rest after a long day's exploration. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 24 as seated, holding a long-stemmed lotus flower with a small temple perched on the blossom, and has a third eye in the centre of his forehead. Wei Tuo Pusa is represented by a golden statue in which he poses wearing armor and holding a drawn sword. Wei Tuo is the protector of all Buddhist temples. On the other side of the Tian Wang Dian is the third courtyard, on the far side of which is the Hall of the Great Hero (Da Xiong Bao Dian). This hall's origins date to an 1878-1879 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebels' attacks on Shanghai in 1860-1862. The hall was closed for a massive reconstruction and renovation in November 2002, but had been reopened by January 2004. The interior is now nothing less than spectacular. Three large Buddhas (San Fo) are placed in the centre. Sakyamuni Buddha stands in the centre, flanked on the left by the bodhisattva Samantabhadra (Pu Xian) seated on an elephant, and on the right by the bodhisattva Manjusri (Wen Shu) seated on a blue lion. Overhead the hall's ceiling is pierced by a massive wooden dome that spirals upward, looking much like the wooden domes (Zao Jing) often found over traditional Peking Opera stages (Xiju Wutai). Behind the San Fo facing out the rear exit is a large Guanyin statue in front of a floor-to-ceiling landscaped rockery covered with smaller figurines depicting the Buddhist heaven and hell. Along the side walls stand 36 quite expressive human statues of the Buddhist saints, 18 on each side of the hall. This is an unusual number, which seems to include 16 Arhats (Luohan) and 20 Devas (Zhu Tian), and an assortment that includes such non-Buddhist figures from Chinese tradition as Confucius (Kong Fu Zi), the War God (Guan Di), the God of Literature (Wen Chang), and the Kitchen God; Hindu gods such as Brahma, Indra, and Yama (Yen Lo); as well as Buddhist deities such as the Four Heavenly Kings (Si Tian Wang) and the bodhisattva Wei Tuo as well. The hall also houses one of Longhua's three bronze bells, this one dating from 1586. On the other side of the Da Xiong Bao Dian is a fourth courtyard. On the far side of this fourth courtyard is the Hall of the Three Gods (San Sheng Dian). This hall is dominated by enormous floor-to-ceiling golden statues of three Buddhas (San Fo) who appear side by side in an unusual standing position with golden flames rising up behind them. In the centre is Amitabha Buddha (O Mi Tuo Fo), to your left is the bodhisattva Da Shi Zhi, and on your right is the bodhisattva Guan Shi Yin. Page 75 Page 76 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 25 Yin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986. Immediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin. Behind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore. Hidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden ================================================================================