RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 40 Vol. 1 (1961) ISSN 1991-7295 heroes have remained favourites." On the stage, a knight errant is easily distinguishable from a general: the former usually wears a short jacket and trousers and wields a sword or club, while the latter wears full armour with banners behind his back and uses a spear or halberd, We now come to the last stages in the evolution of chivalric literature. In the Ming and Ch'ing periods, two notable trends developed in chivalric fiction. On the one hand, in some stories of chivalry, the supernatural element was increasingly emphasized, so that a type of knight with “flying swords" and magic power became popular. On the other hand, some tales of knightly deeds became mixed with stories about “legal cases”, so that a new type of fiction, which may be called chivalric-romance-cum-detective-story, developed. An early example of the first type is a novel called The flying sword (Fei-chien chi), published in the Ming dynasty, about the Taoist immortal Lü Tung-pin and his acquisition of magic powers. Later examples are too numerous to mention. In fact, such stories are still being written now in Hong Kong. Sometimes they are presented in the form of comic strip cartoons, known as "serial pictures" (lien-huan t'u-hua), obtainable from small book stalls and pavement lending libraries. The second type, which combines tales of chivalry with detective stories, has also remained popular to the present day and is still being written. There is an interesting difference between this type of fiction and earlier tales of chivalry. In stories belonging to this type, the knights errant are usually on the right side of the law, instead of rebelling against it. For instance, in popular stories about Judge Pao, the Chinese Solomon, various knights errant help him in detecting crimes and arresting bandits and local bullies. Originally these stories about Judge Pao only dealt with crime and detection. They were first joined together and published as a novel entitled The cases of Judge Pao (Pao-kung an) about 1600. Later, the knights who helped Judge Pao assumed greater importance in these stories, which formed the basis of another novel, Three knights and five righteous men (San-hsia wu-yi), published in 1879. This was revised by Yu Yüeh and given the title Seven knights and five righteous men a few years later, and achieved great success. It was followed by a sequel, the Junior five righteous men (Hsiao wu-yi), and further supplements. Imitations also followed. Among these may be mentioned The cases of Judge Shih, first published in 1838, and The cases of Judge P'eng, first published about 1895. These were based vaguely on recent historical figures, and the knights errant in these novels were probably in 24 Plays about the Shui-hu heroes have been collected by Fu Hsi-hua and Tu Ying-t'ao in Shui-hu hsi-ch'ü (Shanghai, vol. I, 1957; vol. II, 1958). 25 Sun K'ai-ti, op. cit., p. 170. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 43 Until the Tibetan form of government was abolished in 1959, it was possible to trace its ancestry back through thirteen centuries and to find there the seeds of institutions that one could see in operation with one's own eyes. The script and the language have changed very little in the course of these thirteen centuries. The script, which was borrowed from India in approximately 640 A.D., can still be seen in inscriptions of about a century later. Any literate Tibetan today can read those inscriptions and can understand them pretty well except for a few archaic words. But I suppose the greatest example of conservatism and mystery in the eyes of the outside world is the supremacy of religion, as seen in the rule of the Dalai Lama. This, however, is a fairly recent development. Buddhism reached Tibet in the seventh century; as you know, it came both from China and India, but the Indian stream eventually proved the stronger. In less than two hundred years after its introduction, Buddhist monks were holding office as chief ministers of state. The kings, it is true, were laymen, but Buddhists were already powerful officials. Then there came a setback of two centuries, after which religion resumed its rise in importance. The great monasteries acquired larger and larger estates and more and more temporal influence. Indeed, for about seventy years, at the time of the Yuan dynasty, a religious leader was made viceroy of the country. This was never fully accepted by the lay princes and very soon there was a return of supreme power to secular hands. It was not until 1640 (a thousand years after Buddhist religion reached Tibet) that, with the help of the Mongol Khan in the Kokonor, the line of Dalai Lamas emerged as the actual rulers. Although their role as reformers of the church had begun two centuries earlier, other lines of incarnate Lamas in Tibet, which exercised great influence until they were suddenly swept away in 1640, could trace their ancestry to the early years of the twelfth century. That is why I have described the Dalai Lamas as relative newcomers. The rule of the Dalai Lamas, after a first brilliant appearance in the hands of a figure known as the Great Fifth, faded out. There was a period of seventy years when the laymen resumed sway and there was even a lay king. Though religious power was restored in 1750, for a century Tibet was ruled not by Dalai Lamas but by monastic regents acting for minor Dalai Lamas who died at an early age four times in succession. The system of supreme personal rule by the Dalai Lama, both temporal and spiritual, was only firmly restored by the thirteenth incarnation—that is, the predecessor of the present Dalai Lama. So you see there was nothing static about the Tibetan system, nor was it a simple one. There have been a whole series of adjustments and balances. The Dalai Lamas, for example, although they are in theory autocratic, are in fact the creation ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 70 Vol. 1 (1961) ISSN 1991-7295 (P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as "saints from the West"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief. The amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi ("Prince Hua-kuang or The Voyage to the South") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi ("The Four Travels"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole * For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Vol. 1 (1961) ISSN 1991-7295 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 74 R The historical figure of Li Ching had long been admitted into the Taoist pantheon. He was, in the year 760, enshrined with Chiang T'ai-kung (B★A or Chiang Shang) as one of the ten famous historical generals. In the anonymous work, Li Wei-kung Pieh-chuan (A4), it is said, "When Li Ching was poor, he took a journey in the valleys and stayed in a cottage. When it was mid-night there came a woman who handed him a vase and said, 'Heaven has instructed you to pour down rain ...' and as we know in the Buddhist legends that it is Virupaksha (not Vaisravana) who is the king of the nagas, we understand that even in the T'ang dynasty the popular mind could not properly distinguish the function of these guardians of Mt. Sumeru. In an inscription on a tablet erected in the Temple of Vaisravana in Ning-hwa District (LM), Fukien, dated about 920, we read, P'i-sha-mên (Vaisravana) is a Sanskrit word which means "universal or much hearing" (to-wên SH). He dwells on the north of Mt. Sumeru, in the crystal palace, and is the chief of yakshas,10 From this narrative we see why in so many Chinese records it has become an undeniable fact that yakshas are believed to live at the bottom of the seas with the dragon-kings in marvellous crystal palaces loaded with wonderful treasures. The legends of these two heavenly kings have long been mixed in the popular mind." As Li Ching was such a famous historical hero, the Taoist priests could not forgive themselves if they failed to utilize his prestige. It is said in an anonymous work of the T'ang dynasty, Yuan Hsien Chi (E), that Li Ching was still alive in the epoch of Ta Li (766-779) and became a Taoist immortal, In addition to the book on military strategy attributed to him in the Bibliography of the Hsin T'ang-shu (MEBOXZ), the Taoist priests also ascribed to him some canonical texts dealing 12 • Hsin T'ang-shu (), Ch. 15, Li-yüeh Chih (M), 5. • Ku-chin Shuo-hai (546), Shuo-yüan Pu (R), Vol. chi (2) Also Tsung-shu Chi-ch'êng Ch'u-pien (£). 10 See Ninghwa Hsien-chih ("Annals of the Ninghwa District") of the Ming dynasty, quoted in Ku-chin T'u-shu Chi-ch'êng (4), Shên-1 Tien (R), chüan 54. The essay was composed by Huang T'ao () for Wang Shen-chih (E). 11 In the Ta-Tang San-tsang Ch'ü-ching Shih-hua (ERR), chüan 1, “...A" ("To-day, Vaisravana of the Indra Heaven, the Guardian of the North, will feed Buddhist priests in the Crystal Palace.") 12 Quoted in Chiu Hsiao-shuo (R), 2nd Series, Shanghai, Commercial Press Ltd., 1910. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author Vol. 1 (1961) ISSN 1991-7295 77 probably the pagoda was a mistake for the parasol originally held by Vaisravana, as stated in the Ekottarik-agamas (增一含經): The heavenly king Vaisravana held in his hand a parasol of the seven treasures (七寶) over the Tathagata in the air to protect the Tathagata from dust and soil,15 But since the circulation of the Tantric sutras was more or less encouraged by the authorities in the Tang dynasty, the public accepted that legend without scepticism." According to a Tantric text, Nata (No-cha 哪吒) is the third son of Vaisravana, who attends his father and holds the pagoda with both hands. But on the twenty-first day of every month, when the son is charged to go on some mission, so that they have to separate, Nata gives the pagoda to his father. This is not at all a thrilling story and there is no combat. The author of the Fêng-shên Yen-i created his own story of No-cha, the third son of Li Ching, based upon his profound knowledge of religious beliefs and popular literature, and made No-cha one of the famous heroes in Chinese literature. In order to analyse the parts which are the creative work of the author and to explain from what sources some of his materials may have been taken, I divide the story of No-cha into several sections below. 2. MU-CHA AND CHIN-CHA Before the publication of the novel Feng-shên Yen-i and the prompt-book Ssu-yu-chi, No-cha's (哪吒) name was usually Na-cha (那吒) in many of the plays of the Yüan dynasty which preserved the original transliteration found in the Tantric sutras.17 In the Hsi-yu-chi (Ch.7), one of the "Four Travels", the second Hi To P'in (TPE), 30, Ekottarikagamas, chian 22, The Tripitaka in Chinese. 10 In the year A.D. 838 (3rd year of K'ai Chiêng), on the 15th day of the 12th month, Lu Hung-chêng (盧弘正) wrote an inscription for the image of Vaisravana in the Hsing-t'ang Monastery (興唐寺) describing him as "having a sabre in his right hand, and in the left hand a pagoda." cf. Ku-chin T'u-shu Chi-ch'êng, Shên-I Tien, chian 91. 27 In Yang Ching-hsien's Yang San-tsang Hsi-tien Ch'ü-ching, Scene 8, “Nacha San Tai-tzu" (哪吒三太子); anonymous play Menglich Na-cha San Pien-hua (孟麗哪吒三變換) in the Ku-pên Yüan Ming Tsa-chü *Z9M) edited by Wang Chi-lieh (王季烈), Shanghai, Commercial Press Ltd., 1941; anonymous play Ting-ting Tang-tang P’ên-êrh-kuei (丁丁當當甕兒鬼), Act 1, "Hê-lien Na-cha" (黑面哪吒), Act 2, "Na-cha Fa" (哪吒法), the last two are influenced by Tantric works. Besides, Na-cha (哪吒) appears in many plays of the Yuan dynasty, not to mention the tune called Nacha Ling (哪吒令). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol 1 (1961) ISSN 1991-7295 79 But this does not explain satisfactorily the record in the Mahavaipulya Mahasamnipata-sutra (李大集遺設堂訴言),21 in Catur-maharaja (四大天王), which maintains that each maharaja has ninety-one sons, but gives no names. And this does not explain the case (in the Janavasabha suttanta22 in chüan 5 of the Dirghagama) of the other god who, because of his accumulated merits would be re-born after his death as a son of Vaisravana in the Caturmaharajakayika (四大天王部). In the Buddha Preaching Jên-hsien Ching (作請人軟訣),* (AB jên-hsien being the Chinese translation for rsi jina) concerning the future of King Bimbisara (望界藤王), it is alleged that he would be re-born as the son of Vaisravana, Perhaps such confusion would explain why the author of the Fêng-shên, though knowing a good many of the Tantric legends, and adopting (in Ch.99 of the novel)23 the Chinese names for the four heavenly kings as "Protectors of the Tripitaka and the Country, and Regulators of Wind and Rain", abandoned the use of the name of Tu Chien and, in order to make his name conform to those of his younger brothers, invented Chin-cha ("金吳), as the name of the eldest son of Li Ching. Chin-cha, though his origin does not appear in any reliable records, may, I suspect, come from the Tantric dharanis. Also, I have found in Act 1 of the anonymous play, Yüeh-ming Ho-shang Tu Liu-ts'ui (月明和尚堂留利清)24 of the Yuan dynasty, the following words chanted by a priest: An! Ch'ih ling Chin-cha, Chin-cha, Sêng Chin-cha, Wo chin wei ju chieh Chin-cha, Chung pu wei ju chieh Chin-cha, An! (Listen! I am speaking of Chin-cha. Chin-cha, monk Chin-cha, I come to release you from Chin-cha, not to tie you up with Chin-cha. Listen! 哈！我今為你解金吳, 终不為你縋金吳。哈！) Since the author of the Fêng-shên was interested in both Buddhism and Taoism and is proved to have known many plays and other works of popular literature, he might have made use of materials such as those quoted above, in his creation of his characters. 3. A LUMP OF FLESH WAS BORN The story of No-cha's mother giving birth to him, in Ch.12 of the Fêng-shên Yen-i is as follows: Li Ching's wife, née Yin, had been pregnant for three years and six months, so he became very much vexed at it. The wife dreamed one night at three strokes of the watch 21 No. 397, translated by Dharmaraksa. 22 Tseng-chang, Kuang-mu, To-wên, Ch'ih-kuo, see No. 665, Suvana-prathasa Sutta Sutra (Chin-kuang-ming Tsui-shêng-wang Ching 金光明最膤王訣), 11 & 12. *9* ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Vol. 1 (1961) ISSN 1991-7295 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 88 his original body and by his miraculous powers preached the dharma for the benefit of his parents. 邵业 This is a case which was preached as early as the Sung dynasty. But, though it looks like a part of a Buddhist legend with some details probably omitted, it occurs in no canonical texts and is found to be fabulous. In chüan 6 of the Tsu-t'ing Shih-yüan (...), a work composed by Monk Ch'ên Shan-ch'ing (*) about A.D. 1099, it says, In the monasteries there is the legend of his "giving his flesh back to his mother and his bones to his father," but nothing referring to it can be found in the texts of the Tripitaka and no one knows what its origin is. (王子肉濟父母緣 In the Tripitaka in Chinese, I have found two cases which may have some relation with the legend of Nata as adapted in the Fêng-shên. One appears in the Tsa Pao-tsang Ching (# BK), chüan 1, subtitled "A Prince Fed His Parents with His Own Flesh" (±‡Ùƒƒ2R). It was the prince Hsü Shê T'i (F), a young prince aged seven. His grandfather, the king of Varanasi (M) had been assassinated by an usurper who killed also his two sons. The father of the young prince was the third son. Now the young prince when fleeing for his life with his parents, was faced with the problem of food. His father intended to kill his wife. Thereupon the young prince dismembered himself and cut off his own flesh every day to feed his parents until he had only three slices of flesh to offer. He presented two to his parents and the last slice which was so dear to him was given to a hungry wolf who was a transformation of Indra himself.31 The prince was an incarnation of Sakyamuni in a previous life. The prince Hsü Shê T'i in this Buddhist legend was seven, and his father was the third prince. It is quite possible that in the popular mind the jataka story became confused with the Tantric one, because in some Tantric texts such as the Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa I-kuei (... "Ceremonies In the Worship of the Heavenly King Vaisravana, the Protector of the Army")," Nata is regarded as 30 Nata's relation with Tantrism was still very clear in records as well as in the public mind. cf. Hung Mai (), / Chien San-chih (BEZ) chuan 6, on "Ch'êng Fa-shih" (El), Han Fên Lou (*) ed.; T'ai-p'ing Kuang-chi (XP), chüan 92, 1-sêng Lei (M), on Nata, In most of the Yuan plays, Nata is a fearful god (MME). 91 No. 203, The Tripitaka in Chinese. cf. No. 156, Ta-fang-pien-fu Pao-ên Ching (XSEOREC), chüan 1, Hsiao-yang P'in (442). 32 No. 1247, The Tripitaka in Chinese. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 126 Ta-Ming hui-tien - Vol. 1 (1961) ISSN 1991-7295 Tung-hua lu + I-tsung chin-chien Suan-fa t'ung-tsung Ch'ün fang p'u Erh-ya (*Statutes of the Ming dynasty', 1577) - (1734) - ('Golden Mirror of Medicine', 1740) ('Systematic Treatise on Arithmetic') (A Herbarium). Compiled by Wang Hsiang-chin, 1708. (The earliest Chinese 'dictionary') Man-Han ming-ch'en chuan (Records of famous statesmen, Manchu and Chinese', c. 1750) Other books are devoted to such diverse subjects as Buddhism, the ch'in (lute), a Manchu translation of the Four Books, various dictionaries (including the K'ang-hsi tzu-tien), various works on medicine, agriculture, geography, history, law, chess, and so on. A complete and annotated catalogue of these Chinese works together with the Chinese characters of their titles and authors or compilers would be of considerable value to scholars working in London. Does anyone feel like undertaking this task? J. L. CRANMER-BYNG. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f NESTORIAN CROSSES 21 Nestorian community in his letters, and their king George, whom he converted from Nestorianism to the Catholic faith. The scattered references to the Nestorians in the accounts of the friars are confirmed by Marco Polo (1271-1295) who with his father and uncle can represent for us the second group of travelling merchants. Everywhere through Central Asia and China Marco found Nestorian Christians, usually in the service of the Court, and probably more often than not of Syrian, Persian or Turkish race, employed as administrative officials by the alien government on account of their high standard of literacy. Marco Polo also confirms the existence of a Nestorian Christian tribe with their Christian king George (whom he confuses with Prester John as Odoric also does) at the Yellow River bend. It seems likely that the name 'Tenduc' which he gives to the region is the early pronunciation of T'ien-tê which was an old name of the present city of Kuei-hua{ in that region, near which is the important market town of Pao-t'ou in which Mr. P. M. Scott found the first fourteen crosses of our paper. Similarly the Tozan of Odoric may be identified with Tung-sheng, an early name for the same region. The Christian Mongol tribe situated by the Ordos bend of the Yellow River is known from various sources to have been the Onguts (Wang-ku people), to which Marco Polo refers, though confusedly, in calling their king Ung-Khan. These facts are confirmed in a remarkable way by a Syriac document describing a pilgrimage of two Eastern Nestorian monks—one an Ongut, the other of Uigur stock—from their monastery near Peking to the seat of the Nestorian Patriarch in Mesopotamia in A.D. 1278. In the course of their journey they visited the Christian Ongut tribe by the Yellow River bend, and from them received a touching farewell.19 IV. NESTORIAN RELICS IN CHINA AND MONGOLIA With the expulsion of the Mongols from China at the fall of the Yuan dynasty in A.D. 1368, the Christianity both Nestorian and Franciscan that had been associated with their regime disappeared. 17 Letters of Montecorvino, see Yule, op. cit., and Moule, op. cit., pp. 171 ff. 18 Yule, The Book of Ser Marco Polo, revised by Cordier, London, Murray, 1903. 19 Budge, The Monks of Kublai Khan, London, R.T.S. 1928. Page 30 Page 31 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f 24 F. S. DRAKE the property and exemption from taxes of members of religious orders, including the Nestorians, called by the Mongols 'Yeh-li-k'o-wen' 2* These and other scattered references to Nestorianism and to Nestorian Christians mentioned in Chinese records of the Yüan dynasty have been collected and published by Dr. Ch'ên Yüan in Yuan Yeh-li-k'o-wen k'ao 29 V. THE CH'ÜAN-CHOU CROSSES 29 The latest discovery of Nestorian relics in China is a remarkable one and takes us back to Ch'üan-chou once more, the great international port of Ibn Batuta and Chao Ju-kua, the Zayton of Marco Polo and Odoric, with its Buddhist monasteries and Twin Stone Pagodas, its great Mohammedan mosque, and two Franciscan houses, and as we shall now see, its many Nestorian relics. Here a local scholar, Mr. Wu Wen-liang, became interested in the many fragments of stone with foreign writing and designs that strewed the ground, 'the very pavement stones mingled with inscribed Arab tomb slabs' (Ecke and Demiéville, p.4). For some thirty years, commencing in 1928, Mr. Wu collected these inscribed stones for his private study. During the war, it appears that the city wall of Ch'üan-chou was demolished, and from it many inscribed stones came to light, which added greatly to Mr. Wu's collection. By 1957 the number had reached 160 and included those with Islamic, Nestorian, Manichee, Brahman and other inscriptions. He made rubbings and photographs of these, which he published in that year with explanatory text in Chinese: Ch'üan-chou tsung-chiao shih-k'o ("Stones from Ch'üan-chou with Religious Inscriptions").30 In this book he illustrates twenty-seven stones with Christian inscriptions or designs. Foremost among these are four slabs carved with Christian Crosses, of which two (Nos. 72 and 73) are the very ones illustrated by wood-cuts in Emmanuel Diaz's book on the newly discovered Nestorian Tablet, published in 28 Saeki, op. cit., pp. 418 and 420. 29 Chên Yüan, Shanghai, Commercial Press, 1923. See also Moule, op. cit., and T'oung Pao, Vols. XVII, XVIII, 1916-17: Cordier, 'Le Christianisme en Chine et en Asie sous les Mongous; and Vols. XII, XXI, 1914 and 1934: Pelliot, "Chrétiens d'Asie Centrale et d'Extrême Orient". 30 Peking, K'ê-hsüeh ch'u-pan shê, 1957. 30 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f 30 G. FINDLAY ANDREW merce throughout the fourteen districts accepted the notes from the shops and when the quantity in hand warranted it they would redeem them from me in silver sycee at my headquarters. The scheme worked very satisfactorily and when the final liquidation was achieved we found that we had cleared nearly 5% profit. Before the year of which I write, copper coins, representing a value of ten brass cash, had already been introduced into circulation throughout the provinces near the coast. The use and circulation of these copper coins was stimulated when the content value of the brass cash exceeded the market value and the high pressure pumps had already commenced the work of pumping a steady stream of the brass cash currency over the sea to the land of the Rising Sun. Slowly the copper coins (l'ung yuan) spread into the far interior and with their coming they changed several aspects of life. Whilst they facilitated the transfer and carriage of baser currency, at the same time they increased the cost of living. A sweet (the child's necessity) which previously cost one cash now cost ten. Those were the days of the war-lords when “every man did that which was right in his own eyes". It was not long before these gentlemen conceived the happy idea of each establishing his own arsenal with minting machinery complete so that he might furnish himself with all the sinews of modern war both in lethal weapons and silver dollars. During the days of the Manchu dynasty the Central Government had kept tight control over both arsenals and mints. A very wise ruling established that no arsenal might manufacture both arms and ammunition of the same calibre. Thus, for instance, arms produced by the Shanghai arsenal were dependent on say the Hankow arsenal for ammunition. This shows the control that Peking was able to exercise over the militarists in this connection. But from the days of the war-lords this was entirely changed. The big men produced their own arms, ammunition and coinage. Thus the control of coinage passed from Peking and it was not long before regional, and even provincial, dollars came into circulation all of varying standards. One military gentleman, of scientific bent of mind, conceived the brilliant idea of mixing sand with the copper and minting coins whose value was indicated by their size. Thus by the time he got up to the five hundred cash value coins they were so large and brittle that they crumbled when ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f CURRENCY PROBLEMS 33 tooth-picks, ear-cleaners, silver dollars from many of the provincial mints and even Russian roubles. We melted the whole mass down, refined the metal losing seventy ounces in weight in the process and recast in ingots of a standard whose increased exchange rate more than compensated for the loss of weight. The child of sycee, the silver dollar, gradually superseded its parent in favour. As far as the memory serves me, the Mexican dollar was the first to come into common circulation on the China coast. Thus for many years the dollar currency in China was designated "Mex". The Ching dynasty minted their own dollars and maintained a standard around 71 to 74 tael cents to the dollar. But with the coming of the regional and provincial mints all this was changed and standards varied considerably. One of the earliest war-lord dollars was the Yuan Shih-kai's which maintained a high standard of purity. Deterioration led to confusion of exchange rates and one certain provincial dollar eventually found its level on the common market at half the value of other provincial dollars. Gradually the dollar became the common form of silver currency. One great advantage lay in the fact that the "dud" dollar was much more readily spotted than adulterated sycee. There may be some, who, like myself, have been amazed at the dexterity of the Chinese bank teller in detecting spurious dollars by the "dullness" of their tinkle. 4 In the year 1929 I was back in Kansu distributing relief in severe famine areas. This was in the days before there was motor transport in the north-west of China and transport facilities had been decimated by the starvation deaths of man and beast. Added to which, difficulty was added to what transportation was possible by the roving bands of brigands roaming the country in search of food. All usual means of remitting money from the coast were suspended and the only way I could get funds was by issuing letters of credit on my brother in Tientsin. One leading war-lord offered me a remittance of fifty thousand taels of silver provided I would take delivery at his home village, located two and a half days' journey from the provincial capital. By a considerable effort I managed to assemble a caravan of some twenty pack animals. One pack mule will carry three thousand ounces of silver deadweight. With a heavily armed guard we took the trail over the mountains. On the second evening we came to the top of a mountain range and here we ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f 52 T. Y. LI Sung (907-1280 A.D.) and Yuan (1280-1368 A.D.) periods. The size of official seals became very big, over three inches square, and the writing became most unconventional. The only interesting point during the Sung and Yuan periods is the development of signature seals 私印 and commercial seals 商業印. The signature seals of the Sung Dynasty consisted of only one signature, but that of the Yuan Dynasty consisted of a surname with a signature below it; apparently this type of personal seal was very popular during the Yuan period. Occasionally Mongolian characters were found on these seals. At about the same time there was a considerable intercourse on the Chinese North-western border with foreign traders. It is obvious that these people were not well versed in Chinese writing, and even less so in Chinese seal characters. A peculiar type of seal came into existence. Each seal was made with an individual picture design incorporated with Chinese or Mongolian characters. These picture designs were most artistic. I have been able to collect about fifty of these specimens from different books on seals. It is a type of seal which so far has escaped the attention of seal engravers. I believe they were used by illiterate tradesmen who could recognize a picture design better than the different characters. Pure pictorial seals without any writing at all were found even as early as the Chou and Chin periods. These seals had no writing and their pictorial designs are most simple but beautiful. Two new developments that took place in the Sung Dynasty (907-1280 A.D.) are worth mentioning. One is the publication of books on seal impressions 印譜, the other is the introduction of porcelain seals, During the Ming Dynasty (1368-1644 A.D.) many scholars became interested in seal carving. They studied the Han seals and ancient calligraphy, and there was a renaissance in the art of seals. The reason for this advancement was caused by a great discovery made by a seal engraver by the name of Wong Mien who lived at the end of Yuan and the beginning of Ming Dynasty. He introduced soft stone to make seals. This method soon became very popular because the texture of soft stone makes cutting very easy. From that time scholars were able to engrave their own seals and the art of seal-making was revolutionized. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f CHINA'S 35 MILLION NON-CHINESE 57 minor groupings in south China. In the southwest were the Ch'iang, the Fan (properly read Po), the Wu-man14 (who include the Yi, Lolo, Norsu, etcetera), and a fourth group of poorly differentiated tribes. In the south were the Austronesian Tai or Thai, the Yao and TanE, and the Liao#. The six subsidiary groups he considered derived from intermixtures and cultural overlays. These include the Miao (descendants of the Fan or Po), the Ch'i-lao or K'e-lao2 of the southwest plateau lands, the Pae of Szechwan, the Pai-man of the Ta-li✯ plain in west Yunnan, the Li of Hainan Island, and the Yueh centered on the Canton delta in early times. Although, in general, the historical movement of the non-Han people of central and south China has been southward in the face of the constantly expanding pressures of the Han from the north, the migratory paths of some of the chief ethnic groups within south China are interesting to note. Four of these groups of present importance are the Miao, the Yao, the Yi or Wu-man, and the Tai. Since the Miao are high mountain dwellers, their migration routes generally have followed mountain ranges where they could practice their fire-field or forest-burning, shifting type of cultivation and semi-nomadic pastoral herding. The Miao, apparently derived from the Fan or Po of the west Szechwan mountain lands, migrated slowly eastward along the Ta-pae and Ch'in-ling ranges and down into the Tung-t'ing lake region after traversing the Wu mountains of the Yangtze Gorges. Here they must have established themselves for a long time and acquired the name Ching Man# or the Barbarians of the Ching (Tung-t'ing Lake) region. The Miao then spread southward in several directions, but especially into the west Hunan and east Kweichow regions among the tributaries of the Yuan river from which they acquired the name Wu-ch'i* (Five Streams) Barbarians. They became further dispersed during various dynastic struggles among the Han and especially during the Sung and Mongol struggles. The Manchu and their Han Chinese forces during the Ch'ing dynasty dispersed them further in many bloody battles with the Miao. Today the Miao have sought refuge not only in the more ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f NOTES AND QUERIES 123 group belonging to the K'ai Yuan period of the Tang Dynasty (713-742), and a few other coins from the Tai P'ing period of the Liao Dynasty (Tartars) which date from 1020-1031. A find of T'ang coins in conjunction with Sung coins shows that the former were in circulation in late Sung times. Unfortunately, as I hinted at the beginning of this note, there is no doubt that the delay in reporting this find has led to the loss of the greater part of both coins and porcelain. To give a known instance, it was reported from Macau, after a newspaper man there had seen the official press release which appeared in the Hong Kong papers, that over 1,000 coins had been bought recently from Hong Kong by a curio merchant. There is little doubt that these coins also came from Shek Pik, since it was reported that the coins were all of the Sung Dynasty and were covered with earth, which showed that they had been recently excavated. Many other coins must also be in the possession of workmen on the site or in the hands of people to whom they have sold them. An attempt has been made to recover these by means of a letter to the Chief Resident Engineer, but there has been no response so far to the appeal, despite his ready assistance. The same is true of the porcelain, of which there appears to have been some quantity. Not surprisingly, the bulldozers smashed the porcelain to pieces and scattered it over a wide area. Some of the broken pieces are in the hands of persons at Shek Pik; others are still buried under the earth moved by the bulldozers, which extends over several acres of hillside; and about a hundred small fragments were recovered by the Team from Shek Pik. Portions of about twenty pieces of porcelain have been recovered to date; very small for the most part but enough to show by colour and shape that they were part of different pots. These fragments are characterised by their fine colour, good shape and the thickness and brilliance of the glaze. To which period can the find be attributed? The last reign date recovered so far is of the period 1241-1253, which brings us to within twenty-five years of the fall of the dynasty. In the normal course of events it would, I think, be unlikely for porcelain of this quality to be found on Lantau which, so far as we know, was at this time barely inhabited by a handful of Chinese peasants ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1963 https://digitalrepository.lib.hku.hk/catalog/4m90m091v 56 MA MENG T mao-tun, contradiction; po-shiao H, exploitation; fu-shê radiation; and cheng-k'ung, vacuum. It should be noted that some of these combined expressions such as ke-ming and mao-tun first appeared in the classics in the Book of Changes and the Book of Han Fei Tzu respectively. The growing use of such combined expressions in place of individual characters has thus been a great aid in introducing modern concepts into the Chinese language. The Chinese language has also been enriched by the absorption of colloquial and regional expressions. This has been especially true on the Mainland in recent years, where such practice has been deliberately employed, particularly in party or government publications. However, in Taiwan and in the overseas Chinese communities, it has not had any marked influence. In the creation of an adequate modern Chinese vocabulary one problem still remains unsolved: that of creating standard technical terms. The problem as such is not new but has become more complicated with the rapid increase of new technical terms in recent years. Efforts to create new technical terms have often foundered because the public has not been willing to accept them. Thus the words used in technical texts often remain unknown to industrial workers, whose own expressions, in turn, are not understood by engineers. In Hong Kong and in the overseas Chinese communities this difficulty has often been resolved by the use of English terms. Another aspect of recent changes in the Chinese language is the development of a standard spoken language. Although within limited circles a common language known as kuan-hua T meaning official language has been in use by officials and some intellectuals for a long time, it was not till the beginning of this century that the development of a standard spoken language was consciously promoted. The history of kuan-hua goes back to the Ming Dynasty, which made Peking its capital in the fifteenth century. Throughout the Ming and Ch'ing dynasties, kuan-hua, which is based on the Peking dialect but pronounced with different accents, served as the medium of verbal communication between officials of different provincial origin appointed to posts throughout the empire. Kuan-hua continued to develop through the centuries because of the lasting need for such a common language. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1963 https://digitalrepository.lib.hku.hk/catalog/4m90m091v 58 MA MENG In 1956, a new term, p'u-t'ung-hua, meaning common language, became the official term for the standard language used on the Chinese mainland. Henceforth the term Kuo-yü fell into disuse, except on Taiwan and among the overseas Chinese. Strictly speaking, p'u-t'ung-hua is not a new term, having been used over many years to denote any form of the language that approximated the standard spoken language. Though now the official term, p'u-t'ung-hua thus has essentially the same meaning as Kuo-yü, for like Kuo-yü it is based on the Peking pronunciation and on a grammatical structure close to that of the modern vernacular. It will thus serve to bring about the complete unification of the Chinese language, accomplishing the process already begun by the adoption of kuan-hua and Kuo-yü. Since 1949 the Chinese Communists have taken two major steps to reform the traditional character script. In 1955 they put out a series of lists containing altogether 798 simplified characters and 54 simplified radicals. These simplified characters and radicals have been used ever since. Thus it has not only been made easier to learn how to write, but the simplified characters already in use have also been standardized. This standardization has ended a tradition which allowed anyone to improvise his own simplifications of the script. As a result, many characters could be written in different forms. This freedom to improvise had naturally asserted itself most in times of confusion, as after the last war. The Communists have now tried at least to limit this freedom; but they have not succeeded in wholly stopping spontaneous improvisation of simplified characters. Pages of the People's Daily frequently contain critical comments on such unauthorized simplifications. Originally, character simplification was considered only a stop-gap measure to be abandoned as soon as a final solution could be found in a romanised script. Attempts to transcribe the sounds of the Chinese language by using the Roman alphabet had already been made by Western missionaries in the late Ming dynasty. In the late nineteenth century, other systems of romanization were developed. Some of these—notably the Wade-Giles system—remain in use to the present day. But none of these systems served more than a limited purpose; none of them constituted a final solution of the problems of language reform. The first ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1964 https://digitalrepository.lib.hku.hk/catalog/qz20zx09r HONG KONG BEFORE THE CHINESE 43 as a humble amateur I appeal humbly to the professionals for assistance; and, much less humbly, to other amateurs to take over the gathering of data on Hong Kong before the Chinese.* By Hong Kong, I mean that southern part of the district now known as Po On,1 previously known as San On,122 and still earlier included within Tung Kwun,31 or partly within Tung Kwun and partly within Kwai Shin,60 which today comprises the Colony and leased territory of Hong Kong. By Chinese, I mean such of the inhabitants (and ancestors of the inhabitants) of that territory as would not have been described in a contemporary official document by one of the terms used for non-Chinese, i.e. I Ti Jung Man.67 If this definition appears negative it cannot be helped, since Chinese literature itself does not, until modern times, contain any word which corresponds to our word "Chinese", but has always had several terms for what might be called "Non-Chinese". Although one Chinese-type grave, said to date from the Han151 Dynasty, has been found in New Kowloon, and although one small Buddhist temple has behind it the foundation of a previous structure said to date from the Tsin158 Dynasty, there is no evidence of Chinese settlement before the end of the Tang.139 Up to and including the Tang Dynasty all the inhabitants, and up to the Yuan Dynasty most of the inhabitants of what is now the Colony and leased territory of Hong Kong are described, if described at all, as Man.88 The two Chinese clans with the longest records of continuous local residence (the Tang44 of Kam Tin,56 Lung Yeuk Tau7 and Ping Shan; and the Man of San Tin125 and Cha Hang11) go back indisputably to early Sung;132 and their traditions, to which I shall be referring again, speak of two other clans (Mo5 and Chan17) having been before them. The oldest building, except the temple previously mentioned, of which there is evidence, is the fort of Tuen Mun141 built in the Nan Han99 (Canton) Dynasty in A.D. 958. Another document refers to the appointment of a military commander of Tuen Mun in A.D. 954. I cannot be assailed if I say "Anything before A.D. 900 is, for this territory, before the Chinese." The Frame. The natural question to be asked is "Before the Chinese, who?" Before I attempt to answer this question, there *All local place names are given in the Cantonese pronunciation. Notes giving Chinese characters and romanization in the Barnett-Chao system are given at the end of the article.—Ed. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1964 https://digitalrepository.lib.hku.hk/catalog/qz20zx09r HONG KONG BEFORE THE CHINESE 49 experimental stations. And there is literary evidence for stating that all the hills between here and Canton were densely forested, as hills of similar geological structure still are in countries such as Japan, where the population does not destroy every tree before it is ten years old as they have been doing in South China for several centuries. Exactly what trees grew in these forests I cannot say; here is another missing piece in the puzzle which can probably be filled, as I shall soon suggest. The forests are supposed to have had two different kinds of human inhabitants, or at this time perhaps more than two, (a document of the early Yuan Dynasty mentions two types of hill-dwellers by name) but until further evidence comes to light, I suggest that in view of the small size of this territory, there is little reason to pre-suppose the existence of a third, and as I shall indicate later, my own preference is for a view that only one people lived here. Of the two non-Chinese peoples mentioned, one, the Yaos, are well-known and documented from South and Southwest China, Vietnam and Laos. Their languages have been studied, not an easy matter since their society comprises many small units, each possessing its own dialect and none having any form of writing; and work has been done on their customs and religion. There is an exhibit in the National Ethnological Museum at Leiden in Holland which shows the principal elements of their cultural and social life, including the type of house and the traditional patterns which they weave into their cloth, which in South China is made of wool. The exhibit at Leiden is particularly interesting because the adjoining showcase contains, or did contain when I visited that museum, an exhibit of a people from the island of Celebes who, although physically dissimilar in appearance, built somewhat similar houses and used almost identical patterns in their cloth, which however is bark-cloth. I asked the Assistant Curator whether the juxtaposition of the two exhibits was accidental or whether they had evidence of some connection between the Yao and the people of Celebes; he said that it was not fortuitous, because the resemblances were considerable, but there was no actual evidence of any connection and, as far as he knew, the peoples were of different racial types and spoke unrelated languages. Here is another gap to be closed. Page 60 Page 61 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1965 https://digitalrepository.lib.hku.hk/catalog/s752cj653 STONE ENGRAVING AT FU-T'ANG 67 her temporary temple. Since then other sailors passing by went ashore to worship her, who, they believed, gave them every protection at sea. Later, they collected a sum of money to build a permanent temple there. Sung-chien, the first beneficiary, had become wealthy by then and contributed the principal share of the construction fund. Still later, in the second year of the reign of Hsien-hsun (1266) the local people, because of superstition, thought that another temple should be built on the shore of North Fu-t'ang. Tao-yi, the only son of Sung-chien, responded and constructed a much more elaborate temple there. Besides, he composed a poem commemorating the event and had it inscribed on a stone tablet which was erected by the side of the new temple. This monument has long been lost, but the temple remains there till the present day, of course having been repaired from time to time during the past 700 years. Its name has also been changed since the Goddess has been bestowed by Emperors of successive dynasties with different honorable titles from the plain Lin Ta-ku to Tien-hou (Heavenly Queen) which was given her by the Emperor K'ang-hsi (Hong Hei) of early Ch'ing. According to the Gazetteer of Kwangtung this is the oldest temple of T'ien-hou along the coast of the Province. Eight years after its construction, Lin Tao-yi, having made another effort to renew the whole vicinity and repair the Temple, requested the Administrator of the Kuan-fu salt field to prepare the inscription which he had engraved on the rock.* The stone-engraving has distinct cultural value. In the first place, for students of the history of the Southern Sung Dynasty, the reference to the construction of the Stone Pagoda at South Fu-t'ang in the fifth year of the reign of Emperor Chen Chung of the Northern Sung (A.D. 1012) is particularly of historical interest and significance. This is because when the two young sons of Tu Chung, who would become the last emperors of Sung * The Goddess was the sixth daughter of Lin Yuan (Lum Yun), an official in Fukien (892-946). It was alleged that she had an innate supernatural power and could perform miracles in saving people from drowning at sea. She died at the age of twenty and henceforth was worshipped by sailors as their patron goddess. See the author's study of her story in Sung Wong Toi, A Commemorative Volume (1960), Chüan 5, p. 279ff (in Chinese). For the author's detailed studies of the engraved rock, see the same volume, pp. 151-154, 268-280, 284-290. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1965 https://digitalrepository.lib.hku.hk/catalog/s752cj653 68 JEN YU-WEN as stated above, left Kuan-fu-ch'iang on the way to Ch'uan-wan (Ch'uen-wan) on the western shore of Kowloon in the year A.D. 1277, they stopped over at a place by the name of Ku-t'a (Ku-t'ab), or "Ancient Pagoda." This fact had been recorded in some historical books, but where and what this place is has never been known, Now, with the revelation from this stone-inscription plus certain statements in the Genealogical Record of the Lin clan definitely referring to the Stone Pagoda, a sound conclusion can be drawn to the effect that Ku-t'a is identical to the present-day South Fu-t'ang, the northern shore of Tung-lung Islet. It is further reinforced by the fact that, according to tradition, local people used to call the said Pagoda by the name of Ku-shih-t'a (Ku-shek-t'ab) or “Ancient Stone Pagoda" which was later abbreviated to Ku-t'a. With the discovery of the missing link a very knotty problem in the study of the itinerary of the last two emperors of the Southern Sung is rationally solved at long last, For this the value of this stone-engraving to historical scholarship is most pronounced. Secondly, from the standpoint of archaeology, this stone-engraving, done 690 years ago (1274-1965), is the oldest historic relic with a definite date in Hong Kong and Kowloon. (The history of Sung Wong Toi began three years later than this and the three characters were not engraved there until the Yuan Dynasty. The ancient tomb in Li-cheng-wu (Lee-chang-uk) appears to have a longer history, but the date is uncertain.) Thirdly, from the standpoint of literature, its diction and sentences are excellent and the narration of no less than eight events in only 108 characters is terse and elegant. As a stone inscription, it should be ranked as an exemplary piece of literature of its kind. Moreover, the calligraphy possesses beauty, gracefulness and strength, being typical of the Sung style and akin to the penmanship of the celebrated poet, Su Tung-p'o. Last of all, considered as a work of art, the craftsmanship of the engraving is highly commendable. The cutting is deep and sharp, and even after having been exposed to the elements for nearly 700 years, almost all of the engraved characters remain intact. In conclusion, this historic relic should by all means be regarded as a distinctive feature in the cultural history of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 26 T HUGH D. R. BAKER The five clans bear the surnames Tang2, Hau3, Pang, Liu,5 and Man. The Tangs were the first of the five to settle in the area as far as is known, coming in at the beginning of the Northern Sung Dynasty, probably in 973 A.D.,8 giving them a history of some thousand years of settlement. Their first village (and still one of their largest) was Kam Tin. Other major villages which are occupied by members of the Tang Clan are those of Ping Shan,10 Ha Tsuen,11 Tai Po Tau2 and Lung Kwat Tau,13 while these few names by no means complete the list. The Haus arrived towards the end of the twelfth century in the Southern Sung Dynasty.14 Their first settlement was at Ho Sheung Heung,15 the lineage later segmenting to form three branch-villages at Yin Kong,16 Kam Tsin17 and Ping Kong,18 Spatially there is quite a distance between these four villages, and while they still recognise that they are kin, recognise obligations of mutual aid, and appear to hold certain property in common, they are politically four distinct units under four leaderships, each of which is divorced from the others, so that they must be considered a clan. They themselves call the group either the 4 (Hau Clan) or the 5 (Hau Alliance). The Pangs claim to have arrived during the Sung Dynasty also, and are said to be in their twentieth generation at the moment. Freedman has pointed out that "poverty postponed marriage",19 and the Pangs were poor, so that we may allow thirty-five years per generation of this lineage, which would in fact date their arrival in the last years of the Sung Dynasty. The lineage village is called Fan Ling.? 20 The Lius of Sheung Shui have a history of approximately 630 years, their first ancestor arriving from Fukien Province towards the end of the Yuan Dynasty.22 They have not lost any branches through hiving-off, and the entire lineage still lives together in the one village-cluster. The Mans have two large groups of villages. The first is at San Tin, the second at Tai Hang.24 Each of these village groups is a separate lineage, separated by a great distance, apparently owning no property in common, and each under separate leadership. The two lineages together are spoken of as the ✯ (the Man Clan). Page 26 ... Page 20 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 The Five Great Clans II 27 All these five clans have histories of gradual migration from the North downwards, the movement taking centuries in some cases. The Tang Clan's genealogies show that in the Sung Dynasty their ancestors moved down into Kwangtung Province from Kian Prefecture25 in Kiangsi Province.26 The Hau genealogy records that they moved down from Pun Yue27 in the Sung Dynasty, but does not say when and whence they moved to Pun Yue.28 The Pangs probably came from Kiangsi at the end of the Sung Dynasty.29 The Lius journeyed southwards from Kiangsi to Fukien in the Sung Dynasty, worked their way down through Fukien, and came to Kwangtung Province in the Yuan Dynasty. The Mans came from Kiangsi to Po On30 in the Sung Dynasty, and then moved to their present villages during the Yuan and Ming Dynasties.32 All are Cantonese (Punti33), though one of them at least has a tradition of Hakka34 origin.35 Exactly when and why this lineage should have changed from Hakka customs and speech to Punti is of course impossible to say, and it was probably only a gradual change, but it seems reasonable on two scores that, once large and wealthy, the lineage should change. Firstly, the common path to perpetuation and expansion of wealth and influence was the production of scholars and officials; and in the Sanon District Hakka examination candidates were discriminated against under a quota system whereby eight Punti candidates were allowed to pass the Prefectural Examination in Canton compared with only two Hakka.36 This proportion may be set against the figures of village numbers given by Krone—579 Punti and 275 Hakka.37 Secondly, the other large and influential clans of the area were Punti, and it would be easier in the spheres of communications and bride-finding and bride-giving for a lineage with pretensions to be Punti-oriented rather than Hakka. III With the help of an agricultural map of the New Territories it is possible to discover the relative values of the land which these clans acquired, and to compare this information with the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 44 HUGH D. R. BAKER 42 Grant, op. cit., figs, VI(k), (l), (m), (n). 43 ###. Notes on the third generation. + 44 Grant, op. cit., figs. VI(m) and (n). 45 **#. Notes on the sixth generation, where the move is said to have been made "at the end of the Yuan Dynasty". 46 Ibid., Notes on the third generation. 47 Grant, op. cit., figs. VI(o) and (p) show a perhaps exaggerated picture of the paucity of land around Lung Kwat Tau, since part of the Tangs' area of influence is not shown. Figs. VI(e) and (f) show a no less meagre amount of agricultural land around Tai Po Tau. It must be stressed that geographical and political accident have combined to change the situation greatly in both these areas in recent years, so that Grant's findings do not demonstrate the true historical picture. + 48 ******, Notes on the founding ancestor. He was born in A.D. 1023 and died in 1085, but the date when he moved to Ho Sheung Heung is not recorded. 49 Ibid., Notes on the fourth generation, shows that the expansion occurred in the fifth generation, which we can infer from the data to have been in the mid-12th century. I cannot locate the places mentioned, and, unless they have since disappeared entirely, we must assume that they are not situated in the New Territories, or that they are names for internal divisions in Ho Sheung Heung itself. Without having been able to check on these assumptions, I would incline to the last. 50 Ibid., Notes on the thirteenth generation. This village was founded in the seventeenth generation (possibly mid-16th century, but it is difficult to arrive at even an approximate date) by a man who moved from one of the original expansion villages discussed in note 49 above. 51 Ibid., This village has the same first ancestor as Ping Kong, whence he moved on after some years. 52 Ibid., Notes on the twelfth generation. The village was founded in the last years of the Chien-lung reign period (A.D. 1736-1795). 53 Grant, op. cit., figs. VI(o) and (p) show the land surrounding only Ping Kong of these four villages. It is of no better than average productivity (200 catties), and is not a very large acreage. 54 Ibid., figs. VI(o) and (p). 55 Ibid., The same figures show the extent to which vegetable-farming has taken over the land in this area. See also "Changes in Agricultural Land Use in Hong Kong", by C. T. Wong, in S. G. Davis, Land Use Problems in Hong Kong, Hong Kong, 1964. 56. The 'Rural Consultative Council', which represents New Territories interests to Government. An explanation of its structure and objectives may be found in S. S. Hsueh, Government and Administration of Hong Kong, Hong Kong, 1962, pp. 84ff. 57 Bk. 'Wind and Water'. For a short but unsympathetic explanation of this belief see J. Dyer Ball, Things Chinese, London, 1904, pp. 312f. 58 廖氏族譜, section headed 韩考座代进移節略, 59 Grant, op. cit., figs. VI(o) and (p). 60 M. + 61 feng shui hsien sheng (Mandarin pronunciation). 62 ****, section as in note 58. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 62 HERBERT FRANKE gols and in China merchants were more powerful and influential than under previous dynasties. The Mongol rulers in China followed in their attitude towards trade and private enterprise a policy of compromise between non-interference and the traditional Chinese bureaucratic hostility to free trade. It was normal for the Chinese scholar-literati class to view the rise of merchants with misgivings and whenever they could they tried to curb the activities of the merchant class. Some of these traditional features can be found in Yuan Dynasty legislation. Yet rich merchants, mostly foreigners, found access to offices in great numbers. Tax-farming became a common practice, and some Westerners rose to positions of power and prestige by their activities in tax-collecting and in the state monopolies. The best known among these careerists is the famous or rather infamous Ahmed who became a minister of state under Kublai Khan and whose assassination is described with many colorful details both in Marco Polo's book and in the Chinese sources.13 As late as the 1350's we find foreigners mentioned as office holders in the state monopolies administration. A text published in 1360 tells us that the officers of the Hangchow Sugar Bureau were all "wealthy merchants of Jewish and Mohammedan extraction".14 It is not surprising that the Chinese historical sources for the Mongol period have not many friendly things to say on these foreigners and their techniques of money-making. At best tax-collectors are not popular in any country, and if they happen to be foreigners some additional venom is apt to appear. Historiography under the Mongols remained firmly in the hands of the Chinese, and therefore the picture that they give is inevitably distorted and biased. It cannot be denied that international and transcontinental trade and relations on a non-official level contributed greatly to cultural contacts. Yet these contacts remained marginal and did not affect the basic features of Chinese civilization. The spread of Western music in China under the Mongols is a repetition of what had happened in the Six Dynasties and T'ang periods (third to ninth centuries) when dances, musical instruments, melodies and whole music bands were introduced from Central Asia and had a lasting effect on Eastern Asiatic music. Exotic music has, it seems, always found acceptance in high civilizations and been more easily integrated than other cultural elements. Europe is no exception — some of the names of our most common instruments ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 102 A. L. Y. CHUNG Further research inside the Academy One of the functions of the Academy was to give a group of high intellectuals a further chance to conduct research in the most favourable literary surroundings of the empire, where they were helped by good libraries, sufficient subsidies and experienced advisers. The establishment of the Shu-ch'ang kuan as a sub-department of the Academy had this object in view. The lecturers in charge of the Shu-ch'ang kuan were all men of high rank. In the early years of the dynasty, they came exclusively from chancellors of the Three Inner Courts (Nei-san yüan). From 1670 onwards, the chancellors of the Hanlin Academy and senior officials of the Grand Secretariat joined the teaching staff and from 1722 onwards, presidents and vice-presidents of the Six Boards were sometimes called to serve as lecturers.3 As time went on, the need for more lecturers was felt, as their number was at no time more than four. Besides, the lecturers, mostly high dignitaries of the Empire, were occupied with their various government functions and were therefore unable to pay full attention to the teaching in the Shu-ch'ang kuan. In 1694 a number of assistant lecturers were appointed from junior members of the Hanlin hierarchy and from among the better students themselves. These assistant lecturers had more free time and were thus in a better position to help the students. They gave tests to the students twice a month.4 The students of the research institute, titled Probationers, were recruited from among the top scholars of the Civil Service Examination who, in addition, had to pass an Imperial interview before being admitted into the Shu-ch'ang kuan. Once becoming probationers, the scholars were treated as a favoured group. They were not given any definite or permanent work to do. This means that they were free to study and observe government procedure and official behaviour at the capital. The government supplied them with books and stationery for their literary pursuits, while providing them with monthly subsidies to enable them to study without financial worry. In the early years, all probationers were given lessons on the study of the Manchu language as well as the Chinese Classics.? ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 104 A. L. Y. CHUNG had been repeatedly set in more or less stereotyped form ever since the Han Dynasty. The examiners found it difficult to set questions, which had not been asked before. In contrast to the eight-legged essays which could be set on any line from the Four Books and the Five Classics, there was a limit to subjects which could be asked on administration. Since general statements about the subjects and reference to precedents of the past rather than specialised knowledge were required of the candidates, they tended to recite a number of model-answers about various aspects of government in general. For example, an answer on the prevention of floods did not necessarily go into the technical details of the problem in question. The candidates were expected to give rather general answers, quoting copiously from the Classics and citing precedent cases to support themselves. They might even conclude by saying that if social harmony could be maintained, there would be no more floods. This kind of humanistic approach to a technical question could be applied to nearly every aspect of administration. Thus, the limited number of theme-titles and the conventional way of answering them invited simple memory work in the examinations. This was the reason why the Ch'ing government tested probationers of the Academy with themes on poetry and verse. The authorities regarded the writing of a good poem or an exquisite eight-legged essay as a means of revealing candidates who were men of thought and good taste. As to the administrative knowledge necessary for the running of the government, the authorities maintained that this could be obtained after the scholars held permanent administrative positions. Probationers who took the final examination and passed it were given different assignments according to the results of the examination. The first class scholars were to remain in the Shu-ch'ang kuan as assistant lecturers. The second and third class graduates were called upon to serve in the Hanlin Academy itself as compilers and correctors respectively.14 The scholars securing a lower position than these three grades had to leave the Shu-ch'ang kuan and take up posts in government departments as secretaries or magistrates.15 The students who failed badly were compelled to repeat the course for another three years, or were forced to retire.16 In the case of students taking the Manchu language course, their emphasis on translation fulfilled an administrative necessity. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 114 A. L. Y. CHUNG later, the Emperor Yung-cheng indicated to the Grand Secretariat that he would like to select several dozen of the elderly officials from the capital who were capable enough to give moral and ideological lectures to people in Shensi province,53 Among those selected, the majority were Hanlins. In 1743, the Emperor Ch'ien-lung followed his predecessor's example by despatching a sub-reader and a compiler of the Academy to be Instructors of Morals in a few prefectures in Anhwei and Kiangsu provinces:54 their cultural standard was considered inferior to other prefectures of the same provinces. The Hanlins needed to manage administrative affairs within the Academy itself. There were a series of clerical tasks such as accountancy, filing and translation of documents, preparation work before meetings, which could not be done properly by clerks alone. The Hanlins chose among themselves those who were good in penmanship to help perform these functions. Usually four Hanlins were chosen and they were regarded as executive officials (pan-shih kuan). They had the additional responsibility of examining clerks and subordinates of the Academy for promotion consideration before presenting their cases for approval by the Chancellor. After 1777, when a set of the Szu-ku ch’üan-shu (Complete Book of Four Treasuries) was sent to the library of the Academy, they also were called upon to look after its use by the other members of the Academy.55 Thus, we see that some Hanlins had a hand in nearly all aspects of government at the capital. With activities ranging from the administration of the secretarial affairs of the Academy itself to the managing of state affairs, from their influence on a poor scholar to their impact on the emperor, from experience gained in the capital to a widening of outlook in the provinces, from a few lines of an inscription to voluminous compilations we can see how varied were the duties of the Hanlins and how important was the Academy in the administration of the Empire in the early Ch'ing. The period after 1795 saw the gradual decline of the Ch'ing Dynasty, caused mainly by the lack of arable land and the increase of population on the one hand and the growing of foreign pressures ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 122 JAMES HAYES permitted to settle there, and stringent measures will be taken to prevent its becoming as heretofore a resort for thieves and outlaws, who are hereby warned that they will be proceeded against with severity if they attempt to conceal themselves within the above-mentioned limits **6 Who were these people? Most of the inhabitants of Old Kowloon at this time were Hakkas, whereas the earlier inhabitants of the flatter and more fertile areas of the peninsula, especially round Kowloon City, not far beyond the northern boundary of British territory, were Cantonese. The major Cantonese settlements in the area south of the Kowloon hills date back to the Yuan Dynasty (1280-1368) and even before, whereas the Hakka settlers of the southern part of the Kowloon peninsula are of much more recent origin. Most of them appear to have come into the area in the first half of the 19th century, especially after 1841. Several factors can be said to have operated in bringing Hakkas into the area in the middle years of the 19th century. In the first place, there appears to have been a continuing movement of Hakkas early in the century, seeking to settle on new land. Then, after 1841, there was the attraction of nearby Hong Kong with its opportunities for work, and perhaps wealth. The development of Victoria, the capital city, brought a demand for granite and this was readily available in the rocky outcrops of Kowloon, from which it could conveniently be transported across the harbour to the new building sites. In 1871 there were no less than eighty-one stone quarries in Kowloon more than for the whole of Hong Kong island. Quarrying is traditionally work in which Hakkas engage: they pride themselves on their strength and ability to engage in such strenuous labour.10 Thirdly, the prolonged unrest of the Taiping Rebellion forced many individuals and even whole families to leave their homes and settle in British territory." One of the more picturesque settlers in Ho Man Tin Village in the 1860s was a Hakka who had allegedly been one of the Taiping generals and rejoiced in the nickname "Seven Legged Heavenly Flying Tiger". A contemporary observer who had spent nearly thirty years in South China described these people as follows: 12 Parties of tramps, called Hakkas or ‘guests' roamed over Kwangtung province squatting on vacant places along the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 21 THE TRAVELLING PALACE OF SOUTHERN SUNG IN KOWLOON A lecture delivered on September 26, 1966 JEN YU-WEN (KAN YAU-MAN) I am honoured by being invited to talk to you on a subject which deals with a very important episode in the local history of Hong Kong and Kowloon. In recent years I have done some exhaustive research work on this subject and I am glad to have this opportunity to share with you whatever little knowledge I have gained. It is recorded in several Chinese historical books2 that Emperor Tuan Tsung of Southern Sung (宋端宗) arrived at Kuan-fu (官富) in the spring of A.D. 1277. According to Ta-Ch'ing I-t'ung Chi (大清一統志) "There were over thirty travelling palaces of (Southern) Sung, and four of them can be located now. One of them was Kuan-fu Ch'ang". The problems confronting us now are: Where exactly was Kuan-fu Ch'ang? Why and how did the Sung Emperor go there? Where is the Travelling Palace to be located now? What other historical relics and sites can be found connected with the royal visit? etc. Before answering these questions, however, you should be acquainted with one of the most pathetic stories in the history of China in order to gain a clear understanding of the historical background. I. THE ROYAL REFUGEES The story begins with the death of the 6th emperor of the Southern Sung Dynasty, Tu Tsung (度宗) in 1274, the 10th year of his reign, in the capital Lin-an (臨安), i.e. Hangchow. He was survived by the Queen Ch'uan (全皇后), a few concubines and four children: three sons and a daughter. The eldest son, Shih (昰), 7 years old, was reared by the concubine Yang (楊淑妃). The second son, Hsien (昱), 4 years old, was reared by Queen Ch'uan. The third son, Ping (昺), also 4 years old, was reared by the concubine Yu (俞淑妃). The daughter, probably ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 22 JEN YU-WEN older than Hsien and Ping, was also reared by Young, being the younger sister of Shih. Hsien, the 2nd son, by virtue of being the offspring of the Queen, was regarded as the legitimate heir to the throne according to Chinese tradition. After being crowned, the boy emperor named his new reign Tê Yu () beginning with the next year (1275). In the first year of Tê Yu (1275), the Mongol army under the premier Pê Yen (16) invaded South China and after many victories marched toward the capital Lin-an in the winter. The imperial court was alarmed and evacuated the Emperor's two brothers and sister under the care of mother Young and their uncles.3 Before departure, the two princes received new titles: I Wang (1) and Kuang Wang (1), respectively. Early in 1276 the royal party left Lin-an in a hurry heading for the south. It was the beginning of an itinerary of constant flight which would last for three full years. Shortly afterwards, Emperor Hsien and the Queen Mother Ch'uan surrendered to the Mongols who subsequently took them to Peking. The Mongol Emperor Kublai Khan gave the dethroned Sung Emperor the new title of Duke of Ying Kuo (). Years later he was forced to become a Buddhist monk, was banished to Mongolia and died in exile there. It was said that his own son, who had been adopted by a Mongolian prince, would eventually become the last emperor of the Yuan (Mongol) Dynasty. The Ex-Queen Mother Ch'uan became a Buddhist nun and died of old age.4 When the capital Lin-an fell, the royal evacuees arrived at Wuchow (##), Chekiang. They continued their flight toward the south. They had to travel on foot for seven days and the two young princes were carried by their uncles on their backs all the way throughout the rough journey. After reaching Wenchow (), a city near the seashore, they stayed for about three months trying to rally loyal supporters there. A few did come, such as a high official Lu Hsiu-fu (✯✯✯) and generals Chang Shih-chieh (*) and Su Liu-i (***) each bringing soldiers along. An army of considerable size was mustered. The Premier Ch'en I-chung (1), who had deserted the court after the Mongols entered Lin-an, also reported his presence at Wenchow, which was his native city. In view of the grave situation created by the capture of the young emperor, which thus ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 24 II. KUAN-FU JEN YU-WEN Where was Kuan-fu Ch'ang? It can be definitely identified with no other place than the eastern side of the Kowloon Peninsula. For several hundred years from Sung to mid-Ch'ing Kuan-fu was the official name of the area, while Kowloon was the vernacular name used by the local people. To avoid confusion, we must carefully differentiate Kuan-fu Ch'ang from Kuan-fu Tsai (stockade), Kuan-fu-shan (mountain) and Kuan-fu hsun-ssu (sub-district). Kuan-fu Ch'ang meant Kuan-fu Field, one of the four salt-producing fields in the Tung-kuan District amongst the thirteen fields of the whole province of Kwantung in the Sung Dynasty. The area of the Field covered not only the entire peninsula but also the nearby islands, including the present Hong Kong. It was under the administration of an office in the stockade called Kuan-fu Tsai, the present so-called Kowloon Walled City. During the last years of the Emperor Tu Tsung (1265-75) the administrator of the field was Yen I-chang of Kaifeng, Honan Province, who had the engraved stone made at North Fu-t'ang in 1274, less than three years before the royal visit to Kuan-fu.6 My interpretation is that the name Kuan-fu has a political and economic meaning: “Kuan" means Tung-kuan District and "fu" means rich. The field was thus christened by officialdom to signify the rich resources of Tung-kuan. Or else, it might signify the riches of the Emperor, for Kuan Chia was a popular term for the emperor. Anyway, it could not be a natural name and it may be inferred from this that the name of Kuan-fu Mountain, which was a long range of mountains with many hills, was adopted from the Kuan-fu Ch'ang and not vice versa. Researches into the Gazetteer of Hsin-an District, the writings of some historians and maps furnished by the Public Works Department of the Hong Kong Government lead to the conclusion that the Kuan-fu Mountain was along the western side of the Kowloon peninsula (see Plate 12). There were a number of hills of various heights inside the area and the highest, the rocky peak west of Ma-tau-wei Road, reaches a height of 405 feet. On the plain and in the valleys at the foot of the hills were separate salt-producing fields. Certainly, there were other such fields all over the Kuan-fu ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g The Travelling Palace of Southern Sung 25 area, e.g. some places on Lantau island (Tai-yu-shan) were salt-producing fields. All such fields, together with the people living in the villages, were under the administration of the Salt Administrator of Kuan-fu Ch'ang. In the Yuan Dynasty, the political status of the Kuan-fu Field underwent a drastic change. Kuan-fu as an independent salt-producing area under a salt administrator was abolished and was incorporated into the Huang-t'ien (†) Field which was one of the original four fields in Tung-kuan. In the third year of the reign of Hung Wu, the first Emperor of Ming (1370), Kuan-fu's status was changed from that of a salt-field into a Hsun-ssu (3), a political sub-district still called Kuan-fu but under the charge of a Hsun-chien (K). The name of Kowloon was not officially adopted until 1840 (Tao Kwang 20th year, in mid-Ch'ing), when Kuan-fu Hsun-ssu was changed to Kowloon Hsun-ssu under the charge of a Kowloon Hsun-chien, still under the general administration of the Hsin-an District. Three years later (1843) the Manchu Governor-general Ch'i-ying (**) constructed a city wall around the Kowloon Tsai (formerly the Kuan-fu Tsai) with the explicit purpose of warding off a British invasion. The wall was completed in 1847. It may be added that this city wall was demolished by the Japanese when they occupied Kowloon, using the stones for the construction of the extended air-field; but the so-called Kowloon Tsai still exists. III. THE LANDING Let us now go back to May 1277. 1277. The exact place where the royal party landed was along the beach on the western shore of the Kowloon Bay from the Sung Wong Toi Hill to To-kua-wan in the south. There were three villages along the coast, namely Ma-tau-kok (§i§}), Ma-tau-ch'ung (‚§§Ã¡Ã¦) and To-kua-wan (LA). They were fairly large in size and populated by many fishermen and workers of the salt-field. Upon the arrival of the royal party the local villagers extended to them an extraordinarily warm welcome. The Imperial Court rewarded them with some parasols made of yellow silk and embroidered with many Chinese characters, in gratitude for the enthusiastic reception and loyal protection they had received. Years later the original gifts wore ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 26 JEN YU-WEN out and the local people made facsimiles of the originals and preserved them from generation to generation in order to commemorate the glory of their ancestors. Moreover, in the Dragon Boat Festival (the 5th day of the 5th month) every year since then, they have placed the parasols on the racing boats, called huang-chou1 (Imperial boats). Before the boat race started, the gentry and elders of the villages used to kneel and kow-tow to the royal gifts to pay respect to the Sung Emperor. Sung Hsueh-p'eng says that the custom was perpetuated for many years.10 Less than a month after the landing of the royal party, the Dragon Boat Festival was observed. It can be imagined what a delightful day the boy Emperor Tuan Tsung (Shih) and his small brother Wei Wang (Ping) had in watching the races, along with the Queen Mother and many dignitaries, generals, and ministers, and, of course, the local people who were particularly happy to have such distinguished guests participating in their annual festival. IV. SUNG WONG TOI (Sung Huang Tai-Man) The most important site which furnishes the key to our study of the Kuan-fu Travelling Palace of Southern Sung is a small mound near the seashore, north of Ma-tau-kok. It can be definitely located and is recorded in the Hsin-an Gazetteer, other literature, and maps. Besides, there were three Chinese characters engraved on one of the great rocks there, which many of us have seen with our own eyes. The small mound was called Sacred Hill1 (see map). This name was probably given to it by the Hong Kong Government when it took over the territory in 1858, as no Chinese literature recorded such a name, and even Hong Kong people of the older generation, including Sung Hsueh-p'eng, did not know of it. On the top of the mound were two large rocks, one on the northern side, the other on the southern. The characters Sung Wong Toi1 were engraved on the western face of the northern rock in the Yuan Dynasty, long after the royal party departed from Kowloon and after the Mongols conquered the Southern Sung. The characters were horizontally inscribed, being uniformly 20 inches in width and respectively 26, 22½, and 27 inches in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g The Travelling Palace of Southern Sung 27 height. The character toi was in a variant which has been mistaken by many people for tang (). Later, a further seven characters were added, vertically, on the right side, recording that repairs had been carried out in the ting mau year of the Ch'ing Emperor Chia Ch'ing (A.D. 1807). Of course, this means the re-engravement of the three original characters, for there was otherwise nothing to be repaired. The character wang (£) "king" should be huang (§) which stands for "emperor". It was first intentionally inscribed in that erroneous form in the history of the Sung Dynasty compiled by the Yuan officials where it was recorded that there were two Sung "Kings", implying that they were not recognised as Emperors perpetuating the Sung dynastic throne. This was a grave mistake subsequently pointed out by many Chinese scholars. We should use the character huang for "Emperor" instead. The naming of the Sung Huang Tai Garden and Sung Huang Tai Road by the Hong Kong Government is therefore correct. The precise meaning of the name Sung Wong Toi is not easily ascertained. It has been alleged that the boy Emperor Tuan Tsung used to rest in the cave beneath the great rock and sometimes played hide and seek there with his small brother. The mound has been likened to a toi, a terrace or high building. One historian has asserted that a watch tower was built on the top of the mound to look out for the advent of the enemy, hence its name. This last theory is not credible since the mound itself was already high enough for watching over the sea to the east without the superstructure. In my own research work, a line has been found in the Hsin-an Gazetteer which gives a very useful hint for the interpretation of the name. It reads: "There were three characters 'Sung Wong Toi', on the great rock which was beside the Toi".12 In reverse the last part can be read "the Toi was beside the great rock". Therefore, neither the great rock nor the hill itself can be identified as the Toi. The logical conclusion cannot be anything but that a separate toi must have been constructed near the foot by the side of the hill and the big characters were later engraved on the great rock merely as an indication of the historic spot commemorating the visit of two Emperors. It might have been a real watch tower, for the rocky hill was not easy to climb for military purposes. But where exactly was the toi or tower is a problem which remains to be solved. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g The Travelling Palace of Southern Sung 29 Sung Wong Toi Garden was finally completed in the winter of 1957. Acting upon the suggestion of the Chiu Clansmen's Association, most of whose members are the descendants of the early emperors and princes of the Sung Dynasty, whose family name was Chiu, the Government, with the valuable assistance of the Association, provided two stone tablets commemorating the Sung Wong Toi, one in Chinese and the other in English, on each side of the entrance to the garden. On the 28th December, 1959, a simple and dignified unveiling ceremony was held in the garden. The design and craftsmanship of the tablets are of the first quality. In particular the two dragons, symbolizing two emperors, were beautifully done. It was said that only a very few craftsmen in Hong Kong could have done them and that they should be ranked as one of the Colony's works of art. I had the honour of being asked to compose the Chinese text and to assist in translating it into English. I was also asked to compile and edit a book entitled Sung Wong Toi, A Commemorative Volume which was published in Chinese in 1960 by the Chiu Clansmen's Association. V. A FEW LEGENDS In the text on the tablets above mentioned I stated that there existed a few historical sites connected with Tuan Tsung's stay in Kowloon. They may be of interest to you, in spite of their legendary character, if you are keen to know more of local history. North of the Sung Wong Toi rock it is said that there was a Chin-fu-jen mu (Lady Chin's Tomb). It is recorded in the Hsin-an Gazetteer that the Princess of Tsin Kuo, younger sister of Tuan Tsung, had been drowned nearby, or en route to Kowloon, and that a golden image of her was buried in that tomb. That was why it was called Lady Chin (Gold)'s Tomb. A large stone tablet was erected there with the name Chin-fu-jen engraved on it. I consider this as sheer legend, unsupported as it is by any substantial proof. To the northwest of the hill is the popular Temple of Hou-wang (Hou-wang miao). Ch'en P'ei-t'ao, a famous scholar of Tung-kuan District in late Ch'ing, put out the theory that Yang Liang-chieh, uncle of Tuan Tsung, had died at sea on the way here; was subsequently buried at this spot; that he was posthumously given the title of wang (king); and that the local people built the temple in memory of his loyalty. I have found ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 30 JEN YU-WEN that this legend is also ill-founded, because it has been ascertained that there are at least six other Temples of Hou-wang in Kowloon and the nearby island of Lantau. Moreover, there are other Hou-wang Temples in different districts of Kwangtung, and the images worshipped in them are different deified persons. But the decisive counter-proof of Ch'en's theory is found in a book written by Chou Mi, Kuei-hsin tsa-chi hsü-chi (B), 47a in early Yuan which records that in the last battle between the Sungs and Mongols at Ya-men in 1279, Young Liang-chieh perished at sea with the Emperor Ping (successor of Tuan Tsung) and other generals and ministers.14 Another story tells how Emperor Tuan Tsung occasionally established his court at Yu-hsien-yen on Pê-ho-shan (Lé iao), northwest of Kowloon Tsai. There was a stone that looked like an armchair. Tuan Tsung used to sit on it as his temporary throne. From that time, the stone got the name “The Royal Armchair Stone" (Yu-tso chiao-i shih #PERM ̄ ). This is a more reasonable tradition for a historic event although there is also no proof for it. VI. THE ERH-HUANG-TIEN VILLAGE There was yet another historical site called Erh-huang-tien Village (in Cantonese Yi-wong-tin Two Emperors' Palace Village) which was closely related to the royal visit. Amongst the many old villages listed in the Hsin-an Gazetteer was the name Erh-huang-tien but written in the form, meaning Two Huangs' Store. Ch'en Pê-tao was the first scholar to point out that this was a mistake and should be Two Emperors' Palace. (The Cantonese pronunciations of huang for emperor and huang for yellow are the same, and in Mandarin tien for palace and tien for store are the same. The error in the Gazetteer may be ascribed to intentional alteration of the two characters to avoid political trouble in the Yuan dynasty which exterminated the last two emperors of Southern Sung.) This interpretation is acceptable. A few other writers in modern times in describing the historical sites in Kowloon have likewise confirmed the existence of such a village. It has been generally taken for granted that it was so named because the last two Sung emperors stayed there for some time, or constructed a palace there. Furthermore, the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g The Travelling Palace of Southern Sung 35 its followers to a nearby islet, Ku-ta (†) or Ancient Pagoda, Tung-lung Island.19 In the autumn they proceeded to Ch'ien-wan (*) which is now definitely identified as Tsun-wan (now written) along the western coast of Kowloon. Two months later, the Mongol army, which had been pursuing them along the shore, began to attack. The boy Emperor sailed to Hsiu-shan (ƒ), now known as Hu-men or the Bogue. Continuously under pressure from the Mongols, Tuan Tsung passed by Hsiang-shan District (at present Chung-shan) and reached Tseng-o (#4), south of Macao, where his ship was badly damaged by a typhoon. He himself fell into the sea but was rescued. The terrible shock led him to contract a fatal disease. He was sick on board ship until the spring of 1278, when the whole fleet sailed northward back to the harbour at the mouth of the Pearl River. By that time Canton had been recaptured by some royalists and so they felt safe enough to anchor and encamp at Kang-chou which is identified as Ta-yu-shan or Lantau Island20. Two months later he died there. His younger brother Ping succeeded him on the throne and became the last emperor of Sung. He named the new reign Hsiang Hsing (#) and the 1st year began in the next month, still 1278. In the 6th month the new emperor had to sail away with the whole fleet southwestward until they arrived at Ya-Shan of the Hsin-hui District. Finally, in the 2nd month of the next year (spring 1279), they fought the last battle against the Mongol forces commanded by the arch-traitor Chang Hung-fan (K). As a result of the defeat the whole army perished. The boy Emperor with his royal seal was tied to the body of his prime minister, Lu Hsiu-fu, who plunged into the sea, to be followed by thousands of court officials in a mass suicide. When the Queen Mother Young heard of the tragic and heroic death of the Emperor she also drowned herself, thus ending the long reign of 315 years of the Northern and Southern Sung Dynasty. Before concluding this talk let me point out that besides the above story there is a deep and important meaning to be derived from our study of the Travelling Palace of Southern Sung in Kowloon. Throughout the Sung Dynasty, China was frequently invaded by neighbouring foreign tribes. Almost every year there was war, not only against the Hsi Hsia (the Tangut), but also, in turn, the Liao (Khitan), the Chin (Nuchen) and the Mongols. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 36 JEN YU-WEN At the close of Southern Sung, the last two emperors had to flee and seek refuge by the shores of the sea, from where they led a hundred thousand odd officials and soldiers in the noble endeavour to restore the empire. The Kuan-fu area, with the three big characters Sung Wong Toi still remaining, commemorates one of the last portions of Sung territory on which the two emperors stood. Shortly afterwards they met their ultimate defeat and the whole country was lost to a foreign tribe for the first time in China's history. But what we commemorate is not this unfortunate event in our national history; it is the spirit of nationalism and patriotism displayed in the last struggle of the Sung patriots for the recovery of the mother country. The independence and freedom of China had a higher claim to their lives. This unconquerable spirit, expressed in the unceasing revolutionary efforts of the Chinese people to fight against the Mongols ever since the last days of Kuan-fu and Ya-shan, was finally crowned with success in the overthrow of the Yuan Dynasty less than 90 years afterwards. Today, when we pass through the ancient site of the Travelling Palace and look at the Sung Wong Toi monument, we see the symbol of this same spirit, which is the essential quality necessary for the survival of any nation on earth. NOTES 1 This lecture is a condensation of my Chinese article Sung Kuan-fu Hsing-kung K'ou (†‡3hB) published in the Continent Magazine († A), Taiwan, September, 1966. 2 Such as Ch'en Chung-wei, Erh-Wang Pen-mo (RR#i, =±**), Shu Mou-kuan, Hsin-an Hsien-chih (Chia-ch'ing), Gazetteer of Hsin-an District (**T. ** **BA), K'o Wei-ch'i, Sung-shih Hsin-pien (MM. ER #), Chang Hsu, Ya-shan Chih (HM, AJA), Nan Sung Shu (ET). * Mother Yu was never again mentioned in historical records; probably she had died. 4 For references, details and discussions on the royal itinerary from beginning to end, see my treatise Sung-mo erh-ti nan-ch'ien nien-lu k'ou (**=*64***) in Sung Wong Toi, a Commemorative Volume (edited and compiled by myself), Hong Kong, 1960, pp. 122-174 (X£b444). 5 It is alleged that there were eight mountain ranges spreading over the peninsula which look like running dragons (lung), and that when the boy Emperor stayed at the place, people pointed out that he himself represented the ninth, as an emperor was commonly believed to be symbolized by a dragon. But the more rational and reasonable interpretation for the origin of the name would be that there are altogether nine mountain ranges spreading over the peninsula. According to Hsi-nan I Chuan (§§ AM) in Hou-han-shu (**後漢書**), the Ai-lao-i (‡‡✯ aboriginal tribe Lao) in Yunnan Province called back “k'ou" and seat "lung". Hence to them, Kowloon meant ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 186 BOOK REVIEWS (2) to instill elementary knowledge of Confucian classics in the mind of the young; and (3) to familiarize children with the most widely used quotations, proverbs and stories from historical and literary writings. This booklet falls into the first of these categories. Although this type of work had undergone a continuous process of revision and development, some of the early texts had been kept in use since their first appearance in Han period. A few examples of Tang times can still be seen in collections of Tunhuang scrolls preserved in China and abroad. The Sung Neo-Confucian scholars first advocated and worked for a more relevant language teaching method for children and quite a number of standard work in this field were compiled during the Sung and Yuan Periods. But it was only in early Ming Dynasty that illustrations of the kind included in this primer were added. Thus this slim volume will be of special value to those interested in the study of Chinese educational techniques, particularly in regard to the study of basic language teaching. At the same time it is of considerable use as a historical reference work since the characters and illustrations are drawn from everyday life, thus providing us with additional information on physical surroundings of the period. Professor Goodrich has also given us in his notes, romanizations and brief explanations of individual characters and compounds, which further increase the usefulness of the work as a small but comprehensive source book of the times. MA MENG Hong Kong, 1967. CHINA: THE PEOPLE'S MIDDLE KINGDOM AND THE USA John K. Fairbank; Harvard University Press, Cambridge, Mass, and London, Oxford University Press, 1967, pp. xi, 145. HK$27.50, How refreshing it is to read a volume of essays on China instead of one of the many tomes which issue from the world's presses on this abstruse country. Professor Fairbank is a famous historian, but his book shows him as what many experts at their own subject cannot manage to be, a populariser in the very best sense of the word. He has been able to distill from his many ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1968 https://digitalrepository.lib.hku.hk/catalog/66833948d FURTHER NOTES ON THE SUNG WONG T'OI 71 ment outside, possibly T'ang; two fragments of stoneware bowls with pale blue glaze, much weathered and probably old; and two thick stoneware bowl bases roughly hollowed out below, with their yellow glaze decayed, probably of Sung date; one of them was apparently not glazed so far down as the base. Lastly there is one fragment of the neck of a large stoneware jar, wheel-turned, the external diameter of which was 37 cm. at the mouth, and internal 35 cm.; it shows no sign of slip or glaze, and seems to be of Six Dynasties date. 2. Pottery from the beach. A group of 21 bowl bases and sherds were collected from the boulder-strewn beach at the south-east foot of the hill. All but two were submitted to the British Museum for determination of the probable dates of manufacture, with the following results: T'ang dynasty; broken bowl glazed olive-green, with 17-tooth comb mark. Probably T'ang: two bowl bases, one with 10-tooth comb marks. Probably Sung: three bowl bases and two sherds, without incised ornament. Probably Southern Sung: two bowl bases and one sherd with shallow incised grooves on the outside. All the above bowl bases are unglazed below a line part way down their outsides, and are hollowed out with a tool that left a helical mark within the footrim. Southern Sung or Yuan: three bowl bases of 13th century date, two with white porcellanous bodies and white glaze, and one with pale buff body and creamy glaze: their unglazed bases are flat with very low footrims. Each of the first two has incised ornament, one an underglaze wave pattern within the bowl, the other a lotus petal pattern on the outside with raised outlines. The third shows signs of wear on a beach, which are seen on no other specimen. This specimen was overlooked and not submitted to the Museum, but has a strong resemblance to the two others in its style and appearance. These three pieces are broken across their bases in such a way that outline tracings of the base in section could be made. Figures 1, 2 and 3 below ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1968 https://digitalrepository.lib.hku.hk/catalog/66833948d 72 W. SCHOFIELD are the outlines so traced: they are numbered to correspond with the order in which they are described. The remaining items from this group are:- Fig. 1 Fig. 2 Fig. 3 Probably Yuan: piece of the shoulder of a jar with the base of a handle; glazed gray, roughly made. Probably early Ming, 14th to 15th century; two sherds with worn opalescent blue and white glaze, each of them part of the rounded lips of thick bowls. Ming, 16th century: three pieces, a bowl, a sherd, and a plate, with blue underglaze designs. 19th century: small broken porcelain wine cup, light blue glaze. This piece could well date back to the days of quarrying on the hill: it looks newer and less worn than any other piece, and was not submitted to the Museum. 3. Pottery fragments from the exposed surface of a cutting through the south end of the earthwork, where it faces east. These fragments, numbering 13, were also submitted to the British Museum experts, who reported as follows: 'We are agreed that these are of Six Dynasties and T'ang Dynasty date. The sherd with the impressed designs is not parallel with those found on Lamma Island,* and The reference is to Father Finn's discoveries pre-war. See Archaeological Finds on Lamma Island (*) near Hong Kong, Ricci Publications, Ricci Hall, University of Hong Kong, 1958 reprinted from The Hong Kong Naturalist between 1933-36 and edited by T. F. Ryan, S.J. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1968 https://digitalrepository.lib.hku.hk/catalog/66833948d SUN YAT-SEN AND CHINESE HISTORY 111 One day, a fellow student picked one of the volumes at random and questioned Sun on its contents. It is reported that the student was surprised to discover that young Sun Yat-sen had read the work thoroughly. In this fashion then, is built the image of the revolutionary whose knowledge of his own nation's past was firmly grounded. Yet if anything at all is clear about Sun Yat-sen's career, it should be that he had no real proclivity toward history. Aside from the required Chinese part of his curriculum at Queen's College in Hong Kong, an interest in history seems to be lacking completely in Sun's formal education, which in any case eventuated in a medical degree. But even if there was some interest in Chinese history, as manifested in his hiring of the tutor, it is even more evident that his historical curiosity was not matched by an equal amount of critical acumen as he internalized what he read of it. These then are basic considerations to be taken in hand from the beginning. Any question of the influence of nationalism momentarily aside, Sun's lack of interest in history led to a ready and unquestioning acceptance of the Chinese schoolboy's idealistic self-image of Chinese history, as taught among Western subjects in colonial Hong Kong. This left him without the slightest concern for the possibility of alternative interpretations of questionable historical points or problems, and also led to unabashed carelessness with respect to the accuracy of historical references. Only in this way can one explain the surprising and numerous overly-facile historical generalizations and outright errors to be found even in the most cursory reading of Sun's writings. Perhaps the simple comment by Sun that Marco Polo “occupied an official post under Genghis-Khan, of the Yuan dynasty,” might be overlooked even though it contains a double error (since Marco Polo served under Kubilai Khan, and there was as yet no Yuan dynasty in the time of Genghis Khan), because it is of such little importance. But Sun's claim that Cheng Ho visited all the islands of the ocean (ostensibly the Pacific) "and even reached San Francisco" certainly merits some notice. Incidentally, Sun was amiss on the date for this supposed expedition as well. Sun was much taken with the pat concept of China's irresistible assimilatory capability, and on more than one occasion referred to it. He noted that China was never "enslaved" by foreign invaders but on the contrary the latter “were assimilated by the Chinese as easily as the moving of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1968 https://digitalrepository.lib.hku.hk/catalog/66833948d 112 STEPHEN UHALLEY, JR. a table." In case one might raise the question of the Mongol experience, as perhaps a singular exception, Sun elsewhere explicitly affirmed that they too were absorbed by the Chinese, thanks to the fact that "the character of the Chinese race was higher than that of other races." In making this point Sun incidentally raises a further historical question when he says that the Ming dynasty "fell twice" to the Manchus.* Of course, one might surmise that some of Sun's historical distortions are generalizations intended for forensic effect. The exaggerated assimilation concept may be in this category, as well as such claims as "Everyone in China, beginning with emperors and kings, and ending with the common people, even robbers and pirates, all have been able to value and delight in literature as an art."5 6 But such observations by Sun, as well as the stress on China's erstwhile moral power for absorption, are also part of a more general idealized appreciation of the past in which history and mythology blend indistinguishably together. As a matter of fact, history seems to be, for Sun, an almost dimensionless pastiche to which reference might be made indiscriminately. Thus the manifold allusions to the legendary emperors and to other historical personalities and folk heroes, without the slightest demonstrated concern for accuracy or authenticity. The "Emperor Fu-Shi" wrote the "Eight Diagrams," thus initiating the Chinese written language. Of all the emperors throughout Chinese history only “Yao, Shun, Yu, T'ang, Wen Wang and Wu Wang" were the ones "who shouldered the responsibility of government for the welfare and happiness of the people." The statement "you have all read a good deal of Chinese history; I am sure almost everyone here has read particularly The Story of the Three Kingdoms," with striking ingenuousness prefaces a brief story illustrating Chu-kuo Liang's "splendid character," but neglects to suggest the difference between evidence provided by historical documentation and the imaginative renditions of fictional literature. Recounting the contributions of the legendary figures of Sui Jen Shih, Shen Nung, Hsien Yuan and Yu Ch'ao Shih, respectively the alleged inventors of cooking, medicine, clothing and housing. Sun declared: "So in Chinese history we find not only those could fight becoming king; anyone with marked ability, who had made new discoveries or who had achieved great things for mankind, could become king and organize the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1969 https://digitalrepository.lib.hku.hk/catalog/9g553n20d 78 W. SCHOFIELD bears glaze, mostly gray, yellow, brown or blue, and was made on the potter's wheel. The levels of seven pieces are recorded: the rest were picked up loose. Most of the pieces found, both loose and in situ, can be fairly safely ascribed to the Sung dynasty. Two of those from known levels are more doubtful; one jar fragment, with a band of four shallow grooves, horizontal, round the exterior, which is covered by worn black glaze, may be older, and was found at 122 cm., the other, found in two pieces at 97 and 107 cm., has been ascribed to the Yuan dynasty. It is part of the lip and body of a brown-glazed vessel with rounded lip and one loop just below the junction of the lip and body, rising vertically in the centre, intended to hold a cord for keeping in place a stopper dish covering the mouth. Three shallow grooves decorate the neck, and three go round the body below the undecorated zone in which the loop is attached. The whole piece is glazed brown outside, and this extends to half way down the inside of the neck. All but these two fragments were found at an average depth of 60 cm. in the bank. One of them was believed to be of Ming date by Professor Shellshear, who found and kept it; and the small fragment of a bowl lip from 41 cm. may well be from the large piece of a Sung tea bowl with wave ornament under the glaze inside, found loose on the beach, although they cannot be precisely fitted together. The depths of all these pieces cannot be fully relied on as indicating the time of their original deposition in the bank, as the upper levels down to about one metre have often been disturbed by later burials of bodies by boat people. Of the other pieces found loose, one had a flat unglazed foot, a kiln mark inside, at the bottom, and dark brown glaze and was undecorated: it was a small shallow dish about 10 cm. across the rim, and might well be of Tang date. Another bore typical Sung type underglaze flower ornament, made partly with a 16-tooth comb; it may have been a large tea-bowl, and its glaze was of the celadon shade. One large yellow-glazed rice bowl, its foot and foot-rim fully glazed, was undecorated and could be almost any date between Sung and early Ming. Finally there are three pieces which may well be considered modern. Two were picked up loose; one a complete small duck-egg blue wine or spirits bowl; another the bottom of a rice bowl ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1969 https://digitalrepository.lib.hku.hk/catalog/9g553n20d 172 BOOK REVIEWS term “militia” to translate tuan lien (). Wakeman uses this term and, to my mind, strays further from its real meaning when he differentiates between tuan lien and "genuine tuan lien". I would prefer to use Siang-tseh Chiang's term "local corps" for all "tuan lien”, whether "genuine" or not. In English this is a more accurate, because more loose-fitting, term, and it does not abuse the word "militia” which in Britain at least has a precise meaning. Militia were auxiliary troops not on full-time service except when embodied in time of war for home or overseas service. These forces were totally under government control, and indeed were an integral part of the military forces of the English Crown and as such subject to considerable constitutional constraint. This led Cardwell, the 19th-century Army reformer, to describe the militia as "the constitutional force of England.. a force ever dear to the people of England from constitutional antecedents".* Thus the circumstances of the existence and mode of use of the British militia after the establishment of the Standing Army in 1660 were quite different from those obtaining in China during the Ching dynasty; which surely strengthens the case for selecting another term to describe "local forces" that were not financed by government and might never have had official blessing. That the appearance of tuan lien might be deceptive is, however, certain. The Kwangtung Viceroy commented as follows on Hong Kong Governor Sir Henry Blake's theory that Chinese regular troops might have taken part in the disturbances that followed the occupation of the New Territories of Hong Kong in 1899: The Governor of Hong Kong suspected that they were regular troops from the fact that they had guns, cannon, and uniforms. He was not aware that the villagers of Kwangtung, in their constant fights with each other, are always erecting forts, and use guns and cannon, and wear uniforms. This is a matter of common notoriety. This quotation is borrowed from Mr. Groves' article, printed elsewhere in this number of the Journal, in which he uses Wakeman's book to put together an interesting essay on the interaction of market, lineage and militia (local forces) during the opposition to the British occupation of the New Territories in 1899. Secondly, this reviewer found the discussion of "local schools" * Quoted in The Spectator, 14th March, 1969, p. 331. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1970 https://digitalrepository.lib.hku.hk/catalog/ww72j0241 MORE ON THE YUNG-LO TA-TIEN 21 served in the Legation Guard in Peking in 1900. The Chester Beatty Library (Dublin) has three volumes not otherwise accounted for (chüan 803/4, 805/6, and 10,110/1). The Wason Collection of Cornell University has chüan 13,853, and the National Central Library, Taipei, has chüan 7527, which Yang Chia-lo failed to reproduce. The number at present count then is 809 chüan out of the original total of 22,877 chüan (not counting the table of contents which has been separately published). What subjects are covered in the volumes that have been saved? Practically everything that concerned the Chinese around the year 1400, but in fragmentary fashion. Thought, morals, poetry of several kinds, frontier people (the Hsiung-nu and Hu, for example), geography, surnames, government, law, the spirits, biography, divination, architecture (gates, bridges, halls, storehouses, walls, offices), villages, capital cities, history, burial customs, astronomy, botany, grain, military matters, Buddhism, Taoism, travels, bronzes, food and drink, caves, dreams, scholars, drama, sacrifices, clothing, mathematics, images, carpentry, post stations, shamans, literary collections. Dr. Walter Swingle, writing on the YLTT in the Report of the Library of Congress (1922-23), asserted: "It combined all existing Chinese books that were available to Yung-lo, excepting novels and possibly some plays." Fortunately, his remark was found to be in error when the Library of Congress acquired (1935) from the collection of Dr. H. A. Giles, professor of Chinese at Cambridge University, a copy of a "short historical novel, Ch'ieh-fên-lu and a hsü-lu, purporting to describe the experiences of Sung Hui-tsung, made captive by the Chin in 1127." (The son of Dr. Giles, Lancelot, was in the British Legation during the siege in 1900, and doubtless picked it up then.) The first notice of the famous play P'i-pa chi (The Lute Song) also appears in a volume of the YLTT. Professor Pelliot has characterized as one of the most important volumes saved the sections from a great Yuan dynasty encyclopaedia (Ching-shih ta-tien, published 1331), including a part on courier stations (jamči), now in the Toyo Bunko. Among other interesting works saved, generally fragmentary, are geographical. Francis D. M. Dow of Australian National University has recently drawn attention to certain gazetteers preserved: one of the prefecture of Soochow, published in 1379, for example; and years ago (1929) the Metropolitan ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1970 https://digitalrepository.lib.hku.hk/catalog/ww72j0241 HONG KONG BEFORE THE BRITISH 163 Tung Kun district, Heung Shan, and Kwangsi. Two brothers of the eldest branch remained in Tung Kun, of their cousins one received lands in P'ing Shan next to Kam T'in and another Tang Yuan Liang succeeded to Kam T'in and to a place called Lung Yeuk T'au in our region, besides lands at Tung Kun, This Tang Yuan Liang led the spacious life that might be expected of a man of widely extended property. He is buried in Tung Kun, but his family lived in Kam T'in and he himself was appointed an official in Kiangsi, near to the original home of his ancestors. His power over all this area was the greater because the Sung dynasty during his time was hard pressed by the Tartars. Tang Yuan Liang had established a kind of outpost in Kiangsi behind which he and his family governed a more or less independent region, officially loyal to the Sung dynasty, but in reality ready to take advantage of its misfortunes. In 1127 the Emperor's family was captured, but one daughter of the royal house escaped as far as Tang Yuan Liang's outposts, where she was taken charge of and sent half captive half refugee to Kam T'in where she married Yuan Liang's son. When the Tartars were driven back, her father became the Emperor Kao Tsung of Sung. He recognised the marriage, received the princess and her husband Tssŭ Ming at the capital, and gave him an official title. The family received a large dowry, tax collecting rights and the monopoly of the ferries in Tung Kun district. The four main centres of the Tang clan at present are Kam T'in, Ping Shan, Lung Yeuk T'au and Ha Tsün. We have already mentioned that one of the "five Yuans" received lands in P'ing Shan. The present Tangs of P'ing Shan are descended from him and are therefore probably the eldest branch in direct descent. The settlement at Lung Yeuk Tau also dates from one of the “five Yuans", that of Ha Tsün appears to be much later though directly descended from the great grandson of Tssŭ Ming and the princess, a man called Shou Tsu who lived in the Yuan dynasty and appears to have been the first of the Tangs to settle permanently at Kam T'in, instead of in Tung Kun district where his ancestors had lived. These four centres can be seen on the attached map (See T'ien Hsia, Vol. XI, No. 4).* It will be noticed that they contain many adjacent walled villages due chiefly to the fact that their houses *Plate 16 at end of this volume. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1970 https://digitalrepository.lib.hku.hk/catalog/ww72j0241 168 S. F. BALFOUR Emperor and his court were at a place called Ngai Shan in San Wui district. The army was gathered round him, waiting for news of Wen Tien-chiang's attack on Canton. But Wen Tien-chiang was defeated at Waichow and finally captured at Hai Fung. He was brought as a prisoner on a Mongol ship, from which he witnessed the final assault on the Emperor's army and fleet, which was conducted by the commander of the Mongol armies, Cheung Hung-fan. It is recorded that during the battle Wen T'ien-chiang received a message from the Mongol Emperor offering him a post in the government if he would change sides. In reply, he wrote a poem often quoted in books about our region since it mentions the Ling Ting Yeung or Desolate Sea between the islands of outer and inner Ling Ting in the Canton estuary. The poem may be freely translated as follows: "After many hardships I am come to a place where the stars foretell the doom of my arms. The waters toss my broken body like a tiny thread, the wind strikes at the wreck of my life. By the Sands of Huang Kung I tell my despair, in the waters of Ling Ting I sigh my desolation.23 Since life began nobody has escaped death, only honour has immortal record among men." This poem was sent in reply to the Yuan Emperor and Wen T'ien-chiang remained loyal to the Sung cause until his death which occurred in prison some years later. At the battle in the Canton estuary the Sung forces were finally dispersed. The last prime minister then took charge of the Emperor's person. Separating them from the army, whose treachery he feared, he led all the surviving members of the royal family to a place on the sea and exhorted them to commit suicide, saying that it was preferable to surrender. When the women had drowned themselves he walked into the sea with the boy Emperor on his shoulders. It remains to tell the legends which sprang up over the burial places of the Emperors. According to a story of the Yuan dynasty, one of the Mongol soldiers found a garment floating in the sea 23 惶恐灘頭說惶恐,零丁洋裏歎零丁。 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1970 https://digitalrepository.lib.hku.hk/catalog/ww72j0241 HONG KONG BEFORE THE BRITISH 169 which had belonged to the last Emperor and in it the seal of the dynasty which was brought back as a token of the complete extinction of Sung. At Ch'ek Wan on the peninsula called Nam Shan just north-cast of our region there is a tomb which purports to be that of Ti Ping. It bears the inscription "Grave of the Little Emperor Hsing Hsing24 of Sung" and it is tended by a family named Chiu which was the surname of the Sung emperors. There are graves of both Tuan Tsung and Ti Ping in other places along the coast of Kwangtung province and it is not certain that this one is genuine. Most likely it was a "garment grave" containing some relic of the Emperor and made to deceive his enemies as to his real burial place. Many Chinese families in the district claim to be descended either from royal blood or from ministers and soldiers of Sung. These claims may be unsubstantiated individually but the fact that they are made in the mass points to a tradition that much of the Sung army settled in South China after their defeat. It may be asked whether the Tang family helped the Emperors whose kins-men they were. Tang Shou Tsu who lived about this time was a minor officer in the Yuan armies and probably fought against Sung. The Tang family nevertheless lost its paramount influence in Tung Kun district after these events, and this may be the reason why members of the elder branch settled more permanently at Kam Tin and in other parts of the region. VIII. T'UN MUN AND THE PORTUGUESE Mention has been made in a previous section of the prevalence of pirates in the South China Seas in early times. The earliest record of any piratical action within the region is as early as the 10th century when a pirate named Wu Ling Kuang attacked T'un Mun but was defeated. A later event was a revolt of the population of Lantau Island in 1278 when the Yuan government attempted to enforce a monopoly of the salt production and arrested the private salt makers. It is recorded that soldiers tried to land on the island but were prevented by means of wooden stakes placed along the coast, and that the Tanka inhabitants then sailed up the estuary and attacked Canton. The civil population fled, but the sailors defending Canton, by using incendiary arrows 24 The reign title of Ti Ping. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1971 https://digitalrepository.lib.hku.hk/catalog/z029vt43g A BRIEF REPORT ON SUNG-TYPE POTTERY FINDS IN HONG KONG J. C. Y. WATT* THE SITES Over the past thirty years various pottery finds attributed to the Sung period have been made in many parts of Hong Kong. For the purpose of this paper, two representative sites will be described and the finds discussed. The sites are: the area of Kowloon City near the present Kai Tak Airport, and Nim Shu Wan on the eastern coast of Lantau Island, the largest of the islands of Hong Kong. Kowloon City, formerly called Kuan-fu Chai, was the administrative centre of the salt-pans on the north coast of Kowloon Bay. These salt-pans were one of the chief official centres of production of salt in south China during the Southern Sung period2. The existence of the Kuan-fu salt-pans, which we know from historical records, is confirmed by an inscription written by one of the salt-officers, Yen I-chang, in 1274 and carved on a rock which still stands today. The rock is situated behind a Tien-hou temple in Joss House Bay. Kuan-fu Chai was also one of the stopping places of the fleeing court of the last princes of the Sung dynasty3. It is not surprising that a site with so much connection with Sung history should yield archaeological finds of the Sung period. The first group of finds made in this area, which are still partially available for inspection and have a fair claim to be Sung, were unearthed intermittently from a small hill which used to be known as the Sacred Hill. This hill, on which stood the Sung Wang T'ai, the Sung Princes' Rock, was levelled during the Japanese occupation in the Second World War when the airfield was extended. When the hill was demolished a large quantity of pottery was unearthed, which consisted of celadons, green glazed *Mr. Watt is Assistant Curator, City Museum and Art Gallery, Hong Kong. His note "A Pair of Pottery Covered Jars found at Shek Pik, Lantau Island" appeared in Vol. 9 (1969) of this Journal, pp. 161-163. This article is based on a paper presented by the author at the Manila Trade Pottery Seminar held in March, 1968. Plates 1-10 illustrate this article. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h CHINESE MEDICINE 17 European notice in the last century through the publications of the Jesuit fathers. Preventive medicine was only stressed in recent years by scientific medical men, but in China the idea that "Prevention is better than cure" has been advocated long ago. I quote the following passages from different writers in support: In the Su Wen (†), The Basis of Chinese Medicine, supposed to be edited by Emperor Huang Ti (†), it is said: “The sage does not treat those who are ill but those who are well." Huai Nan-tzu (††) said: "The good doctor pays constant attention to keeping people well so that there will be no sickness.” In the Difficult Classic (##) (Nan Ching), it is said: "The skilful doctor treats those who are well but the inferior doctor treats those who are ill." In the Nei Ching (#) Canon of Medicine, it is said: "The good physician first cures the disease of the nation, then human ailments." Hygiene and Public Health were also in an advanced state during the Chou (B) dynasty. The writings of Confucius (R), Huai Nan-tzu (†), Kuan Chung (4) and others contain numerous references to them. Thus, as regards food and drink, Confucius advised one to abstain from rice which had been injured by heat, moisture and turned sour; fish and meat that was stale; what was discoloured; what was of bad flavour; anything that was not in season, etc. The relation between contaminated food and disease was recognized. The Confucian Analects (3) said: “Diseases enter by the mouth." "Eat nothing that is improperly cooked." "Meat and wine bought from the street stands must not be taken.” Many of the so-called "new" methods can be traced back to China. Take for instance Fletcherism; that is, thorough mastication of food. It was first advocated by an American, named Fletcher; hence the term. Mr. Gladstone, the Grand Old Man of England, who lived to be 85, was so convinced of its benefits that he chewed every mouthful of food 36 times before swallowing it. Strange to say, Ho Yang-heng long ago described: "Rice (i.e. food) should be chewed into pulp before swallowing. It nourishes the heart and abdomen. It tastes better and is more nutritious. Again, health advocators teach that the teeth should be brushed twice a day. It is interesting to note that Sun Szu-mo (R) of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 174 KEITH STEVENS A legend in another book, the Shen I Ching (*) says that Chin Ch'ong (†) the son of Pan Ku the Creator of the World, who lived in the mountains of Shantung province, was canonised T'ai Sui for his many good deeds and was made responsible to Heaven for supervising the activities of all spirits (shen‡) and demons (kuei§). Few present-day Chinese with whom I have spoken appear to know of this story. T'ai sui was first worshipped during the Sung Dynasty in the eleventh century A.D. and was first offered official sacrifices during the Yuan (Mongol) Dynasty. Only after The Deification of the Gods popularised the idea was T'ai Sui identified with Yin Ch'iao. Reason for the worship of Yin Ch'iao Yin Ch'iao, or T'ai Sui as he will be referred to from now on, is a stellar deity who in many parts of China is believed to have flood, famine and all good and bad fortune under his jurisdiction. He is worshipped by the general populace to avert calamities, and has to be placated before any enterprise or journey is embarked upon. He was also worshipped by the imperial officials at the beginning of Spring. He is known to control the dates and times of births and deaths, and each one of his sixty images often displayed in rows in temples is dedicated to one specific year in the sixty year cycle of Chinese dating. Chinese place their offerings on the altar before the T'ai Sui bearing the cyclic year date of their birth. Father Doré in his Recherches sur les Superstitions en Chine calls him the "Patron of the Harvests". T'ai Sui is the great Father Time who, presiding over the year, is the arbiter of the destiny of all men. He is very much feared as he destroys those whom he dislikes and those who offend him. He is said to strike when least expected and can injure and destroy the highest and the lowest, at home or on the high roads, but is believed never to injure anyone in the vicinity of his, T'ai Sui's, own person. Therefore it is essential to know where he is at any given moment, and if he is nearby but not immediately present, he is at his most dangerous and precautions against his evil influence must be taken at once. This is done by hanging the appropriate talisman or stellar charm near the front door or facing the entrance. To find where T'ai sui will be during the forthcoming year he is believed to move annually—a device similar to a compass is used by a fêng shui Page 180 Page 181 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r SWATOW HORIZONTAL STICK PUPPETS 79 the Pear-Garden Opera School, the Ch'aochow actors and puppe-teers have backstage a tablet or image of Feng-huo-yuan T’ien-yuan-shuai. Feng, the First Heavenly Commander. His biography can be found on page 125 of E.T.C. Werner, A Dictionary of Chinese Mythology, and reads as follows: "Tien Hung-i, his real name, was the second of three brothers, Hsun-liu and Chih-piao who, during the K'ai-yuan Period (AD 713-742) of the T'ang Dynasty became famous court musicians.... "They were such skilled players that even clouds stopped to listen to them, and the la-mei hua (very fragrant flowers which open only in the coldest part of the winter) blossomed. The Emperor having fallen ill, saw them in a dream playing the mandolin and violin, and was promptly restored to health. As a reward he bestowed on them the title of Marquis. A ravaging epidemic having broken out, the Grand Master of the Taoists sought the musicians' aid. T'ien Yuan-shuai had a large shen-chou, spirit-boat, built, and called together a million spirits, whom he instructed to beat drums placed on it, whereupon all the demons came out of the city to listen to the music, and were seized and expelled by the musician and the Taoist Grand Master. This is said to be the origin of the dragon-boats to be seen everywhere in China on the fifteenth day of the first moon, Chang Ta-shih having recognised his great ability and power, memorialized the Emperor, who canonized the three brothers as Marquises, and all the members of their family and near relatives were given posthumous titles." This account indicates clearly the Feng was chosen as a patron: namely for the beauty of his music and its magical power of exorcising the evil spirits. It shows a very basic approach to music and brings to mind the many opera and puppet-performances which are staged by the Ch'aochowese at all festivals and ceremonies that deal with ghosts of which the main one is the Ta-chiu in the 7th lunar month. As a contrast it is interesting to know that the Peking opera actors have chosen T'ang Ming Huang, who already in his life time was a patron of opera as a sophisticated entertainment of the court. Another interesting characteristic of Ch'aochow puppets (though not unique to them) is the ceremonies required to cleanse the theatre stage. Besides the veneration of the patron saint the ceremony of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES BY 19TH CENTURY KWANGTUNG ART COLLECTORS CHUANG SHEN* Introduction: Chinese Paintings and the Compilation of Art Catalogues Although wall painting is the most historic form of Chinese painting, few of them survive today. With regard to other types of painting, Ku K'ai-chih's "Admonition of Court Ladies" (Nu-shih-chen t'u), a work executed in the fourth century Chin dynasty, is the earliest in date and exists in the form of a small handscroll. In the sixth century Sui dynasty, there appeared Chan Tzu-chien's "Spring Outing" (Yu-ch'un t'u), which is a large horizontal hanging scroll. During the seventh to ninth centuries T'ang dynasty, screens (both p'ing, unmovable; and chang, movable) were widely used. Viewing these in terms of practicality, no matter whether the format is a horizontal handscroll, or a vertical hanging scroll, or even a folding screen, they are all paintings with a portable form. Due to this portability and their much smaller size in comparison with wall painting, there has appeared ever since the fourth century a large number of art collectors in China. After the T'ang and the Sung dynasties, collecting ancient paintings became very popular; and when their collections grew to be quite sizable, art collectors began to feel a need to compile catalogues. According to documentary materials that are now known to us, the earliest painting catalogue is Pei Hsiao-yuan's "History of Imperial and Private Painting Collections in the Chen Kuan Era" (Chên-kuan kung-ssu hua-shih). This title, apparently dating from early T'ang, indicates that there was no clear-cut distinction between imperial and private collections, both being considered together for cataloguing purposes. However, by the Sung dynasty, we find this is no longer the case. * Mr. Chuang Shen (S. C. Chuang) is BA (Taiwan) and MA (Princeton) and Lecturer in the Chinese Department of the University of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES 87 same tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections. On the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan. However, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle. This type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 90 CHUANG SHEN following either the joint principle or the separate principle throughout the Ch'ing dynasty. It may also be worthwhile for us to look into the editing methods employed in the art catalogues of the five Kwangtung collectors. Starting from the middle of the Ming dynasty (the 16th century is taken here as the demarcating point), the editing methods used in Chinese art catalogues can also be classified into two types. Most of the catalogues completed during the Sung and the Yuan periods, as well as in early Ming, possessed the following three characteristics: (1) brief description of subject matter seen on the painting proper. (2) in regard to the colophons written on or outside the painting proper, most of the time only the names of colophon writers were recorded, (3) as to the seals stamped on or outside the painting proper, most of the time only the names of the seal owners were recorded. In other words, before the Wan Li era of mid Ming, art catalogue compilers only gave limited attention to the content of colophons and to the text and shape of the seals. After the Wan Li era, however, in regard to the inscriptions and colophons, a number of innovations in the compilation of Chinese art catalogues began to appear. First of all, in his Tieh-wang san-hu, Chu Ts'un-li not only recorded the artists' own short inscriptions, but also recorded in detail the longer colophons written by the collectors' or the artists' friends on or outside the painting proper. As a result, in reading the catalogue, the reader would have a clear picture of the background of each painting, its history of transmission, as well as other people's opinion of it. In comparison with the editing methods employed in art catalogues of the previous few centuries, Chu Ts'un-li's editing method was undoubtedly a major change. Therefore, although after the publication of the Tieh-wang san-hu, certain compilers ignored Chu's editing method and still adhered to the traditional ways, there were actually a great number of others who accepted the new way readily. The San-hu-wang hua-lu, completed in the 16th year of the Ch'ung Chên era by Wang K'o-yü, was one of the more important art catalogues that first followed this new ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 102 CHUANG SHEN 2. Wang Yuan-ch'i £ß 3. Wang Yuan-ch'i 4. Wang Yuan-ch'i 5. Wang Chien £ 6. Wang Chien 7. Wang Hui 8. Fang Shih-shu 9. Hua Yen 華嵒 hanging scroll of the Fu-ch'un Mountain 富春山軸 hanging scroll of landscape executed in the style of Huang Kung-wang 黄公望 and Ni Tsan 倪瓒 handscroll of landscape in the style of former masters. Yün-ho sung-yin-t'u *** H , hanging scroll Ts'êng-luan-sung-ts'ui-t'u 翠圖 hanging scroll Hsia-k'ou tai-tu t'u #* album of landscape, figure and flower hanging screens of flower and bird 10. Wang Shih-min E 11. Liang Pei-lan 12. Ch'ien Tsai hanging scroll executed in the style of Huang Kung-wang hanging scroll of poems written in the running script hanging scroll of orchid and bamboo executed in ink monochrome Among the three different kinds of edition available today, no matter whether it is hand-written, or wood block printed, or type printed, all the texts in chuan 5 of this T'ing-fan-lou shu-hua-chi have left out ten items of painting and calligraphy; i.e., from the landscape album executed by the Sung and Yüan artists up to Ch'ing-chieh-t'u executed by Ch'ien Hsi-pai of the Sung dynasty. And similarly, all the texts in chuan 2 of the supplement of the same catalogue have omitted record of the 12 items of painting and calligraphy; i.e., from Wang Hui's hanging scroll executed in the style of Wang Meng up to Ch'ien Tsai's hanging scroll of orchid and bamboo executed in ink monochrome. For the same item of painting, the table of contents in this book lists its painter, its title as well as the format, and yet all these details have not been entered into the text. Such inconsistency cannot but be regarded as a shortcoming in compilation, the more so since this shortcoming arises not because of the difference in edition, but entirely due to the carelessness of the compiler. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES 109 9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus, This painting agrees with the one recorded in Wu's Ta-kuan-lu 4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household..... In saying that "this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting. 10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b. 11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a. 12 Ibid chuan 5, p. 54b. 13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962. 14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a. 15 Refer to footnote 10. 16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang. 17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number). 18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b. 19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important: (1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734). (2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan 史棠傳 in 70 chuan and appendix in 2 chuan. (3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826). (4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r BOOK REVIEWS YING-YAI SHENG-LAN "THE OVERALL SURVEY OF THE OCEAN'S SHORES' [1433] Translated from the Chinese text; with introduction, notes and appendices by J. V. G. Mills. The Hakluyt Society, Extra Series, No. 42, pp. xix, 391. Cambridge University Press, 1970. £11.50 U.K. When the Emperor Yung-lo died in 1424, the Ming dynasty had reached the height of its power. Chinese fleets commanded the eastern seas, and foreign potentates as far west as Egypt acknowledged the suzerainty of the Emperor. Between 1405 and 1433 a remarkable eunuch, Cheng Ho, as outstanding a seaman adventurer as any produced by Elizabethan England, commanded seven overseas expeditions, and visited over thirty countries. Chinese naval, and consequently trading, hegemony extended from Japan to the east coast of Africa. The expeditions usually extended over two years. Setting out from the neighbourhood of Nanking in the autumn, powerful fleets, including sixty or more 'treasure-ships', and twenty-eight to thirty thousand men, moved down the Yangtze to the mouth of Liu creek (near Shanghai), where organisation was completed; thence to an anchorage near the mouth of the Min river in Fukien province where the ships waited for the favourable north-east monsoon. Java, Palembang, Malacca, Ceylon, Calicut, and Hormuz in the Persian Gulf, were regularly visited. On some occasions, detachments from the main force called at Arabian and at East African ports, sailing southward as far as Malindi. On the fourth expedition (1413-15), Cheng Ho was accompanied by a young Chinese interpreter Ma Huan who, on the basis of observations in the course of succeeding voyages with the 'grand eunuch', contributed perhaps the most important record of life and manners in south Asia by any traveller before the arrival of the Portuguese. Ying-yai Sheng-lan, introduced in two parts, the first describing the expeditions under Cheng Ho, and the second discussing Ma Huan and his book, may have been first published in 1451. Its author died about ten years later, scarcely better known than his book which never acquired a wide circulation. Ma Huan claimed ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 NOTES ON THE SOURCES OF DE MAILLA 93 of Chin Lü-hsiang ✯✯✯(1232-1303), and a supplementary section prepared by Shang Lu j (1415-86) and others under imperial order of 1476, was available to de Mailla in the edition of 1708.1 But it carries Chinese history only to the end of the Yuan dynasty, whereas the Histoire générale in its final form includes the Ming and Ch'ing periods to 1780, the 45th year of the Ch'ien-lung reign, Since de Mailla's manuscript was sent to France in 1737,2 where it remained unpublished for forty years, it is evident not only that the author relied on sources other than the T'ung-chien kang-mu to continue his record beyond the Yuan period, but also that the final chapters are not his at all. There is no secret involved in these facts, credit generally being given where due by the published Histoire générale. But the usual tendency to consider the matter as closed when one has attributed the work to de Mailla and indicated the T'ung-chien kang-mu as his source is misleading. Volumes I-IX represent an abridged translation of the Kang-mu; for Vol. X, which treats of the Ming period, four other Chinese sources were employed. They are indicated in the editor's footnote to Vol. X, pp. 1-3, as follows: + Les trois auteurs que le Père de Mailla a suivis sur ce qui concerne les MING, sont le docteur Kou-yng-tai, examinateur des lettrés du Tché-kiang, dont l'ouvrage, intitulé Ming-ssé-ki-sse-pen-mo ou Faits historiques de la dynastie des MING a été publié par Fou-y-tché, premier ministre de Chun-chi, empereur des TSING: ce ministre en faisant tant de cas, que non content d'en être l'éditeur, il y a ajouté une preface de sa façon. Le second auteur, d'après lequel le Père de Mailla a rédigé l'histoire des MING, est Tchu-tsing yen docteur du premier ordre & gouverneur de Nan-yang-fou du Ho-nan. Son ouvrage, fait sur le modèle du Tong-kien-kang-mu, a pour titre, Tong-kien-ming-ki-tsuen-tsai, c'est-à-dire, Suite complette de la dynastie des MING-Tchang-yn, president du tribunal des Rits & ministre d'état, le publia la trente-cinquième année du règne de Kang-hi. Enfin le troisième écrivain, que le Père de Mailla a consulté sur les MING est le fameux lettré Tchong-pé-king, qui vivoit sous cette dynastie, au temps qu'elle perdit le sceptre impérial. Son Ouvrage, intitulé Ming-ki-pien-nien; c'est-à-dire, Annales de la dynastie des MING, fut rendu public la quarante-septième année de Kang-hi, plus de cinquante ans après la mort de l'auteur. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 THE HONG KONG REGION 111 October 1860, and again by the lease of the New Territories by the Convention of Peking in June 18981. The population of the region was probably around 100,000 in 1898, including boat people. These persons inhabited — in round figures — a thousand villages and a number of market centres. Seven hundred of these settlements were located within the present New Territories of Hong Kong, with many others around Sham Chun and in Hong Kong island and Kowloon. The Punti or Cantonese-speaking element accounted for rather more than half the land population, with Hakka speakers comprising most of the remainder. The boat population, mainly Tanka, lived afloat in the main.2 Descriptions of the geography and climate of the present British Crown Colony are generally applicable to the Hong Kong region. They have long been given in the Hong Kong annual reports. The most recent is supplied in the opening sections of chapter 18 of the report for 1974.3 1. The Hong Kong Region in the wider scene: some historical and geographical considerations In Ch'ing times Hsin-an was one of the 14 hsien of the Kuang-chou prefecture. The designation fu or 'prefecture' was adopted only at the start of the Ming dynasty but the area of Canton and the Delta had long been administered under various designations that changed through the centuries and with dynastic change. The oldest of its hsien, Nan-hai, was established in the Sui dynasty in the year 590-591; the next, P'an-yu in 703-704 during the Tang; with the rest becoming separate districts at various times until the first year of Wan Li of the Ming (1573-1574) when, finally, Hsin-an was created from one of the former commanderies of Tung-kuan district (a hsien of 973-974) established in the 27th year of the first Ming ruler (1394-1395). 1 The relevant documents are given in Alabaster, III, pp. 2-4 and 6-8. 2 See Baker 1968: 3-4. Also the Colony Census for 1911 in SP1911: 103(27-36) and (37-38), though it does not list all the villages of the Southern District of the New Territories or of New Kowloon. 3 CR1974, pp. 176-178. 4 See e.g. TCITC 41/1 and KCFC 6/10. 5 KCFC 6/1-10 and YCKC 4/1-9. 6 KTTC 2/93 and KTKKCY 1/1. The administrative areas to which the Hsin-an district belonged from the Ch'in dynasty (221-207 B.C.) onwards are shown in KCFC 6/24 and in HNHC 1/1. The date of the establishment of the commandery is given as Hung Wu 27 in HNHC 1/3, KTKKCY 1/1, TCITC 41/3 and KTTC 2/93, but as Hung Wu 14 in KCFC 6/24. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 118 JAMES HAYES to play havoc in it. The Japanese wo-jen had been particularly active. In 1571 the small walled town of Tai Pang on Mirs Bay in the northeast of the district had sustained a siege of over forty days by Japanese pirates equipped with scaling ladders.1 The district gazetteer gives an account of the troubled times at the end of the Ming period, which brought much misery and suffering to the people of the district, since famine accompanied the disturbances.2 These disorders lasted for a considerable time. It is reported that Tai Pang was held for nine years against all comers by a band of soldiers.3 The clan record of the Tsui family of Shek Pik contains a vivid account of the disasters of the time, as it affected their relatives and friends in their old home near Tung-kuan city which was the centre of an unsuccessful revolt against the new dynasty. These disturbances extended to the present New Territories. A former officer of the Ming, Li Man-wing, held this area on his own account between 1647 and his surrender to the new dynasty in 1656, and the walls and moats of the principal villages of the Tang clan in the New Territories are said to date from this time. The land presented a pitiable sight in these years: there was much burning and pillaging and many of the inhabitants fled. During this time, it was said, "The ground was covered with bones, in the day time nothing could be heard but the hum of flies, and at night the voice of weeping." The evacuation of the coast in the early years of the K'ang Hsi reign between 1662-1669 followed soon after these prolonged miseries and had a profound effect on the lives of the population and on the pattern of future settlement. Under instructions from Peking, the provincial authorities required the evacuation of the coastal areas of Kwangtung. The provinces of Shantung, Chekiang, Kiangsu and Fukien were also affected to varying degrees.7 This measure was in accordance with a five-point plan to deal with the pro-Ming ruler of Formosa, Cheng Ch'eng-kung, suggested by one of his former lieutenants 1 IHNHC 13/7. 2 HNHC 13/8-9. 3 HNHC 13/9-10. 4 JHKBRAS, 7 (1967), p. 154. 5 Sung Hok-p'ang in HKN, VIII, No. 2:107-108. 6 ibid, presumably a quotation from the Tang clan's genealogical record. The YCKC has a lengthy entry on the disorders of this troubled time, chuan 4/46-60. 7 Hsieh Kuo Ching, pp. 585-593. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 THE HONG KONG REGION 119 who had gone over to the Manchus.1 Its adoption was due to a conviction that Cheng's campaigning against the new dynasty could not be continued if aid and supplies were denied him in this way. As the plan has it, "the end of the enemy comes without war".2 Enforcement of this drastic measure was extended to the Hsin-an and adjacent districts of Kwangtung in 1661. Two inspections determined the areas to be cleared. At the time of the first inspection up to a distance of 50 li from the coast, it was calculated that two-thirds of the territory of the hsien would be affected. A year later the boundary was extended further inland, and what remained of the district was to be absorbed into the adjoining Tung-kuan county. By the 5th year of K'ang Hsi, Hsin-an had ceased to be a separate administrative district. When the new boundaries were fixed, the inhabitants living outside them were given notice to move inland. These orders were enforced by troops. The result was that whole communities were uprooted from their native place, deprived of their means of livelihood and compelled to settle where they could. The rural people risked their lives if they ignored the government edict to move, or ventured back into the prohibited area. It is recorded that about 16,000 persons from Hsin-an were driven inland. Only 1,648 of those who left are said to have returned when the evacuation was rescinded in 1669.4 The survivors' hardships did not end when they returned to take up their interrupted lives in their old homes, for it is recorded that destructive typhoons in 1669 and 1671 destroyed the new houses in many places.5 This chapter of unprecedented hardship and suffering has had a great impact on the minds of local people and their descendants. It is recalled in the genealogies and traditions of some of the long-settled clans of the district: it is commemorated in the construction and continued repair of temples to the two officials, a Governor of Kwangtung and a Viceroy of the Liang-kuang, who strove to have 1 Hsieh, pp. 565-566. 2 Hsieh, pp. 566 and 580-581. 3 For the local areas to be cleared see Lo, 1963, pp. 94-95. See also Sung 1939, which details some local events on land and sea. 4 Barnett, 1957, p. 262. A supplementary check in 1667 gave 3,667 persons still living within the district; ibid, p. 263. We cannot be sure whether the figures relate to persons or only to males over 16; or whether they are accurate. 5 HNHC 13/3. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 The Manchu dynasty was at its strongest and most prosperous from the middle years of the K'ang Hsi reign on until late in the Ch'ien Lung period. This enabled the country to recover and consolidate after the disasters of the late Ming and the troubled period of transition to the Ch'ing; but it is necessary to remember that throughout these years Hsin-an remained a border region receiving new settlers. In the present New Territories this period saw many newcomers settle in old villages or found new ones. Besides the rehabilitation of old fields, there was apparently much new land to be opened for the taking. When the first ancestor of the So clan of So Uk, Kowloon, arrived in 1739 he called his new home Mau Tin Tsuen or Village of the Rough Grass Fields; and his descendants long used this name before 'So Uk' came into common usage.1 Life for all these persons was hard, and although the empire was in good hands, it seems likely that inhabitants of these coastal areas of the southeast were often subject to attack from marauders. The Ho family of San Tsuen, Pui O, Lantau say that a founding ancestor was killed by pirates; by calculation from the clan record,2 about the year 1710. This obliged villagers to site their settlements with care. In this period of resettlement and consolidation several of the Lantau villages, though getting a living from the sea, were by design located at some distance from it. It is only in more recent times, say the present elders, that they moved to lower sites nearer the shore.3 From time to time, pirates became a particular menace, and it was not possible for the authorities to ignore their activities. A period of especial distress began for the people of Hsin-an, Tung-kuan and other coastal counties in the later years of the Ch'ien Lung reign. The genealogy of the Cheung clan of Pui O records: In the 53rd and 54th year of Ch’ien Lung, a Tung Kuan man, Tam Ah-che became a sea robber. He robbed and killed, burned houses, in great measure, took away the men as slaves and women also. The local officials and soldiers would not dare to face these robbers.4 The Cheungs and other villagers later took steps in their own defence. The village council held a meeting and decided to turn 1 Hayes, 1970, p. 158. 2 Ho-shi Ts'u-pu; in manuscript. 3 Removals on feng-shui grounds are excluded from this statement. 4 Chang-shi Ts'u-pu; in manuscript. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 138 K. M. A. BARNETT ever attempted to solve... who lived in what is now the Colony and Leased Territory of Hong Kong 600 years ago and what language did they speak?' I had then just written an article for Mr. J. M. Braga's Hong Kong Symposium in which I summarized evidence from various historical sources. A little new evidence has come to light since that article was written in 1956, and it will not be amiss to mention the chief facts. Three of the existing Punti160 clans, and one Hakka137, claim continuous residence since the eleventh century A.D. The Punti clans appear to have been connected with the military posts set up in the Southern Han135 dynasty (A.D. 917-971) and wherever Punti160 and Hakka11 are found in the same area the Hakkas always have the inferior foot-hill land--the typical pattern of a partial conquest by later arrivals, pushing the earlier inhabitants up into the hills. At this time Lantao141 and other islands, Hong Kong harbour itself and the peninsulas that jut into Mirs Bay153 were controlled by boat-people. It can be shown that both of the present kinds of boat-people (Tanka175 and Hoklo138) were represented. They were still unassimilated, and independent enough to require strong garrisons to keep them quiet, at the beginning of the Yüan182 dynasty. The suppression of the pearl fishing A.D. 1319-(the late Mr. Sung Hok Pang169 said 1324) was intended to conciliate them. The assimilation of the hill-tribes was not begun till the Yuan dynasty at the earliest. The petition of Chang Wei-yen134 of Taipo170 in 1318 mentions two tribes, named Yao179 and Shan-lao-165. The 1819 edition of the Hsin-an-chih139 mentions only Yao. All the present hill cultivators claim Chinese descent and all speak Hakka137. Some, however, claim continuous occupation since the Ming152 dynasty, so that if they are really of Chinese descent they must have lived side by side with aboriginal tribes for two centuries. Again, some of those who claim to be Chinese claim also to have been there from time immemorial, and some still preserve the cult of the creator-god P'an-ku159, which is said to indicate a Yao origin. The truth is probably that in some places the aborigines were killed off or driven away, in a few others they adopted the Chinese language and 'passed' as Chinese, while in others there was intermarriage and the offspring were accepted as Chinese. In circumstances such as these it is usual for something of the original languages to survive: in the everyday terms used in fishing ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 NOTES AND QUERIES 231 final shape of the object. e.g. the legs of the horse are pasted with clay to the body. This is then burnt in a furnace, fired with diesel oil. The time and temperature differs for different pieces of ceramic. The piece is then glazed with various colours, dried and burnt again. After the second burning the piece is ready for the market. Although it is hard to give an exact burning time for the object, this process is usually divided into 2 sections, slow and fast burning. The slow burning method is used on thick pieces of ceramic and has a burning time of about 27 hours. For a thin piece, a burning time of about 14 hours is employed; this is known as fast burning. Many factors are involved and the above figures are only a rough guide. The main factors involved are the humidity of the air, the water content of the clay and the thickness of the piece of ceramic. Making ceramic requires patience as the job should never be rushed. Time must be spent on every individual piece and the combination of burning time and temperature must be close enough to perfection, otherwise the work will crack and a low quality piece is produced. A scientific approach is required to understand the property of the clay and its variation, and an artistic inclination to give it that “special” finish to the ceramic. Mr Lam has a total of 160 different moulds, and new pieces are added as new assignments come in. He copies the basic shape from books, magazines, and museum pieces. He specialises in Tang burial figures—Tun Huang Temple guardians, mythical animals, Kuan-Yin figures, Tang horses, vases, roof tiles and other roof decorations. In the Tang dynasty figures, only 5 colours are used: green, brown, yellow, orange and greenish-yellow (egg and spinach). Collectively these are known as the 5 colours of Tang Ceramics, and are produced from metal oxide e.g. green from copper oxide, yellow from iron oxide. The number of craftsmen working in the factory depends on the size of the orders. They were mostly trained by Mr Lam in the past, although quite a few of his "past pupils” have branched out to start their own business. He doesn't like to train young people because of that reason and feels, too, that it is hard to find young people who are really interested in this art. The number of assignments has decreased recently from both Hong Kong and overseas market, due to the increase in cost of production resulting from the increasing cost of raw materials and the setback in the world economy. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 238 BOOK REVIEWS European languages. For instance, in 1964 Horst Erdmann Verley has published Chinesischer liebesgartern which serves as the first German translation of 7 stories selected from the well-known collection of 16th century Chinese novels: P'o-an ching-ch'i. In 1968 this was followed by the same author's second German translation of 17 stories selected from Ching-shih t’ung-yen, (a different collection of novels again written during the 16th century) under the title Neuer Chinesischer liebesgarten. Turning to drama, in 1965 full English translations of two dramas of the Yuan Dynasty were edited by Cyril Birch into his Anthology of Chinese Literature (Grove Press, New York). The first of the two appears as J. I. Crump's translation of "Li K'uei Carries Thorns" (a drama of K'eng Chin-chih fl. 1279). The second happens to be Donald Keene's translation of “Autumn in the Palace of Han” (a work of a more famous Yüan dramatist, Ma Chih-yüan fl. 1251). In 1965 again, Ch'u Chai and Winberg Chai published "A Treasury of Chinese Literature" (Appleton Century, New York). A considerable number of English translations for both Chinese novels and dramas were edited into this anthology. In chapters 5th, 6th and 7th of part II, there are 5 novels of the T'ang, 2 of the Sung and 3 of the Ch'ing periods1. Furthermore, in chapters 10th and 11th of part III, the authors presented their translation of two dramas selected from the Yüan period and another two from dramas written during the Ming and the Ch'ing periods. Among them the Yuan drama "Snow in Midsummer" (written by the important dramatist Kuan Han-ch'ing) seems to be more notable, since this drama has not only been translated from Chinese into English by Yang Hsien-i and his collaborator Gladys Yang in their Selected plays of Kuan Han-ch'ing (1958, Peking), but also has been put out by Shih Chung-wen with a third English version: Injustice to Tou O (1972, Cambridge University Press, Oxford). Clearly, to put texts of Chinese novel or drama from Chinese into English or other European Language has been a fashionable task favoured by sinologists lately. 1 These 5 short stories of the T'ang period are of the so-called Chuan-ch'i and the 2 of the Sung period are usually called as Ping-hua while the last 3 of the Ch'ing period are selected from Liao-tsai, A Collection of Strange Tales, all written by P'u Sung-ling (1630-1715) of the early Ch'ing. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d MERCHANT ORGANISATIONS IN IMPERIAL CHINA 29 sponsored Western-modelled chambers of commerce (shang-wu hui), merchant leaders accepted them readily, and by 1911 established some eight hundred major and minor chambers throughout China. Clearly a number of changes had taken place to span the chasm which once divided the traditional guilds from the quite modern chambers. Broadly speaking, three types of guilds existed in traditional China: those organised by craft, by common geographical origin and by trade. I shall here deal in detail with the last two, since the first, such as the carpenters' guilds, was not affected by the kinds of institutional changes which we shall discuss. Indeed, since the chambers of commerce did not take them in, the craft guilds were left relatively unchanged until the 1920's. In earlier times, however, the craft and the trade guilds were similar in many ways. Both began during the Sui Dynasty (A.D. 581-618), and they had comparable rules and rituals. The lack of substantial change in the craft guilds during the nineteenth and early twentieth centuries is a reflection of the similar lack of change in status and function of the Chinese artisan. Landsmannschaften (Hui-kuan) The second type—commercial associations based on common geographical origin—had a more recent origin than either craft or trade guilds. To trace their beginnings, we must go back to the early part of the fifteenth century when similar associations were formed by officials in Peking in order to cater to the needs of travelling gentry, official members and scholars who had gone there from their home area on official business or for taking state examinations. Known in Chinese as hui-kuan or "provincial clubs," they resembled the Landsmannschaften of medieval Europe. As they proved their usefulness, they spread to provincial capitals and other major cities. Gradually, merchant sojourners in these cities were accepted as associate members. In Peking, the original Landsmannschaften remained strictly official and gentry dominated. Although contributions were accepted from merchants, the latter shared little of the benefits as late as the 1800's. For example, the big tea merchant members of the Hsi-hsien Landsmannschaft in Peking made regular and sizeable contributions toward its upkeep from at least 1741 when the Landsmann ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 122 RICHARD J. SMITH During the Yuan (Mongol) dynasty, a great many Indians, Sogdians, Uighurs, Persians and even Europeans occupied key positions within the Chinese civil and military bureaucracy. Marco Polo is perhaps the most famous of these individuals, but he is by no means the most important.46 Foreigners enjoyed a distinct advantage in obtaining official posts during the Yuan period owing to the Mongol policy of discrimination against Han Chinese. As a result, the percentage of non-Chinese in the Yuan bureaucracy was much higher than it would later be in the other great “barbarian” dynasty, the Ch'ing. According to the Institutes of the Yuan Dynasty (Yuan tien-chang), in the early fourteenth century foreigners held more than one quarter of all provincial posts and almost one half of those at court. It may be assumed that the majority of foreign employees within the Yuan bureaucracy were military men.47 The multi-national armed forces of the Mongols included not only troops and officers from the "Western Regions” (hsi-yu), but also guards regiments stationed at Peking comprised of Alans (i.e., Ossetes), Tanguts, Jurchen, Koreans, Qipchaq and even Russians. According to the Yuan History (Yuan-shih), the total number of Russians in the Peking guard in 1330 was about ten thousand men. These troops were given land north of Peking and settled there as military colonists. Among the various other foreign forces in the Mongol service was a Mohammedan (Hui-hui) artillery corps.48 By the time of the first Ming emperor, resentment over Yuan (i.e., barbarian) rule had produced a particularly strong anti-foreign reaction. Chu Yuan-chang, founder of the dynasty, was openly hostile toward barbarians and did his best to limit their influence.49 Yet even during Chu's reign (the Hung-wu period), foreigners served the Ming as military and naval commanders, imperial advisers, diplomatic officers and civil bureaucrats. Surprisingly, despite a strong bias against them, Mongols were employed extensively in China during the Ming—mostly in the army, but also in other areas of Chinese administration. Although Mongol soldiers were generally separated from Chinese soldiers, high military posts were not in fact closed to men of Mongol origin.50 Nor were Europeans excluded from positions of military responsibility. Indeed, the Jesuits, who gained influence at the Chinese capital in the seventeenth century by virtue of their scientific skills and, significantly, their willingness to conform to Chinese customs,51 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 134 RICHARD J. SMITH 15 Cited in Mary Ferenczy, "Chinese Historiographers' Views on Barbarian-Chinese Relations (14-16th C.), Acta Orientalia, 21.3 (1968), 356-357. 16 See Su Ch'ing-pin, 1-2, 596-597. As might be expected, the vocabulary of submission was highly refined, and often connected with the idea of return (kuei): Some common terms included: "[to come to] adhere to China' (nei-fu); “return and submit” (kuei-fu or kuei-chiang); “return to loyalty" (kuei-chung); “turn toward [Chinese] civilization” (hsiang-hua), etc. Related terms referring to specific values included "return to sincerity" (kuei-ch'eng), "return to right behavior" (kuei-i) and “return to virtue" (kuei-te). For the use of these various expressions in the context of employing foreigners in military affairs, consult Li Te-yü, chüan 2, 8, 10-11; chüan 5, 31, 34; chüan 7, 56-57; chüan 8, 59, 60-61; chüan 13, 101-103, 104, 108-109; chüan 14, 117; chüan 19, 159-160. See also Michael Loewe, "Chinese Relations with Central Asian, 260-90," in the Bulletin of the London School of Oriental and African Studies, 32 (1969), 100. 17 For a discussion of the circumstances under which a foreigner might gravitate to China, see Su Ch'ing-pin, 1-3 and especially 596-597; also Ch'u Tung-tsu, Han Social Structure (Seattle and London, 1972), 138-139; L. S. Yang, "Hostages in Chinese History," Harvard Journal of Asiatic Studies, 15 (1952), 512; Wang Yi-t'ung, "Slaves and Other Comparable Social Groups during the Northern Dynasties (386-618)," HJAS, 16 (1953), 295; Yu Ying-shih, Trade and Expansion in Han China (Berkeley and Los Angeles, 1967); Colin Mackerras, trans., The Uighur Empire (Columbia, S.C., 1972) and the numerous works by Henry Serruys in HJAS 17 (1954) and 22 (December, 1957), Oriens Extremus 6 (1959) and 8 (1961), Monumenta Serica 25 (1966), etc. 18 See the informative discussion of Chinese stereotypes regarding barbarians in Earl Swisher, China's Management of the American Barbarians (New Haven, 1951), 43-53. 19 Cited in Yang, "Historical Notes," 28. 20 Ibid., 28-29. 21 Ibid., 31. 22 Ch'ien and Goodrich, 8. "Before the Yuan, people of the Western Regions who served as officials in China were mostly military men; very few distinguished themselves in cultural affairs." 23 See Henry Serruys, "Mongols Ennobled during the Early Ming,” HJAS, 22 (December, 1957). For the use of the term "turning toward Chinese civilization” (hsiang-hua) with reference to the submission of Chinese rebels, see IWSM, TC 12:26. 24 See, for example, Serruys, "Were the Ming against the Mongols," 136ff.; also note 43. 25 Cited in Derk Bodde, China's First Unifier: A Study of the Ch'in Dynasty as Seen in the Life of Li Ssu, 280 (?)-208 B.C. (Leiden, 1938), 14-15. For background on Yu Yü, consult Edouard Chavannes (trans.), Les mémoires historiques de Se-ma Ts'ien (Paris, 1895-1905), II: 40-45; also Shih chi, 5: 15b-17b; 68: 7b-8; 83: 13a-b; 87: 3a-b; 110: 4b. 26 IWSM, TC 79; 11; Ch'ing-chi wai-chiao shih-liao [Historical materials on late Ch'ing foreign relations], (Peiping, 1932; hereafter WCSL) 129: 17. 27 See Yu cited in note 17. 28 See Michael Loewe, "The Campaigns of Han Wu-ti,” in Frank A. Kierman, Jr. and John K. Fairbank, eds., Chinese Ways in Warfare (Cambridge, Mass., 1974), 79 and 89; Chun-chu Chang, "Military Aspects of Han ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d NOTES AND QUERIES 303 CHIEF MARSHAL T’IEN, PATRON OF THE STAGE, OF MUSICIANS AND WRESTLERS-EAST AND SOUTH EAST CHINA Miss Werle in her fascinating article1 on Swatow horizontal stick puppets referred to Chief Marshal T'ien (###)* patron of Fukienese and Ch'aochow actors and musicians, and quoted from Werner's2 extract from Doré's translation of the Han dynasty classic Shan Hai Ching (1), which partly explains T'ien's deification. Marshal T'ien appears on altars as a tablet bearing his titles, or as a lone image on the small, portable altar found backstage of most Fukienese or Ch'aowchow travelling operas and theatres in Taiwan and South East Asia, or less frequently with attendants who only appear on temple altars. His image is easily recognised by one unique characteristic: one or two crabs painted on his face. He is also unusual, though not unique, in having a small dog under one of his feet or beside him. This animal, called the 'Dragon Dog' (#14) is normally black, though white and piebald have been seen. It is comically dressed in a theatrical jacket with trousers of red, yellow and green and is often represented kneeling and carrying a small, wrapped package said to be T'ien's official seal (Plate 19). T'ien himself generally is depicted as a teenager, seated, with protruding eyes and a tightly rolled scroll in his right hand. His left hand is raised waist height with one finger or two fingers together, pointing vertically in a theatrical manner (Plate 20). His robes are shiny, golden and heavily decorated, and occasionally he has two long pheasant tail feathers protruding from the top of the head trailing down behind him. The crab may be painted around his mouth, across his forehead or both. In the early part of this century a French priest on the Yangtze plain, Père Doré, described the three musician brothers T'ien as *It is difficult to translate To Yuan Shuai meaning fully: literally it means 'the marshal of the Capital'. 1JHKBRAS, 13, (1973), pp. 73-84. 2E. T. C. Werner: A Dictionary of Chinese Mythology, pp. 125, 322 & 574. 3Père Doré: Récherches sur les superstitions en Chine (Zikawei 1961) Vol. IX, p. 188, and Vol. XI, p. 1,004. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d NOTES AND QUERIES 307 committed suicide'.... "This spirit, honoured at Foochow under the name of Wu Tai Yuan Shuai is the same as Lei Hai-Ch'ing (*) of the T'ang dynasty worshipped in several cities in Fukien. The character Hsieh (), crab, has approximately the same sound locally as Hai () the sea, and the willow branches symbolize Verdure, Ch'ing (†). Lei Hai-Ch'ing was a musician and is popularly referred to in the district as Marshal. He died cursing robbers, and for that reason temples were erected to him. Thus the young scholar become apotheosized owing to this play on words having the same or similar sounds. He is represented as attended by two male and two female instrumentalists holding respectively a mandolin, a lute, a violin and a tambourine. To evoke the spirit, his image is placed on a raised platform, its forehead is dabbed with red, it is prayed to and candles and incense burnt before it. The priests kneel in front of it, and then rise, skipping about with dishevelled hair and staring eyes. Crying out that the Spirit has come they scratch their tongues and write charms with the blood. When incense has been lit in the four corners of the room everyone can ask the spirit for what he wants, and the answer is explained by the accompanying musicians. He is frequently prayed to remove abscesses, boils etc. from children'. I can confirm the latter from medium practices in Singapore, and looking back to the sighting in Ipoh referred to earlier he is also a deity worshipped for a cure for mental diseases in children. The following legends were told to me by devotees :— a) Tien is the deification of a rich patron of actors in Foochow city (or Soochow) who lived in the fifteenth century. b) As a handsome child, the youngest son of three, he constantly played pranks on others. An ugly sister-in-law in a fit of pique drew a crab around his open mouth whilst he was asleep, and as a result his soul which had left his body to roam was unable to return. He complained to the Jade Emperor (1) who out of pity adopted him and allowed his soul to inhabit his body again. His mouth was open, incidentally, because he was an unwanted child, thrown out as a babe and suckled by animals! c) Prince T'ien of Foochow lived for pleasure. He was once sleeping with the wife of a local businessman and awoke to Page 315 Page 316 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS "A THOUSAND PEAKS AND MYRIAD RAVINES, by CHU-TSING LI, Zurich Artibus Asiae, 1974 (Vol. 1, pp. xi + 319, Vol. 11, 104 plates, signatures and seals, maps) In studying the history of Chinese art, particularly that of painting, Professor Chu-tsing Li of the University of Kansas is an active scholar. Formerly his main field of study was the Yuan Dynasty (1280-1368); and for this period his thorough studies on Chao Meng-fu (1254-1322), Tsao Chih-po (1272-1355) and Hsueh Ch'uang (active ca. mid-14th century), as well as a general, but extensive, study about a group of artists active in the late Yüan period in Soo-chou area, are all highly regarded. However, in studying the history of Chinese painting, he seems now no longer to confine himself to individuals of the Yuan Dynasty but has begun to focus on other aspects of the later periods of Chinese art history, c.f. his latest monographs on Ting Yun-peng and Chin Nung (1687-1765). Following this, his latest publication; A Thousand Peaks and Myriad Ravines, a voluminous work in two volumes, deals, with the exception of one painting by a late Yüan artist, many different types of Chinese paintings of either Ming or the Ch'ing Dynasties. It was published in 1974. 5 Beginning from the late 19th century, when private collecting of Chinese art reached its climax, in the East as well as the West, a detailed illustrated catalogue, more commonly edited by a specialist in the field rather than by the collector himself, was published. A few examples for ancient Chinese bronzes are those essential works contributed by Professors Kosaku Hamada,1 Yoshito Harada,2 and Sueji Umehara3 in Japan, and those works by Professors Bernhard Karlgren,4 Gustav Ecke, and Chen Meng-chia in America or other countries; all well-edited bronze catalogues on private collections. For archaic Chinese jade, the catalogue produced by Professor Alfred Salmony is also well known. In addition to those cited which always deal with a specific subject of Chinese art, there are also some catalogues characterized by dealing with more than two branches of Chinese art in the one publication, or separately devoted to Chinese art and art objects in another Asiatic country. For the former, the over-sized catalogues about the famous collection ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 328 BOOK REVIEWS of George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good example is the first volume of the catalogue about the Charles Seligman Collection, on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford. Professor Li's latest publication, although independently associated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art, since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland. Volume I consists of 15 chapters. I propose to give a brief summary for each chapter before presenting other remarks about this book in this review. Chapter I: Chapter II: Chapter III: Chapter IV: Chapter V: "Introduction", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. "Figure painting: Persistences and Transformation of the past", Here the central discussion is focused on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487-after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. "Landscape painting of Ming and Ch'ing: A point of view", serves as a general introduction to this branch of Chinese painting over some 500 years. "The Wu School: Re-establishment of the Yuan Tradition", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed. "The Wu School in the Seventeenth century: A Host of Little Masters", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS 329 Chapter VI: Chapter VII: (1577-after 1668), Sheng Mao-yueh (act. 1620-40), Hsiang Sheng-mo (1597-1658), Yün Hsiang (1586-1655) and Shen Hao (act. 1630-50). "The Sung-chiang School: Triumph of a New Theory", under this headline five artists of the Ming Dynasty, Mo Shih-hung (ca. 1540-1587), Tung Ch'i-chang (1555-1636), Ku Shau-yu (act. early 17th century), Li Liu-fang (1575-1629), and Pien Wen-yü (act. 1620-1670) are discussed. "Various Directions of Late Ming: A Mixture of Old and New", this chapter covers Mi Wan-chung (1595-1628), Chang Jui-t'u (1576-1641), and Lan Yü (1585-1664). Chapter VIII: "The Orthodox Masters of Early Ch'ing: The Great Synthesis”, discussions are concentrated on Wu Li (1632-1718), Wang Hui (1632-1717) and Wang Yuan-ch'i (1642-1715). Chapter IX: Chapter X: Chapter XI: Chapter XII: "The Lou-tung School: Homage to Wang Yuan-ch'i", in this chapter the Lou-tung school artists are represented by Huang Ting (1660-1730), Chang Tsung-ts'ang (1686-still alive in 1755) and Wang Ch'en (1720-1797). "The Yu-shan School: Homage to Wang Hui”, in this chapter, Chiao Ping-chen (act. 1680-1720), Wang Chiu (act. later 18th century) and Prince Yung-jung (1744-1790) are taken as being representatives of this School, "The Anhwei School: Transformation of the Ni Tsan Tradition", four early Ch'ing artists: Hsiao Yün-ts'ung (1596-1673), Yao Sung (1648-after 1717), Hung-jen (1610-1663), and Mei Ch'ing (1623-1697) are discussed in this chapter. "Monks and Hermits: A silent Revolution”, another four early Ch'ing artists; K’un-ts'an (b. 1612-ca. 1673), Kung Hsien (b. 1617-1618, d. 1689), Chu Ta (1626-ca. 1705), and Tao-chi (b. 1641-d. before 1720), are discussed under this heading. Chapter XIII: "The Yang-chou School: Haven of the creative mind”, two Yang-chou school artists; Chin Nung (1687-1765) and Huang Shen (1687-1768) are discussed in detail. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 330 BOOK REVIEWS Chapter XIV: "The Nineteenth century: Looking Backward and Forward", is mainly a discussion of the landscape paintings of the 19th century, represented by Ch'ien Tu (1763-1844) and Tai Hsi (1801-1860). Chapter XV: "Bird-and-flower painting: The end of a tradition”, five artists of the Ming Dynasty; Lu Chih, Hsiang Yuan-pien (1525-1590), Chou Chieh-mien (act. 1580-1610), Chang Hung, and Sun K’o-hung (1532-1610), and two artists from the Ch'ing Dynasty; Hua Yen (1682-after 1755) and the Empress Dowager Tz'u-hsi (1835-1908) form key figures for discussion. The merits of this book are shown, first of all, by a detailed chronology of the artists of the Ming and Ch'ing Dynasties. This point can be clearly seen if the chronologies of the same group of artists as they appear in other writings on history of Chinese painting are compared with those in Prof. Li's new publication. In order to make this point clear, a concordance table about the chronology of many artists is provided below.* The second merit of this book seems to be a new use of old editorial principles practised in Chinese historical writings. As stated, Volume I consists of 15 chapters. In every chapter, a detailed study of each picture is always preceded by an introductory essay. The origin for presenting such an essay in a descriptive catalogue, when old writings on Chinese painting are studied, can be traced back at least to the early 12th century work, Hsuan-ho hua-p'u *1#," a descriptive catalogue about paintings, in Emperor Sung Hui-tsung's imperial collection, the Ming Hua Lu ***;14 and also to "Records of History of painting in the Ming Dynasty", edited by Hsü Hsin in late 17th century, both edited according to this principle. In the former, the subject-matter of Chinese painting is classified by the anonymous editor into 10 categories; and in the latter, into 15 subdivisions. Using modern concepts to review Hsuan-ho hua-p'u and Ming hua-lu, each category in these two historical documents should evidently be read as an independent chapter. More significantly, introductory essays, no matter whether long or short, are always addressed to each chapter-like category. p. 330. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 334 BOOK REVIEWS a literary figure of the Chin Dynasty. In his biography it has been recorded that whenever he travelled alone he always tied 100 coins on top of his stick, and wherever he found a wine shop he always drank with pleasure, as much as possible. He did not care what his wife prepared for her meals.19 Juan Hsiu is stated by the same source of information as a step-son20 of Juan Chi ✯ (210-263), one of the eccentric masters of a literary circle collectively known as "the Seven Talents of the Bamboo Groves".21 Juan Hsiu's alcoholical love, therefore, might have been a reflection of the deep spiritual influence of Juan Chi. Because of this reference, it is clear that to tie 100 coins onto a stick, could certainly be interpreted as to have some private money, which can be taken one step further to mean wine money. Thus, the literary meaning of K'un-ts'an's last line, as far as the surface implication is concerned, should read as "there is no need to take wine money to own mountains". According to such an understanding, if this line is to be rendered into English, but still taking Prof. Li's same basis for using no explanation of the term "Chang-tou", then it suggests as "I would rather take money to buy wine but not to consider a piece of land.” A second but more weighty problem is, once again, one of identification. In the Drenowaltz collection there is a 12-leaved album of landscape painting by Chin Nung. This album is dated 1736, the first year of the Ch'ien-lung era, by the artist's own inscription. According to Prof. Li's study of Chin Nung's life, the artist was in Peking in that year, and had attempted to pass the Po-hsueh-hung-tz'u22 degree examination but failed. In this album each leaf contains a landscape painting completed in an extra elaborate manner. This is quite noticeable since the normal subject-matter of this artist, as Prof. Li has rightly pointed out, happens to be either Buddhist figures, horses, bamboo, or plum blossoms, all in ink. Moreover, such stylistic continuity achieved by the careful but conscious use of the brush in these landscapes seems to be extraordinarily unusual for Chin Nung. In addition, in each of these 12 leaves, the un-used space in each composition is always completely filled up by a good number of small but regular characters written in Chin Nung's peculiar Ch'i-shu script. The contents of these inscriptions on each leaf of this album have been identified by Prof. Li. However, this brings up a second type of problem of identification. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 340 BOOK REVIEWS Chinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961. 2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada. 3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe. 4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, "Bronzes in the Hellström Collection", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, "A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection" was published in Minneapolis in 1951. The third, "Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30. 5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking). 6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley. 7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago). 8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London). 9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London). 10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo). 11 Osvald Siren: Chinese painting, Vol. VII, (1958, London). 12 Victoria Contag: Chinese Masters of the 17th Century (1969, London). 13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), "A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting", (1931, Peking). 14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing. 15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS 341 16 This mountain is clearly marked in the map (pl. CXIV of Vol. II) of the book review. In addition, according to Chun kuo ku-chin ti-ming ta tzu-tien "Dictionary of Ancient and Present Place Names in China", edited by Tsang Li-ho and others (1933, 2nd edition, Shanghai), p. 135, Mt. Tien-chu is at the northwest of Chien-shan in the present western An-hui Province. 17 In Tung Shih-heng's Li-tai chiang-yu hsing-shih i-lan-t'u (1914, Shanghai), Map 3 (Chan-kuo ch'i-hsung-t'u A Map of the Seven Strong States during the Warring States period); again in Watari Yanai's Toyo Tokushi Chizu (1934, 3rd edition, Tokyo), Map 3; also in Albert Herrmann's A Historical Atlas of China (1966, 2nd edition, Chicago), Map 8 (The Contending States), the Huai River area is always marked as part of the territory of the State of Ch'u. 18 This is to be seen in Fujiwara Sosui's Chokuoku shoho rokutai dai-jiten, Dictionary about Six Different scripts of Chinese calligraphy, (1960, Tokyo), pp. 615-616. 19 See Chin Shu, History of the Chin Dynasty (1974, Peking punctuated edition), Chüan 40, (in Book V), p. 1366. 20 Ibid., p. 1359. 21 For the latest findings of scholars of this small circle, see Ho Ch'i-min: "Chu-lin ch'i-hsien yen-chiu" "A study of the Seven Talents of the Bamboo Grove", 1966, Taiwan. 22 Po-hsüeh hung-tz'u. This examination, initiated in 731, the 19th year of the K'ai-yüan era during Emperor Hsüan-tsung's reign in the Tang Dynasty was during the Ch'ing Dynasty confined to some limited candidates primarily recommended by the Education Department in each province. 23 For sound scholarship on the economic importance of Yang-chou during the Ch'ing Dynasty, see Prof. Ho Ping-ti: "The Salt Merchants of Yang-chou: A Study of commercial capitalism in Eighteenth century China", in the Harvard Journal of Asiatic Studies (1954, Cambridge), Vol. 17, pp. 130-168. 24 Tsang Li-ho and others, op. cit., p. 923. 25 The edition that the reviewer used is the Yüeh-ya-t'ang ts'ung-shu edition, first wood-blocked in Canton in 1850. 26 The Chinese title reads: "44415447". 焦山看月分得辇字 27 In Chiao-shan chi it is to be found in p. 1b-p. 2a, while in Fan-hsieh shan-fang chi, (1937, Shanghai), hsü-chi (a supplementary collection), chüan 7, pp. 359-360 (In the Kuo-hsüeh chi-pen ts'ung-shu edition). 28 The Chinese title reads: "9493A7”. 同作分得月字“ 29 In Chiao-shan chi it is to be found in p. 9a-9b, while in Fan-hsieh shan-fang chi it is in hsü-chi, chüan 7, p. 360. 30 In Ma Yueh-kuan's own Sha-ho i-lao hsiao-kao (also the Yüeh-ya-t'ang ts'ung-shu edition), it is to be found in chüan III, p. 17a-17b. 31 The Chinese title reads: "宿佛日淨慈". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 134. 倪龍瘢痕 32 The Chinese title reads: “晚起 撖上人導行黃萬峯下 倪龍瘢泉 尋龍”. It is in Fan-hsieh shan-fang chi, chüan 7, p. 134. 33 The Chinese title of this poem reads: "...". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 135. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 60 J. T. KAMM exercise of ownership, and are contented to do nothing further than to receive a yearly rent. They can sell this right of receiving rent, but the land is otherwise under the absolute control of the cultivators, who often sell their perpetual leases. The landlord is called the owner of the "T'i Kwat" (note: Cantonese equivalent for t’i k’u), which may be termed the right of receiving rent. The tenant is said to possess the T'i P'i, or right of cultivation. Constant lawsuits result from this double ownership and the contending interests which it necessarily involves16 To summarize, perpetual lease in Hsin-An was characterized by the division of land into two values, surface-value, which corresponded to cultivation-value, and subsurface-value, which corresponded to rent-value. Landlords held rights over the rent-value, conceptualized locally as t'ien-ku-chuan (†), while tenants held title to the cultivation-value, or t'ien-p’i-ch’üan (✯✯). The process by which rent-value became separated from cultivation-value, i.e. the process of its primary accumulation, becomes manifest in an examination of the social and economic evolution of the county following the resettlement during the early 18th-century. Of the several kin groups displaced by the Kang-Hsi evacuation, the Tangs were among the least adversely affected. This was so for two reasons: 1) the proximity of the Hsin-An Tangs to several Tang settlements in Tung-Kuan,17 and 2) close relationships between Tang gentry and local officialdom.18 Not only were the Tangs able to keep abreast of developments while residing in a secure base not far from the evacuated county, moreover, the evacuation had the unintended result of increasing clan solidarity. In this regard, the establishment of the Tu-Ch'ing Tang (**)- the largest order ancestral trust uniting the clan, was most significant: Tang Pao-sheng (£), a chin-shih of the Ch'ing Dynasty, had the intention of constructing an ancestral temple, but his plans were not realized. An official, Tang Hsu-chou (✯✯✯), seeing that the five branches of his clan resided in different places far from one another, decided to fulfill Pao-sheng's wishes. After choosing a beautiful site at Chiu-Ch'iao (**), Tung-Kuan, the clan gathered together to construct a great temple. At each winter sacrifice (), the male descendents of the various branches would assemble and encourage each other to ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n TWO ESSAYS ON THE CHING ECONOMY OF HSIN-AN 65 implied a physical division of the land itself. From the scanty evidence on tenant rings, we can conclude that the sale of cultivation-value was probably regulated within the group. In any event, it was unnecessary for the landlord to be informed of the sale. Descent among perpetual lessor clans was governed by the principle Fen tsu erh pu fen t'ien (分租而不分田: "divide the rent but not the land.") Gompertz, in CSO109 Ext., comments: When an inheritance has already been divided among the various branches of the clan the problem is very much simpler but as a matter of fact such partitions have been hitherto very rare and we are now in the dilemma of being obliged either to devise a form of title suited to this collective ownership or to refuse to take cognisance of anything but the ownership of individuals.3 The Ping Shan Tang genealogy gives this account of the origin of this principle in Tung-Kuan county (at the time of the writing of this passage, Hsin-An had not yet been formed): We have been inhabitants of Ping Shan for six generations. From my great grandfather to my father (i.e., three generations) no ancestral property was divided, a fact which greatly benefited the villagers. At the beginning of the Ming Dynasty, an imperial edict forbade the uniting of different families into single households. Thereafter, my younger brother and I began to register separately as inhabitants of Huang T'ien Ch’ang (黄田昌) and Tung-Kuan respectively. The ancestral properties were divided into two portions. As for the properties in remote areas, the grain payments (i.e., the rent) and the land-tax (plus corvee responsibilities) were also shared equally between us.36 One of the strongest prohibitions contained in clan rules was that against selling land, private or communal, to "outsiders:" In large clans transactions in land take place, as a rule, between different members of the clan without the property ever being disposed of to outsiders. In such transactions the deed of transfer is invariably worded as if it were a mortgage, and no period of redemption is fixed, the vendor or mortgagor, or his descendants, thus having every opportunity to redeem the property at the original price even several generations after the transaction has been made.37 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 66 J. T. KAMM Finally, a word on economic development. Equilibrium in the tenancy system in no way implied stagnation in the economy. We have already noted the benefits which tenants derived by extending the surface value. The clans, restricted in the amount of rent-value collected, expanded economically into two areas, regulation of trade and monopolization of tax collection. It was at the level of periodic marketing that the landlord clans "reasserted control” over the tenants' surplus; moreover, the landlords were able to extract increasingly large amounts of revenue, as taxes, while both trade and agricultural production increased. In this way, perpetual tenancy gave impetus to the rise of taxlordism, which we shall consider in the next essay. NOTES 1 Hugh Baker, Sheung Shui, A Chinese Lineage Village, p 8. 2 See, for instance, the Kwang Tung Nung Yeh Kai-K’uang Tiao-ch'a-pao-kao Shu Hsuan-pien (*), Vol. I, p 185. 3 Hung ch'i represented officially recognized ownership of land. Pai ch'i (é) denoted unregistered ownership, mortgage, and the like. Tenants might possess pai ch'i, or they might not. 4 It is very difficult to give a realistic estimate of the amount of land worked by tenants in the early nineteenth century. Existing records (including Government CSO reports, sessional papers and cadastral surveys) suggest a very high degree of tenancy. A survey taken by Potter in 1960 indicates a tenancy rate of 83% in Ping Shan (); this coincides with my observations in Kam Tin. 5 Extension of the Boundaries of the Colony, p 52. 6 In the first tally of cultivated land conducted at the beginning of the Ch'ing Dynasty, 4039.567656 mow of land were liable to the payment of taxes. By 1819, this amount had shrunk to a total of 3815.94836965 mow. (Hsin-An Hsien-chih, ch'uan 8). Lockhart, in the Extension papers, writes of the land registers: "The land registers of the district, which ought to be a reliable guide, are worse than useless, as they contain not more than half of the land under cultivation." (p.48). 7 See Tung-Kuan Hsien-chih (*), ch'uan 39, for an account of the problems raised by this situation. In the early years of British administration, officers were often informed by cultivators that plots of 3rd class land (see below) were exempt from tax in certain areas. 8 Kwang-chow Fu-chih ( ), ch'uan 4:46b-47a. 9 Hsin-An Hsien-chih, ch'uan 2. 10 James Hayes, "Old British Kowloon", Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 6, 1966, gives some data on Kowloon. The Hakka Tangs of Pat Heung apparently arrived in the neighborhood of Kam Tin during the migration years. 11 Wan Lo, “Communal Strife in Mid-19th Century Kwangtung” Papers on China from the Regional Studies Seminar, p 93. See also N.B. Dennys (ed), The Treaty Ports of China and Japan (1867), pp 20-22. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n TWO ESSAYS ON THE CH'ING ECONOMY OF HSIN-AN 67 12 Lockhart lists 255 villages occupied by Hakkas, with a total population of 36,070 in the Tung Lo in 1898. Assuming a population of 250,000 for the total district in 1900, Hsin-An probably had a Hakka population of around 90,000. 13 Rawski's bibliography in Agricultural Change and the Peasant Economy of South China offers the most complete listing of works bearing on perpetual tenancy. p. 64. 14 CSO280/04 Extension. See note 4, Essay 2. 15 Hsu T'ien-tai, Fu Chien Wen Hua (福建文化), Vol. 1, No. 1, (1941), 16 Correspondence Respecting Affairs of China, March 1898-September 1900. "Report on the New Territory at Hong Kong," (Presented to both Houses of Parliament, November 1900) p. 19. 17 The Shih Chien T'ang Chia P'u (世鑑堂家譜), a collection of genealogies from Kam Tin, gives the following settlements of lineal descendants in Tung Kuan: Chuh Yuan (竹園), Yen Tien (燕田), Fu Lung (福龍), Huai Te (懷德), Shih Ching (石井), Tu Kao (土高), and Ping Hu (平湖). 18 "These clans gain their local influence, not through numbers alone, but owing to the fact that certain of their numbers have official rank, gained through competitive examinations, or obtained by purchase, which keeps them in touch with the Magistrate and even higher officials." Correspondence Respecting Affairs of China ibid., p. 20. The Shih Chien T'ang Chia P'u records that, from Cheng Hua (Ming Dynasty) to Tao Kwang (Ch'ing Dynasty)—that is, from roughly 1470-1820—fourteen Kam Tin Tangs passed the state examination. Several of these became office holders. Another indicator of gentry connections with officialdom was the construction, in Kam Tin, of a temple (祠堂) dedicated to the two officials (Chou Yu-te (周有德) and Wang Lai-jen (王來任)) who petitioned the Emperor, on behalf of the inhabitants of the coastal areas, to allow resettlement. 19 Introduction to the Nan Yang Tang Shih Tsu P'u (南陽堂世族譜), compiled by the Ping Shan Tangs. 20 Sung Hok-P'ang, in his articles on the Kam Tin Tangs in the Hong Kong Naturalist, claims to have seen references to Tang lands on Hong Kong in the Land Register (土地冊) of Tung Kuan. "One may judge that the land was owned by the Tangs before the first year of Maan Lik, AD 1525, (sic) as after that the San On District was formed” (Vol. VIII, nos. 3 and 4). 21 HKTCSMTC, "Details of Cultivated Land” (耕地詳情). 22 ibid. 23 The landlord clans were often referred to by the British as "first cultivators." See, for instance, CSO3172/1915 cited in the essay on tax-lordism. 24 Correspondence Respecting Affairs in China, ibid., p. 16. 25 Hsin-An Hsien-chih, ch'uan 8. 26 In this regard, note the high degree of correlation among the different "tax-burdens" in Table II. One is tempted to speculate that a native formula for the conversion of rent rates from tax-rates existed. 27 In the 1934 edition of the Chung-Kuo Ch'ing-chi Nien-chien (中國經濟年鑑), chapter 7 (Chinese Tenancy Systems), contains the following description of the Fen Chih Chih (分種制) system, a form of perpetual lease found in the East River counties of the Kwangchow Prefecture: "This ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 32 RICHARD J. SMITH practice of "interchangeable commanders"--a striking departure from the personalistic command structure of yung-ying armies such as Chou's. Moreover, the Tientsin academy provided a large pool of new talent for modernizing purposes, men whose "careers were grounded in change" and whose "qualifying education and . . . prominence were owed to reform."112 Many Tientsin Military Academy graduates became instructors in other military schools established after 1895;113 several prominent engineers were produced by the academy;114 and of course many of the most famous political and military leaders of the early Republic—including Tuan Ch'i-jui, Feng Juo-chang, Wang Shih-chen, Ts'ao K'un, Chang Huai-chih and many others—were Tientsin Military Academy graduates. In short, significant changes in Chinese military education took place prior to 1895, despite the absence of meaningful reform in either the civil or military examinations and numerous other problems.116 Nonetheless, it took the successive humiliations of the Sino-Japanese War, the "Scramble for Concessions," and the Boxer fiasco to prompt the Ch'ing dynasty into fundamental military reform,117 And even then, "national" policies were often implemented piecemeal at the local level.118 In retrospect, it seems evident that the obstacles to meaningful reform in Chinese military education were less ideological than institutional. To be certain, Confucian critics of new-style training programs could always be found, especially after the establishment of modern military academies in China during the 1880's.120 But the throne's lack of enthusiasm for military reform along Western lines certainly cannot be explained in terms of ideology alone. In the first place, it must be remembered that little if anything in the way of Confucian learning had ever been expected of regular Ch'ing military officers. Paradoxically, it was in the innovative yung-ying armies, about which the throne had very mixed feelings, rather than the Green Standard and Banner forces of the empire, that the inculcation of Confucian virtues received special stress. Moreover, officials such as Chang Chih-tung, and even the pragmatic Li Hung-chang, emphasized the importance of Confucian education not only in their own "personal" armies but also in their new-style military academies.12 Surely, the subordinate officers of Chang and Li were no less "Confucian" than their Green Standard and Banner counterparts. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 SIIIWAN POTTERY EXPLORED 107 the theme of "restoring rivers and mountains" to the point of becoming formula, but no one complained. Mai further describes how the Guangdong opera actors practised the martial arts of the Shaolin branch (*) and finally put this art to use when in 1854 their leader, the actor Li Yunmao (***) also known as Wen Mao () led three armies of actors to join the Taiping effort against the Manchus. These armies were destroyed along with the rest of the Taiping army, and in the aftermath, the Qing court issued an order forbidding the performance of Guangdong opera and had the actors' Qiong Hua (hortensia flower) Association Hall (1446) in Fushan burned to the ground. A gilt wood carved altar in the Ancestral Temple in Fushan, and a Shiwan frieze depicting the story of the Yang Family Generals, preserve in their carvings the significance of these events and their broader implications for a community not under the domination of a foreign Manchu government, but also besieged with Caucasian foreigners pressing for trade and territorial rights. The Qing dynasty gilt wood altar carving has double meaning. The carving depicts the story of Tang dynasty Li Yuanba fighting the dragon colt (*£#£#6). On a second level however, the horse represents the unruly foreigners, and Li Yuanba, having the same surname, represents Li Wenmao. Verifying this are two hidden plaques hung above the scene which can only be seen from a crouching position. One reads "Great Ming Mountains and Rivers" (11) and the other "Qiong Hua Hall" (44), with the middle character Hua (4) substituted as disguise for the similar sounding Hua (*) of the Hortensia Flower (Qiong Hua) Association. Furthermore, according to Mr. Zhang Tao (**), curator of the Ancestral Temple, the characters on these two wood plaques were originally covered with extra slabs of wood and were only discovered while renovation was being done to the temple between 1971 and 1972. (Plate 14). In addition to this gilt wood altar scene, a beautiful ceramic frieze depicting the story of the Yang Family Generals, Song dynasty loyalists, is displayed in the rear courtyard of the Ancestral Temple. In addition to this anti-Manchu theme (the Yang family's loyalty to the native Song dynasty during the period of barbarian Yuan conquest, symbolising the loyalty of the Chinese people to the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 178 DAVID H. S. CHAU The fact that in the Tsin Dynasty (#), 303-379 AD, the technique had been widely used, and about the seventh or eighth century the Chinese already used woodblock to print calendars (Ɔ). The oldest woodblock printed book still in existence, so far as we understand, is the Diamond Sutra (✨#∞) a Buddhist text (**) printed in the year 868 AD, which was found along with thousands of manuscripts from Mokao (†) the Caves of the Thousand Buddhas (†) at Tun-huang ( ). Tun-huang, a city situated on the outskirt of the Lob Desert in western Kansu Province (+), was once the main gate of the Old Silk Road (***). From the first century until the fourteenth century, merchants, caravans, travellers, monks, and armies leaving for the West all passed through Tun-huang on their way to the Middle East, the Mediterranean, and Europe. The Italian merchant Marco Polo („§ +) used the same route to come to China. Hollowed out in irregular tiers along the face of a steep cliff, the cave temples of the Thousand Buddhas were known in the Tang Dynasty () as Mokao or “Grottos of Surpassing Height". They are located a few miles southeast of Tun-huang City. There had been huge Buddhist monasteries at the place for centuries, but it became forgotten when the Ming Dynasty (#9) began trading with the West by sea, and since then most of the caves had been buried by the shifting sand of the desert. In the late nineteenth century, it was rediscovered by a Taoist Priest called Wang Yuan-lu (10*), but by then all the wooden structures of the monasteries had vanished, and only the stone caves used as shrines remained. Mokao is more than five thousand feet in length and consists of four hundred and ninety-two caves of various sizes. Over two thousand Buddhist statues and numerous huge murals can still be found in the caves. If we could have all the murals linked together, they would be at least twenty-five miles long. In the year 1899, Wang Yuan-lu discovered an old monastery library in a walled-up chamber behind a mural in one of the caves. In the chamber, he found more than twenty thousand volumes of manuscripts and woodblock-printed documents and books, among them the Diamond Sutra. The news of the discovery soon spread abroad. In 1907 an Englishman, Sir Aurel Stein, traded with the priest and carried away 29 cases of manuscripts and books. More ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 180 DAVID H. S. CHAU on the upper part of the page and the text on the lower. Folk prints became popular at that time. According to a historical reference every year started from the tenth lunar month, and the markets were filled with new calendars, all sizes of door gods, charms and papercut blessings in gold and coloured paper for the coming new year festival. These folk prints thus came to be known as Nien Hua or New Year Prints. A Russian named Koslov found some old prints from a ruined pagoda in Black Water City, Kansu Province, whilst exploring in China in the year 1908. One of the prints is in a form of a poster-like illustration of 2′5′′ × 1′ in size depicting four historical beauties of four different dynasties printed in black ink on yellowish colour coated paper. According to the printed year mark, it was made in the period of Southern Sung, 1127-1279 AD and is believed to be the oldest surviving Chinese folk print or Nien Hua printed by woodblock in the world. The print is now kept by the Alexander the Third Museum in Moscow. Woodblock was developed to print paper money at the time of 998-1022 AD in the Sung Dynasty, but did not last long as the woodblock printed paper notes were too easily forged. Later the government changed to using bronze plates instead. The designs on the plates were not engraved, but were moulded by using carved woodblock moulds by the same method used to make picture bricks in Chin Dynasty and the illustrated roof tiles in Han Dynasty. It is the prototype of woodblock printing. At the time of 1041-1048 in the Northern Sung, a Chinese commoner Bi Sheng developed the use of movable types made of baked clay for printing, and later by using carved woodblocks for the types. This method did not attain extensive use because of the large number of characters used by Chinese: an ordinary book required at least four to five thousand different types. The woodblock prints of the Yuan Dynasty, 1279-1368 AD, are characterised by their boldness and simplicity. Double colour printing was developed in this period. Two blocks were used for printing. Some books printed in this period had the text printed in black and the notes printed in red. Woodblock printing was extensive by the time of the Wan Li reign of the Late Ming 1573-1619 AD, as paper making ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 38 JIANN HSIEH because of high heterogeneity and rapid local social mobility, kinship networks are difficult to perpetuate. For this reason, it seems impossible to organize traditional clan associations based on genealogical ties, even though the Hakka are much concerned about maintaining their culture, especially their kinship system. However, instead of clan associations, the Waichow Hakka have organized six surname associations based on fictive kinship. For instance, Tz'eng-tzu (曾子), as a cultural hero of ancient China, was assigned the rank of common ancestor in one surname association in order to consolidate all the Ts'engs from Waichow. In other words, kinship as a fictive concept rather than as traced in a concrete genealogy is still an important principle manipulated by the Waichow Hakka in organizing voluntary associations in urban situations. The very mixed origins of residents, the complex differentiation of occupations, and the rapid social mobility in Hong Kong have also rendered the maintenance of traditional guilds and associations, based on occupation and often combined with locality and/or kinship principles difficult (Ho, 1966: 101; Gamble, 1929:168). Taking the Waichow Hakka as an example, although they established the Waiyang (Hweiyang) Trade Union after the Second World War, its nature today is more that of a locality association than that of an occupational association. In addition, the Waichow Hakka from Tsu-chin District established the 紫金縣同鄉會 (Tse Kam District Countrymen's Association); nineteen of the forty-one members of its executive committee or board of directors are concerned with construction work and the association has been very active in recruiting its members as employees for that business. But still it cannot be called a guild because of the nature of its regulations. I wish to stress that dialect as an organizing principle of voluntary associations is not necessarily identical with locality. As mentioned before, Waichow, as a prefecture in the Ch'ing Dynasty, included ten districts inhabited by two dialect groups: the Hakka, who stem mostly from the districts of Hwei-yang (惠陽), Po-lo (博羅), Hsin-feng (新豐), Ho-yuan (河源), Lung-chuan (龍川), Tzu-chin (紫金), Lien-ping (連平), and Ho-ping (和平), and the Hoklos, who came mostly from the districts of Haifeng (海豐) and Lu-feng (陸豐) (Lo, 1933:102). Because Hakka constitute the absolute majority of the Waichow population, most members of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 NOTES AND QUERIES ANOTHER (MISSING?) LIBRARY 157 In 1935, after two years' travel and study in China, Gerald Yorke's book China Changes was published by Jonathan Cape of London. In Chapter Eight, entitled "In Search of a Hermitage", the following extract (p. 159) refers to a library at, it would appear from the final paragraph, "the temple of the Mountain Cave (Tung Yuan) above Lanchi." This is county in Chekiang Province. "In the meantime Li [Li Yuen-tzu, his companion, interpreter and friend, to whom the book is dedicated] had heard of a temple in the hills behind the town. It was not easy to find, and at first sight proved disappointing; for a family of peasants were in charge. But a draper's assistant, whose master had failed, was staying there to study. I had stumbled on a library presented by a scholar (Chao Ke-lao) in the first quarter of the sixteenth century. A tablet in his handwriting still bears witness to the gift. The books are in their original bindings and as fresh as if printed yesterday. Several appear to be of great age. This is hardly surprising, as the Tripitaka, the Bible of Chinese Buddhism in over one thousand volumes (the San Ts'ang), was first struck off wood blocks in the nine hundred and seventy-second year of Our Lord. The draper's assistant knew his way about and picked out for me volumes with exquisite woodcuts as frontispieces. Unfortunately, he never distinguished between the dynasty in which a book had been written or translated, and the century in which it had been printed. I longed for a bibliophile to enlighten me. Over two thousand books printed before the year 1500 survive in as clean a condition as anyone could wish. Before taking them from their cases, sticks of incense and candles are lit by the peasant in charge. It gave me a real thrill to find such a treasure so respected in the hills. The veneration in which learning is held in China has no counterpart in the West. There were too many people living at the temple of the Mountain Cave (Tung Yuan) above Lanchi. I decided to return to the Ch'ientang gorges, where the temple of the Master of the Water Rushes (Lu Su Chen Kung) had attracted me with its name." Does anyone know if this library still exists? Hong Kong. January, 1981. JAMES HAYES ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN: THE CASE OF I-KUAN TAO† HUBERT SEIWERT* Introduction: Modernization and religious change in Taiwan Since the middle of the last century China has been a theatre of far-reaching political, economic, social and cultural changes. The most obvious manifestation of these changes has been the revolution of 1911, sealing the end of a monarchy which had endured for more than two thousand years. But the defeat of the Manchu dynasty marked the closing of an epoch not only politically: the revolution of 1911 was also a decisive turning point in the cultural development of China. The traditional culture which so long was the pride of every Chinese scholar underwent an almost complete reevaluation. To the revolutionary intellectuals of the first decades of the twentieth century this traditional culture was the ideological expression of the overthrown feudal system. The construction of a new society should, therefore, not be a mere change of political institutions but had to comprise the formation of a new intellectual culture as well. The central target of this cultural-revolutionary movement was Confucianism, which was regarded as the ideological foundation of the old social system. At the same time this movement also had distinct anti-religious tendencies aimed not only at the religious components of Confucianism but at all kinds of religion, traditional Chinese as well as foreign. Religion and superstition were inconsistent with the scientific worldview which had been imported to China from Europe and America. The critical attitude of the Chinese intellectuals towards religion was certainly one of the factors which contributed to the decline of traditional Chinese religion in the twentieth century. But there were other reasons, too. On the popular level, the arguments of the intellectuals were probably of no great significance for the religious behaviour of the common people. More important were the changes *Universität Hannover † Parts of this article were read at the XIVth Congress of the International Association for the History of Religions, August 1980 at Winnipeg, Manitoba. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN: THE CASE OF I-KUAN TAO 47 above all the diffused forms of religion because they were inseparable from traditional social institutions. Institutional religions, by contrast, form social institutions of their own and are, to a certain degree, independent of "secular" social institutions. Changes in the traditional social structure have, therefore, only an indirect effect on them which is far less striking than in the case of diffused religion. On this account, the process of modernization has not necessarily the same secularizing consequences for institutional religions as it has for diffused religion. On the other hand, Buddhism and Taoism, which are the best-known examples of institutional religion in traditional China, seem to have been in a state of decline even before modernization began in the last century. The reasons for this cannot be treated here, but we should note that since the nineteenth century, there have been efforts to revive Buddhism intellectually as well as institutionally. These efforts continued in this century and were not wholly unsuccessful. Two points are to be observed in this connection. The first is the important role which the Buddhist laity played in this movement. The second is the fact that the Buddhist revival seems to coincide more or less with the period of modernization. This point is especially noteworthy since it shows that there is by no means a necessary connection between modernization and secularization. One might even conjecture that there exists an interrelation between the Buddhist revival and the modernization movement in China. 1 Be that as it may, there cannot be any doubt that in Taiwan, Buddhism actually did undergo a renaissance after 1949. This can be seen not only from the countless new temples financed by donations from laymen but also from the steadily increasing publication of popular and scholarly books and journals on Buddhist philosophy and religion. A comparison of this situation with the state of Buddhism in the last centuries of traditional China shows that the process of modernization in this case produced anything but secularization. Attempts to revive Taoism have been far less successful up to now. It is difficult to find a sociological explanation for this difference; one probably has to look for historical reasons. Obviously, the position of Taoism as an institutional religion in the last centuries of imperial China has been weaker than that of Buddhism. On the popular level, neither Taoism nor Buddhism could be separated from the religious syncretism which had developed since the Sung dynasty. But although many intellectuals were heavily influenced by Taoism, there was no significant lay-movement that actively patronized a revival of the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN THE CASE OF I-KUAN TAO 51 are strictly secret. The most important of these elements are the so-called San Pao, the "three Precious Ones", a traditional Buddhist expression by which in the case of I-kuan Tao three different secrets (a symbol, a ritual gesture and a formula) are signified1. The San Pao are transmitted to new members during a secret initiation ceremony which is much rumoured about by the public. The rumour goes that the participants have to be naked22 and that the sect performs other scandalous rites in which men and women are not separated. Reports from former members prove that the accusations about the initiation ceremony are certainly not true23. Such wide-spread rumours, however, show how deep-rooted the prejudices against "heterodox" sects are, which makes propagation of the faith difficult if not dangerous. All the more remarkable is the undoubtable success of this sect. This seems to indicate that obviously I-kuan Tao has something to offer which attracts people even though they may have to suffer public defamation or even prosecution. As a matter of fact, the enforced secrecy which results from prohibition by the government allows for many speculations about vicious rites and political plotting indulged in by the sect-members. But we do not need to occupy ourselves further with the secret aspects of the sect since the teachings which are important for our present purpose are transmitted more or less openly. What is more, they are very similar to the beliefs held by other popular religious communities. This is true especially for some of the fu-luan cults which are very popular in Taiwan today. Fu-luan 扶鸞 or fuchi 扶乩 (alt. 扶箕) is an ancient Chinese divination practice which can be described as spirit-writing, sometimes known in the West under the name "planchette". Although the practice can be traced back at least to the Sung dynasty, its modern form seems to have developed during the last century25. At that time it became usual to receive written revelations from various deities which communicate through mediums. The mediums, traditionally two persons operating jointly, but today often only one, hold a stick with which the deity writes characters on a small table covered with sand. These messages from the gods normally contain answers to questions of the believers, but not seldom also directions or instructions of a general kind. At times the medium might be the focus of a larger cult or community whose members participate in the seances and try to follow the divine admonitions. Fu-luan cults were brought to Taiwan from the mainland during the first decades of this century and soon turned into a mass movement. There has been a very strong revival ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m 56 HUBERT SEIWART and modern Chinese culture. They present, to a certain degree, a religious interpretation of modernization in Taiwan. But if we examine the above mentioned elements, we find that virtually none of them is really new. They are all patterns which are well known from Chinese intellectual history. I shall just give a few examples: The devaluation of the present time as a period of moral decline can be traced back as far as Confucius. In the earliest Confucian writings we can also find the theme of the return of the Golden Age of Yao and Shun. The concept of the Great Harmony, Ta T'ung, also originated in antiquity, it is elaborated in the Li Chi. Probably somewhat later, during the Han dynasty, the idea was formulated that the emergence of the new ideal world would be preceded by a period of destruction, as can be seen in the T'ai-p'ing Ching. Finally Buddhism added to these elements the theory of the declining dharma and the expectation of the future Buddha Maitreya. Maitreya is still of utmost importance in the eschatological teachings of I-kuan Tao. The rejection of foreign influence is also a familiar topic. As we know, Buddhism has long been the target of anti-foreign propaganda. During the Six Dynasties Buddhism was held responsible for all the deficiencies of the time. Finally, we should observe that I-kuan Tao as well as most of the other popular cults combine elements of Buddhism, Confucianism and Taoism, and promote the idea of san chiao he i, "the three teachings form a unity". This explicit syncretism goes back at least to the Sung dynasty. These remarks suffice to show that the reactions of these popular religious movements to the social changes resulting from modernization are by no means new. The symbolization of the tensions caused by cultural contact and modernization draws heavily upon the traditional symbol repository. Not only are the traditional symbols relied on, but also their content: The values by which modern society is measured derive mainly from the traditional moral teachings. It would therefore not be untrue to say that the religious responses to modernization as we have analyzed them so far can be characterized as traditionalism and conservatism. Nevertheless, it would be misleading to regard movements like I-kuan Tao as mere survivals of a past historical period. For, as we shall see presently, besides the traditional elements there are also ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN: THE CASE OF I-KUAN TAO 57 significant innovations. These innovations, too, reflect the changing conditions of the present time. New responses to cultural contact; universalism One important element in the interpretation of the present time, as we have seen above, is not merely the rejection of Western influences. Indeed, the impact of Western civilization, whether militarily, economically, or intellectually, can be regarded as the driving force for change and modernization in the last 150 years. The religious interpretation of the modern situation cannot avoid facing this Western civilization and assigning it its proper place in the religious interpretation of reality. Rejection of the West, even open hostility, has been the most common reaction since the last century. Not only conservative politicians had a heavy aversion to Western civilization; lower strata of society also shared this loathing. The second half of the last century is full of more or less serious incidents caused by the latent aggression of the Chinese population towards the foreign culture and its representatives. The Boxer uprising of 1900 has sometimes been seen as the culmination of this series of encroachments. Popular opposition, not only to the Western powers but also to the foreign rule of the Manchu dynasty, often organized itself in secret societies with a more or less religious coloration. The religious character of many of these groups should not be overestimated since, in traditional China, religious elements diffused into most social institutions, irrespective of their primary objectives. On the other hand, there were groups belonging to the popular religious tradition which occasionally developed strong political, especially nationalist, impulses. As to the anti-Western attitude, a further religious component was added since Western civilization was represented, not least, by Christian missionaries. To fight Western influences, therefore, also meant to fight Christianity. Indeed, Chinese Christians were not seldom regarded as foreign agents, and the fact of their Christianity was seen by many as an obvious sign of their having abandoned the traditional Chinese culture. At first sight, it seems that the criticism of Western influences, which is common among today's fu-luan cults and I-kuan Tao groups, is but a continuation of the anti-Western attitude of popular religious groups in the last century. It would then be just another symptom of the above-mentioned cultural traditionalism. But this is only part of the picture. For if we look closer, we find that opposition to Western ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN THE CASE OF I-KUAN TAO 59 to form a syncretism of the Chinese and Western religious traditions. In the same way that Confucianism, Taoism and Buddhism are traditionally said to form a unity, today Christianity and Islam are included in this overall religious tradition. Consequently, the former slogan san chiao he i, “the three teachings form a unity", has been changed into wu chiao he i. "the five teachings form a unity". As an illustration of the attempts to give a theoretical, or theological, foundation to the unity of the five religious I shall quote some passages from an I-kuan Tao publication. The chapter is entitled "The theory of the unity of the five teachings" and starts as follows: The so-called unity has the following aspects: 1. The unity which is due to the common origin of the five teachings in the Tao. 2. The unity which is due to the fact that the doctrines of the five teachings shed light on each other. 3. The unity which is due to the fact that the doctrines of the five teachings complement and complete each other. 4. The unity which is due to the fact that according to the trends of development of each of the teachings they must reunite in the Tao."7 37 In the succeeding parts of the chapter these four aspects of the unity of the five teachings are explained in detail. I confine myself here to a few selections: 1. The five teachings have their common origin in the Tao. The culture of all mankind has its origin in the Tao. Prior to the Chou dynasty there was only one school of the Tao. During the time of the Warring States at first the separation between Confucianism and Taoism developed, later on Buddhism, Christianity and Islam rose in India and in the West and so it came to the five religions coexisting side by side. One can compare the Tao to a fountainhead, the five teachings are like five streams springing from this fountainhead. They each run through different lands and on their way nurture the hearts and enrich the lives of the people [in their respective lands]. ... Although the five teachings are separated, in their sayings there are no differences, since in reality they all belong to the same principle. 2. The doctrines of the five teachings shed light on each other. Irrespective of their differences regarding race, colour and sex all men are brought forth by Heaven and have the same nature given to them by Heaven. Therefore, the human ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 360 BOOK REVIEWS with someone, preferably Chinese, who knows the places well and can argue and interpret for him, it could well prove a dangerous as well as an incomplete vade-mecum. P. H. HASE The Imperial Ming Tombs, Ann Paludan, Hong Kong University Press. In many ways 'The Imperial Ming Tombs' by Ann Paludan is an excellent book, devoid of jargon, it opts for simplicity in its presentation to guide readers not only in detail to the history, architecture and sculptures of the monuments but also to the entire environment of this splendid mausolea complex where thirteen of the sixteen emperors of the Ming dynasty lie buried. Earlier studies on the Ming Tombs by other scholars concentrated on the first tomb, Ch'ang-ling. Ann Paludan attempts to consider the cemetery as a whole and reveals to us systematically one by one all the thirteen tombs. To complete the account, she includes Hsiao-ling in Nanking, tomb of the first Ming emperor Chu Yuan-chang, and Western Hills, tomb of Chu Chi-yu. Her account is different from that of earlier authors (Jan Jakob Maria De Groot, Georges Bouillard, Vandescal etc.) also because this was written after the restorations which began in the 1950s, and during the time when there was an expansion of the adjacent village and agricultural activities. There is a remarkable difference in the way in which individual tombs are being preserved, some are gradually being incorporated into the life of the local village and even stones are being used for contemporary buildings. The book not only gives a description of the architectural and sculptural details of each tomb, but also a picture of the current state of the buildings and the village activities that grow around each mausoleum. The account of each tomb is further supplemented by descriptions of the drainage system and birds and flora observed in the precinct. A brief history of the life of the emperor buried there is also included to give the readers a better understanding of the choice of site of the mausoleum. For A lot of attention is paid to detailed description in the book in order to establish the theory and concept of the tombs. example, the use of colour and materials, the origins of motifs, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 193 * Shi Boxuan (Yuan dynasty) is the compiler of two books: the Sishu Kuanku 190 and the Guankui Waipian 7 lumped together as Kuankui in the Gujin Tushu Jicheng. See Bu Liao Jin Yuan Yishu Wenzhi WIGxARK ed. Shangwu, Taipei, 1966, pp. 28, 56. 1차 * Jing Fang (77 to 37 B.C.) was a famous Han philosopher and presumed author of a number of oracular works. Most of these are still listed in the Jingji Zhi, Chapter, part 3, section zi of the Suishu. "The Liji refers to the ritual dismembering of a dog in connection with the annual Nuo exorcism. The animal's remains were then buried in front of the main gate of the capital. See S. Couvreur, Le Liji, Imprimerie de la mission catholique, Ho Kien Fu (1913), vol. I, p. 352. 12 The charm, faintly visible near the end of column 22, may represent a model of an "astronomical" charm. "Peach wood was thought to possess magical properties as early as 544 B.C. (D. Bodde, op.cit. pp. 128 ff.) while the wood of the tong tree was associated with the miraculous birth of the hero Yiying. See M. Granet, Danses et légendes de la Chine antique, Presses universitaires de France, reprint edition 1959, vol. II, p. 428. B. Laufer "Bird divination among the Tibetans", in Toung Pao, vol. XV (1914) p. 4, note 1. "The Study of Tibetan divination is as wide as it is ungrateful and unpleasant for research”. * The same omen is found in the Gujin tushu jicheng, vol. 26, j.174, p. 1b, column 7. "The prohibition against leaving the house for three years is mentioned three times in the Gujin tushu jicheng. It applies: when a pack of dogs howl in neighbourhood streets; when such a pack howls in city markets and, unless obeyed, portends death for a man who has (accidentally) been spattered with dog urine. Op.cit. pp. 1a,b. * The contradictory omens in brackets show that other dog divination systems were known at the time. 18 The Gujin tushu jicheng has "against a palace door" op.cit. p. 11b, column 11. ** "Dreadful disasters" instead of "of the inhabitants will be harmed” Ibid. "The last four characters of this column make no sense. "Mu is probably an error for the numerator mei. AN ODE ON HONG KONG COMPOSED BY THE MAYOR OF CANTON IN 1845 P. BRUCE A charming ode was published on December 13, 1845 by the Friend of China newspaper. It gives a rare Chinese view of the development of the young colony of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 247 THE CULTIVATION OF THE "INCENSE TREE” (AQUILARIA SINENSIS). JU KOW-CHOY There are several popular theories concerning the origin of the name Hong Kong (#). One is based on the legend of a female pirate named "Heung Ku" (Aunty Heung, ). A second relates to a hill on Hong Kong Island Hung Heung Lo Shan (Red Incense Burner Hill). A third refers to the stream near Pokfulam which provided a source of "Fresh and Fragrant Water" to passing ships in the old days. Professor Lo Hsiang-lin and Madam Chang Yuet-ngo, however, consider that the name was derived from the Incense Tree or Heung Tree.* A book by Professor Lo and colleagues published in 1959 and entitled Hong Kong and its External Communication before 1842, includes a chapter on "The Cultivation and Exportation of Incense", a summary of which follows:- "Incense" is a product of the southern part of Kwangtung Province. There are several varieties, each from different species of trees. The general name of the varieties of incense (solidified wood sap), produced in Tung Kwun and Po On districts, which included Hong Kong and the New Territories in those days, was "Kuan-heung" from Incense Tree (Aquilaria Sinensis Gilg). Originally a native of Tonkin (North Vietnam), it was introduced to Kwangtung during the Tang Dynasty (619-907 A.D.). In Hong Kong, the best brand was produced in Lik Yuen (now Shatin) and Sha Lo Wan (the western seaboard of Lantau Island). The successful cultivation of the Incense Tree depends on three conditions. Firstly, suitability of soil; secondly, adoption of proper cultivation methods; and thirdly, the mastering of tapping and cutting techniques. "Kuan-heung" was highly valued by the people of the provinces of Kwangtung, Kiangsu, and Chekiang, who used large quantities annually. Locally, the produce was collected by the See Plates 18-19. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 248 agents of incense merchants and conveyed by land to Tsim Sha Tau (now Tsim Sha Tsui) whence it was transported by junks to Shek Pai Wan (now Aberdeen) and thence to mainland China, southeast Asia and places as far away as Arabia. Hence Shek Pai Wan was known as "Incense Harbour" or "Heong Kong” the harbour of Incense or "Heung" produce, and the whole island eventually came to be known as "Hong Kong”. The cultivation and trade in "Kuan-heung" reached the height of its prosperity during the Ming Dynasty (1368-1644 A.D.). However, during the reign of Emperor K'ang Hsi (R) of the Ch'ing Dynasty (1662-1722 A.D.), the Manchus, as a preventive measure against counter attacks from Taiwan, where Cheng Shing-kung (*), a faithful vassal of the Ming Dynasty still held sway, adopted a "scorched earth strategy" by destroying everything within 50 Li (Chinese miles) of the coast, including incense trees, before the inhabitants were evacuated inland. Thus the industry suffered a stunning blow, and then, as the coastal areas were subsequently infested by pirates, its doom was finally sealed. The "Incense Tree" (**, £*) is a medium-sized evergreen tree with a small compact crown. Leaves are oval in shape, about 6 cm long and 3 cm wide, with a pointed tip, and shiny on both surfaces. Flowers are small, scented yellowish-green, borne in clusters on the ends of the branch, and open in May. The fruit is a woody capsule, shaped like a compressed egg about 3 cm long, densely covered with short grey hairs and can be seen dangling from the branch tips when ripe. It is a rather slow-growing, insignificant tree whose presence in the open countryside is often masked by more vigorous plants. The statement that it was introduced from North Vietnam must be questioned. Aquilaria sinensis is in fact a species indigenous throughout this region, and it may be found growing wild in many different places and at different altitudes in Hong Kong. The misunderstanding may have been caused by the reference to another incense-producing tree (Aquilaria agallocha) which was commonly grown in the western part of Kwangtung, and in Hainan Island, North Vietnam and Thailand. Page 270 Page 271 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 41 etym, (variant); } = cracks; 1= || scapula !) (K. 1192) enquire by divination; auspicious, good, virtuous; firm, solid; and !! diviner's fee?) { Kui (K. 462) tortoise, divination by aid of the cracks in heated tortoise shell to draw lots; a lot [this character is a strange mixture; enclosure or “border prairie” with possibly 2 sets of stalks on top of a tortoise: 2 types of divination mixed together] * (K. 894; M. 5763) to divine by stalks of milfoil; (from K magic and " bamboo-stalks) * shih (M. 5801) milfoil (“achillée”) [the character suggests a plant, and elder person, and a mouth: oracle of old sage?] Characters derived from 4: A hands manipulating divining sticks on a table to perceive name of king, Kao, a diviner to learn to teach (to learn + whipping) NOTES 1 The Chinese text of this oracle is found in Sheng-ch'ien chu-chieh (see bibliography) 2 While this article was already in press, I obtained new information stating that there is a still older example of Chinese oracles, dating from the 5th century A.D: “The earliest example of a Buddhist oracle-sequence can be dated to the middle of the fifth century, and is found in the printed Buddhist Canon. It forms the tenth book in a work entitled The Book of Consecration (Kuan-ting ching, T. 1331).” Although this text is not necessarily a temple oracle, yet it is so far the earliest book containing 100 oracle stanzas in a style similar to the later temple oracles. (Michel Strickmann, “Chinese Oracles in Buddhist Vestments”, p. 27 of an unpublished paper delivered at the Berkeley Conference on Chinese Divination and Portent-lore, June 20-July 2, 1983). 3 See for example L. Vandermeersch, "De la Tortue à l'Achillée", p. 46. Fung Yu-lan, in his History of Chinese Philosophy, vol. 1 (1952), pp. 27-28: quotes the Ch'ien Han Shu, which in its turn refers to the Shuching. “The divina-tion plant (shih ) and the tortoise shell (kuei #k) are used by the Sages. The Shu says: "when you have doubts about any great matter, consult the tortoise shell and divination stalks'. . . . ** See also J. Needham, Science & Civilization in China, vol. 2 (1956), pp. 347-349. On page 348 there is a reproduction of a drawing dating from the late Ch'ing dynasty, which shows the legendary emperor Shun and his ministers consulting the oracles of the tortoise-shell and the milfoil. 7 & Miyazaki Ichisada (1966), p. 161. 8 Miyazaki (1966), p. 162. 9 Webster's New 20th century Dictionary of the English Language (1979), p. 765. 10 Andree Richard (1906). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 285 who can wear a colourful ribbon), and for his father and grandfather he applied for 2nd grade titles to be conferred on them." His filial piety was difficult to surpass. He died in Vietnam at the age of 73. When his sons and grandsons carried the coffin back to his native village, thousands of Chinese and foreigners, officials and commoners, accompanied it until they reached the ship. There were people crying for him, drawing pictures of him, and writing essays about him. Cities far away, such as Singapore, also had his life-story written in the newspapers with the headline ‘Death of a Philanthropic Gentry' (*). He was really a great man. I am his old colleague, thus, I know all about his personality and activities. Here I cannot give the details, but can only give a general account of him. “Written in 1904 by Chen chao-ch'ang (陈兆昌), a Tsun Sz (遵司), appointed by Imperial Command an official of the Han Lin Academy, and humbly offered while the writer was in charge of the Shan Hai Kuan area (山海关). NOTES Eitel, E.J., Europe in China: History of Hong Kong, 1895. p. 311 ff. Ah-lum's wife and children were poisoned, and Eitel clearly had doubts as to his involvement in the crime. The defence of Ah-lum was conducted in a lynch law atmosphere and his arrest and deportation, even though he had been found innocent had, according to Eitel "reduced (him) from affluence to beggary.” 2 Hsiang-shan T'ieh-ch'eng Chang Shih Tsu-pu (AKA) (Clan Record of the Chang clan of Heung Shan and Fat Shan) (1934). Chi-ching Pu (2) section, Hang Chuang (孝庄) sub-section, pp. 8-9a. 1 According to the Clan record, ancestor Chung-te (忠德) immigrated to Shih-t’ou village (石頭村), eight miles to the southwest of T'ieh-ch'eng (铁城) Fatshan (Foshan) during the latter part of the Southern Sung dynasty. The lineage then segmented into 3 sub-lineages in the 7th generation. The 1st remained in the original settlement, the 2nd moved to Nan-Ping (南屏), and the 3rd to Long-Mei (龙美) in Hsiang-shan (Heung Shan) county. 3 generations later, in the 10th generation, 3 descendants of the 1st sub-lineage emigrated to Ping-Lan (坪兰), Ya-Kang (雅岗) and Wai-chieh-yung (外借涌) in Heung Shan, respectively. Ancestor Ch'un-chen (纯真) of the 10th generation was the first to move to Ya-kang, but the family was not regarded as native to Ya-kang until ancestor Miu-hsien (妙贤) of the 14th generation registered and started a new segment of the lineage (开户立户). Thus, an Ancestral Hall was built in the middle of the Chia Ching (嘉靖) period in memory of him. Ah-lum was of the 18th generation of the Cheung lineage, and the 9th of the Ya-kang segment. He was born in 1828, and died in 1900. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 286 CHOI CHI CHEUNG The Cheung lineage was not prosperous until the Tao Kuang (*) period. Ancestor Yao-chih (2) of the 2nd sub-lineage became a successful merchant, and through his generous donation, an Ancestral Hall for the whole lineage was built. The Ancestral Hall of the Ya-kang segment was built in the middle of the Chia Ching period by the effort of ancestor I-pi ( ), brother of Ah-lum's grandfather (see clan record, Tz'u yu pu (3) section, Tz'u T'ang Chi (2) sub-section pp. 1-4). Though the lineage had several National School students (B), no one succeeded in the official examinations until the end of the Ch'ing dynasty when they had three chüren (A). Two of them were Ah-lum's sons. Ah-lum's father was also a National School Student who earned his living by teaching in the villages nearby (see the biography of Ah-lum's father in the Clan record, Chi-ching pu (it) section, Hang Chuang ((HA) sub-section p. 5). This man is not otherwise mentioned in the Clan record. According to Ah-lum's statement as given in court, "he first came to the colony at only 18 years of age. He was first employed by Mr. Bigham, who went to California; after that by Mr. Franklyn; then by Murrow, Stephenson & Co.; then by Mr. De Silver, for whom he made biscuits, as well as did other business see: British Parliamentary Papers, China, no. 24: Hong Kong, P. 183. (= BPP 24:183). The Russell was owned by Russell & Co., and the Shamrock by Mr. Xavier, c.f. BPP 24:170 and 173. See BPP 24:164–184. The bakery had three machines making bread to supply most of the foreigners in Hong Kong. See BPP 24:155-184, and Eitel op.cit. p. 311-313. 10 The Arrow War. The anti-foreigner movement was supported by Yeh Ming-shen (), the Imperial Commissioner for Kwangtung, in Canton. See Wakeman, F. Jr. Strangers at the Gate. 1966, pp. 109ff. Also Eitel op.cit. p. 305. 11 Eitel: op.cit. p. 312-313. 12 According to Chen Kuan-ying (###), Ah-lum was chief of the China Merchants Steam Navigation Co. (TERA) in Vietnam. He owned a shop Hung Tai Ch'ang() in Saigon, and his son Ti-fu (#) was chief manager (*) of the Cambodia Opium Co. (12). Chen Kuan-ying (E), Nan-yu Jih-chi (12), (Diary of a Journey to the South), reprinted 1967, Taiwan, p. 19ff, 81-89. According to the Clan Record Tsa Chi-pu() section, Pa-yu (if) sub-section, p. 1, Ah-lum had businesses in Saigon, Haiphong, Comuponton, and in Nha Trang in Kwangnam (ÂM NHIỀU). 13 According to the clan record, we know that one of Ah-lum's sons was buried in the free cemetery of Haiphong (), and another was buried in the free cemetery of the Canton City Association in Vung Tau, Vietnam (#). 14 In 1884, when Chen passed through Vietnam, Ah-lum was chief manager (*) of the China Merchants Steam Navigation Co. in Vietnam. See Chen: p. 19. 15 Chen: ibid. 16 Clan record, Chi-ching pu (###) section, Ch'i-shou (##) sub-section, pp. 1-4; has two essays presented on this occasion by the gentry of Heung Shan, and by the merchants of the Canton City Association in Vung Tau, Saigon (F#城會館). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 337 period — which lasted from the bronze age Dongson period of the third century B.C. to the end of the T'ang dominance in the early tenth century A.D. He has divided this long period into six distinct phases, constructing the main characteristics of each one as the centre-piece of a chapter. The first (Chapter 1, "Lac Lords") covers the emergence of organized society in the plains of the Hong and Ma rivers (near present Hanoi) under feudal lords. Sources for this bronze age period are largely archeological and linguistic, with a heavy reliance upon the interpretation of myths and legends. The second chapter or phase ("The Han-Viet era”) charts the invasion of Chinese forces and particularly the southern expedition of Ma Yuan, the great Han general, and the emergence of a mixed Sino-Viet ruling class. The third phase (Chapter 3, "Regionalism and the six dynasties") covers the consolidation of Chinese political and cultural domination. Chapter 4, "Local rule in the sixth century" is the fourth phase, which Taylor calls a "time of self-discovery” for the Vietnamese. It was a time when Chinese control weakened slightly before the consolidation of Sui-T'ang control of the south. And in this weakening the Vietnamese, according to Taylor, began looking to their pre-Chinese roots. The Sui-T'ang period of rule is covered in Chapter 5, "The protectorate of An-nam". In this phase he chronicles the "intensity" of pressure upon Vietnam to conform to the Chinese model of civilized society, as well as the growing resistance to Chinese domination. That resistance bore success of sorts when in the tenth century the T'ang dynasty collapsed and Vietnamese rebellions succeeded in throwing off direct Chinese rule. This is Taylor's Chapter 6, "The T'ang-Viet confrontation", and Chapter 7, "Independence". While critical of Chinese and French historians as treating the Vietnamese past as a “branch of Chinese history" Taylor uses ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 76 with records of the "autobiography” of the Taoist saint Huang Chuping, the figure worshipped by many thousands of devotees in Hong Kong as "Wong Tai Sin." This autobiography has been reprinted in official publications of the Sese Yuan, and reads as follows (using the Sese Yuan's translation): As a young shepherd boy, I spent my early childhood at Kim Hwa [Jinhua] Mountain located at the north of Kim Hwa City in Chekiang [Zhejiang] Province. The mountain was said to have derived its name from Venus and Mou Nui Constellation (Wunüxing) both of which were directly overhead. Orientated at the north of Kim Hwa Mountain was the Hill of Red Pines where I took abode. This hill, densely forested and often hidden in clouds and fog, was seldom frequented by outsiders. Among thick natural vegetations and interlocking peaks there was a deep ravine named Kim Hwa, one of the thirty-six caves of the similar geological structures in the neighbouring district. My childhood was marred by poverty and hunger, compelling me to start earning my daily bread as a shepherd boy at the age of eight. At fifteen I was fortunate enough to have been blessed by a fairy who led me to a stone cave where I learned the art of refining cinnabar nine times into an immortal drug. For forty years in succession, I lived in this seclusion from the rest of the world until my brother broke this isolation. His early efforts were at first futile. However, through the guidance of a Taoist fortune-teller, he located me. My brother queried me of the whereabouts of the sheep under my custody. To this I replied that they could be traced in the east of the Kim Hwa Mountain. He was surprised, on arrival, to find nothing but heaps of white boulders which quickly transformed into sheep at my call. Fascinated by this impressive show of mine, my brother also took steps to learn to become an immortal. Originally, I was named Wong Cho-ping (Huang Chuping), a subject of the Tsun [Jin] Dynasty and a ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 80 legendary first Huang Yeren, and who was also eventually referred to as Huang Yeren. This individual, Huang Li, was a prefectural governor at Zhengzhou (present day Huizhou) toward the end of the reign of Dayou (928-943) during the short-lived Southern Han dynasty (918-971)." Evidently he had retired to Luofu after becoming disenchanted with the regime which he served. The sources relate that he met a Taoist who taught him the art of making cinnabar. Towards the end of the reign of Shaoxing (1131-1162), he was by imperial edict granted the title of Dazhen (the one who obtained immortal status). He is thought to have ascended to heaven near the end of the Song dynasty." He is also credited with several healings. The memory of Huang Li as a separate figure in the literary sources has been preserved, and evidently there is still a temple or shrine to Huang Li in Dongguan county." But the figure of Huang Yeren at Luofu now includes elements of both the original Huang Yeren and the later Huang (or Wang)20 Li. 21 The veneration of Huang Yeren at Mt. Luofu seems to have a very long history. The poet Su Dongpo in the 11th century A.D. in a letter to a Taoist friend mentions that he had heard of Huang Yeren at Mt. Luofu." The great Guangdong poet Qu Dajun (1630-1696) in his encyclopedic Guangdong Xinyu (New accounts of Guangdong) devotes an entire page to Huang Yeren. Huang, he writes, was the most frequently seen of all the saints of the mountain. A small shrine to him (in the hills to the west of the Chongxu Guan) was, he reports, in ruins." The writer Tan Cui, who traveled widely in Guangdong during the reign of Qianlong (1736-1796), noted the presence of a small shrine or temple to Huang Yeren in the 18th century.23 When the main temple on the mountain was destroyed in 1802, the nearby shrine to Huang Yeren evidently suffered the same fate. The present temple, the Chongxu Guan, was built shortly afterwards." This temple has recently been restored and renovated (1985/86). It appears that prior to the restoration, a statue of Huang Yeren stood in the same room as the statue of Ge Hong." This statue has disappeared. (The statue beside Ge Hong is now that of his wife, Bao Gu, famous practitioner of acupuncture). However, there is now (as of early 1987) a separate room for the worship of “Huang Daxian", containing a new statue of the god. We were told that it Page 105 Page 106 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 83 The second article, titled "The legend of Huang Daxian," opens with a poem in which the story is retold of Ge Hong's ascent to heaven, taking even the dogs with him, and of Huang Yeren's late arrival and subsequent life as an earthbound fairy. After relating two stories of healings by Huang Yeren (stories taken from literary sources about the Luofu Huang Yeren; see n. 16) the article then asserts that According to historical records the Red Pine Huang Daxian of the Hong Kong Huang Daxian temple was a Jin dynasty man from Danxi. His original surname was Huang and his given name Chuping. In his youth when he was tending sheep he was taken by the famous Jin dynasty refiner of cinnabar, old saint Ge Hong, as an apprentice. Ge Hong jokingly named him Huang Yeren. After Ge Hong had ascended to heaven Huang Daxian continued to travel all over practicing kindness and helping the people. He first went to Mt. Xiqiao, and later to Hong Kong. These extraordinary attempts to weld the two Huangs into a single figure are not based, as far as we can tell, on any literary sources. The pseudonymous authors, who very likely have had some official connection with Luofu,17 were engaged in what appears to us to be the creative reconstruction of myth. 30 This reconstruction has doubtless been at least partly successful. The cultural affairs cadres who met us at the Chongxu Guan had clearly been influenced by such ideas. With some knowledge of the Luofu saints, but little knowledge of the Taoist literature, they related to us a story which managed to incorporate into the biography of "Huang Daxian” elements of both Huang Chuping, Huang Yeren, and Huang Li.18 They were somewhat confused by the conflicting traditions but, nevertheless, asserted with some confidence that the two Huangs, Chuping and Yeren, were the same. It might be thought that the Taoists who serve at the temple would wish to clarify the situation, and to inform visitors that the temple's Huang was Huang Yeren, the disciple of Ge Hong, and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 88 Our principal concern has been to document and explain the rapid growth in popularity in Hong Kong since the 1940's of the cult of Huang Daxian (on which, see Lang and Ragvald, "Upward mobility of a refugee god"). However, we have also been trying to trace the origins of the cult in Guangdong province, hence the research trip to the village. A report on this visit, and on the first author's initial visit to the village in 1985, has also been prepared. We are now working on a book on the history of the cult in Guangdong and Hong Kong. Probable cases of the mergings of deities include, from ancient Greece, the merging of two incarnations of Zeus (Gilbert, Murray, Five stages of Greek Religion, Garden City, N.Y., Doubleday Anchor Books, 1951, p. 48; H.J. Rose, Religion in Greece and Rome, N.Y., Harper and Row, 1959, pp. 48-49), and of various female deities in Aphrodite (Paul Friedrich, The Meaning of Aphrodite, Chicago, The University of Chicago Press, 1978, ch. 2); from Rome, the blending of Roman with Greek deities, and the subsequent apparent merging of some Roman deities with Celtic deities (John Ferguson, The Religions of the Roman Empire, Ithaca, N.Y., Cornell University Press, 1970, pp. 211-220); from the early Christian era, the probable absorption of elements of the cult of Diana into the cult of Mary (Herbert Muller, The Loom of History, N.Y. New American Library, 1958 p. 173; Durant, 1939: 183); from Mexico, the absorption of elements of the Indian goddess Tonantsi into the cult of the Virgin of Guadalupe (Ena Campbell, “The Virgin of Guadalupe and the female self-image: a Mexican case history", in Mother Worship: Themes and Variations, ed. by Richard Preston, University of North Carolina Press, 1982). 9 This translation strangely enough contains one serious (the failure to recognize Dongtian Fudi [Cavern-heavens and blessed spots] as a general Taoist concept) and a few smaller mistakes. These, however, do not affect the arguments made in this paper. 10 This probable origin of the autobiography was pointed out to us by Dr. S.H. Wong of the Department of Chinese, Hong Kong University (see Wong, "A study of Huang Ta-hsien"). There are several slightly different versions of Shenxian Zhuan. For this translation we have used the relatively early (Song dynasty) version in Biji Xiaoshuo Daguan (A Parade of Note-form Fiction), Taibei, Xinxing Shuju, volume 4. 12 Essentially the same story is related in Huitu Liexian Quanzhuan, compiled in the 16th century by Wang Shizhen (reprinted by Zhongwen Chubanshe in 1971 on Taiwan). This is one of the major reference works on Taoist saints, with capsule biographies on some 500 of them, and covers the entire period from the beginning of Taoism until the last year of the reign of Hongzhi (1506 A.D.). This source adds only the information that during the Song and Yuan dynasties, both Huang Chuping and his brother were awarded honorary titles by the state. The story of Huang Chuping also appears in Jinhua Fuzhi (the prefectural gazetteer of Jinhua), volume no. 22 in the subsection "xian shi" (on fairies). 13 Ge Hong was a native of Jurong in Danyang (present day Jiangsu province). His career included service as assistant to prime minister Sima Rui, and as counsellor and military staff officer. He was honoured by the state for his services in the suppression of the peasant revolt led by Shi Bing. However, he was also very interested in Taoist alchemy. He was a grandson, on the fraternal line, of the famous necromancer and alchemist Ge Xuan (164-244), and from a disciple of Ge Xuan's, he learned the art of refining cinnabar. When word spread that cinnabar sand had been found in Jiaozhi (the ancient name for part of Guangdong and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 90 ese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two "Yerens” was created. According to Soymie, "Le Lo-feouchan", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the "Yeren" figure, 21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105). 22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730. 23 The reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century. 24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the "shenxians" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials. 25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the "northern emperor"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration. 26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185. 21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 278 NOTES AND QUERIES TAM KUNG: HIS LEGEND AND WORSHIP Occasionally, one hears of the deity Tam Kung #2 as having originated in Kowloon. That mistake arises from confusing Kowloon (Chiu-lung 九龍) with Chiu-lung shan in Lin Kuei-shan 歸 county. Tam Kung, named Tao, was a native of Kuei-shan (present Hui-tung) in the Yuan Dynasty. He cultivated his moral conduct at Chiu-lung shan. He was often seen in the mountains with a tiger carrying his things. He cured the sick when they approached him. He died and was revered as a deity. When drought came, people went to him to ask for rain, and often they were satisfied. In the 6th year of Hsien-feng (1856), he was granted the title ‘Hsiang-chi 祥濟’ (“Assistance and Aid”) by the emperor. In Hui-chou, two temples were erected to offer sacrifice to Tam Kung; one on Chiu-lung shan in Kuei-shan and the other in Hui-chou City. A pavilion was built at the place where he cultivated his moral conduct. On my visit to the Chiu-lung shan in 1986, I saw both the temple, the Lung-feng tsu-miao 龍峰祖廟, and the pavilion, the T'an-kung te-tao-t'ing 譚公德道亭. A stone tablet now kept in the Hui-tung county museum, given the title, "The repair of the T'an-kung Temple of Chiu-lung shan" dated 4th year of Tao-kuang (1824), records that the original temple was built thousands of years ago, was repaired in the 40th year of Ch'ien-lung (1775), and then rebuilt and enlarged in the 4th year of Tao-Kuang (1824). The pavilion that I saw was rebuilt quite recently. In Hong Kong, there are two Tam Kung temples. They were built in the late Ch'ing by people from Hui-chou. The Tam Kung Temple at Wongneichung was built in 1901. It was originally built on the hill slope near the present Hong Kong Sanatorium. A bell ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 96 moved from Fukien to Heong Shan county in Kwangtung during the Sung dynasty (960—1279). About a hundred years later, his great, great, great, great grandson, Heen Bow, who was a student at the county school, founded the village of Cha In and established the West Branch (145 or 945) of the clan. Since he was born during the latter part of the Yuan dynasty (1279-1368) and died during the Ming dynasty (1368-1644) at the age of 56, Cha In village was settled about the mid-1300s. An ancestral temple was built to honour him as the 'First Ancestor' and to pray for the glory and prosperity of his descendants. A great, great, great, great, great grandson of Joong Goong, named Jun Hung, branched out to Poo San #1, as did another great, great, great, great, great grandson, named Bow Sung. The son of Heen Bow, named Kwong Joong, had two wives, the first of whom died before the marriage was consummated. The second wife bore him three sons. The eldest, Li Jung, branched out to start the East Branch 東堡 or 東房, The second son of Kwong Joong, named Li Jen, entered the emperor's service when he was only 15 and his feats of courage surpassed others. At the age of 19, while on a mission for the emperor at King Jow Prefecture, he met his death at sea. This service to his country brought glory to the clan. A temple was built in his honour and a statue of him was placed there for sacrifices to him. During the reign of Hong He of the Ming dynasty, an official named Iu Goong was commissioned to find out all about Li Jen's background for a report back to his superiors. Iu Goong visited the temple and was so impressed by what he heard that the Emperor bestowed Li Jen posthumously with many honours for his distinguished service, naming him to a government post in Taiwan and Adjutant to the Viceroy of Fukien, and noted that although Li Jen was dead, it seemed as if he were still alive. Iu Goong also presented to the temple a tablet of honour and a stone lion to enhance its appearance and to serve as an inspiration to others 'to serve the emperor with loyalty and devotion, to bear the lance and follow the emperor to battle, to win glory, to extend benevolence, to protect the race, and to respond whenever the need arose.' Page 120 Page 121 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 19 2 Goullart in his description of the monastery in Kiangsi in which he spent several holidays, describes in one hall 'Shang Ti smiling benevolently and enigmatically from his canopied throne'. He then refers, in his description of another temple, to the Jade Emperor and speaks of him as Shang Ti. There are various explanations offered as to why this deity is called the Jade Emperor. One suggests that the reference in the Book of Changes to '. . . heaven being the ruler, and is... jade' is its origin; Goullart however gives, in translation, an invocation from the abbot to Shang Ti in which he refers to him by title as 'the Mightiest Emperor over all Heavenly Kings, who lives in the Jade Hall of the Western Heaven'. This, surely, is a clue. The supreme deity, Shang Ti, lives in the Jade Hall, hence his title the Jade Emperor. This title is a relatively recent development in Chinese chronology having only become prominent during the 11th century AD. However, popular recognition of and interest in the cult became apparent during the Manchu (Ch'ing) dynasty. The title of the sovereign divinity of the Chinese State religion until 1911 was Huang T'ien Shang Ti, the First Rank Supreme Deity in the 17th century regulations of the Ch'ing dynasty. Shang Ti, as the All-highest, was never portrayed in image form, and in a number of temples in South-East Asia the title of Huang T'ien Shang Ti is still given for the supreme deity, usually carved on plaques, and in one temple in Singapore an image of the Jade Emperor even bore a vertical slip of paper inscribed with this title. Many Chinese myths and legends involve the Jade Emperor; those surrounding his origins are shrouded in mystery and probably his genesis will never be known. China has a rich popular tradition incorporating local tales from every corner of the vast empire, and it is no wonder that numerous and varied explanations have been given by devotees of how and when the Jade Emperor became the senior deity. The earliest known reference to him is from the T'ang but he could have existed long before that. Since then it has commonly been believed that he was either an incarnation of, or given the task of Supreme Deity by Yuan Shih T'ien Chun, the senior deity of the Taoist trinity, the Three Pure Ones (San Ch'ing). His popularity declined somewhat during the Ming. Although a Taoist deity, his image is to be found on altars in several Buddhist temples and some Buddhists even claim that he is really just an adaptation of Indra. To the man in the street all Buddhist, Taoist and folk religion deities are his subordinates, and well timed worship will ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 42 Boats. Pestilence Wang Yeh are also quite common on the altars of Fukienese community temples in Malaysia, Singapore and Indonesia having been carried there by emigrants. Although there are no Pestilence Wang Yeh on the altars of temples in Hong Kong and Macau, there are two deities bearing the same honorific, and also there is the concept of pestilence demons being exiled during a major festival. One of the two deities is the comparatively rare Cantonese cult deity, Chang Wang Yeh (E), consulted before building a house or fixing the date for a wedding. His image is to be seen on a side altar in a secondary hall in the Hung Hsing Temple in Wanchai, and again in another Cantonese temple in Waterloo Street in Singapore where his title is Chang Wang Lao Yeh. The other deity is K'ang Wang Yeh (E). He is one of the four life-size images at floor level before the main altar of the Northern Emperor [Chen Wu] in Mong Tseng Wei near Deep Bay in the New Territories. These four are known simply as the Four Generals and whilst the other three are relatively common deities from Chinese mythology, Hua Kuang, Chao Yuanshuai and Yin Yuanshuai, nothing is known in this temple about K'ang Wang Yeh.8 The Five Ubiquitous Ones, the Wu T'ung (F), formerly worshipped in North China as pestilence deities have been seen in Ch'aochou (Teochew) illegal squatter temples in Hong Kong but not in Taiwan. According to several temple keepers the Five are potentially harmful unorthodox (H) spirits and not beneficial spirits (#). One keeper added that the Five had been worshipped in Kiangsu and Chekiang provinces as well as by Ch'aochou people and that they were in some way connected with the roaming spirits of the tens of thousands soldiers killed during the wars which ended the Mongol (Yuan) dynasty and led to the founding of the Ming. The Five have no individual identities whereas the Pestilence Wang Yeh do have surnames. Unlike other deified Chinese, images of the Pestilence Wang Yeh are floated out to sea or burnt to carry away the pestilence demons associated with them. The nearest in comparison here would be the paper images of deities burned after major festivals such as the image of Kuan Yin, the Goddess of Mercy in her form as Ta Shih (±) the very ugly demonic form which she assumes to prevent lustful demons from assaulting her when visiting the Afterworld during her missions of mercy. Her image as Ta Shih in paper and bamboo is burnt to carry her over ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 57 The third non-pestilence Wang Yeh is Sui Chia Wang Yeh (隨駕王爺). This Wang Yeh whose title means 'Following the Imperial Carriage' was the general-in-charge of the royal guards during a legendary visit to Taiwan by the Chinese crown prince, later to be the Ch'ing emperor Chia Ch'ing in about 1690. Images of the general Li Yung, and his deputy Wang Fa, stand on the altar of a temple in Nantou in Central Taiwan. The crown prince received reports of a plot by the Hsiao family, so legend claims, who in conjunction with a hill tribe planned to assassinate him, Li Yung attacked the Hsiaos and although he was killed during the battle the Hsiaos were forced to retreat and the crown prince was saved. So much for legend. According to historical records, in 1721 Chu Yi-kui rose against the Ch'ing dynasty in Taiwan to restore the Ming, and Li Yung was appointed Duke by Chu. Both Li and Chu were defeated and captured by the Ch'ing forces and executed in Amoy. The probability is that the temple, which was erected in 1899, just after the occupation of Taiwan by the Japanese, was erected to commemorate Li Yung's, and by extension the people's opposition to foreign (in Li's case, Manchu and in the people's, Japanese) occupation of Taiwan. A fourth example of a non-pestilence Wang Yeh, but from central Taiwan this time rather than the south, is Su Fu Wang Yeh (蘇府王爺), a Tang dynasty official now better known as General Su. In the early days of its development Quemoy (Chinmen) was repeatedly attacked by pirates. Due to the superhuman bravery of General Su they were defeated and Quemoy was pacified. He, Su Yung-sheng (蘇永盛) to give him his full name, and Ch'en Yuan, the Horse Breeding Duke, another official serving T'ang T'ai Tsung, worked together to develop the area. The pirates called Su Yung-sheng 'Su Ta Wang' (The Great Lord Su 蘇大王). In his twilight years Su was transferred on promotion to the mainland where he was appointed a Wang Yeh. After he died a temple was built in his honour in which he was revered together with four of his subordinates, Chiu (邱), Liang (梁), Ch'in (秦), and Ts'ai (蔡), who were honoured with the honorific of Ch'ien Sui (Excellencies). A major temple, the Chinmen Kuan, in Lukang on the west coast of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 96 There are four reasons why this area developed incense wood cultivation. Firstly, the area is extensively underlain by igneous rocks, the disintegration of which forms sands and silts: an ideal soil type for the growth of the incense tree. Secondly, the long history of cultivation of incense trees in Tung-kuan had enabled the cultivators to accumulate the necessary experience in the technique of incense tree cultivation. Moreover, the fact that most of the cultivators inherited their business from their fathers suggests that they were highly skilled in the cultivation of incense trees, and the tapering and cutting of incense wood.2 In addition to these physical and historical factors, the market for incense products was large. There was a high demand from the inland areas of Kuang-tung, Chiang-hsi and Che-chiang which consumed large quantities of incense wood annually. The Hong Kong area, being geographically accessible, collected incense wood logs in Tsim Sha Tsui (then called Tsim Sha T'ou or Hsiang Pu T'ou) from where it was shipped by small boats to Shek Pai Wan (near Aberdeen) and then reshipped by Chinese sea-going junks to Canton. From this place, incense wood was transported northward overland to Chiang-su and Che-chiang. Thus the cultivation of the incense trees also stimulated the development of the small local ports. It has been suggested that the cultivation of and trade in incense trees gave rise to the name of Hong Kong (literally meaning "Incense Harbour", #), 香港 Little Hongkong, or Heung-kong-wai, is said to have been so-called on account of the quantity of Pak-mu-heung-shu then growing there, the wood of these white-wood fragrant trees is called “Nga-heung” (i.e. fragrant wood white as a tooth), is odoriferous when burnt, and although now the woodcutters have left but few trees there and at Wong-nei-chung, yet formerly it grew abundantly there. In the time of the Han Dynasty, this wood, it is said, was highly valued, and formed an article of tribute. 5 >>4 It seems that before the mid-seventeenth century, the incense industry, though one of the three major industries of Hong Kong, was not engaged in the manufacture of joss sticks. For example, Fêng K'ê-pin of the Ming Dynasty has 22 prescriptions for the use of incense powder, but none refers to the manufacture of joss sticks.* ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 119 NOTES 1 Ch'ü, Ta-chün, Kuang-tang hsin-yü [New Tales from Kuang-tung], Hong Kong: Chung-hua ch'u-pan-shê, 1974, reprinted from 1700 edition, p. 677. 2 ibid, pp. 674-676. 3 Yung-yen, “Hong Kong ti ming k'ao” [The Origin of Place Names in Hong Kong], in: Li Chun-wei (ed.) Hong Kong pai nien [Centenary History of Hong Kong], (Hong Kong: Nan chung pien yi ch'u-pan-shê, 1948), p. 68. 4 Hong Kong Daily Press, February 5, 1873. 5 Siu, A.K.K., “The Hong Kong Region Before and After the Coastal Evacuation in the Early Ch'ing Dynasty”, in: Faure, David, James Hayes and Birch (eds.), From Village to City, (Hong Kong: Centre of Asian Studies, University of Hong Kong, 1984), p. 2; Fêng K'ê-pin (ed.), Hsiang chien [Notes on Incense], in: Kuang pai ch'uan hsüeh hai (1), 1998. (Taipei: Hsin-hsing shu-chü, reprinted in 1970). 6 Balfour, S.F., “Hong Kong Before the British”, Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 10, 1979, p. 176. 7 Ch'ü, p. 677. 8 Chang, Y.N., "Hong Kong Ts'un (Hong Kong Village) and the Cultivation and Exportation of Incense from Kowloon and the New Territories”, in: Lo, Hsiang Lin (ed.), Hong Kong and Its External Communications Before 1842, (Hong Kong: Institute of Chinese Culture, 1963), p. 114. 9 Tung-kuan Hsien-chih [Tung-kuan Gazetteer], compiled by Ch'ên Pai-tao, (Tung-kuan yang-hêng yin-wu-chü, 1910), Section 14, p. 13; Dunn, Stephen Troyte and William James Tutcher, Flora of Kwangtung and Hong Kong, (London: Her Majesty's Stationery Office, 1912), p. 9. 10 Iu, K.C., "The Cultivation of the Incense Tree (Aquilaria sinensis)”, Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 23, 1983, pp. 247-249. 11 “Imports for the Year 1846”, Hong Kong Blue Book 1846, p. 200, 204, 207. 12 “Imports for the Year 1847”, Hong Kong Blue Book 1847, pp. 200-212. 13 “Imports for the Year 1848”, Hong Kong Blue Book 1848, pp. 251-254. 14 Hsü, Kuang-ch'i (ed.), Nung chêng ch'üan shu [Encyclopedia on Agricultural Techniques], (1847), Section 18, pp. 13-15. 15 Yung-yen, p. 68. 16 Lockhart, S. "Extracts from A Report by Mr Stewart Lockhart on the Extension of the Colony of Hong Kong on October 8, 1898”, Sessional Papers concerning the Acquisition of the New Territories 1899, p. 190. 17 Nathan, cited by J.W. Hayes. "Notes and Queries: Sandalwood Mills at Tsun Wan". Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 16, 1976, pp. 282-283. 18 'Report on the New Territories for the year 1925; B. Southern District", Hong Kong Administrative Reports 1925, p. J13. 19 'Report on the New Territories for the Year 1931; B. Southern District" Hong Kong Administrative Reports 1931, p. J18. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 378 Hart to daughter Mable, (5) 1888 1892, and two, sender unidentified Hart to son Bruce, (20) 1877 — 1894 Letters to and from Hart re Charlotte's death 1868 Hart to Beauclerk children Postcards to Lady Hart from various persons BOX 3 6 photographs Draft despatch from London office of Inspector-General of Chinese Maritime Customs, to Inspector-General, Peking (n.d.) 17 Chinese name "cards" (red paper) Sheets of what appear to be school exercises (Robert's?) School reports of R. Hart (grandson) and other papers re his boarding at University College, Oxford 1 page of a caricature of Hart (dressed as a Chinese Mandarin) from Vanity Fair 1 published page entitled "Men of the Day, no. 608”, incomplete and source unknown 2 menus painted in water colour 1 water colour painting autographed W. V. G. (?) J.H. Roberts to Gillson (n.d.) 4 invitations to Bruce Hart 1 cigarette card 1 Christie's catalogue, Autumn, 3 July, 1951 BOX 4 14 Miss Gillson's music certificates "Lines inscribed on a fan by Pan tsien yu a Chinese lady of the Han dynasty in the reign of Han Ching Tỉ BC 18. Transl. by Dr. Martin President of the Tung Wen Kuan Peking, Set to music by Bessie L'Evesque Pirkis” (MS) Misc. publications: a. Royal Coronation b. A Maid in Touraine c. Supplement to the London Gazette 28 Oct 1902 d. Supplement to Modern Society 26 Dec 1903 e. The Thames and all That, 1824-1935 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 395 "Tai Hai Shan, which lies in the sea of Tung Kwun, consists of thirty-six chui. People depend on fishing and salt panning". However, Chapter 1 of Tai Ming Yi Tung Ming Shing Chi, which was published in the Ming Dynasty, records, Tai Hai Shan, which lies in the sea to the south of Tung Kwun, is surrounded by thirty-six chui. Its territory has a circumference of about three hundred li. From these, we know that, in olden days, Tai Hai Shan was a name representing thirty-six chui. A "chui" is a word which may mean 'island' or 'native village'. Also, we know that it was a large territory with a circumference of about three hundred li. However, today, we treat Tai Yu Shan as only one large island. The island was dwelt in by primitive settlers from very early days. Previously, archaeological finds of stone and bronze tools at Man Kok Tsui on the east coast and at Shek Pik on the south are plentiful. These give significance to primitive native dwellings on the island. At the end of the East Tsin 東晉, Sun Yun 孫恩 and Lo Tsun 盧循 revolted in the lower course of the Yangtze-kiang and in Fukien Province. In 408, Lau Yu of the East Tsin suppressed the revolt successfully. Lo Tsun's followers scattered and lived on Tai Yu Shan afterwards. They were known as Lo Yu 盧餘. In the Sung Dynasty, Tai Yu Shan was famous for salt panning. During the North Sung, the salt panning on the island was under the administration of the Hai Nam Ch'eung (Chaak). About 1160, the island and its surroundings were under the control of the aborigines with Chu Yau as their leader. Later, when Chu Yau and his men surrendered, the robust men and youths were dragooned to serve in the Sung navy, the old and the infirm were spared. In 1197, Sung officials captured salt smugglers on Tai Yu Shan. The natives under Man Tang rose in open revolt. The governor of Kwangchow Fu sent troops to the island. The revolt was quickly suppressed and all the houses in the villages were razed to the ground. Afterwards, a permanent garrison of three hundred strong was stationed there to control future uprisings. During the Yuan Dynasty, hundreds of people from other lands came to the island and set up their homes there. They lived on farming and fishing. During the Ming Dynasty, the coastal area of Kwangtung Province Page 420 Page 421 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 397 the Yuen Ka Walled Village E, Mui Wo, Shek Pik, Tong Fuk 塘福,Shek Mun Kap 石門甲,Shui Hau 水口, Shek Lau Hang 石榴坑, Ngau Au 牛凹, Sha Lo Wan, Shek Tau Po石頭莆,Yi O 二澳 and Yau Ku Long. Also, Hakka villages were found at Tai Ho, Pak Mong, Wang Long and Ling Pei Walled Village at Tung Chung." The population on the island increased, and they depended on fishing and farming. Nowadays, Mui Wo, Pui O, Shui Hau, Tai O and Tung Chung have developed into towns; Shek Pik Village has been removed, and a reservoir built on that site. However, many villages founded in the Ching Dynasty still remain with little development. NOTES ANTHONY SIU KWOK-KIN 1 The inscription of the 42nd year of Chien Lung (1777) on the stone tablet in the Hau Wong Temple of Tung Chung bears the name "Tai Hai Shan". 1 See Chapter 19 of Kwong Yu Kei, Ming edition. 1 1 See Chapter 2 of Yuet Man Chuen See Kei Leuk, 1684 edition. See Chapter 7 of Lin Tien-wai and the writer's Essays on the History of Hong Kong Prior to British Colonisation, Commercial Press, 1984. It is now known as Lantau Island, and in some newly published maps of Hong Kong, it is also known as Tai Ho Island. + See S. G. Davis and May Tregear's Man Kok Tsui, Archaeological Site 30, Lantau Island, Hong Kong, Hong Kong Univ. Press 1961; and “An Archaeological Site at Shek Pik”, Journal Monograph I, Hong Kong Archaeological Society 1975. 7 See Chapter 29 of the Tung Kwun Yuen Chi 8 See Chapter 1 of the Tung Kwun Yuen Chi, 1464 edition. 非 See Tsang Yat Man's "Hai Nam Chaak, an old Salt Pan on Lantau Island" 大嶼山鹽田學, No. 284, Cosmorama Pictorial, Hong Kong. 9 As Note 8. See Tsang Yat Man's "A Textual Research on the Ins and Outs of the Rebellion of the Natives of Tai Hsi Shan – Now Tai Yu Shan of Hong Kong - in the third year of Ching Yuan of Emperor Ning Tsung of South Sung Dynasty" 南宋寧宗慶元三年, Chu Hai Journal No. 11, October, 1980. 12 See Chapter 67 of the Kwangtung Tung Chi, 1558 edition. 13 See Tai Hai Shan 大箂山 in Ng Loi 吳榮's Nam Hoi Ku Chik Kei 南海古鏞記, Chapter 61-1 of Su Fu, Shun Chih edition. 14 See Chapter 12 of the Kwangtung Tung Chi, 1697 edition. + 15 As Note 4. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 24 30 Sir George Thomas Staunton, a member of the 1793-94 Macartney Embassy, whose translation of Ch'ing Law was the first published in Britain, had been at pains to emphasize this: Ta Tsing Leu Lee, Being the Fundamental Laws... of the Penal Code of China (London, Cadell and Davies, 1801), p. 185. For its application in practice see the cases translated with commentary in Derk Bodde and Clarence Morris, Law in Imperial China, Exemplified by 190 Ch'ing Dynasty Cases (Philadelphia, University of Pennsylvania Press, 1967).21 Cited in Corinne K. Hoexter, From Canton to California, The Epic of Chinese Immigration (New York, Four Winds Press, 1976), p. 136. 11 Dr. William Lockhart of the London Missionary Society, writing in 1861, cites the case of the old scholar who so greatly assisted Dr. W.H. Medhurst with his translations and researches. See his The Medical Missionary in China (London, Hurst and Blackett. 2nd edition, 1861), pp. 21-22. "He was a living concordance of the entire range of Chinese literature. He could find any passage without hesitation, repeat page after page of most of the works, and could easily take up any citation which had been begun in his hearing, and finish it without hesitation. This is not an uncommon thing amongst the educated Chinese, but this man possessed the faculty in a remarkable degree". 23 Arthur Evans Moule, The Chinese People, A Handbook on China (London, Society for Promoting Christian Knowledge, 1941), p. 262. See also his New China and Old, Personal Recollections and Observations of Thirty Years (London, Seeley and Co., 1891), p. 271.24 Some of the literary material to be found in villages of the Hong Kong region is described in Dr. Patrick Hase's most useful paper. "Research Materials for Village Studies", Chapter 4 of Alan Birch, Y.C. Jao and Elizabeth Sinn (eds.) Research Materials for Hong Kong Studies (Hong Kong. Centre of Asian Studies. University of Hong Kong, 1984), pp. 31-46, especially between pp. 32-37. 25 — By great good fortune, some of their libraries have survived and are in safe keeping. One of them came from Hoi Pa Village, Tsuen Wan, and had belonged to the builder of the traditional village house there which is now a listed monument. He lived between 1865 and 1937, and after his return from Jamaica engaged in educational pursuits in a literary club and at the Luen Fong School in Hoi Pa Kwan Mun Hau. When what had survived of his library was presented to the Urban Services Department in 1982, it consisted of some 200 books of various kinds, as well as manuscript essays and poems, including some of the famed "eight-legged essays" written in preparation for the imperial examination; all providing valuable documentation for the educational, social and intellectual activities of their period. South China Morning Post, 26 May 1982. See also the Chinese press of that date. 16 What Francis C.M. Wei calls the operation of the principle of retributive justice" featured prominently in Chinese stories. See his The Spirit of Chinese Culture (Charles Scribner's Sons, 1947), p. 151. See also Yao Chin-nung, "The Theme and Structure of the Yuan Drama", in Tien Hsia Monthly, Vol. 1, No. 4 (November 1935), p. 392.27 The Tsuen Wan experience is echoed in the fine description of what it meant to be a village boy in late 19th century Kwangtung, contained in the memoirs of a successful Hawaiian Chinese, born in a village near Macau in 1865. In them, he describes what one might call the "extra-curricular" part of education. This included the telling of traditional stories by the family elders and by itinerant minstrels and story-tellers, and through the plays performed by visiting opera troupes, as well as in literary pastimes: Chung Kun Ai, My Seventy Nine Years in Hawaii (1879-1958) (Hong Kong, Cosmorama Pictorial Publisher, 1960), pp. 6, 26-29. 28 Francis C.M. Wei, The Spirit of Chinese Culture (New York, Charles Scribner's Sons, 1947) p. 149. 24 For the former, see the chapter "Symbol and Tradition" between pp. 50-75 of Ronald ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 71 texts of these two works. Adam, working in the imperial library in Ch'ang-an sixty years later, probably translated Reuben's Syriac originals into Chinese without realising that translations had already been produced in far-off Tun-huang. Later, as the Book of Praise implies, he sent Chinese translations of thirty-five Syriac works to Tun-huang, and his new translations of the Kai-yuan documents were among them. The Tun-huang monks were evidently unwilling to destroy their own Chinese translations and replace them with Adam's, and it is their version which has survived, but in a copy made in the 780s. Adam had probably directed that new Chinese texts on Christian subjects should consistently use the 'Syrian brilliant teaching' identity, and that old texts should be edited where possible, to be brought into line with the new style. The monks therefore recopied and lightly edited their own Chinese texts to conform to the new identity. But they continued, understandably, to acknowledge the translation work carried out more than sixty years previously by their own monastery's monks, Chang-ku and Su-yüan. Epilogue: the Five Dynasties Period We have seen how Adam tried to ensure that all Nestorian churches in China consistently used the term 'Syrian brilliant teaching'. During his lifetime, his position as metropolitan of China ensured that his flock complied with his wishes, but it is clear that the consistency by which he set such store broke down once he was no longer there to enforce it. This process can be seen at work in the manuscript in which the Hymn in Adoration of the Holy Trinity and the Book of Praise have been preserved. The former work seems to have been copied in the 780s, as it consistently applies the terminology found in the Sian tablet inscription. But the Book of Praise, although written on the same piece of parchment as the Hymn in Adoration of the Holy Trinity, is written in a different hand and clearly at a much later date. The Book of Praise, much of which is a hymn of thanksgiving for the existence of the 35 Syriac works translated by Adam, seems to have been written either in the tenth or the early eleventh century. The Tun-huang cave in which it was found was sealed in 1036, providing a terminus ante quem for its composition, and the formulation ‘emperor T'ai-tsung of the T'ang', proves that it was written after the final collapse of the T'ang dynasty in 906. At any rate, it was written not long before or after Abu'l Faraj met the despondent Nestorian monk ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 346 DIALOGUE IN FIVE STAGES. Cambridge (Mass) Harvard University Press, 1988. 160 pp. Notes. Bibliography. Index. This series of five Edwin O. Reishauer lectures delivered by the doyen of 20th century China scholars covers the five stages of the development of the great East Asian civilization: the classical legacy, the Buddhist age, the Neo-Confucian stage, East Asia's modern transformation, and the post-Confucian era, with a chapter on East Asia and the West. The book should be in the library of every individual seriously interested in China past and present. O'Brien, Kevin J, REFORM WITHOUT LIBERALIZATION: CHINA'S NATIONAL PEOPLE'S CONGRESS AND THE POLITICS OF INSTITUTIONAL CHANGE, Cambridge: Cambridge University Press, 1990. 263 pp. Notes. Bibliography. Index. This is a pioneer work in which the author traces the development of the National People's Congress in the context of political and institutional changes in contemporary China. Endicott-West, Elizabeth, MONGOLIAN RULE IN CHINA: LOCAL ADMINISTRATION IN THE YUAN DYNASTY, Cambridge (Mass): Harvard University Press, 1989. 217 pp. Appendices. Notes. Bibliography. Glossary. Index. This enlightening work examines the local government in China before the rule of the Mongols, and what changes and developments there were during the Yuan dynasty. The discourse on the issue of centralization should provide informative reading, especially in conjunction with Dardess' work noted above, and with Tung-tsu Ch'u's Local Government in China Under the Ch'ing. Kao, Charles K, A CHOICE FULFILLED: THE BUSINESS OF HIGH TECHNOLOGY, Hong Kong: The Chinese University Press, 1991. 203 pp. Glossary. Written with the interested general reading public in mind, this book traces the development of intricate technologies for the age of information in comprehensible language. Professor Kao, a highly respected electrical engineer who has made valuable contributions in transferring scientific and technological knowledge to everyday use, is renowned as the 'Father of Fiber Optics'. He concludes with great optimism that science and technology will provide the world's population with great opportunities for exploiting the world's resources to their fullest extent. Each essay in the book is introduced with a witty drawing. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 44 19 Ruan Yuan as a "bridge for classical learning" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that "recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era."10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan. After becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously." Other scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that "Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that "Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun."'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success. Ruan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 49 chong ding yi chi kuan shi may be gained from perusing a 1853 printed copy of the manuscript of the work. In the preface to the original edition, dated 1804, Ruan Yuan had listed 12 friends who had collections of ancient bronze vessels with inscriptions. Rubbings had been taken of these inscriptions, and the friends had meticulously consulted each other as well as Ruan Yuan on their identifications. Their conclusions had been gathered to be published in this book named after Ruan Yuan's studio, the Jiguzhai, meaning the studio to amass antiquities. Alas, in the preface, Ruan Yuan had singled out Zhu Weibi (1771-1840) "Who was extremely fond of ancient inscriptions on bronzes. I gave him these rubbings (the collectors had made) for his further scrutiny. A draft of this manuscript had been among the Zhu family papers until the 1850s when it was printed under the same title by Zhu Weibi's great-grandson and great-grand-nephew. Apparently the younger generation had wished to show the scholarly world that this noted work had been done mostly by their ancestor at the behest of the much revered contemporary official and scholar, Ruan Yuan. In the preface of the printed draft, the Zhu boys wrote. +26 This is a draft of the manuscript of Ji gu zhai chong ding yi chi kuan shi with editorial changes made by our ancestor and Ruan Yuan. Ruan Yuan had discovered a Song dynasty work on identification of ancient inscriptions and had wanted to have his friends' identification of vessels in their own collections further investigated. Ruan Yuan had planned to have their findings prepared for publication (and had written a preface in 1804). Subsequently, at the time (of the drafting of the text), in 1807, our ancestor was at home mourning the death of his mother, so it was he who performed the task in getting this work for printing. The original manuscript is still in the family collection." Other questions on Ruan Yuan's sharing work and credit with other scholars still need to be investigated further. Those scholars who performed the major share of a particular task, for instance, were given due credit. Yen Jie (1763-1843), was acknowledged as the editor-in-chief of Huang Qing jing jieh, and Jiang Fan (1761-1831) that of Guang dong tung zhi. Introducing Ruan Yuan's friends A list of 200 scholars associated with Ruan Yuan has been collated ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 10 [bid || 63 &£#* (The He You sheng, "Chen Lan Fu di xue shu ji chi yen yuan" [learning of Chen Lan Fu and its origins], Gu Gong Wen xian 2.4 (Taipei, 1971), 1-19. He's study on Ruan Yuan can also be found in "Ruan Yuan di jing xue ji chi zhi xue fang fa" [Classical scholarship of Ruan Yuan and his education policy], Gu Gong Wen xian 2:1:19-34 (1970). 12 Liang Chi chao, qing dai xue wen gai lun [A discourse on Qing learning], (1921, Taipei Commercial Press reprint, 1975), 22 13 Xiao Yi shan, ging dar tung shi [History of the Qing dynasty], (1935, Taipei Commercial Press reprint, 1976), 11 717. 14 Hu Shi, Dai Dong yuan di zhe xue [The philosophical studies of Dai Zheng], 138. 15 This is the only work of Ruan Yuan's that I have not been able to find. It was never printed because Ruan Yuan was not satisfied with the draft. The manuscript had been kept with Ruan Yuan's papers in his lifetime and subsequently disappeared. There was no indication whether it perished in the fires that destroyed the Ruan residence in Yangzhou in 1843, or that which burned down his studio, Wen xuan lou, in 1935. 16 Ruan Yuan himself, as well as contemporary and modern scholars, complain often of the many errors in this edition. Ruan Yuan gave the excuse of not having had time to proofread the manuscript himself. In fact, he had been receiving admonitions from the Jiaqing Emperor at that time that he was expending too much time and energy on scholarly activities instead of concentrating on the affairs of state. Gungzhong dang (Palace memorials) Jiaqing 017818 (1817/29). 17 This work was not printed during Ruan Yuan's lifetime, but is in Qing shi kao (Draft history of the Qing dynasty). 18 There are a large number of these biographies of individual scholars, not necessarily all Ruan Yuan, scattered throughout rare book collections in various libraries. Copies of the biographies are also among the Guo Shih Guan (Qing Historiography Office) documents in the National Palace Museum (Taipei). 19 For example, the Provincial Gazetteer of Fujian by Chen Shouchi, the Gazetteer of Yicheng by Liu Wenchi, and a new edition of the Gazetteer of the Prefecture of Yangzhou by Jiao Xun. 20 A contemporary print is in the collection of the Harvard-Yenching Library. 21 Struve, 233 22 Ruan Yuan, Ding Xiang ting bi ji [Informal notes from the Ding Xiang studio] 4:1b-2a. 23 [bid. 24 Ruan Heng, Ying zhou pi tan [Notes from Yingzhou] 1.4b; also Ruan Yuan, Yen jing shi ji [Notes written in the Yen jing studio] 11:8:8a. 24 Zhang Jian, et al, Let tang an zhu di zi ji [The life of Ruan Yuan as recorded by his sons and students] 1:19b. 26 The preface was dated 1804, but the work was not printed until later, in 1807 when the manuscript was finally acceptable to Ruan Yuan. 27 Preface of a work entitled Ji Gu Zhai Chong ding yi chi kuan shi, printed in 1853. A copy can be found in the Fu Ssu-nien Library of the Academia Sinica in Taipei. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 14 mostly written by himself, which sadly adds little to our overall knowledge. One of the problems is dating, not only of his personal life though the general outline is well defined, but also the dates prior to publication when he wrote up the notes and the final narratives. There would appear to be times when flashes of inspired hindsight have been included into episodes of his biography or into his essays on China's recent past, her problems and how they should be solved. Mesny's writings have brought to life again a number of now long forgotten aspects of life in China in the nineteenth century. It was not a China of pagodas, silk, tea and pigtails but one of hostility, dirt, bug-ridden towns and villages, a mass of poverty-stricken peasants and the ever-present threat of early death from disease. We tend to forget or overlook the acceptance as a norm in those days of the complications and tedium caused by time, distance, and poor communications when it took days and even weeks of tiring travel on foot or on the backs of animals to reach the capital of a neighbouring province. Nowadays we also tend to imagine that during Imperial days the peasant population of China was fairly sedentary with little knowledge of much beyond the neighbouring village or the annual district fair. Mesny describes at one point how memories of distant parts of China were brought home to their villages by the many individuals who served with armies suppressing revolts in distant provinces such as Mongolia, Yunnan and Dzungaria [now part of Sinkiang province]; and, for example, how far and wide the Cantonese, as traders, had spread their presence. Mesny also vividly brings alive on a number of occasions the atmosphere in which foreigners, often alone or in very small parties, were out on a limb in far-flung parts of China with ever-increasing xenophobia, and with anti-foreign violence threatening their very lives. The Miscellanies contained remarkably few illustrations. All were photographs of people apart from several poorly reproduced photographs in 1905 of astronomical instruments in the Peking Observatory before they were borne off to Germany by the German contingent during the Boxer rebellion in 1900, and one litho in Volume 4 of the first emperor of the Ming dynasty, merely recording who it represented. The picture of Chu Yuan-chang in all his ugliness was also reproduced later in 1910 in a small book also printed in Shanghai written by William Kahler, 'Chinese Hotchpotch', accompanying one of the articles reprinted from ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 58 [8] Notes on Official Rank and Degrees [in China] [9] Notes on Ranks and Duties of Customs Officials [A subject on which Mesny would be an authority in his own right] [10] Notes on Manners and Customs of the Chinese [11] Notes on the Cycles of Cathay for nearly 5,000 years [12] Notes on the Chinese Army and Navy [13] Law of the Ch'ing dynasty Many of the items on Chinese lore printed in 1905 were individually dated 1895 and had obviously been prepared at the time Mesny was producing Volumes 1 and 2. During the publication of the four volumes he described a large number of items such as the towns and cities of various provinces, one by one, with their longitude and latitude, ancient name, distance from Peking in 'li', their allotment of literary and military undergraduates every three years, and their produce. These must have been culled from a Chinese official source either direct or, perhaps, second hand, just as he must have culled a fair number of small items from other publications. He explains that he kept notes during his travels against the day when he would write it all up but regrettably he lost a number of his notes first in Tai-yuan in 1881 and again in Chungking in 1885. There is always the question of how reliable his memories of 30 - 40 years earlier were, and how much they were coloured by later events and changes in his own thinking. He wrote several book crits under Editorial Notes in the final volume, books which obviously had attracted him personally such as the one in February 1905 on the book Les Chinois, Peints par Eux-memes by the Chinese General, Tcheng Ki-tong.' He explains that Tcheng was the Attache of the Chinese Legation in Paris and a first rate French scholar. However, Mesny doubted whether the General had the ability to write such a book unassisted by a Frenchman of considerable literary attainments. The book was in its tenth edition; it was,' wrote Mesny, 'well written, and gave a very good account of China or the Chinese as they were in Fukien, although many of the manners and customs ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x Terminology 95 Button : The knobs used by the Manchu dynasty to indicate rank, worn on top of caps. They were either transparent or opaque and, depending on rank, red, blue, white or plain gold. Cash: the only coin cast in Imperial China prior to modernisation in the early twentieth century; a crude copper disk each with a square hole in the centre for convenience in carrying a large quantity, hence the expression ‘strings of cash'. Cash, like taels [see below] lacked uniformity in value, and strings, normally a thousand cash, often were composed of 700 pieces or even 1100 according to the regulations prevailing in the locality at the time. Giles claimed that the name was derived from Caixa, the Moorish name for the coin found at Malacca by the Portuguese in AD 1511. Ch'al-kuan : Orderly Officers. These were men of all ranks, risen from the lowest grades, and were the operative staff of any commander. Chai-tzu #7: a common term for a stockade or more commonly in southern Chinese rural areas, the village outer stockade. Chen-t'ai #✩ : General of Division and an Area Commander Chiang-chün #: General, a rank in the Chinese Imperial army used for commanders of reasonably substantial bodies of men be they regular forces or forces recruited for a specific campaign. Mesny explained that any commander lieutenant-colonel and above was referred to as general, and provided a good example with General Hsieh, the adopted son of General Liu, a major commander in the Szechuan force in which Mesny served. Hsieh was only 22 at the time of the campaign, some four years younger than Mesny. He had been the orderly to General Liu and had been adopted by him as his son after Hsieh had carried Liu off the battlefield, saving his life. General Hsieh's command in the Kueichou campaign consisted of the Left-wing Regiment and its second battalion; he could therefore be a regimental commander equating to a full colonel or brigadier at the most in western parlance. Another example is the "solitary battalion' under command of General Ho Te-wu, the Chung-tzu Ying, with Ying being a 'force of a number of battalions' or ‘a lone battalion'. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 96 Ch'in-ch'ai Ta-ch'en ✯✯E : Imperial High Commissioner, a very senior appointment. Ever Victorious Army ET: A European-officered Chinese force of the Imperial Army raised by the American, Ward, which ultimately, under the command of Colonel Gordon, assisted in putting an end to the Taiping Rebellion. Expectant... (Ho-ju) ✩A : A prefix indicating that an official was qualified and certified to take up duty in the post named. Fan-t'ai #: A provincial treasurer known to foreigners as the Commissioner of Finance; charged with the fiscal or financial administration of a province. Formosa: The Portuguese name for the island of Taiwan. Hakkas [Ko-chia] ** : One of the southern Chinese ethnic groups said to have migrated from northern China during the Mongol dynasty, ca the thirteenth century AD. Han-lin Yuan #: The Chinese National Academy, admission to which was the highest literary honour obtainable by a Chinese scholar. Ho-shang : Buddhist monk or priest. Hongkew : Site of the American Settlement in Shanghai, where Mesny later lived. Hsien : Administrative district. Huang Ma-kua : The Yellow Riding Jacket. A high award from the emperor to his senior officials. Imperial Maritime Customs: Chinese customs service with a foreign inspectorate largely able to control the collection of duties and taxes without the usual Chinese squeeze [q.v.]. Robert Hart became Inspector General in 1863. Jingal (gingal): The Chinese blunderbuss. It was generally fired from a swivel fixed on a wall or wooden post, but sometimes it was fired with ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 101 each harnessed and stripped to the waist, fighting the torrent. Treaty ports: Ports opened to foreign trade and residence under what the Chinese have always regarded as 'unequal treaties'. Tsung-li Yamen : The Foreign Affairs Bureau of the late Ch'ing dynasty, established after the capture of Peking in 1860 by the Allied forces. It was the channel of communication between foreign Ministers resident in Peking and the throne. Tsung-tu #: the Viceroy or Governor-General of one or more provinces within which he had the general control of all civil and military affairs and was subject only to the throne. Wai-sing Lottery: lit: examination of names, a kind of sweepstake, once a very popular form of gambling amongst the Cantonese, on the result of the public examination for the second degree. The holder of a successful candidate's name being the winner of a greater or lesser sum according to position on the published list. Wei-yuan A: a delegate staff officer, a special delegate or Expectant Appointee on ad hoc duty. White Lily Sect [Pai-lien Chiao] was a more serious rebellion at the end of the eighteenth century. This secret society, originally founded in opposition to Mongol domination several centuries earlier, had been revived in order to get rid of the alien Manchu rule of the Ch'ing dynasty. It broke out in western Hupei in 1796 and for nearly nine years taxed China's resources to the utmost. Although Mesny was not involved his and their paths crossed on occasion. Yamen : The official and private residence of any 'mandarin', officials who held a seal, a government office. Ying #: usually a battalion but not uncommonly, a force of a number of battalions. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 158 children took Mme Hardoon's surname-Lo-the Eurasian children the surname Hardoon. Their ostentatious life-style was particularly noted. The Aili Garden, designed to be in the style of the Da Guan Yuan of the Dream of the Red Chamber, embraced a temple and a school. After the fall of the Qing dynasty in 1911, it was said that the Hardoons assumed the life style of the court by entertaining imperial concubines and employing eunuchs as retainers. Actual facts known of the Hardoons are somewhat less flamboyant. Silas Hardoon was born in Baghdad. At the age of five, in 1851, his family moved to Bombay where his father worked for the Sassoons. In 1873 he moved to Shanghai to work for Sassoon as a clerk. His parsimonious living, administrative skills, and keen business sense soon enabled him to become a rich man himself. He engaged in opium sales and real estate speculation. Instead of buying expensive land in the British settlement, he bought land for himself and for the Sassoons in the External Roads area. And, when the settlement expanded, land value rose. It was said that he made as much as 500 million taels in one single transaction. Hardoon married a Chinese woman and had little to do with Jewish religious or social life in Shanghai, despite his significant gift to the construction of the Beth Aharon synagogue for the orthodox congregation Sheerith Israel. Before and during the Revolution of 1911, Hardoon and his wife harboured revolutionaries in the Aili Garden. Whether or how much they contributed towards the revolutionary coffers is unknown. Silas Hardoon died in 1931 and was buried in the Aili Garden. This final act of disregard of religious tenets again angered the Jewish community since the garden was not consecrated ground. The Kadoories The first woman to drive an automobile in Shanghai was Lady Kadoorie, wife of Sir Elly Kadoorie, an Iraqi Jew who made his fortune in real estate utilities in Shanghai. Kadoorie was a part of the Sassoon establishment until he went on his own. One of their sons, Lawrence,* was to become Lord Kadoorie, the first man from Hong Kong to sit in the House of Lords at Westminster. He has remained active in finance and industry in Hong Kong. Their other son, Horace, is known for his support for education of Jews all over Asia, including Israel. Horace likes to be active in all aspects of founding a school, from curriculum planning to staff hiring, in addition to fund raising. In Shanghai in 1939, * Since deceased [Editor] ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1993 https://digitalrepository.lib.hku.hk/catalog/66833t302 76 with ideological expressions, and political flavour have infiltrated sports news and editorials in the People's Daily. In short, sports demonstrates to be a very powerful tool for studying human thoughts and behaviour. Although this study is a rather small scale study on the concept of face, it makes a pioneer step to confirm the existence of a nation's face. Given this, the concern of a nation's face may cast some influence in the behaviour of the government and the leaders. If more could be found about a nation's face, particularly from a comparative perspective, it may elucidate many of the political processes and economic bargaining that are vital to everyday international affairs and thereby the study of such. Hence, the present project, being the first of its kind to examine the concept of a nation's face, could prove to be helpful in the understanding of political processes and economic bargaining exercised by a nation via the concept of face. NOTES A story was quoted from history books of the later Tang Dynasty in C: Yuan (1982: 3362) It is about a military commander who had face because of his power over the army while his face also rested upon the performance of the army under his control For example, Jinpingmet, Dream of the Red Chamber; San Xia Wu Yi etc. A collection of the usages of the concept of face in these works could be found in Collier (1979) and Tien (1984) $ For example, in Liu Dah-ren`s (1981: 743, 1257-1258) and William's (1974: 58-59) works, there are more than a dozen idioms using the concept of face 4 Unless otherwise stated and unless some Chinese words and names have well established English transcriptions, all others in this paper follow those provided in the Concise Chinese-English Dictionary Beijing Languages Institute, 1979 * For example, Giles (1892), Liang Shih-chiu (1986), Lin Yutang (1972), Liu Dah-ren (1978), Wei Wen (1970), Wu Jingrong (1979), Yu Yunxia (1985) They contain explanations of the figurative meanings of face, such as 'reputation', 'show due respect for somebody's feeling', 'social standing, public image', etc. 6 It is about how an old official strives to maintain face, to live up to the expected material standards accorded to his position in the administration. It is about an old maid, who has become one as she tries hard but in vain to find a suitable match so that she won't lose face. All characters, except one or two, in the play strive to gain face by hook or by crook. Even though they acknowledge their unscrupulous behaviour, they deem it justified in the name of face (Lao, 1982: 259-260) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1993 https://digitalrepository.lib.hku.hk/catalog/66833t302 117 Ch'uanchou immigrants overseas, and in particular those from Yangchun. There are more than seventy-three temples in Taiwan dedicated to the deity, mostly in the Yunlin area, and as would be expected, he is very popular in Southeast Asian Fukienese communities where his images are to be seen in a great number of temples. However, his image has not been noted in either Hong Kong or Macau, nor had the local carvers in the two colonies heard of the deity. In Taiwan and Fukienese communities in Southeast Asia, many small images are grouped in comparatively large numbers on the main altar tables of Ch'ing-shui temples. These are borrowed by the sick or by close relatives who beat them home, where they are venerated, often to diagnose sickness before prescribing a remedy. This is done through a medium, though occasionally a villager who has never been in a trance before may suddenly voice the advice of Ch'ing-shui. Some families purchase their own image of Ch'ing-shui for their family shrine, usually after the deity has approached a member of the family in a dream and suggested the idea to him or her. Very rarely do laymen approach the god directly; he is consulted through a medium who recites incantations and receives instructions at a séance during which the deity determines the cause of the problem and prescribes the remedy. In Penang, Ch'ing-shui Tsu-shih is the main deity in the famous snake temple, where a great number of vipers hang from beams and branches and are known as the lieutenants of Ch'ing-shui or 'blue dragons', being referred to by devotees simply as 'dragons'. In another Penang temple, four images of soldiers in armour flank the image of the main deity, Ch'ing-shui Tsu-shih, with all four having surnames and together being known as the Four Great Marshals (of Ch'ing-shui) [Ssu Ta Yuan-shuai]. Legends about Ch'ing-shui are numerous and varied. One or two temple custodians have tried to place him amongst the mythological heroes of the Feng-shen Yen-i, including Purcell, but nowhere in the legends of the early dynastic era is there any reference to Ch'ing-shui Tsu-shih. In general, he appears to have been a Buddhist monk, born in Yangchun during the Sung dynasty, in AD 1044, and to have died in ca. 1124. Amongst the various claims, one custodian suggested that he was a Sung military adviser, Ch'en Ming-chao, who fought a losing battle against foreign invaders and then fled south with the defeated dynasty and settled. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 9 By their differences in dwellings and occupations, already observed, these four communities can be grouped into land-dwellers and sea-dwellers, the Cantonese and Hakka being the former and the Tanka and Hoklo the latter. 43 The Cantonese, or Punti as they are sometimes called, had their origins in North China and speak a Chinese dialect of the western section of the Yueh language which evidences their claim to be of pure Chinese stock. There is no record of their arriving in the province of Kwangtung, which they colonised, earlier than the Sung Dynasty (960-1278 A.D.). In the van were a clan surnamed Tang who settled in the Yuen Long district of the New Territories late in the 11th century. This clan became the largest landowners with their main centres at Kam T'in, P'ing Shan, Lung Yeuk Tau and Ha Tsuen. They exercised "a kind of feudal power, and the tradition they had brought with them was so strong that they not only became the founders of the Cantonese settlement but to this day exert a great influence in affairs. The Cantonese occupy most of the two principal plains in the northwest sector of the New Territories, and own a good deal of the best valley land in various other areas. Villages in the Tung Chung and Shek Pik valleys, on Lantau Island, date back to the early Yuan dynasty in the late thirteenth century. The livelihood of the Cantonese is dependent mainly on the cultivation of rice. The Hakka migrated originally also from North China and, moving gradually southwards through Fukien and Kiangsi in the 10th century, reached Kwangtung Province during the latter years of the Southern Sung Dynasty. They speak two dialects or sub-dialects of the eastern section of the same Yueh language that the Cantonese speak. Arriving after the Cantonese, the Hakka settled usually upstream of them, that is, on the poorer ground. They have, however, steadily over the centuries encroached on the land first occupied by the Cantonese. For example, after the Manchus in the 17th century had evacuated the entire population of the China Coast inland to guard against the fleet of the Ming Dynasty based on Formosa, the Hakka apparently took the opportunity of resettling in the abandoned coastal area. Again, Hong Kong island is said to have been originally occupied by the Tang clan but the British in the 19th century found it almost entirely inhabited by Hakka. A third example of Hakka encroachment is said to be Lantau Island which in recent times was depopulated by... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 55 poor doctor escaped to Taiwan on some other score. Then we learned that the famous playwright Woo Tzu-kwong () married the actress Hsin Fung-hsia () and the couple live happily together until now. It is fair to say that the theatrical people in China, including those actors and actresses, are living a stricter moral life than their counterparts of the European and American origin. I hope that, one of these days, the social differences will be swept away so that men and women can live a non-hobbled life as anybody else. The Applause and the Booing Applause by hand clapping is only a recent invention to the theatres in China. In the old days, applause came spontaneously from the audience when the public felt the singing or acting was beautifully done by yelling the word “Hao” (好) in the third tone. Booing was seldom practiced except for the following few reasons: (a) when the singer missed or could not keep up with the rhythm or beat of the music; (b) when the hat fell off from the actor's head to the ground; (c) in a fighting scene, when his spear, or weapon, fell to the ground. Coincidentally, booing is delivered by yelling the same word “Hao" (好) in a different tone, the fourth tone, pronounced as (). "The Patron Saint” of the Theatre You have probably heard that in China, every trade has its quasi-deity who is worshipped with reverence. The position of this quasi-god equals, in status, the “Patron Saint" in the Western world. In the theatrical profession, they worship Emperor Xuan-zong (玄宗) of the Tang Dynasty - his real name is Li Long-ji (). Xuan-zong is his reigning name. He was an exceptionally talented man, possessing charm and charisma. In the second year of his reign, he established, within his palace, a school which he called the "Pear Garden”, to teach young and talented men and women how to sing and to put on a show. Up to this day, people like to refer to theatrical men and women as "disciples ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 147 incense or joss sticks. According to Lo (1959, quoted in Iu, 1983), these trees were introduced into Guangdong Province from Vietnam in the Tang dynasty (619-907 AD) and were planted in large numbers in the New Territories during the Sung dynasty (960-1279 AD). In the late Ming period, the county of Tung-kuan was renowned throughout China for the quality of its incense. Until 1572, Tung-kuan county included the area subsequently forming the county of Hsin-an (including the present day New Territories) (Chan, 1989). In the Kuang-tung hsin-yu (Ch’u, 1974), it is noted that many people in Tung-kuan made their fortune from Kuan-heung (meaning incense from Tung-kuan) which was so popular that the annual sales values amounted to tens of thousands of taels. Incense trees were very suitable for the decomposed granite soils of the area and were particularly grown in the area of Shatin and the lower part of Lam Tsuen valley, whose name means "forest village", and around Tung Chung and Sha Lo Wan on Lantau. Interestingly, Schofield (1983) referring to the fine fung shui wood at Sha Lo Wan adds “In a suitable light, ancient log slides can be seen running straight down the steepest hills on this stretch of coast", although whether these have anything to do with the incense trade may never be known. The successful cultivation of the incense tree depended on three conditions, the suitability of the soil, adoption of proper methods of cultivation and the mastering of tapping and cutting methods for the collection of resin, which had a medicinal use. The general name of the varieties of incense produced in Tung Kwun, Po On districts, which included Hong Kong and the New Territories in those times, was "Kuan-heung" (Iu, 1983). The logs were collected at Tsim Sha Tsui from where it was shipped by small boats to Shek Pai Wan near present day Aberdeen on Hong Kong Island, where it was re-shipped onto Chinese seagoing junks to Canton, SE Asia and as far away as Arabia. It has been suggested that the cultivation of and trade in incense trees gave rise to the name of Hong Kong (meaning incense harbour). "Little Hong Kong, or Heung-kong-wai, is said to have been so-called on account of the quantity of Pak-miu-heung-shu then growing there, the wood of these white-wood fragrant trees is called "Nga-heung" (i.e. fragrant wood white as a tooth), is odoriferous when burnt, and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 190 her son would produce two images of the Patriarch if the son was cured. The son then produced the now famous Liu Tsu image, copying the mummified body, one small and one large, which have now been copied by most temples. The Taoist Seven True Ones The Taoist Patriarch Chung-yang founded the Taoist Ch'üan-chen sect during the Southern Sung dynasty. His seven disciples, enlightened ones, were known as the Seven True Ones (of the Northern school), though in some places, notably in Taiwan, it is believed that he and Ch'iu Ch'ang-ch'un were both only members of the group of Seven, and not the founder and senior member respectively. He and his seven disciples lived during the eras of the Southern Sung and Yüan dynasties, the 12th and 13th centuries AD. The Seven taught that meditation and exercises were the path to perfection through internal transformation of mind and body. Most of the Seven have not been noted in image form on altars, though tales of their lives, struggles and attainments to achieve the Tao are written up and available in a number of southern Chinese Taoist temples, though none have been encountered in Taiwan. The monastic headquarters of the Sect was first established in Shantung province, later moving to the Pai-yün Kuan in Peking. The tenets of the sect advocate the path to Tao through meditation and the transformation of mind and body rather than through physical exercises and the use of medicinal herbs. The secondary title of the Sect is the Golden Lotus Orthodox Belief, Chin-lien Tseng-tsang, reflecting the influence of Buddhism on the Sect. Images of Wang Chung-yang and of all Seven were noted in a major monastery in Shansi early this century, and are still to be seen in the temple at the base of Hua Shan in Shensi province. These Seven Disciples or Taoist Masters, known as Chen-jen, were: The first of the disciples is Ch'iu Ch'ang-ch'un, Ch'iu, the Perfect One of Eternal Youth. A master of alchemy and now a Taoist saint and Immortal, he lived towards the end of the twelfth century, the period of Tatar rule over China, and is renowned as the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 192 Another claim suggests that Ch'iu was the adviser to the Yuan emperor Shih Tsu [better known as the Great Kublai Khan] though as Ch'iu is said to have died in AD 1227 this would be impossible; yet another claim which is again fanciful, Ch'iu is said to have been the author of the dramatic version of the "Journey to the West" the well-known story in which Monkey [Ch'i-t'ien Ta-sheng] aids a famous monk to carry Buddhist scriptures to China from India. His mausoleum was in the influential Taoist White Cloud Monastery, the Sect centre, in Peking. Temple records in the Pai-t'a Dagoba in the Pei Hai in Peking noted that he died at the age of 80 in AD 1227. His image is to be seen on two altars in Hong Kong, both in Taoist monasteries where he is portrayed as a seated Taoist figure dressed in robes, blue in one monastery and golden in the other, with a black beard. He is wearing the tiny Taoist crown and holds a fly switch in his right hand. He has no unique identifying characteristics, though in private images he is often depicted with his blue robes decorated with pa-kua signs. His image, in both monasteries, is on a secondary altar in a main hall dedicated to Wang Ch'ung-yang, with Lu Tung-pin being the sole deity in the other secondary altar. These three Immortals are known collectively as the Three Generations, with Lü the eldest, Wang the second generation and Ch'iu the third generation and the junior. His great weakness, which he had to overcome, was his impatience. He was renowned for his propensity to butt in and offer his opinion, often after reaching conclusions prematurely. In Peking, his image in the Tan-chi Kung depicted him as a young man without eyebrows or whiskers and with a whey-coloured face. In Singapore, his old gilded image stands on an altar in an old temple in Telok Blangah where he shares a shrine on an altar with Lu Tung-pin, one of the Eight Immortals, with the other shrine occupied by images of Ho Hsien-ku, another of the Eight Immortals, and Sun Fu-jen, an unidentified matron. Ch'iu was deified by the Yuan dynasty emperor Shih Tsu [Kublai Khan, ca AD 1260] as: Ch'ang-ch'un Yen-tao Chu-chiao Chen-jen (MIÈ3⁄4Ç^). Later, at the time of Yuan Wu Tsung [ca. AD 1308], ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 100 personalities were the same. In an enumeration of patriarchs of their magic the Yao manuals from Liannan do name Xu Jiangyang (i.e. Xu Xun) just before a Zhang Zhao Lang (probably referring to Zhang Zhao Er Lang) and a Zhao San Lang (probably Zhao Hou San Lang). Comparing the position of Xu Xun in this account with the Cantonese DJYL which alleged the Zhang Zhao Er Lang and Zhao Hou San Lang were disciples of Lü Shan Jiu Lang, one may surmise that Lü Shan Jiu Lang is none other than Xu Xun. 36 We notice three different styles of names in this genealogy of the magic of sorcerers related by Bai. The first group had titles ending with wang "King", the second titles beginning with what looks like the name of a mountain followed by a number and the word lang, and the third beginning with a surname and ending in a pattern similar to the second. The first two characters in the titles of the third group seem at first reading two surnames which leads one to guess they refer to more than one person (3 in the case of Zhao Hou San (3) Lang and 2 in the case of Zhang Zhao Er (2) Lang). Of the gods of the second group the format of their title bears close resemblance to the names of some gods found since at least the Southern Dynasties. It was this third format that we have seen above appearing as ritual names of some class of persons initiated by traditions of magic found among the Yao, the She and the Hakka. The Southern Song passage has a note under Lu Shan saying that it was a mountain in Luzhou or what is Liaoning province in Northeastern China. A work of anecdotal literature of the Jin period, by Yuan Haowen (1190-1257), did mention a Lu Shan Gong temple or Lu Shan temple in Guangning, near Lu Shan in the present Liaoning province, which was certainly in honor of the god of the Lü Shan. The temple was said to be very daunting. It housed ugly and fearful images, so much so that people who entered during day time were frightened. The name of the other two mountains can be found in many different parts of China, making it difficult to determine their locations. In the case of Heng Shan, the one referred to in the name of the god may be related to the one in the story of Sishan Zhang Daidi". But a popular novel from Fujian in late Qing dynasty, featuring as its central figure Chen Jinggu, allegedly the disciple of Lu Shan Fazu, quoting what it claims to be a saying known in Fujian at its time, suggested that the place is in Fujian province itself. I believe that Lu Shan could have been somewhere in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 105 In the Southern Song period the first ancestor (“29th generation" in the Xus' genealogy, who lived, again, in Jiangxi Province, had the names of Er Shi Jiu (29) Lang, whose grandsons moved to Fujian “at the end of Song dynasty". The genealogy consistently includes langming designation only when more than one name is given for an ancestor. The first of such examples is a 39th generation ancestor. Although no date is given for him, he was probably a century earlier than a 43rd generation ancestor who lived during the Yongle years (1403-1424). Some segments of this Xu clan had ordination names, with the exception of about five consecutive generations during early Ming dynasty, during a period that spans about 20 generations ending in early Qing. Another Xu genealogy, related to the Xu clan above, using another system of numbering generations, named three ancestors in the 2nd, 3rd and 4th generations with ordination names, the last, a sorcerer/curer widely respected among his kinsmen even long after his death, lived between Wanli and Zhengtong (1436-1619). 65 For the period between Song and Yuan we have more examples. The Fourth Genealogy of the Hes of Shixing names many ancestors with ordination names; among the earliest were a Wu Lang who moved to Fujian from “[Jiang]Nan ji[di] Luzhou” sometime between the times of Song Jiezong (1086-1100) and Yuan Chengzong (1295-1307). I have already mentioned another genealogy of the He, in which the sons and daughters of the founding ancestor Weitai were all claimed to be “immortals”, at least four generations before an ancestor who moved between 1086 and 1307. L. Hade, to whom many genealogies of the Li surname trace, had several sons with ordination names, whose birth dates were given in one genealogy as 1329-1333. During the Ming the Yaos of Shixing Pingyang Tang had names in the lang style since the first ancestor named in the genealogy who lived near the end of Song. During the Ming there was an ancestor who had an ordination name designated as such, who moved to Shixing of Nanxiong in 1451. Similarly the Miaos had many names in the ordination name styles since their move to the present Guangdong province, with one for an ancestor who died around 1452 designated as such. New ordination names probably stopped being included in genealogies early in the Qing dynasty. I have already mentioned the case of the Xus. For this last period there were examples in several Hakka genealogies from the New Territories of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 106 The genealogy of the Chengs of the Nam Wai traced their origin to a Song dynasty settlement in several places of Xingning, with farming and orchard land of several Chinese acres and population of more than one thousand. As the result of disorder during the Yuan they lost all names and burial places of ancestors save what was called their zheng shizu immediate Beginning Ancestor, ancestor Shao Ji(7) Lang. This name, while not indicated as a duming, also fits into the pattern of ordination names. The beginning ancestor's eldest son Shao Jiu(19), who was said to be of the Yuan dynasty, had only one son Shi Jiu (19). The latter moved to Changle County in the Taiding period (1324-1327) when he had no relatives around at the native place of Xingning. His son Liu Shi San (63) bore a son during the Hongwu years, Liu Shi Jiu (69). Liu Shi Jiu had a son called Sheng who lived during the Tianshun years (1457-1464), to whom the genealogy attributed magical powers,” but does not indicate any ordination name. One part of the genealogy listed the next eight generations, showing separately the two descendants of each of his two sons, while limiting itself to the descendants of the elder son in the last four generations. Another listed the descendants of the second son, who is an ancestor of the Chengs of Nam Wai. The first ancestor to have an ordination name in the genealogy is Fa You in the seventh generation, an ancestor of the Chengs of Nam Wai. His father lived in early Ming during the Hongwu years (1368-1398). But it was among the descendants of the first son that we find many with ordination names, a large proportion of the ancestors named for the 12nd to 14th generations." The only other ancestor of the Chengs of Nam Wai to have an ordination name was Fa Jing of the 16th generation who moved to the Xin'an county in the early years of Kangxi (1662-1722) at a very young age "His ordination, it therefore appears, probably took place in Xin'an county, Similarly, in a fragment of the genealogy of the Lis of Wu Kau Tan after the name of the 14th generation ancestor Ming Fang and his zi and hao names there are eight words which can be punctuated as "[alternative name] Fa Nian, and fang ming Li Mou Shi Lang”. While the term Shi Lang is the same as a title of an official it seemed to be originally Mou Shi(4)Lang. The caption of the plate says this is the first ancestor of the Lis to move to the Hong Kong region, probably in early Qing. The Chens of Luk Keng and elsewhere of the New Territories had some ancestors with ordination names since the 1st generation in early Ming until the 10th generation in early Qing. One Page 135 Page 136 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 112 The sessions for the maintenance of the ancestors' army are "Issuance of Pai [token of authority] to Recruit Soldiers”, "Recruitment of Soldiers”, and “Distribution of Army Provision". The three were part of the Anlong rite I witnessed at Cheng Lan Shue, although the offering of a raw pig was not part of that occasion during which the villagers were to take vegetarian food only. The Decline of Magic, the Rise of Literati Influence? This Lu Shan-related tradition of ordination had persisted for about ten centuries among the Hakka in the apparent absence of an "orthodox" Daoist tradition. This is despite the fact that Chen Nan, the founding master of the Southern School of Daoism in Southern Song, is from Buoluo of Huizhou, a county where some Hakka live. Moreover, many Hakka settlements are in the proximity of the famous Daoist mountain of Luofu Shan. On the Buddhist side, we know about some Hakka ancestors who befriended monks (e.g., the one in the genealogy of the Lins of Lam Tsuen). The genealogy of the Chens of Luk Keng also mentioned an ancestor who had the type of ordination name we discussed and was to become the founding patriarch of a Buddhist establishment, using another, Buddhist ordination name. Another example, again in a family with ordination names since an early ancestor who lived in Song times, is provided by the Wens of Xingning county. An 8th generation ancestor, who does not have an ordination name, made donations to a Buddhist nunnery, yet all his sons had the same type of ordination names. A story in a work of anecdotal literature of the Yuan dynasty, of a Buddhist monk from Nanxiong Prefecture, where there were some Hakka settlements since early days, suggests that those enlightened in "respectable" religions may feel powerless in their home village. The monk, who returned having attained a high level of enlightenment in Buddhism, had to eat non-vegetarian food so as not to contradict his mother. When he tried to wash away the food from his intestines afterwards he was scolded by an old woman of the neighborhood, using the name by which he was known when small. Eventually, he had to leave the village for a Buddhist monastery in another prefecture. The story tells how, long after the death of this monk, the coming of people from his home place is ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 121 4. Such as Muxía San Lang (p 695), Hagoo Wu Lang (p. 1802), Hupe Wu Lang (p 1802) and Mu Ping San Lang (p. 308) 12 See for example, Yi Yuan of Southern Dynasties15 p. 1, Shoku edition. The passage reportedly appears also in Hua Yang Guo Zhi of earlier Jin dynasty, and the Hou Han Shu of the Southern Dynasties "Kainan Xhuan Xin" 4, Shoku edition pt Hht No Gan p 5 in Shankar edition 14 For Tarshan Shi(4) Lang see p. 297 21b Tarshan Sau Lang | 298 p 24b Huayue San Lung | 300 p 30 and ↑ 301 p 33, Huashan San Lang | 303 p 39. There is even a Ji (7) Lang son of Daryue San Lang in) 305-p-490). By in Xiaoshuo Daguan edition reprinted Yangzhou 1983 ** J 4 p 21 in Shrakat edition "The Wudu HaYao", quoted by Wang Jiayon Daojiao Tungan, hengdu Basu Shushe, 1987, $49 IN Nanbu Xusha, Simoku edition mp4 Hong op out p 508 * Quoted by Rolf A. Stein "Religious Laoism and Popular Religion from the Second to the Seventh Centuries”, in Holmes Welch and Seidel eds. Facets of Taoism. Yale University Press, 1979. He dates the collection as from Tang dynasty (p. 67). The text is in the Daoist Canon, vol 704 4) Garyu Congkao | 37, p 677 in reprint by Hefei Rennin Chubanshe 1990. 52 Hong mp of, pp. 916, 1692 * The most curious example is abid, pp. 328-110, quoting an abridged document submitted to a temple as petition. The quoted passage gave an additional name of himself in the form Ediscuss here. The quoting passage seems to have overlooked the fact the author of the quoted passage was the husband of the female ghost who made trouble. DIYLp 41, p 25 "He may be related to Zhan Hou of Jin dynasty who appeared in a legend about a stone horse and stone rider, related in the Yi Yuan a work of the Southern Dynasties quoted by Taiping Guangji4 (top en ↑ 284 p 1969). Perhaps the same Zhao Hou is referred to by Zhao Hou Nan Fa (Southern Magic) and Zhao Hou Da (register) mentioned by the Ming Daoist manual [Tan Huang Daojiaoling Yu Ce, in the Daoist Canon vol. 1109-1110]. There are a few schools of magic, that calls themselves Nan Fa. One is mentioned in Du Guangting op cit 12 p 5, and another in Hong op cit pp. 1733 and 1736] Page 150 Page 151 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 124 I am not sure if any link exists with some belief that descendants of those imitated in Mao Shan magic will have physical imperfection. The villagers of Lin Au are of Zheng and Li surnames. According to Mi Li Fu'an, in his mid-60s, the Zhengs had two ancestral hails there. One represents the lineage which moved from Shing Moon, and the other, the one which celebrated the Fengchao, was from Luoding. Li said the latter never had a genealogy, and are not genealogically related to the other Zhengs. According to Li, both the Zhengs and the Lis have lived in Lin Au for nine generations. The only Zheng of the lineage from Luoding now living in the village is a young man who did not know about the practice, and others have emigrated to Germany and other foreign countries. The other Zhengs used to witness the rite and Li said the groom was to carry an incense burner (being in bat) until dawn, probably the end of the rite. Li also learned from the other Zhengs that a groom can have the rite performed only if his father did so, and usually the first and last sons of a man have the rite performed. In my recent visit to Cheng Tau, Ha Hang and Shan Tau Kok, I have found little about those villages. Ha Hang, whose villagers are probably all of the Li surname, have two ancestral halls. Shan Tau Kok is a multi-surname village where the Zhengs form a separate cluster of houses which include an ancestral hall. The contents of the document is in one of the priest's manuals. I do not have a copy and did not write down anything when he showed it to me because I thought I would be able to make a copy of the manual afterwards. This document may be the "white [ordination] certificate" mentioned by Guangdong Xinyu and the gazetteer mentioned above. In my recording of the rite of Fengchao, a series of ordination names were recited during one session. I have to check if those are ordination names of the priest's ancestors or those of the client's. * The genealogy bears the title of Chenst Yuanlia Zupa, included in the British Library's Baker collection of genealogies of the New Territories, but is referred to in some lists as the Genealogy of the Chens of Ting Kok and Ping Yeung. Ordination names are found first in the 87th generation of the first section, among some brothers and cousins who moved to Fujian and Guangdong provinces. The following helps to date the 87th generation. A son of a brother of the 79th generation ancestor obtained a jiren degree in the year 889. Some brothers of the 84th generation ancestors moved "during the disorder [caused by the invasion of?] the Yuan". The 89th generation ancestor is a jinshi of Yuan dynasty. I fail to see how the "Founding Ancestor of Fujian" Jingwang in the second section of the genealogy relates to ancestors in the first section. A third section of the genealogy named the same Jingwang (ordination name Nian Yi(1) Lang) as the "Founding Ancestor of Changle" county, who was a descendant of a 83rd generation ancestor and a 86th generation ancestor, the latter being a brother of an ancestor in the earlier section. Jingwang's sons also had ordination names. According to a preface dated 1618, Jingwang moved to Changle some 200 years before then, i.e., around 1400. An 8th generation ancestor in the 3rd section moved to Ding'an of Xin'an county, probably Ting Kok in the New Territories. A 4th section of the genealogy started with Gulong as a second generation ancestor of Changle, who, according to a note before the section, was the third son of Jingwang, the Founding Ancestor of Changle, although Guilong's name does not match any of those of the sons of Jingwang in the previous section. Some of Guilong's 9th generation descendants moved to Ping Yeung of the New Territories. No ordination names are found in this 4th section. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1997 https://digitalrepository.lib.hku.hk/catalog/wp98g7579 52 dedicated to the 3rd century BC hero, Li Mu? Peasant memories have so frequently proved to have been selective and extremely partial to local heroes and as the famous battle fought by Yang Yeh in northern Shansi took place quite close to the site of the temple it would be understandable for them to assume rightly or wrongly that the temple had been dedicated to his son in those distant days before the temple was destroyed. And here is another problem. No one nowadays knew when the temple had been demolished, the best bet would seem to be during the Japanese campaigns of the 1930s. NOTES 'The Khitan [in Chinese Ch'i-tan] were Tatars who adopted the Chinese name Liao for their dynasty, and were hunters from approximately the area now known as Inner Mongolia 4 ༣ "General" in Chinese used to be a generic term for the leader of an independent body of soldiers and was even used for leaders of village militia groups as small as a score or so He was also known as P'an Hung and referred to in the novel as the Sung Imperial adviser Hung-yang Tung At the Hung-yang cave) The Eldest Son was Yang Yuan-ping, the Second Son, Yang Yen-ling, and the Third, Yang Yen-kuang. *This cult is in no way connected with Yang Hou, whose images have been noted in eight temples in Hong Kong and Macau 7 A small temple in Taipei is dedicated to the Four Ambassadors [who crossed to Taiwan] from the Chin Lake in Ch'uanchou, and despite the main deities within all being pestilence Wang-yeh, and acknowledged as such by the temple keeper, they were also identified as four of the sons of Yang Yeh. The images were well-nigh impossible to discern with any clarity as the protective plate glass was extremely grimy. 8 Werner also noted that Ch'an Shih-kung was a popular deity in Kiangsi province whose aid was sought by peasants for rain during prolonged drought. He added that pictures of the deity in monasteries showed him with a vermilion mark on his forehead and with a tiger crouched at his feet. Legend explained that a tiger which had menaced travellers had been ordered by Ch'an Shih-kung to desist, and it had followed him like a dog thereafter. It would seem that the deity noted by Werner was not in any way connected with Yang Wu Lang. 9 In a small Singapore temple the following title was inscribed into a multi-deity tablet, even though no images of the Yang clan were present: Hsien-feng Yang Chiang-chun Chi-chiao Wang-yeh [The Fleet of Foot Vanguard General]. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 52 Ssu and the Pi-yun Ssu. They were first placed there some three hundred years ago, towards the end of the last fully Chinese dynasty, the Ming and before the overthrow of the Ming by the non-Chinese Manchus. The Two Temples in the Western Hills The old Kuan Yin Hall of the Ta Pei Ssu X, the fourth of the Eight Great Places in the Western Hills of Peking, is sealed off and not available to the general public. It contains a modern image of the major deity, the bodhisattva Kuan Yin with a Thousand Arms and a Thousand Eyes together with old but refurbished images of the Deva with their name in Sinicised Sanskrit but without providing any hint as to their origins and legends. The statues of the Deva were originally made during the Ming, ca. 1500 AD, and consist of clay reinforced with hemp. They are referred to in temple literature as the Group of 28 Great Immortals +. The image of the Thousand Arm and Thousand Eye Kuan Yin was replaced by the Japanese after the Second World War in an attempt to make amends for having taken the original and melted it down for the brass content during the War. The Kuan Yin Hall in the Ta Pei Ssu contains in addition to the one bodhisattva, Kuan Yin, twenty-eight images, which can be categorised as follows: twenty-six deities with Sanskrit titles including the five T'ien-wang [Guardians] together with two Chinese folk religion deities. Of the twenty-six, five are deities specifically referred to separately in the Eight Classes of Supernatural Beings? [Deva, Mahoraga, Kinnara, Asura and Gandharva] It is lamentable that the Kuan Yin Hall is closed to the public; however, fortunately, there is also a Hall of Bodhisattvas in the second temple, the Pi-yun Ssu #, some five kms. to the north of the Ta Pei Ssu, which is open to the general public and it too contains the Twenty-eight Deva; however, the images here have all been made within the past fifteen years, probably replacements for the original images destroyed during the Cultural Revolution and yet again without any signs to indicate that they are anything other than Chinese deities. The fact that all but three were originally Hindu deities brought to China by Buddhism is not explained in temple literature, though the monks un- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 59 Conclusion We have been examining a particular arrangement of Indian Deva within two temples in the Western Hills of Peking. Each group has an image of the Bodhisattva Kuan Yin as the main deity within the Deva hall itself. Although monks explained that the images of deities down the side walls of the hall had been created in accordance with researches in old Buddhist books, there was no explanation why they should all have a Chinese rather than an Indian form. It has been suggested by devotees that the concept of the Deva might have reflected the Manchu dynasty's affinity with Tantric Buddhism, and perhaps Vedic beliefs or been brought by Lamaist monks during the late Ming but there is no evidence that this was so. Yet another devotee thought that when the images were first created during the early sixteenth century, Chinese craftsmen had a somewhat limited idea of the origins of the deities concerned and even, perhaps, no idea what the people of South Asia looked like and therefore made the images in the form of Chinese. An unanswered question is the presence of several deities within the groups of Deva whose origins were entirely Chinese without any connection whatsoever with Vedic Hinduism. A small number of individual images of deities with a Brahmanist origin have been seen on altars in temples in all Chinese communities; these however have not been at all widespread. Typically they were adopted by immigrant Chinese from native Buddhism. A remarkable example of a syncretic group of Buddhist, Hindu and Chinese folk religion deities is to be seen in a joint Buddhist, Hindu and Chinese folk religion temple in a quiet area of Angsila some sixty miles south of Bangkok. The three altars against the rear wall in the main hall of this temple are the Thai Buddhist altar, stage right with an image of Sakyamuni Buddha in its centre flanked by two other Thai Buddhist images. The central altar, the Hindu altar, contains one large image of Shiva [Siva], holding a trident and dressed in a robe and turban, and with several small unidentified images standing before him. And finally, the Chinese folk religion altar dedicated to T'ien Hou, the patron deity of sailors, with her small image on the altar, stage left, flanked by her usual demonic attendants, Thousand-Mile Eye and Following-Wind Ear. Devotees of all races pray before each altar in turn, usually beginning with the altar of their own culture and cursorily placing incense before the other two. In the temple forecourt are large brightly painted ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 141 been sacked in the memory of man. When the Taiping rebels came to the walls of Nanchang in the middle of the 19th century, they saw sitting on it the figure of a huge man swinging his feet in the moat. He was apparently selling sandals three feet in length to the beleaguered citizens. That was enough for the attackers who turned and fled. It was the figure of Xu Xianzhen. This, however, was not true of the Wan Shou Gong at Xi Shan which, according to temple records obtained by Professor Liang Hongsheng. These are quite clear that since the Furen Palace was first constructed there in 1743, it was destroyed by fire first in 1820 and again in 1856, after it had been rebuilt in 1848, by the Taiping rebels. It was again repaired in 1871 only to be destroyed once more nearly a century later by Red Guards, Somewhat surprisingly Xu has been seen on altars in Taiwan, Singapore and Malaysia, possibly carried there by immigrants from Fujian province, a province immediately to the south of Jiangxi. His is, however, a minor cult deity. An image of Xu, one of the minor healers in a group of five, on the main altar in a temple in Hsinchu, in northern Taiwan, portrays him as a standard Daoist immortal with a sword and small Daoist crown. The gilded image is swathed in a golden robe and all that can be seen are his face and bald head, his black beard and one hand holding the sword aloft. He and the others are collectively revered by devotees as celestial doctors who reveal herbal prescriptions for devotees through a spirit medium. The senior celestial doctor in the group of five is Yang Zhenren, better known perhaps as Yang Zhensong; the other three junior doctors being Xuan Zhenren, Wu Zhenren and Sun Zhenren. The old temple keeper who had founded the temple and is now dead, came over to Taiwan in the 1930s bringing the cults with him from Nanping in Fujian province, some 200 miles due south of Nanchang. A temple in Singapore, opened in 1971, has Cuji Zhenjun as the main deity on its main altar. The temple keeper was in no doubt that this deity was Xu Sun, a famous Song dynasty doctor, who was portrayed as a black-bearded, seated Daoist, dressed in colourful robes and a scholar's hat, but without any unique characteristics. His image is flanked by two aides who have not been noted anywhere else: Cishui Lingguan Dadi 刺水靈官大帝 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 142 and Zheng Lingguan Yuanshuai EA Xu Sun's festival is celebrated on the 1st of the eighth lunar month, though in a few of the temples a further minor festival is held on the 28th of the first lunar month. Apart from his title, Xu Zhenjun and his personal name, Xu Sun, he is also known as: Xu Xianzhen 許仙真 Xu Xian Zhenren 許仙真人 Xu Zhenren 許真人 Shengong Miaoji Zhenjun 神功妙濟真君 a Song dynasty title Jingming Zhongxiao Dao 凈明忠孝道 a Song or Yuan dynasty title Note: This deity should not be confused with another, Xu Jia, also known as Xu Zhenren A nor should either cult be confused with yet another local deity, Xu Tianjun. A further complication arises from the identification by some temple keepers in Singapore and Taiwan of Xu as the local Chaozhou community Military Earth God, Gantian Dadi. i Chinese Medical Deities: 1870 ii Sun Simiao, one of the Ten Celebrated Physicians renowned not only as a herbalist but as a diagnostician was also of Jiangxi province. iii Wu Ben, a herbalist of great renown born in a village near Xiamen in Fujian province. He is possibly better known by his title of Baosheng Dadi, the Great Emperor who Protects Life. iv Fitkin, Gretchen Mae: The Great River - The Story of a Voyage on the Yangtze Kiang: Shanghai: Kelly and Walsh: 1922 v Professor Liang is Head of the Department of History at the Jiangxi Normal University in Nanchang. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 181 may be unremarkable, in Mao's China not all that long ago folk religion was taboo, and even in today's China that they offer such displays of the old deities without blatant propaganda is surprising. NOTES 1 The Feng-shen Yen-i is usually attributed to Hsü Chung-lin who lived during the first half of the 16th century. 2 The mythological gods of the Creation and pre-history are different from the “human” deities, the latter being canonised since the 11th century BC [and, indeed, up to the present day] 3 Confusion between the new dynasty, the Chou and the last ruler of the Shang, Chou Hsin was so general that it became the convention for a while to romanise the name of the last ruler of the Shang as Tsou rather than Chou. Duke Fa of the Shang vassal state of Chou, the later King Wu [Wu Wang], the first emperor of the Chou dynasty Filial piety prohibited a son from bearing a higher title than that borne by his father. Should he acquire the throne it was necessary that the title should first be conferred on his father, dead or alive. We therefore hear of names like Wen Wang [the Emperor Wen] and Chou Kung, awarded to his father and brother respectively, these being the titles 6 A mural portraying Duke Chou is one of the panels, together with others depicting Christ, Confucius, Lao Tzu and Mohammed, around the inside of the dome above the main hall of the cult centre temple of the I-kuan Tao at Nan Hua near Tainan. 7 The only image of Pai Chien noted in today's temples is in Havelock Road in Singapore where he is one of the 24 Heavenly Generals. * The seven, who not long after this became Immortals, free from the cycle of rebirth and death, were: Li Ching The Three Princes, Chin Cha, Mu Cha and Na Cha Yang Chien Wei Hu ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 370 Guan Yin, wavered before offering incense to the image of Commissioner Lin, with the great majority ignoring the images of the three Chinese officials. However, it must also be pointed out that the woman custodian, a native of Shanxi, and the two middle-aged men who sat with her at her table beside the entrance knew next to nothing about the religious status of the Three Officials as well as that of Commissioner Lin. Devotees were, in the main, young Chinese on a day out visiting the Museum and the temple who seemed to see it as natural to offer incense to the main gods and, though they seemed not too sure about the hero, Lin, they were quite certain that the other three were simply there as part of the Museum display. The question is whether future generations will come to treat Lin in much the same way as other deified heroes of China's past, such as the Song dynasty hero, Yue Fei? ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 377 translated into Italian, then into French. It was the undated French version that we saw. It had been written, possibly in Macau, on the instructions of the Pope and described the persecution of priests. There was also a massive hand-written "Tartare-Mantchou French dictionary” 1st edition, Paris 1789, in 3 volumes. Another interesting book was "Dr Fryer's Travels: A new account of East India and Persia in eight letters, being nine years travels" by John Fryer MD (Cantab) and Fellow of the Royal Society, published in 1898. The more linguistically accomplished of our members interpreted these works for the benefit of all and there was much erudite discussion. This was the Society at its best and we could have spent many more hours, even days, delving into this fascinating collection. [Illustration Two]. On Saturday afternoon we drove out to Fa Hai (Sea of Dharma) Temple, in the distant western suburbs at the southern foot of Cuiwei Mountain. The temple was begun in 1439 during the Ming Dynasty (1368-1644) with funds raised by Li Tong, a favourite eunuch of the Emperor. It was completed in 1443 and named by Emperor Ying Zhong. The most outstanding features are the frescoes, which completely fill the walls of the main, Mahavira, hall. These reflect a relatively pure Buddhism without Taoist depiction. They are of Buddhas, Avalokiteshvara (Kuan Yin) and the three other bodhisattvas, devas, wonderful animals, auspicious clouds, flowers and realistic landscapes. There are five Buddhas on either side with the 10 Buddhas together representing the full power of Buddhism, and possibly also the idea of east and west. The colours are subtle and not too faded (although the viewing of a colour-enhanced video prior to touring the Temple helped our appreciation). In the temple grounds are unusual pine trees with silver-white bark; ancient trees, said to resemble dragons, and a bell engraved in Chinese characters expressing Sanskrit teachings. The auspicious clouds inside were matched outside, for misty rain added to the atmosphere of the temple, set in the mountainside woods. On Easter Sunday we were up very early to go to the oldest Christian church in Beijing - the Cathedral of Immaculate Conception of Blessed Mary, on Qianmen Avenue. This is also known as Nan t'ang, or South Church. The Emperor bestowed on Matteo Ricci the lands and funds to build the church near the then Calendrical Bureau inside ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 378 the Xuan-wu Gate. The church was built by Adam Schall and completed in 1652. Emperor Shun Zhi visited it 24 times, and often had heart-to-heart talks with Schall. On our visit the church was packed. The 7 o'clock mass was just finishing and the 8 o'clock mass then started, but many of those attending the first mass stopped for the second, for that was the Bishop's mass. After the distribution of communion he moved amongst the congregation, shaking hands, including those of several of our party. Emotional moments captured superbly on video by Allan Painter. [Also Illustration Three]. This was followed by a quieter visit to the massive National Museum of Chinese History, fortunate to have a superb view over Tien An Men Square. The many different objects set out on display in traditional museum style fascinated different members of our group. It was lovely to see a large number of children, some with parents, busy drawing different articles in the collection with notable artistic talent. At the main entrance we saw long queues of children in uniform going into an exhibition marking the 100th anniversary of Chou En Lai's birth. After lunch amongst the spring blossoms of Bei Hai (North Sea) Park we drove north to Prince Kung's Garden (Gongwangfu). Prince Kung (Gong), a Late Qing Dynasty statesman and reformer, was the Garden's second owner. Exquisitely designed, the mansion exhibits a high level of classical Chinese architecture. The buildings are joined together by winding corridors whilst there is also an opera hall decorated with delicate wisteria patterns, however, the actual gardens were rather dry, dusty and crowded. Then we visited the nearby Changqiao Community Service Centre in Liu Yin Street where the Society was presented with the scroll painted by elderly members of the Centre. We heard about the various activities organised by the Centre. This was followed by a short walk and then the group divided up to go to individual homes in the hutongs for a meal. This was a delightful experience, enjoyed equally by both hosts and guests alike. The long day came to a delightful end with a visit to the Huguang Hall at 3 Hu Fang Qiao Road, Xuan Wu District. First built in 1807 it was also known as the Guangdong and Hunan Guildhall and was a ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1999 https://digitalrepository.lib.hku.hk/catalog/s178b887x descent from an Imperial clansman who was abandoned here in 1277 (their surname is the same as that of the Sung Imperial house), - the clan subsequently left the area'. Certainly the villagers remembered the Sung Court with reverence. Many folk-tales grew up in the nearby villages about the boy-Emperors and their actions. The villagers down to the nineteenth century revered the grave of the sister of the two boy-Emperors, which stood just outside Kowloon City. The major temple of the area, the Hau Wong Temple outside the Walled City, was dedicated to the uncle of the boy-Emperors, the Prince-Marquis Yeung Leung-tsit. The villagers say that they worshipped this man in secret during the Yuan dynasty, and built him a temple as soon as the coming of the Ming made this possible. The villagers greatly reverenced Yeung Leung-tsit's benevolence and selflessness, but his deification is clearly one that was intended to reflect the local people's reverence for the Sung Court as a whole. At some date, an important Market grew up in front of the yamen at Kowloon City. In the later nineteenth century this stretched from the south-east gate of the Walled City (the most important entrance to the City) down to the great stone pier that stretched out into the waters of Kowloon Bay. There was one long main street, with a number of side streets10. Around the Market there were a whole string of small suburban communities, mostly market gardening communities or else places doing business in offensive trades that were too unpleasant to occupy space within the Market area proper. The largest of these suburban communities was Sha Po Village, immediately east of the Market. This was mostly a market gardening village. Branches of the Nga Tsin Wai clans (among many others) were settled here, and it came to be regarded as a settled village with permanently resident clans. The Lok Sin Tong (founded in 1880), the most important local charitable organisation, was also here: the Tong occupied a large area (it had a major Meeting Hall and a dispensary for issue of free medicines, which, with its offices, were arranged around a courtyard with a garden, opening off Blacksmith Street through a substantial gateway, with a second courtyard behind with a school, which used the second courtyard as a playground). The Tong doubtless found land in Sha Po cheaper than in the Market itself. The other suburban villages - Sai Tau, Tung Tau, Hau Wong, and Hoklo Villages - were more transient. There were a few families in each, which were permanently settled, but most residents here were resident only temporarily. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 114 In imperial China the mandarins, i.e. the official class,1 as well as Daoists honoured Taisui at the beginning of Spring. This was an element of the official religion, with Taisui being an early deity who appears to have been first offered official sacrifices during the Yuan [Mongol] dynasty. The cult of Taisui, referred to as far back as the Han dynasty, was linked with the planet Jupiter2 which during its twelve year orbit of the Sun moves through the 28 Constellations. The Ministry of Time in the spirit world is ruled over by the President, Yin Jiao, a deified hero, - also known as Marshal Yin, though more frequently and popularly referred to as Taisui, reflecting his canonisation by Jiang Ziya in the popular historico-novel The Deification of the Gods [Fengshen Yanyi]. It was only after his popularisation in The Deification of the Gods that Taisui was identified with Yin Jiao. In the novel Taisui is portrayed as both a good human and a very ugly demonic deity with a face described as blue as indigo and with long protruding fangs. He is also referred to in another well-known novel of the same era, the Journey to the West [Xiyou Ji] where again he is described as blue-faced and with fangs. The Composition of the Ministry The Deification of the Gods3 lists the composition of the Ministry of Time. Apart from the President, identified as Yin Jiao, the others do not seem to appear by these names anywhere other than in The Deification of the Gods. Yin Jiao 殷郊 President Members: Wen Liang 溫良 Chiao Kun 喬坤 Han Dulong 韓毒龍 Xue E'hu 薛惡虎 Fang Bi 方弼 The Day Duty Spirit The Night Duty Spirit The Spirit who stores up Blessedness The Spirit who Shoulders Misfortunes The Spirit who Shows the Way ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 157 But First, the Story of the Rebellion. Tang Ming Huang, or Xuan Zong, the sixth emperor of the Tang dynasty, who reigned between AD 713-756, became infatuated by Yang Yuhuan, the consort of his son, Prince Shou, and caused her notionally to enter a Daoist nunnery. She soon became the favourite concubine of the emperor who shared with him her love of music and dance and whose hold over him led to his neglect of state affairs. It is rarely explained that the Concubine Yang was comparatively plump, conforming to the social concept of beauty of the era. By about 740 the Emperor, tired of the daily routine of his high office, now addicted to luxury and women, also became indolent. As the eunuchs gained ever greater control over state affairs so the emperor surrendered power into the hands of two men, Li Linfu and Yang Guozhong, the latter being a relative of the concubine. Only this one woman, the Concubine Yang [Yang Guifei], a famous beauty, was able to fascinate the ageing emperor. He took her into his own harem where she speedily dominated the aged emperor's consort after which he gradually slid into dissipation with his name forever linked with her and their ill-fated romance. Her hold over him led to his loss of interest in imperial duties transforming him from being a staid and good ruler to a playboy. This led to his downfall and her murder. In the late 740s she adopted An Lushan as her son and she, the emperor and An remained in a very friendly relationship until immediately prior to him rebelling. Despite An's gross and huge frame scandalous stories have circulated down the ages of his sexual excesses with the emperor's concubine, Yang, which may or may not have had any truth to them. General An lost the emperor's favour when Yang Guozhong, a distant relative of Yang Guifei who had worked his way into power, became the most powerful man in Court. He hated An and with the ear of the emperor he was able to turn the emperor's fondness into one of hate and distrust. Eventually, believing the calumny spread by Yang Guozhong, the emperor lost faith in his favourite general, An Lushan found his position untenable and finally, at the end of 755, he rebelled, almost certainly to counter the threat to himself posed by the ever-growing power of Yang Guozhong and his realisation that he had lost the support of the emperor. An Lushan's army drove east and in a series ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 169 the hills. In temples in and around Hsintien and Mucha Wang Gong is revered as the protective deity (with the pair being revered in a few places but still known as Wang Gong) with his [their] annual festival celebrated on the 10th day of the fourth lunar month, but largely without the great majority of devotees realizing the original identity of the deities. Wang Gong A is also referred to as Weng Gong and Huang Gong A, both of which are almost certainly erroneous titles due to mistaken homophones. In and around Hangzhou they are known together as Er Da Ming Huang [The Two (Generals) of Tang emperor Ming Huang]. A fierce image of Zhang, with his mouth wide open used to stand on a minor altar in a small temple near Donghu, a city some sixty miles upstream from Hangzhou. Devotees there believed that pain could be cured merely by touching the abdomen of the image whilst throwing a few coppers into its mouth. Two large images of Zhang and Xu in an old temple some fifteen miles east of Hangzhou, destroyed during the Cultural Revolution, have been replaced with modern images with the image makers being guided by the elderly from memory. This temple stands out in the countryside with the nearest village some half a mile away and with the catchment area for contributions for the rebuilding extending some ten miles in all directions. The refurbished temple has yet [early 1994] to have the two dozen aides flanking the side of the main hall completed, though the images of their main deities and their consorts have been finished. They are regarded as the local protective deities. In 1963 in Hong Kong, in a Chaozhou community squatter-shack temple on Lion Rock hillside above Kowloon [now long demolished], the two deities, represented on a framed paper icon on the main altar as two relaxed, seated mandarins in floral robes, were first identified as "The Two Loyal Dukes" or "the Two Loyal Saintly Lords". The two deities were later identified by several devotees as Wang Zhang Ek and Wang Xu Elf. The two mandarins, with long black beards, were identical and were prayed to as the patron deities and protectors of Chaozhou people. In 1927 Goodrich in Beijing recorded seeing images of “two famous generals of the Tang dynasty, Zhang Xun and Xu Yuan” in the Dongyue Temple to the east of the city.13 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 50 Li Deyu died in exile in 849, in Hainan some 57 years before the end of the Tang dynasty. He was born in AD 787, the son of a minister of state, and rose to become a great minister. In his heyday he was pre-eminent in China serving six emperors faithfully, including being chief minister to Tang emperor Wu Cong. Impeached as the President of the Board of War he was banished to Hainan where his spirit withered. He was not only a fine scholar but also favoured Daoism in the rivalry with Buddhism to influence the Court. He would appear to have had a comparatively close friendship with the Mao Shan sect of Daoists and is even thought to have encouraged the persecution of Buddhism and the imperial eunuchs. He was also an untiring opponent of eunuch influence. His achievements as a poet were recognised as was his contribution to horticulture. Li Guang was born in Fujian province in 1085 and died in a monastery in Hangzhou in 1140, having been an Imperial Censor and Minister of State. He is renowned for his opposition to the encroachment of the Jin Tatars and in particular the peace proposals by which Qin Gui earned his unenviable notoriety. In 1126 he commanded troops defending the capital and succeeded in defeating the Jin Tatars with great slaughter. He was impeached in 1127 after only a matter of months as Minister of State for irregularities in connection with the purchase of horses and levies of troops, and was exiled for a while before moving to a monastery where he lived out the rest of his life. Li Guang [1077-1159] was born in Yuezhou in Zhejiang. He was also a scholar-official, but of the earlier Northern Song. He also appears to be feted in Hainan for sharing Hu Quan's rigorous opposition to any kind of accommodation with the Jin invaders and his dislike of Qin Gui. The latter earned him demotion to Jianning military district, and later still another demotion. He was, however, rehabilitated to his original position in 1158 but died the following year while travelling to Jiangzhou. Hu Quan [1102-1180] was a scholar-official of the Southern Song from Luling in Jizhou, Jiangxi province, who received his appointment in the second year of Jianyan emperor. Before taking up his duties, the Jin armies crossed the River and Hu raised his own army to defend the area. He too is famous for his stubborn opposition to any kind of peace dealings with the Jin invaders. He petitioned for the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 59 in southern China. Although he is particularly remembered in the south of China as the General who conquered the Yue people [Tonkinese] in about AD 39, the Hainanese in South-east Asia regard him as one of their special heroes with his image on side altars in several Hainanese community temples in Malaysia and Sumatra. Support of such a powerful spirit of a general who symbolised courage and confidence in the comparatively newly conquered south was vital to bolster the spirits of the Chinese settlers and to counter threats from aborigines, the climate and the general misgivings of the migrants so far from the Han homelands of central and northern China. Although this was the original reason for the worship of this deity, in recent centuries it has been lost and, in general, replaced by worship for his magical efficacy in providing satisfactory solutions to daily problems. He began his career under the Xin dynasty ruler, the usurper Wang Mang but stimulated by ambition he later took up arms against him. During one campaign when briefing his generals he produced a "cloth model" by tracing out the lie of the land in a large tray of rice pointing out the routes and lines of advance his assembled generals should take. He aided Liu Xiu in re-establishing the Han dynasty by defeating the forces loyal to Wang Mang. Ma was then appointed Governor of what is now Gansu province, in the north-west, from where he led an army down to Tonkin to put down the revolt against the Chinese overlords. Ma Yuan, well known in Guangzhou for his great height and bravery as a general, was particularly renowned for his campaign in Annam where he had pacified the country and brought back to Guangzhou city a number of Tonkinese bronze drums which he had melted and cast into statues of horses. Apart from the award of the title 'The Conquering Wave' he had the honour of having his daughter joined in marriage with the heir apparent. A certain Lady Zhu headed the insurrection against the Chinese in Annam and was captured and sentenced to death. She had been stripped of her finery before execution and was dressed in her barest clothes. Ma Yuan took pity on her and gave her one of his robes to cover her bare limbs which is said to have led to the Tonkinese ladies' custom of wearing trousers and a long covering dress with wide sleeves. Despite his age he volunteered with his ardour and ferocity ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 65 should send a message to Li that he was sending a woman, his wife, to report as he himself was incapacitated. She would take with her lavish presents borne by a thousand soldiers all disguised as porters and women with their weapons concealed within the gifts. Everything went as planned and when Madame Xian and her entourage entered the city she gave the order to attack. The city was taken and a great victory achieved. Li abandoned Gaozhou and fled to Ningzhun. In the year of her husband's death the Chen Wu Di emperor rewarded Madame Xian by creating her nine year old son, Feng Pu, the Governor of Yangchun [Yangchun Taishou] with Madame Xian as his guide and mentor. summoned Feng Pu, the When, in AD 570, Ouyang He Yangchun Taishou, to Nanhai to entice him to join yet another rebellion, Feng Pu's first reaction was to inform his mother who advised him saying that having been loyal to the throne for three generations her son should not become involved. Then she, herself, led troops to attack Ouyang, captured him and sent him to Qiankang (present day Nanjing) where he was beheaded. The Chen emperor Xuan Di conferred the title of Xuan Hou on Feng Pu, reflecting his mother's loyalty and bravery. When Feng Pu died he left his three sons, Feng Sheng, Feng Huai and Feng An in the care of his old mother. In AD 588, the Sui emperor Wen Di planned to invade the Kingdom of Chen with a force of some half a million men concentrated in Jiangnan [the area south of the River (Yangze)]. Chen's defensive force was established in Lingnan with Madame Xian appointed commander by popular demand. She and her three grandsons were the great defenders of the Kingdom of Chen. Sadly, in the spring of 589 Jiangnan fell to the Sui emperor and the Chen emperor was captured. The Sui emperor asked the defeated Chen emperor to issue an edict to Madame Xian informing her that the destiny of a rule is decided in Heaven and that his kingdom had fallen. He ordered Madame Xian to submit to the Sui emperor and to serve him as loyally as she had the Chen dynasty. Enclosed with the edict was a rod made from a rhino horn which when examined by Madame Xian, confirmed that the Chen dynasty had in fact fallen. She agreed to surrender and peace returned to the area. In AD 589 Wang Zhongzhuan of Panyou rebelled and attacked ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 229 recollections, Jonathan Spence's depiction of Hong Xiùquan's madness in God's Chinese Son, and the argument of Robert P. Weller where he suggests the Taiping king's responses did maintain an appearance of sensibility to those in 19th century Guangxi and Guangdong (Resistance, Chaos, and Control in China: Taiping Rebels, Taiwanese Ghosts and Tiananmen (Seattle: University of Washington Press, 1994)). 38. No recognition of this kind of cultural logic is explained or addressed in any direct manner within any of the materials published about Ch'ea. Wherever Legge hints at this kind of problem in his 1861 "Journal of a Missionary Tour," the new editors of the EMMC/MM in London (Legge's father-in-law having died in 1858) consistently deleted it from his original text. 39. This rarely mentioned factor in late Qing political movements is hardly given the attention it rightly deserves, but has been recently readdressed in Frank Dikkötter's study, The Discourse of Race in Modern China (Hong Kong: Hong Kong University Press, 1992), especially the section on "Race As Type (1793-1895)", pp. 31-60. 40. Advocated in Paul A. Cohen's evaluation of historical writing about China as the appropriate new direction for academic studies. See his Discovering History in China: American Historical Writing on the Recent Chinese Past (New York: Columbia University Press, 1984). 41. Illustrations from the text are explained with translations and notes below each image, appearing in Paul A. Cohen, China and Christianity: The Missionary Movement and the Growth of Chinese Antiforeignism, 1860-1870 (Cambridge, Massachusetts: Harvard University Press, 1963, third printing, 1977), consisting of nine plates (seven with scenarios) between pages 140 and 141. 42. The book title was also translated by Christian missionaries who exposed the content of the volume in a tamer manner as Death Blow to Corrupt Doctrines. See Paul Cohen, China and Christianity, pp. 277-281. 43. Whether or not these exact images were being employed in the ideological opposition to Ch'ea's conversion is not certain. In fact, Legge himself possessed one copy of Bixie shilu only later in his life, possessing it only after 1884 when he received an "LLD" from Edinburgh University. The copy he received in Oxford originally was owned by Alexander Wylie, if the signatures on the cover portray the story. This same copy was later donated to the Bodleian Library by "H. Corbett", and is a text without pictures (Ms. chin. d. 23). 44. This is the argument of An Pingqiu and Zhang Péihéng, editors of Zhōngguó jinshu dàguān (A Complete Introduction to [the History of] Chinese Censored Books) (Shanghai: Cultural Pub. Co., 1990), esp. pp. 102-144, and also illustrated with extensive detail in Okamoto Sae's new publication, Shindai kinsho no kenkyu (The Prohibited Books in the Qing Dynasty) (Tokyo: University of Tokyo Press, 1996), where she discusses the kinds of books censored, the contents of these volumes, the authors and their fates. 45. And so the Taiping in their own demonology cast the Manchurians into the role of demon devils in response to these intergenerational racist oppressions. Spence notes the presence of the demonology, but does not point out the connection with the previous imperial tactics oppressing intellectuals (God's ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 250 the Fusang tree re-appears.) Practical aspects of archery mental training were also chosen as images to illustrate philosophical points in Taoism, as seen in the works ‘Liezi’ and ‘Zhuangzi’. But in practical terms, it was in military affairs that archery took the lead during the Han Dynasty. Interaction with the northern tribes on the battlefield kept up the pressure to hone mounted archery skills. General Li Guang's exploits against the Xiongnu are a case in point (Qian Han Shu: Li Guang Liezhuan, Selby: 8L). Certain military ranks in the Han military system also appear to have been appointed on the basis of military skills. (Han Shu: Zhi Guan. Selby: 8K.) According to the Ming author, Gu Yu, (Gu Yu: She Shu Si Juan: Lidai Wuzhi Kao. Selby: 8J) when the provincial rites were over on the first day of Autumn, military examinations started. Military officials provided training in ritual archery and the ritual sacrifice of animals, as well as the Military Classics. Presumably it was during the Han Dynasty that much of the Confucian elaboration of the Zhou rituals must have occurred. Confucius's (apparent) close connection with the ‘Archery Ritual’ (‘she yi’. Selby: 5B.) - he is both quoted in it and appears as a protagonist in the narrative - proved immensely influential when it came to formalizing the imperial system for selection of military officers. Archery and the formalization of the military appointment system The move to a formal, relatively objective and nationwide system for selecting military officials seems to have started in the Northern Wei period, when it became necessary to overcome the family-centered and ethnocentric systems of appointing officials that was endemic in the Wei-Jin period. Chinese historians have naturally associated archery with the nomadic tribes of the north, and it is these tribes who dominated the aristocratic lines of North China in the Wei-Jin Period. In his struggle for the unification of China, Emperor Yang of the Sui Dynasty needed to undermine the traditional power-bases of the aristocratic warlord families. In 607, he implemented examinations in 10 areas, including military affairs. There is no direct historical description of the content of the Sui military examinations; but from ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 252 the Tang Dynasty can be divided into two streams. There was a nomadic cultural stream that was the patrimony of the horse-based cultures of the North. This stream can be summed up by Sima Qian's description of how Hun children rode with their mothers before they could walk, learned archery riding on a goat and shooting rats as infants, and were well skilled for hunting and warfare by maturity. (Shiji: Xiongnu Liezhuan. Selby: 8G.) The Han Chinese did not regard archery as an innate skill, although they were quick to claim outstanding archery skills for model founding emperors of new dynasties. (Han Shu: Chao Cuo Liezhuan. Selby: 84H.) Nevertheless, archery was an acquired skill for the Han Chinese, and the acquisition took place most likely in an aristocratic sporting or educational setting. Texts on archery from the Song and later periods treated archery on foot and mounted archery separately. They offered few insights beyond what was set out in Wang Ju's Tang text. Much was made of the aesthetic aspects of archery on foot, and layers of philosophical introspection were added. Mounted archery, on the other hand, was utilitarian and fast. Writing in around 1040 the compiler of a Song military encyclopaedia, Zeng Gongliang, roundly attacked Wang Ju's 'flowery' method (Zeng Gongliang: Wu Jing Zong Yao. Selby: 10L.) Judging from the continued preference for the 'flowery style' into the Ming Dynasty, however, his views did not have much influence. Despite acquiring skill in horseback archery through training, there is no sign that the Han Chinese troops were not good at it. It would be wrong to imagine that the defeat at the hands of the Mongols and the fall of the Southern Song was due to unfamiliarity or an inability to deal with mounted archery tactics. That was largely a European defect. Ming archery was firmly rooted in the Confucian tradition. In the early part of the Hong Wu reign, Zhu Yuanzhang appears to have re-established the full archery ritual in parallel with the military examination, which had lapsed during the Yuan Dynasty. (Hong Wu 3: Edict on the Establishment of the Examination System. Selby: 11A.) In both the Song and Ming military examinations, there was a controversy over whether to give preference to candidates who could ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 258 Shanghai did not possess, and were undoubtedly conducive to health by promoting exercise. In winter the climate is bracing and healthy though fever and dysentery were to be dreaded in summer'. There are a number of highlights for foreign visitors beginning, perhaps, with the former foreign concession, though nowadays more than seventy years on, it is difficult to discern. Outside the Chinese old city with its modern main roads, cobbled side streets and a stone pagoda said to be 13th century Yuan dynasty, though its present condition suggests that it has either been well restored or completely remade within the last century, there are the fourth century Jin Shan temple and pagoda; the Grand Canal; the former British Consulate; the home of Pearl Buck, as well as the sites of the storming of the town by a British brigade on 21st July 1842 during the First China War [commonly referred to as the Opium War]. There are also the remains of the lengthy trench dug by the Taiping rebels to protect the city from recapture by Imperial forces as well as the ruins left after the destruction of the city by the Taipings during the 1850s. And for those who have read a little Chinese literature or attended Chinese opera the widely-known tale of the White Snake Lady is also part of the story of the Jin Shan temple. Before waxing too lyrically about its glories let us remember that Zhenjiang is the vinegar capital of China, with, if the wind is in the wrong direction, an evocative sour tang forewarning approaching visitors long before they are anywhere near to the city. The majority of Chinese when confronted with the name of the city almost to a man voice the single word 'vinegar' or to the connoisseur 'brown rice vinegar'. Zhenjiang was a treaty port with a foreign concession for sixty-eight years, from the signing of the Treaty of Tientsin in 1860 until 1928, one of the minor footholds foreigners had obtained from China in one of the 'unequal treaties' and the base for numerous foreign interests. There were great hopes for the place and Sir Robert Hart, the Inspector-General of the Chinese Imperial Maritime Customs, even anticipated that eventually it would eclipse Shanghai as a commercial centre. Despite numerous westerners passing through the place down the years only a few spent full tours of duty there. Many of the temporary visitors were the lesser employees of major western companies such as BAT and Butterfield and Swire, whose regular tours to the many small ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 261 were keen to claim association with the first rulers of the Zhou, of the 12th century BC, and also with the infamous first ruler of China, Qin Shih Huangdi who, it was claimed, had used the area of Dantu as a penal settlement. During dynastic times Zhenjiang was a walled administrative seat, an important prefecture, and one of twelve prefectural cities in Jiangsu province, in a major region known as Jiangnan [South of the River]. Zhenjiang means 'Guard-post of the River', a title given in 1113 during the Song dynasty, and its location, guarding the junction of the Grand Canal and the Yangzi, is such that it was a fortified post at the point where the southern arm of the Grand Canal crosses the Great River to join the northern arm, as well as being the first and ideal position to control the upstream passage of the Yangzi. The British political aim, when their soldiers captured the city in 1842, was to cut off the vital supply route, the Grand Canal, from southern China to the north in order to exert maximum pressure upon the Imperial government. Although Zhenjiang lays claim to a number of incidents, destruction by nature and by human hand, visits by royalty, legendary happenings we shall restrain ourselves to note but a few. Sun Ce**, who was assassinated in 200 AD, conquered a wide territory down to the mouth of the Great River, to which region he gave the title Jiangdong [East of the River]. His brother, Sun Quan of Wu# succeeded to his throne, and it is to him that Zhenjiang is said to owe its existence as a city. Moreover, it was here that he came to court the beauty, Pan Furen, whose father Sun Quan had condemned to death. He pursued her until he was able to make her his wife. Although Nanjing was Sun's main city Zhenjiang had reminders of his fortifications still visible during the early years of the Republic. The foundations of the fortifications that he built round his Governor's Residence could still be traced in a line of crumbling masonry that capped the ridge of heights connecting the then existing Zhenjiang city wall northward to the monastery, Ganlu Si. Also, inside the present city stood a high solitary gateway, with a building on it known as the Old Drum Tower. The masonry foundations of the gate were alleged to date from the time of Sun Quan, and some graves outside the North gate were also said to be those of some members of his line. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 262 War in 218 AD between two of the Three Kingdoms [San Guo], between Sun Quan of Wu and Liu Bei of Shu, led amongst other things to the capture of the city of Qingzhou. One of Liu Bei's generals, Guan Yu, hurried south to defend the city but was ambushed, captured and decapitated by Sun Quan after he refused to change sides. Guan was later deified as is now the immensely popular deity, the Patron of Uniformed Bodies and is known as the God of Loyalty, Guan Di. Thus, the founder of Zhenjiang had the distinction of slaying the consequent Patron deity of Soldiers, Firemen and Detectives and the second most popular god on Chinese popular religion altars. In the first years of the 6th century AD the first emperor of the Liang dynasty, Wu Di, who was renowned for his support of Buddhism and the Buddhist clergy, visited Zhenjiang. He had been visited by a divine monk in a dream who urged Wu Di to institute a great fast in order to rescue all sentient beings from the miseries of their existence. The Emperor ordered a new monastery to be built at Tse Hsin [Zexin], known today as Jin Shan to accommodate the Congress held in AD 507, and for centuries within the monastery there was a building known as the Hall of Liang Wang. This tradition is at odds with the date usually given for the founding of the monastery - AD 317. Our next story involves a deified hero who had nothing to do with Zhenjiang in life but, for some unknown reason, his cult would appear to have become centralised along the Grand Canal and especially at Zhenjiang. He is a canonised hero of the Tang dynasty, but one of a pair whose images elsewhere appear together on popular religion temple altars. These two euhemerised heroes, Zhang Xun and Xu Yuan, ***, have been seen on altars in Jiangsu, Zhejiang, Beijing, Taiwan, Hong Kong and South-east Asia. These two protective deities are known individually as the Venerable King of Peaceful Pacification, Wen'an Zunwang ✰✰ E [Zhang Xun] and the Venerable King of Military Pacification, Wu'an Zunwang ✯✯ [Xu Yuan] though they will + be referred to hereafter simply as Zhang and Xu. The most common history of the two heroes as related by a great number of temple keepers describes how Zhang and Xu, loyalists during the reign of Tang Ming Huang, opposed the rebellion led by An Lushan. They died heroically in AD 757 during the civil war defending the provincial city of Suiyang in Henan province which fell to the enemy ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 264 About two miles west of Zhenjiang railway station, on rising land, there was a temple called Xiu Wang Miao, the Temple of the Xiu Kings, dedicated to the memory of the Xiu dynasty of Nantang. Lu Xiufu [AD 1238 - 1279] was a native of Zhenjiang, and a statesman and military commander during the latter years of the Southern Song. He had been appointed to the Court of Imperial Family Affairs, a form of Minister of Protocol, during the reign of Song Gong Zong [ca 1276]. He is remembered as a man of integrity and a devoted Minister who, when the Mongols were on the point of capturing Hangzhou, was sent in an attempt to reach an accommodation with them. This ended in failure. The Court was persuaded by Wen Tianxiang [one of the Three Loyal Generals of the Song] that the imperial heirs should be sent to the coast of south China, to Fuzhou and later to Quanzhou to ensure their safety. The emperor and his mother were captured by the Mongols and taken to Beijing, whilst Lu followed the Court in its retreat to the south. Lu met up with Zhang Shijie [the third of the Three Loyal Generals of the Song] in Wenzhou to rally support for the imperial cause, but had to flee on south to Fuzhou where they joined the forces of Wen Tianxiang. The senior heir was enthroned in Fuzhou as the Song Jing Yan emperor. At this point, following a reorganisation, Zhang and Lu became deputies to Chen Yizhong, the Commissioner of Military Affairs and Grand Counsellor. The new emperor was forced to flee further and further south pursued by the Mongol forces until he reached the area of present day Kowloon where Lu Xiufu rejoined the force from Chaozhou. The Mongol fleet having captured Guangzhou destroyed the forces of Zhang Shijie thus driving the Song Court out to sea. A typhoon struck the fleeing Song fleet and even though the ship carrying the young emperor was sunk he was rescued but died from shock and exposure near the Leizhou peninsula in mid-1278. Lu and Zhang stood firmly against any talk of surrender and ensured that the younger heir, a boy of six, was made emperor. Zhang became the Junior Guardian whilst Lu was Grand Counsellor. The next year the Mongol forces having been reinforced compelled the last of the Song forces to attempt to escape. Lu is said to have committed suicide but the official records do not reveal how the last of the Song, the boy of seven, died. The popular version claims that Lu, the hero from Zhenjiang, leapt into the sea with the boy in his arms. An imperial hostelry, the Danyang Guan, was founded in Zhenjiang Page 330 Page 331 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 265 in 1144, built to the west of the Bridge of a Thousand Autumns, Qianqiu Qiao, beside a small canal with landing places attached. It would seem to have been inside the present city, about where the road from the west gate crosses the canal, before you reached the City God Temple. It was restored in 1271 with a commemorative inscription composed by Liu Xiufu, and the whole establishment was enlarged during the Ming so as to have 109 rooms, with stabling for 80 horses, forty of which had to be kept constantly saddled, presumably for use by imperial messengers. Moving on to the Yuan [Mongol] dynasty, an interesting account, if indeed it is genuine, claims that Marco Polo mentioned the foundation of Nestorian Christian churches at Zhenjiang (Cinghian fu) by a Nestorian Christian governor, Mar Sargis [or Mar George] from Samarkand. Kublai Khan, the Mongol emperor of China during the 13th century employed foreigners within his civil service, one of whom was Marco Polo who spent three years as Governor of Yangzhou, the city a short distance upstream on the northern arm of the Grand Canal immediately across the Great River from Zhenjiang. The story goes that the maternal grandfather of Mar Sargis cured Genghis Khan of a sickness by administering sherbet and his secret recipe. The latter was passed down the family and each generation did good business ensuring their fortune. The story of his appointment as governor would appear to have been confirmed by various entries in the old records of Zhenjiang in which there are references to seven Christian monasteries [i.e. churches] in or near the city, adding that the Zhenjiang Christian population in about AD 1280 amounted to 215. These were started after Mar Sargis had a dream in which he was instructed to construct seven Nestorian churches. Using his fortune he is said to have completed all seven but unwittingly with one on the site of a former famous Buddhist monastery which Mar Sargis was ordered to hand back to the Buddhists. Of the remaining six two were said to have been on the ridge running inland from the former site of the British consulate. During the early days of the Ming, in the reign of the Yongle emperor, various expeditions sailed down the Yangzi from Nanjing, and out into the Eastern Ocean, a commander of several of the expeditions being the renowned eunuch, Zheng He. The policy of despatching such expeditions far beyond China's shores was short-lived. Between 1405 and 1425 Zheng's fleet voyaged through south-east Asia ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 278 Beigu Shan The Ganlu Si [Sweet Dew Monastery] is situated in the north-west corner of the city on the summit of Beigu Shan, a low hill with steep cliffs down to the coast. It is the site described in the old legend of the marriage of Liu Bei, the ruler of the Kingdom of Shu. Traditional operas and tales of teahouse story tellers based on this legend are still popular today. The romantic legend, which may have a genuine historical basis, is said to have taken place during the Three Kingdoms period, 2nd century AD, when Liu Bei was the ruler of the kingdom of Shu [in what is today Sichuan and then, one of the Three Kingdoms]. Liu went to the rival state of Wu [nowadays Jiangsu province and part of Zhejiang] and married as his secondary consort the sister of its ruler, Sun Ce, whom we have already mentioned. He is said to have either courted or married her in the Sweet Dew Monastery during his stay there. Another version claims that Liu Bei was invited by Sun to visit the Sweet Dew Monastery to meet his future mother-in-law. Sun actually planned to have Liu assassinated though Liu learned of the plan and escaped taking the ruler's sister, Sun Shangxiang, with him. Yet another version describes how Sun Quan, the king of Wu and brother of Sun Ce, was displeased by Liu Bei's failure to return a piece of land he had borrowed from Wu. Sun offered Liu the hand of his sister in marriage but planning all along to withdraw the marriage offer when the ceremony was about to be held and Liu Bei was in Wu territory. At the same time he would require Liu to hand back the land. Liu's secret agents warned him of the plan and Liu managed to get Sun Quan's mother and, of course, the prospective bride, to meet him at the Ganlu Temple. They were delighted with what they saw and immediately consented to the marriage. Sun was furious at being outsmarted and not only losing his sister but without even regaining the land. The dating of Liu Bei's visit and the conventional date of the foundation of the temple during the Eastern Jin dynasty cannot be reconciled unless Liu Bei's host, Sun, had a palace on the site which two hundred years later was either converted into the temple or the temple was built on the site of the palace. The Ganlu Si iron pagoda was first built during the Tang, originally with nine storeys. However, down the ages natural disasters have removed the top five, though a further two storeys have been added. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 279 from since. Legends claim it to be either a Buddhist pagoda dredged up the bed of the Yangzi Song dynasty from about 1000 AD or a memorial shrine to a Song dynasty prefect of about 1090. A stone Stupa or dagoba [containing Buddhist relics] is situated on a stone platform supported by four pillars over a busy street in front of the Guan Yin Cave to the north of Yuntai Hill to the west of Zhenjiang. In years gone by people heading for the small ferry across the Yangzi had to pass under it and gained confidence for their chancy ferry crossing from the protective power emanating from the relics. It is said to have been built during the Yuan dynasty during the 13th century. Daily life of foreigners in this insignificant Treaty port During the heady days of westerners within the Yangzi basin the steady stream of river steamers sailing the river under the protection of foreign flags and the twin fleets of protective river gun boats of the RN and USN, trade flourished and even an early form of tourism existed. Zhenjiang was famous for silk piece-goods, silk cord tassels for official hats, medicated wine called White Flower Wine, Baihua Jiu, aromatic plants, and fine sturgeon. However, for the foreign residents the greatest bane was the boredom. Although there was the Club where cards, drink and perhaps a few books and newspapers helped while away the long evenings, the ennui of the same faces, the same voices and the same topics of conversation was sufficient to bring some to the verge of suicide and some over it. Life was fairly constrained. There were only two provision stores to serve the foreign community during the first decades of the 20th century, Foo Chong and Chong Hsin. And according to L.C. Arlington Zhenjiang Concession, despite its very limited numbers, boasted its own aristocracy, with the Consul and the Commissioner of Customs as joint Sovereign Lords. The port, he added, was full of individuality, and social life; and the clubs - that for the Upper Circles [Zhenjiang Club] and that for the Lower Strata [Customs Club] - combined to produce constant gossip and occasional friction.20 There were a number of peculiar characters but none more peculiar than an American missionary who had been divorced by his wife owing, it was said, to his peculiar ways. He professed to carry out the teaching of St. Paul by consorting with the coolies in the native city, and providing them with Page 345 Page 346 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 311 Zhenjiang city has grown beyond all recognition. Since the Communists came to power in 1949 Zhenjiang has suffered the same trials and tribulations as all other cities in China and only within the last decade or so of the 20th century did modernisation and development take off. Today it has wide streets, modern shops, drainage and factories as well as all the benefits, or otherwise, of westernisation. Also, three historical sites have been granted Asia-Pacific Heritage Protection Awards for 2001 by UNESCO. They are the Stone Pagoda, the Guan Yin Cave and a charitable association hall, all on Xijindu Street. 1 NOTES Zhenjiang city walls were said by the British military to have been thirty feet high and five feet thick. Allom, Thomas (1844) China - in a series of views, displaying the Scenery, Architecture, and Social Habits of that Ancient Empire. London: Fisher, Son and Co Vol. IV p 41 3 The area selected to be the foreign settlement was chosen in 1861 and divided into lots. Ground rent was paid to the Chinese government by leaseholders to whom titles for 99 years were issued through the British Consulate. They would have expired in 1960 had not the treaty port as a whole been formally surrendered [rendited in official parlance to avoid using the word surrendered] in 1929 after it had been decided that minor concessions were more trouble than they were worth. A Cunynghame, Captain Arthur [1845] The Opium War: London "Taot'ai [Daotai] was the term for a Qing dynasty Circuit Intendant. *Percival, William Spencer (1889) The Land of the Dragon-My Boating and Shooting Excursions to the Gorges of the Upper Yangtze. London: Hurst and Blackett, Ltd. [Percival was a member of H.B.M's Civil Service in China]. 'Clennell, WJ (June 1922) The Historical Setting of Chinkiang or a Bit of ‘Consular Bluff Shanghai: New China Review: Vol IV. No. 3 [Clennell provides much greater detail than is offered here]. & Sun Quan's city was built on Beigu Shan. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 439 the walls (St Francis healing the sick etc) and statues around the altar. In the surrounding grounds, a garden seemed to have been abandoned; a large copper statue dominated. We managed to snap a few interior shots. With the light fading rapidly, we walked down to a nearby spring from where St Francis was supposed to have drawn his water supply. The stone upon which he is said to have died can still be seen. We were rushed onwards for our remaining sight-seeing: a huge, fat Buddha on the nearby hillside, an ex-PLA storage cave which had been turned into the Nine Dragons Cave, complete with waxwork figures, and Flying Sand beach - a lovely 2-mile stretch where our hotel was situated. A few weeks before our visit, the hotels had all been full for the Golden Week holiday in China, but now everywhere seemed deserted except for a few hopeful souvenir shops. The hotel itself was also empty but we were nevertheless given rooms right next to the disco and so were "entertained" (or changed rooms in our case) to the sounds of karaoke till 3am. We agreed on an early start the next morning, including a pre-breakfast swim despite a chilly wind, to enable us to include an extra sight on our tour, back on the mainland - a typical village with watch tower. Roger, our guide, was very accommodating on this, though as we sped through the outskirts of Tai Shan we also spotted a Ming dynasty pagoda in the distance which looked worthy of investigation: "No time” was Roger's response, which, at least, provided us a good reason to return. After lunch in Tai Shan, we walked around the central area and Roger showed us a recently completed pedestrian mall. The old facades of the buildings had all been renovated and painted in pastel tones - our photographs look like a typical Macau street scene. Tucked amongst the mall buildings was another church and we were invited inside by the female pastor, Huang Bi Juan. She gave us a brief history of the "Three Self Patriotic Protestant Church" and its present active role serving some 200 local families. We took the country road for our return journey and soon spotted a suitable village with watchtower. We wandered into our chosen village with its harvest of golden grain spread out to dry in the sun in front of the houses, and spoke to some elderly residents - one old lady was 105 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 15 HOW OLD IS SHANGHAI'S LONGHUA TEMPLE? ERIC N. DANIELSON · Shanghai's Longhua Temple (Longhua Si) is a functioning Buddhist temple with a large resident monk population belonging to the Chan sect (Chan zong) of Mahayana Buddhism. It is by far the largest one in Shanghai, and probably counts among the largest in China. Located southwest of the Xujiahui shopping district, the main temple complex sits on the north side of Longhua Lu, while its seven-story pagoda stands by itself across the street on the south side. Although it has often been said by many authors that this is supposedly the only pagoda in Shanghai, that is true only if one has a very narrow definition of what Shanghai is. Within the Shanghai Municipality (Shanghai Shi) there are a total of 16 historic pagodas, the other 15 being of equal age and historical authenticity but located out in the surrounding counties of Songjiang, Qingpu, and Jiading. The temple's long history Longhua Si undoubtedly has a long history, but the question is how long? The answer is debatable. In all likelihood, it is about 900 years old, rather than the 1800 years sometimes claimed for it. Very little evidence exists to support the often heard claims that the temple and pagoda were supposedly first built in 242 A.D. and 247 A.D. by Sun Quan, the King of Wu, during the Three Kingdoms (San Guo). Furthermore, maps of Shanghai's geological history contained in Zhou Zhen He's 1999 Shanghai Lishi Ditu Ji show that most of this area was underwater until the Tang Dynasty (618-907). Some sources also make vague claims that the temple was built by the Tang Dynasty Empress Wu Ze Tian sometime during her reign (690-705 A.D.), but later destroyed at some unspecified date during the rebellion of Huang Zhao (879-884 A.D.) against the Tang Xi Zong Emperor (873-888). The first specific year to appear in most accounts is a supposed rebuilding of a new temple on the same site as the earlier San Guo and Tang temples by the Wu Yue regional kingdom in 977 A.D. If these earlier versions of Longhua Temple did in fact exist, they were ephemeral and have left no lasting traces. Substantial documented evidence of the temple's origins begins to ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 16 appear during the Northern Song Dynasty (960-1126). In the year 1066 the Northern Song Emperor Ying Zong (1063-1067) built a new Big Buddha Hall (Da Fo Dian) and the New Precious Pagoda (Xin Bao Ta) on this same site. Although at that time it was named Kong Xiang Si, it is from this date that Longhua Temple's history can accurately be traced through a continuous progression of events up to the present day. In fact, it is even possible that the 11th Century Xin Bao Ta is the same pagoda which still stands today, albeit after having been repeatedly repaired and restored countless times. During the Li Zong reign (1224-1264) of emperor Zhao Gui Cheng at the end of the Southern Song Dynasty (1127-1279), four boundary stones were erected in 1262, one in each of the four corners of the temple's property. Two of these supposedly still exist today, and one of them can actually be seen in the Mu Ta Yuan, lying on the ground beside the Tao Ming Chan Si Mu Ta. In the Yuan Dynasty (1279-1368) the temple was given several land grants which added considerably to its territory. However, at the end of the Yuan Dynasty the temple buildings were completely destroyed during a battle, except for the Bao Ta pagoda, which is recorded as somehow miraculously surviving the conflagration, as it supposedly would in many similar situations throughout the temple's history. The third Ming Emperor Yong Le (1403-1424) completely rebuilt the temple from the ground up between 1410-1416, and also changed its name from the Northern Song Dynasty name of Kong Xiang Si to the present day name of Longhua Si. Later, the Shan Men front gate was built between 1506 and 1521. The structures built by Yong Le importunely had a short life span of only 140 years as the whole temple was destroyed during an invasion by Japanese Wako pirates in 1553. Nonetheless, after the destruction of the Wako pirates, the Ming Dynasty began a reconstruction project which lasted for about ten years, from 1563 to 1574. However, during the late Ming Dynasty the temple suffered from neglect and only one new hall, the Scripture Storage Pavilion (Cang Jing Ge), was built in 1611. A Cang Jing Ge is used by a temple to store the Tripitaka (San Zang) scriptures. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 17 In the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge). It will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery. During a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time? After a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 18 Restoring the damage done by the three years of Taiping destruction required a massive reconstruction project which lasted for nearly 30 years from 1871 to 1899. In addition to rebuilding the previous structures, several new halls which had not existed before were added during this time, including the Guest House (Ke Tang) and the Dining Hall (Zhai Tang) in 1887; the Goddess of Mercy Hall (Guan Yin Dian), Ancestors Hall (Zu Shi Dian), and the Kshitigarbha Hall (Di Zang Dian) in 1890; and finally the 500 Arhats Hall (Wu Bai Luohan Tang) in 1896. The Republican era, 1911-1949 At the beginning of the Min Guo Republic (1912), all the monks were forced to move out by armed soldiers who moved in and used the temple as a barracks. The soldiers looted the golden statues from the temple, and wooden parts of the temple such as window frames were used by the soldiers to make cooking fires. However, in 1920 the temple and the pagoda were both repaired, and after being closed for a whole decade the temple finally officially reopened in 1922 when all the monks came back. Holmes Welch's otherwise authoritative 1967 study of Buddhism in China mistakenly stated that Longhua Temple was occupied by the Chinese military for the entire Min Guo period. Photos from D. C. Burn's brief 1926 study of the temple show that the Qing Dynasty 500 Arhat Hall (Wu Bai Luohan Tang) was still intact then, although it no longer exists now. Longhua Temple enjoyed 15 years of peace and tranquility until September 11, 1937 when the temple was badly damaged during the Japanese attack on Shanghai. Nine Japanese airplanes dropped 30 bombs on the Longhua area. Most likely they were targeting the nearby Longhua Airport and the Guomindang's Longhua Garrison military camp next door, but they accidentally caused severe damage to the temple. Before the attack there had been 80 monks living in the temple, but afterward there were only 7 monks remaining. During the first five years of the Sino-Japanese War, 1937-1942, the internal affairs of the temple were confused and disorganized, with rival masters claiming the post of Abbot, and unqualified persons claiming to be Buddhist monks for the sake of seeking safe haven in the temple. On September 9, 1942 a reorganization committee was ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 23 The second courtyard is flanked on the left side by a two-story wooden Drum Tower (Gu Lou) and on the right by the matching two-story wooden Bell Tower (Zhong Lou). On the first floor of the Zhong Lou is a glass case holding a golden effigy of Kshitigarbha (Di Zang). Dizang is the bodhisattva who has the special power to rescue departed souls from Hell, and thus plays an important role in Buddhist funeral ceremonies. Upstairs on the second floor is the bronze bell which can be rung for a fee of 50 Rmb. On New Year's Eve this bell is rung 108 times at midnight. It is considered good luck to be there to hear it ring, and even better luck to be the one who rings it. The Zhong Lou was rebuilt by Qing Emperor Guang Xu in 1895, following the Taiping destruction of the temple in 1860-1862. The bell itself was made in 1894, during the 18th year of the Guang Xu reign of the Qing Dynasty. Beside the Zhong Lou is a Ming-style stone stele with a partially legible inscription which has been damaged. On the first floor of the Gu Lou is a glass case containing a golden effigy of Guan Yu, the God of War. In the Ming and Qing dynasties Guan Yu had temples dedicated exclusively to him in every city in China. The former Guan Di Miao can still be visited in Shanghai's Nanshi District. The second floor of the Gu Lou cannot be ascended, and it no longer seems to contain a drum. Beside the Gu Lou is a Ming-style stone stele with a lengthy inscription in very good condition. The present Gu Lou dates from an 1895 reconstruction, following the Taiping destruction of the temple in 1860-1862. Across the second courtyard from the Mi Le Dian is the Hall of the Four Heavenly Kings (Si Tian Wang Dian). This hall dates from an 1881 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. The hall contains enormous gilded wooden statues of all four kings, two on each side of the hall. All four wear crowns on their heads and are dressed in heavy armor. One holds a four-string guitar and has a light green face, another holds a sword in his right hand and has a black face, a third holds an umbrella in his right hand and a small stupa in his left hand, and has a white face, while a fourth holds a snake and has a black face. This depiction is somewhat different than in the past. In the centre of the Tian Wang Dian are two glass cases containing golden effigies of two rather obscure Buddhist deities. Tian Guan Mi Le, a variant incarnation of Mi Le Fo, is depicted. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 26 which is open to the public, the Mu Ta Yuan, so named for the Tao Ming Chan Si Mu Ta, a broken stone tomb pagoda dating from the year 1667 in the reign of Emperor Kang Xi which stands in the centre. The Mu Ta is a hexagonal stone pillar on a lotus flower with a round stone ball balanced on top decorated with dragon images wrapped around it. Two faint inscriptions can be seen on either side of the pillar. Lying on the ground beside the Mu Ta is a broken piece of an ancient inscribed tablet. This is one of the original four boundary stones of Longhua's predecessor Kongxiang Temple dating from the year 1262 in the late Southern Song Dynasty (1127-1279). Near the Mu Ta are three stone statues of a mythical animal, the Si Ge Lin Shou. These broken stone remains may be the oldest relics on the site, but their age, origin, and significance seem a mystery. In one corner of this courtyard is a corridor connecting with the Longhua Hotel next door. At the rear of the courtyard is the monk's Dining Hall (Zhai Tang), not to be confused with the separate Vegetarian Restaurant (Su Cai Guan) intended for public visitors located on the right side of the Da Xiong Bao Dian beneath the sign of the large wooden fish (pang) hanging from the rafters. Two long barracks-like halls run along almost the full length of the western side of the temple compound and are divided up into many small Buddhist chapels. The major ones include the Arhat Hall (Luo Han Dian), and the Goddess of Mercy Hall (Guan Yin Dian). The Luo Han Dian is a new addition to the temple, added sometime during 2002. It features small golden statues of 500 arhats or Buddhist saints. This chapel has become quite popular with worshippers, but one woman who had just finished praying mistakenly told the author there were 800 arhats, testimony to the newness of this innovation. The Guanyin Dian is on the left side of the fourth courtyard and features an impressive golden statue of Guanyin, who is depicted as facing in all four directions, and has 1,000 arms. Many of her hundreds of hands hold objects of special significance. In between the Luo Han Dian and Guanyin Dian is yet another hall, seemingly nameless, which although devoid of architectural splendor does have three splendid gilded Buddha statues. These three include Sakyamuni Buddha (Shi Jia Mou Ni Pusa) in the centre, Manjusri (Wen Shu) on your left, and Guanyin on your right. The interior walls of this hall are literally covered with memorial slips of paper and photographs meant to commemorate lost loved ones. It is ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 152 emulate. The long term result was a higher standard of living in Japanese-occupied Manchuria than in China proper, leading to an increase of Chinese migrants from China proper. Many of the gentry and students had had contacts with Japan down the years and saw Japan as an alternative to life under the rapidly decaying Manchu Chinese dynasty in Peking. Sir Robert Hart, the IG of Chinese Maritime Customs, made an interesting comment when he referred to militarism having taken root in China following Japan's victory, particularly with the call on Chinese Princes and Nobles to send their sons and brothers to military schools. By October 1905 Hart wrote that the Commission for Army Reorganisation, established in 1903 under the stimulus of the impending Russo-Japanese War, hastened the modernisation of the Chinese Army. 'Chinese military manoeuvres were over. The new troops were pronounced an immense improvement on anything before seen in China - stout men, well paid and well-dressed, strict discipline willingly obeyed, arms in good condition, and officers who are really soldiers and not merely be-buttoned mandarins with fans in their hands instead of swords. Even Yuan (Shikai), the Viceroy, and Tich Liang, the military chief of the War Bureau, got out of their Chinese robes and put on gold-laced trousers and jackets, etc.' Japan's victory over Russia led to Kaiser Wilhelm repeating the warning against the 'Yellow Peril,' whilst Japanese perception of a 'White Peril' in Asia reflected their concern with European and American penetration of China. The Russo-Japanese War opened a new chapter in world history; however, Manchuria remained in Japanese hands until the end of World War II in 1945 when finally it reverted to China. Postscript A subject that might justify further research emanates from the inability of seasonal labour from Shandong province to cross over to Manchuria during the hostilities. This raises the question whether the Chinese labour shipped down to South Africa to work in the mines in the Transvaal in 1904 was a consequence and thus an act of desperation on the part of the labour force? (even though the initial decision to ================================================================================