RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 26 JEN YU-WEN out and the local people made facsimiles of the originals and preserved them from generation to generation in order to commemorate the glory of their ancestors. Moreover, in the Dragon Boat Festival (the 5th day of the 5th month) every year since then, they have placed the parasols on the racing boats, called huang-chou1 (Imperial boats). Before the boat race started, the gentry and elders of the villages used to kneel and kow-tow to the royal gifts to pay respect to the Sung Emperor. Sung Hsueh-p'eng says that the custom was perpetuated for many years.10 Less than a month after the landing of the royal party, the Dragon Boat Festival was observed. It can be imagined what a delightful day the boy Emperor Tuan Tsung (Shih) and his small brother Wei Wang (Ping) had in watching the races, along with the Queen Mother and many dignitaries, generals, and ministers, and, of course, the local people who were particularly happy to have such distinguished guests participating in their annual festival. IV. SUNG WONG TOI (Sung Huang Tai-Man) The most important site which furnishes the key to our study of the Kuan-fu Travelling Palace of Southern Sung is a small mound near the seashore, north of Ma-tau-kok. It can be definitely located and is recorded in the Hsin-an Gazetteer, other literature, and maps. Besides, there were three Chinese characters engraved on one of the great rocks there, which many of us have seen with our own eyes. The small mound was called Sacred Hill1 (see map). This name was probably given to it by the Hong Kong Government when it took over the territory in 1858, as no Chinese literature recorded such a name, and even Hong Kong people of the older generation, including Sung Hsueh-p'eng, did not know of it. On the top of the mound were two large rocks, one on the northern side, the other on the southern. The characters Sung Wong Toi1 were engraved on the western face of the northern rock in the Yuan Dynasty, long after the royal party departed from Kowloon and after the Mongols conquered the Southern Sung. The characters were horizontally inscribed, being uniformly 20 inches in width and respectively 26, 22½, and 27 inches in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d A HONG KONG SPIRIT-MEDIUM TEMPLE 23 weekday. His possessing spirit is the saintly monk Buddha Sha僧。 The third medium is also a Chiu-chow in his early 30's. He is employed as a performer in a Chiu-chow opera troupe and seldom appears at the temple except on major feast days, e.g. Chinese New Year. His possessing deity is the Supreme Buddha. The medium "in training” is a Chiu-chow in his early 20's who was until recently employed as a security guard at a local transportation facility. He now supports himself by odd jobs such as take-home piece work from local factories. His possessing deity is the mythical Monkey of Chinese legend.13 It is obvious that an individual kei tung's rank within the cult is not based on the relative position of their possessing deities within the Chinese pantheon. Rank is predicated on the kei tung's experience as a medium and degree of involvement in the affairs of the temple association. The mere fact that the cult master's possessing deities would be judged as relatively minor personages in the Chinese pantheon in no way affects his recognized position of dominance among the ritual specialists. His over twenty years of experience as a kei tung, and his role as one of the founding “19 Brothers" of the temple association, render his position unassailable. Many elaborate ceremonies are conducted by Tai Wong Ye kei tung, the most ostentatious being those held during Chinese New Year and the Yu Laan or Hungry Ghost Festival. It is our contention, however, that the keystone of the cult's appeal as a religious centre lies in the simpler ritual held each evening at 10 p.m. It is that ritual which we will now discuss. Tai Wong Ye Temple: The Possession Ritual Eighty-seven years ago a Christian missionary in Amoy described a spirit possession ritual as follows: "The graven idol can be seen sitting in the shrine, with its attendant figures by its side. The group of men that are chanting in a steady, monotonous voice charms that are supposed to bring the spirit are usually men of no reputation in the village. There is no scholar in his long role present, and no man of influence standing by to do honor to the idol. The men seem fit for scenes of darkness and remind one of Macbeth's witches making their ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 72 HELGA WERLE and then a company is contracted to erect the temporary bamboo structures to house performances and ceremonies. The ideal is for the structures to be arranged in a square, the temple facing East and the stage opposite (i.e. West), so that the god is conveniently positioned to get the best view of the stage. The organizers are housed on one or both sides of the temple and on the sides of the square are exhibited the giant-sized dragon-robes, crowns and boots, all elaborately made of paper, which will be burnt and, in this way, sent as a birthday present to the god. AND RICE TO DONATE TO THE POOR EXHIBITION OF COLLECTED GOODS FESTIVAL TEIFLE COMMITTEE HALL FOR CEREMONIES TO APPEASE SOULS 辉花 ROOF TO SHELTER AUDIENCE (FORMERLY OF NATTING, NOW TIN SHUI WAI) STAGE KITCHEN EXHIBITION OF PAPER DRAGON ROBES Chiuchow festival square (the layout is almost the same whether it is used for the celebration of god's birthdays pao-tan or for the appeasement of the hungry souls in the 7th month called Yu-lan-p'en). The interior of the temporary temple is almost completely occupied by a large square table (about 4m x 4m) on which items donated by individuals of the community are displayed before they are auctioned off. Holding a microphone and a gong several auctioneers stand on a table in front of the temple and, competing with the loudspeakers amplifying the opera music, they promise prosperity and good fortune (in the traditional 4-character phrases) to the highest bidder. Bottles of brandy and whiskey, porcelain figures of immortals and deities, and colourful lamps and lanterns go for several hundred or thousands of dollars at a time. Although the successful bidder can take his acquisition home he does not pay the bid until the following festival. And especially if he is poor at the time, he ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n UNDER ALTARS 95 God of Loyalty and patron of businessmen, soldiers, detectives and firemen. When represented, this stands near the entrance to his temple and is held on a short rein by a standing groom. The second is the paper horse used for carrying messages to the dead ancestors during the Yu Lan festival (15th of the seventh lunar month). These white or red horses look very similar to the Green Horse and are burnt during ancestral rituals. The third is the White Horse of the monk Hsuan Chuang, Tripitaka, who brought the Buddhist Sutras back from India in the 7th Century, and is only to be seen in one temple in Macau and not at all in Hong Kong. An interesting observation which would appear to have no special significance, and one which surprised many Chinese temple keepers, is the sighting of the Green Horse on the altar of the maids and attendants of Chin Hua, the Goddess of Childbirth, in some thirteen temples. Offerings, Charms and Messages Apart from the force feeding of the White Tigers at the festival in Spring, an offering of a large slab of cooked fatty pork is frequently placed on the Tiger's head, and sometimes several ounces of Chinese yellow wine is then poured over it. Charms, printed on yellow or red paper, are pinned to the Local Wealth God and incense and candles are burnt before the whole Under Altar. Offerings of paper money on the "Bank of Hell" are piled onto some Local Wealth Gods, as are paper taels of gold and silver. On occasions particular to the individual devotee and connected with calamities in their lives, he or she may place five yellow paper charms, purchased from the temple keeper, beneath each of five oil lamp saucers with glowing wicks. These, together with fresh eggs, are offered to the spirits in the Under Altar. Individual devotees who wish to report their particular misfortune to the Disaster Spirits obtain slips of paper from the temple keeper. These are normally some four inches long and two inches wide, in either red or green, with a regular pattern of diamonds and circles cut out by folding and snipping in a special way. In a few cases, temple keepers require details of the "disaster" to be written on them, with dates and names of the people involved. The slips of paper are then burnt in the temple incinerator. In rare cases where devotees confuse the message papers with charms, they are ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 112 JULIAN F. PAS • M. Saso, Taoism and the Rite of Cosmic Renewal (hereafter abbreviated: Cosmic Renewal). * K. Schipper, "The Written Memorial in Taoist Ceremonies" in A.P. Wolf, Ed. Religion and Ritual in Chinese Society, Stanford Univ. Press, 1974, * Liu Chih-wan, see end-note 9. This is the translation of J.J.M. de Groot's "Messe Taoïque". See his Les Fêtes Annuellement Célébrées à Emoui (Amoy). Paris, 1885 (Taipei reprint, 1977). This translation of chiao as well as de Groot's rendering of 'Buddhist Masses' for the Chinese Yu-lan-p'en are not satisfactory. * K. M Schipper. Le Fen-Teng. Rituel Taoïste (Publications de l'Ecole Française d'Extrême-Orient, vol. 103). Paris: Ecole Française d'Extrême-Orient, 1975. Schipper's monograph on the Fen teng ritual is a product of great erudition. After a short introduction, pp. 1-13, (in which he briefly discusses the four manuscripts utilized to establish the text; and sketches the history and present day performance of the ritual), he describes the ritual itself with a detailed time schedule, pp. 15-32. Then follow references to sources in the Tao-tsang (pp. 33-38) and notes (pp. 39-43). The text itself (starting from the 'back') is given twice: first in fac simile, a beautiful reprint on high quality paper of a manuscript dated 1889, in 44 folios (or 88 pages); secondly a critical edition of the text based on the four above mentioned manuscripts with variant readings included, (pp. 1-36). Although this publication has its importance, it does not fully satisfy the wishes of the readers: no translation of the text is given (Schipper is certainly one of the few Taoist scholars capable of offering a translation!) and nowhere does one find an interpretation of the ritual. In the same year as Schipper's Fen-teng monograph "came to light”, (1975), M. Saso published his collection of Chuang-lin hsü-tao-tsang in 24 vols. In vol. 6, pp. 1629-1725 (a total of 96 pages), we find a reproduced manuscript of the Fen-teng ritual, dated 1883. The calligraphy is inferior to Schipper's manuscript, but at least Saso's manuscript is six years older. * Liu Chih-wan, Taipei-shih Sung-shan ch'i-an chien-chiao chi-tien (Great Propitiatory Rites of Petition for Beneficence at Sung chan, Taipei, Taiwan), Taipei: Academia Sinica, Institute of Ethnology, (monographs no. 14), 1967. Liu Chih-wan, Chung-kuo min-chien hsin-yang lan-chi (Essays on Chinese Folk Belief and Folk Cults), Taipei: Academia Sinica, Institute of Ethnology (monographs no. 22), 1974. 10 On the two occasion described by Liu Chih-wan (3-day festivals), the ritual likewise took place on the first evening. On other occasions, however, I have seen the ritual performed on the 2nd evening. The timing depends on the actual length of the festival, which may only last one day, but is more commonly a three or five-day event. One should, however, not confuse two things: first, the actual chiao is called san-ch'ao, wu-ch'ao or ch'i-ch'ao, etc., and refers to the number of days that the essential rituals are performed. However, the total event may last even longer; I have observed that the actual chiao was preceded by two days of preliminary rituals, such as the exorcisms of the water-spirit and fire-spirit. That brought the total duration of the chiao to ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 78 OBSERVATIONS AT THE JIU FESTIVAL OF SHEK O AND TAI LONG WAN, 1986 CHAN WING-HOI I. Introduction The jiu festival of Shek O and Tai Long Wan on Hong Kong Island reported in this paper was celebrated from 17th October 1986 to 20th October 1986. According to the villagers, this was the sixteenth celebration which took place once every ten years. During the festival Taoist priests were hired to perform rites, and puppeteers performed puppet shows on a temporary stage. A poster put up by the festival committee referred to the duration as three days and four nights. By the standard of jiu celebrations in the New Territories, this would count as a "three-day jiu". As in the case of celebrations in the New Territories, the hired Taoist priests started with an opening session on the evening of the first day, and continued with daily processions and non-repeating major rites for three days. On 19th October, the main day of the festival, the villagers participated in a major procession to the celebrating villages. The Shek O festival I found very much a repetition of the pattern found in the New Territories. The schedule and content of the rites were exactly the same except perhaps for the fact that the procession on the main day involved the main god of the celebration as well, and the priests hired were those usually seen in the New Territories. However, whereas in the New Territories, only bona fide villagers enjoyed the exclusive right to organize the jiu, here in Shek O the participants included indigenous villagers as well as outsiders. They included people who spoke different dialects, some having moved into the area only in the last ten years. Moreover, in Shek O, the spirit tablets for the ancestors of individuals who contributed extra money for the purpose were also displayed, and this practice is usually found only in Yu Laan rituals. Some of these features that seem peculiar to Shek O are probably related to the nature of the settlement, of which I learned only a little in the few visits I made during the celebration, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 217 that one of the later owners found it worthwhile to set the coin in a bracelet shows that it was a significant symbol of some sort. O. William Borrell FMS THE TAI SHEUNG LO KWAN TEMPLE, CHAI WAN James Hayes led members of the Society on a visit to the Tai Sheung Lo Kwan Temple on 28th July, 1988 during a tour of Chai Wan, and supplied the following information from notes compiled by the Eastern District Office. "The Hong Kong Chiu Chau Overseas Public Welfare Advancement Association (ABE) was first incorporated in 1970 under the Companies Ordinance as a limited company. The main objectives of the Association are to promote welfare and foster friendly relationship and affection among the clansmen of the 'Chiu Chau'. In 1972, the Association erected the Tai Sheung Lo Kwan Temple (大上羅關) at the hill knoll opposite Block 4 of Chai Wan Estate under Crown Land Licence. Henceforth, the temple acts as their premises for recreational activities and other religious ceremonies. All Chiu Chau Clansmen and their blood relatives who are residing in Chai Wan and have attained the age of 21 are eligible to become members of the Association. At present membership of the association is below 1,000. "Most of the worshippers of Tai Sheung Lo Kwan are Chiu Chau living in the Chai Wan Area. Nowadays, there are two main religious celebrations each year, namely, the Yu Lan Festival (盂蘭勝會) Celebration in August and the Tai Sheung Lo Kwan Festival Celebration (大上羅關寶誕) in December. Both of the celebrations are organized by the above-mentioned association with the aid of Chiu Chow "Kaifong" living in the area. Rice packets and other daily necessities are usually distributed to the aged and needy during the Yu Lan Festival Celebration.” ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h CONTENTS PRESIDENT'S REPORT HON. TREASURER'S REPORT HON. LIBRARIAN'S REPORT ARTICLES: Dan Waters LIBRARIES 138 1937. vii AR In the Steps of Lu Pan: Reminiscences of Building in Hong Kong K.J.P. Lowe Hong Kong, 26 January 1841: Hoisting the Flag Revisited Keith Stevens The Jade Emperor and his Family, Yu Huang Ta Ti Keith Stevens - Fukienese Wang Yeh (Ong Ya [Hokkien]) P.H. Munro-Faure The Kiukiang Incident of 1927 A.D. Blackburn Hong Kong, December 1941 July 1942 Chan Ka-yan Joss Stick Manufacturing: A Study of a Traditional Industry in Hong Kong P.H. Hase Cheung Shan Kwu Tsz, An Old Buddhist Nunnery in the New Territories and its Place in Local Society J.H. Haan Thalia and Terpsichore on The Yangtze, Survey of Foreign Theatre and Music in Shanghai 1850-1865 Fred Dagenais John Fryer's Early Years in China: I. Diary of His Voyage to Hong Kong Chan Wing-hoi The Dangs of Kam Tin and Their Jiu Festival xxi xxiii 8 18 34 61 77 94 121 158 252 302 NOTES AND QUERIES: E. Sinn Notes on the Robert Hart Papers at the University of Hong Kong Library 376 P.H. Hase A Song from Sha Tau Kok on the 1911 Revolution 382 P.H. Hase The Mutual Defence Alliance (Yeuk) of the New Territories 384 P.H. Hase - More on The Man the Emperor Decapitated 388 Issei Tanaka The White Tiger 389 Keith Stevens - British Chinese Labour Corps Labourers Buried in England 390 Anthony Siu Kwok-kin The History of Hong Kong: From A Village to A City 391 Anthony Siu Kwok-kin Historical Records Anthony Siu Kwok-kin BOOK REVIEWS Tai Yu Shan from Chinese 394 A Tung Lo Wan 399 400 V ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 23 March Dr. Elizabeth Sinn "Management of the Chinese in 19th Century Hong Kong and the Role of the Tung Wah Hospital” The following Visits were made: 29 April 6 May 24 June 1 July Anita Wilson and Dr. James Hayes Visit to the Pottery Kiln at Tuen Mun, Ha Tsuen Tang Ancestral Hall and Old Market, Ling Wan Monastery (with vegetarian lunch), Lai Family Study Hall and Mansion at Sheung Tsuen, Hakka Mansion at Sham Ka Wai, and Yuen Long Old Market Dr. James Hayes and Ted Brown Visit to Kowloon Walled City, Again! Phillip Bruce Visit to Old Marine Police Headquarters at Tsim Sha Tsui, Kowloon Phillip Bruce Repeat of the Visit of 24 June 14 September Dr. Patrick Hase and Lee Man-yip Visit to Wo Hang for the Hot Air Balloon release at Mid Autumn Festival 25 November Dr. James Hayes 9 December Visit to places of interest on Hong Kong Island, including Waterfall Bay, the Aberdeen Country Park Management Centre, Chung Hom Kok, Shek O Village and Lei Yu Mun Barracks and Leisure Centre Rosemary Lee and Richard Gee Repeat of the N.T. Visit of 29 April 13-14 January Anita Wilson, Dr. Dan Waters, Rev. Carl Smith and Dr. Joseph Ting 22 January 18 February Week End Visit to Macao Phillip Bruce Visit to some interesting Naval and Military Graves in the Colonial Cemetery Phillip Bruce and Dr. Anthony Siu Visit to the Tung Chung Area, the site of Hong Kong's Future Replacement Airport This varied and interesting programme has again been due to the Activities Committee, which has worked hard under Dr. Elizabeth Sinn's ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 137 Cheung (張) lineage of Wong Pui Ling. The area, however, was fertile, rich, and, by the later eighteenth century, becoming relatively densely populated. Growth of stronger and less politically quiescent inter-village groupings could be expected, and the clearest evidence of this comes from the nunnery. The nunnery was founded by the villages of the Ping Yuen Hap Heung on the one hand, and Loi Tung and Man Uk Pin on the other. Loi Tung was a tight lineage alliance of three large villages of the Punti Tang clan (Loi Tung Lo Wai, San Wai, and Tai Tong Wu), and Man Uk Pin was a single, large Hakka village, predominantly of the Chung clan. The nunnery lay in six shares: Ping Che, Ping Yeung, Wo Keng Shan, Loi Tung, Tai Tong Wu, and Man Uk Pin. Of these, the Wo Keng Shan and Tai Tong Wu shares were probably there to reflect the greater size and strength of the Chan and Tang lineages within the grouping. In practice, however, the nunnery was controlled by the four clans of the Mans, Chans, Tangs, and Chungs, and normally probably had one Manager drawn from each lineage.” This group of eight villages, most of them large and wealthy, clearly represents a new generation of inter-village grouping in the Ta Kwu Ling area. The importance of the road through the Miu Keng pass has been discussed above. The position of the nunnery on the road was not only of value to travellers seeking shelter, it was also of major strategic and political significance. The road was the only passage through the hills, and could not be by-passed. Whoever controlled this pass controlled much of the Sha Tau Kok to Sham Tsun road. The foundation of the nunnery was the result of the grouping together of a few villages which were clearly seeking to capitalise on their strategic location, and thus to increase their local political leverage and district significance. The political significance of the foundation should not be downplayed. The religious impetus behind the foundation should not, of course, be ignored, but the strategic significance of the grouping is too strong to be overlooked. The nunnery-founding group of villages seems to be, in fact, an early example of a Yeuk (約) mutual defence and support inter-village alliance. The villages which had founded the nunnery seem to have worshipped there together at the Yu Lan Festival in the summer, when vegetarian food was served to the elders and faithful in front of the nunnery. It is likely that the Ping Yuen Hap Heung people used their alliance with the groups east of the pass to strengthen their position as against ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 314 10 the Dangs of Kam-Tin in the dispute with the Dangs of Ping Shan over the grave of the gwan-ma several decades before 1737. The descendants of Man Wai and his brothers (i.e. the members of the Gwong Yu Tong and the Lei Ging Tong) are all also members of the Sung-Kok jou segment which derives its name from the "pen name" of Man Wai's father. E. Loi-Sing Tong To avoid confusion with Gwong-Yu Tong (i.e. the descendants of Man-wai) I shall call the Gwong-Yu jou segment (Le, the descendants of Gwong-Yu) by the name of their ancestral hall, the Loi-Sing Tong. The first datable event relating to this segment was the building of the ancestral hall in 1701 by Jeung-Luk, a sixth generation descendant of Gwong-Yu. Probably the best known of the Loi-Sing Tong ancestors was Si-Daan. The details of Si-Daan's descent are obscure. He was probably a descendant, perhaps a grandson, of Jeung-Luk. Sung (1973:63-65) records a story that upon his birth there was an unmistakable sign that he was destined to be a rich man. According to Sung (1974:164) he “built himself a very big house called Naam Teng, the remains of which can still be seen on the South side of Kat Hing Wai". In 1755 when Si-Daan's uncle presented a bell to Ling-Wan Ji his name was included as one of the donors. The family probably had become rich before his father's generation. That uncle of his, Dang Yu-Jung, had purchased a minor official title. The donation list for the rebuilding of a temple in 1744 recorded a single sum donated by four Yus that included Yu-Jung and Si-Daan's father Yu-Man. Among the four, Yu-Ji had purchased a gung-sang degree in the Yongzheng period (1723-1735), and two others had degrees of gaam-sang. Si-Daan himself had purchased an official title of jau-tung. Of the ancestors whose tablets were housed in the hall Puk-Chai, gung-sang degree holder, is remembered by his descendants, who still keep an embroidery presented to the father of this degree holder on the occasion of a birthday." He was probably one of Jeung-Luk's brothers. F. Mau Ging Tong The period of the late Ming and the early Qing was an eventful period for the people of the Xin'an county. The Kam Tin jiu festival itself had started as a response to experiences in this period, especially the serious ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 340 respected person in a family. I found in Wing Lung Wai that the households take their turn to take care of the incense and lamps of their san-teng. It probably plays an important part in major celebrations: in Tai Hong Wai I noticed that wedding deui-lyuns couplets had been put on both the san-teng doors and the village gate. Of a similar status were the places for the Gods of Earth and Grain, where communal worship (jou-se) is held once or twice a year. In addition, there is the hoi-dang ceremony for the new born children of the village. In the case of Tai Hong Wai, Kat Hing Wai, and Wing Lung Wai village-level collective worship includes a jiu. It is held once in seven years at Tai Hong Wai, once in five years, at Kat Hing Wai, and once in ten years at Wing Lung Wai. The Tai Hong Wai case is probably representative. The rituals are simpler than the one for Kam Tin as a whole, and lasted only two days and one evening. The main feature is the offering of paper clothing to hungry ghosts. 49 In some cases the social unit involved in the rites for the new born and other collective rites is a lineage segment in a village and in one case a main village and its associated smaller settlements. Some villages have more than one place for the God of Earth and Grain. Shui Tau has two. The one belongs to the whole village of Shui Tau while the other one belongs only to the descendants of Gam-Tin jou, who have their hoi-dang there. Similarly, there is more than one place for the God of Earth and Grain in Shui Mei. One of them is worshipped by the Git-Sau jou people alone, who make offerings of paper clothing there at the Yu-Laan Festival. In the case of Tai Hong Wai, its jiu, and the rite for the newly born include as participants the villagers of Tsi Tong Tsuen and Tai Hong Tsuen. The hoi-dang at the Ching-Lok ancestral hall is not precisely a lineage event: only his descendants living in Shui Tau and Shui Mei take part. Besides worship associated with membership in residential and sometimes partially lineage segment units, there is worship organized by ritual associations. There are quite a few ritual associations (san-wui) in Kam Tin. Each has its landed property, which ranges from one daam-jung (about 65 thousand square feet) to about 500 thousand square feet of farm land. A share was inherited by all the descendants of the original shareholders. In some cases, one share was actually shared by a few dozen people. Some of the shares were acquired by the present holder by purchase. Worship by these associations takes place once a year, and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 40 Dean. Kenneth “Revival of Religious Practices in Fujian: a Case Study in Pas. Julian F. (ed.) The Turning of the Tide: Religion in China Today (Hong Kong: Hong Kong Branch of the Royal Asiatic Society & Oxford Univ. Press, 1989), 72. 4 Mr. Pang Cheng-chuen (Peng Zheng-chuen), interviewed by author, Fanling, Dec. 30. 1990. P Dean. 54. A student of the University of Hong Kong told me on Feb. 3, 1991 that he saw, by chance, a Jiao festival in 1990. He could not recall the exact date and location. However, he was very sure, from the celebrating flower boards, that it was a Jiao festival. K Ibid., 776. Liu Zhi-wan, Taibeishi Songshan qi an jian jiao jidian, Institute of Ethnology Academia Sinica Monograph, no. 14, (Taipei: The Institute, 1967). Besides Liu, the research team from the Academia Sinica included Song Lung-fei and Xu Jia-ming. Song's paper concentrated on aspects of folk architecture and decoration while Xu focused on the economic and social aspects. See Song Lung-fei "Song-shan jian jiao jiao tan jianzhu di zhuan shi Yi shu" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 157-217; Xu Jia-ming: "Songshan jian jiao yu shequ" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 109-153. 4 Li Zian-zhang. "Daojiao jiaoyi di kaizhan yu xiandai di jiao” Sinological Researches 5 (1968): 261. Ibid., p. 201. Saso, Michael R., Taoism and the Rite of Cosmic Renewal (Washington: Washington State Univ. Press, 1972), 34. Law, Joan & B.E. Ward, Chinese Festivals (Hong Kong: South China Morning Post, 1982), 83. Okada, Yuzuru, Kiso Shakai (Tokyo: Kobundo, 1949). See Brim, John A. “Village Alliance Temples in Hong Kong" in Wolf. A.P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford Univ. Press, 1974), 93–103; and Suenari, Michio "Sonbyo to sonkyo: Taiwan Hakka shuraku no jirei kara” [Village temple and village boundary: a case study of the Hakka communities in Taiwan] Bunka Jinna Gaku [Cultural Anthropology] (1985) 2:255-260. 15 Ueno, Hiroko, "Taiwan nanbo no osho to sonraku: Tainanken hito saishiken no sonraku aida kankei" (Wang Jiao and villages in southern Taiwan: worshipping area and village relationship] Bunka Jinriú Gaku 5 (1988): 64-82. + Taylor, W.A. "The Spirit Festival" Bulletin of the Cheung Chau Bun Festival 1980 (Cheung Chau: n.p., 1980), 39-41. (reprinted from Wide World Magazine, Dec. 1953). The annual Cheung Chau Jiao festival is better known to westerners as the Bun festival because of the three tall "bun mountains" erected at the ritual area. The festival is the most studied Jiao festival in Hong Kong probably due to the fact that (1) the island is comparatively easy to get to, (2) it is celebrated every year and (3) it is widely publicized by the Hong Kong Tourist Information Bureau. Besides Tanaka's accounts (see note 36), see also Jonathan Chamberlain and Ian Lambot's photographic account. The Bun Festival of Cheung Chau (Hong Kong Studio Publications, 1990). דן I owe my interest in the Jiao festival to Prof. Ward who first introduced me to Jiao festivals in 1980. She then suggested that I participate in the Jiao festival in Kau Lau Wan. K Law & Ward, 83-84. Hayes, James W., The Rural Communities of Hong Kong: Studies and Themes (Hong ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 108 Although one of the above six destinations is the normal fate of a person's heavenly soul, earthly souls reside in graves or ancestral tablets to be worshipped by descendants. Terrestrial souls can even be divided between tablets on altars in family members' homes and in ancestral halls. Views vary on this 'multiple-soul' principle. As do those from theologians, regarding life after death for a Christian. For the Chinese, ancestral spirits, gods, devils and ghosts play important roles. Supernatural intervention and magical powers have to be reckoned with. Malevolent, wandering spirits that have no male descendants to worship them must be appeased or they can bring bad luck, sickness and death. Makeshift altars are sometimes set up in streets, joss sticks are burned and offerings made, especially on the 15th day of the Seventh Moon at the Hungry Ghosts Festival (Yu Lan). With the fundamental dualism of Chinese cosmology, devils and their cohorts are yin, ‘inauspicious and gloomy'. Conversely gods, idols and the like are yang and 'lucky and bright'. In this study, father died in 1959. When windows rattled, doors opened mysteriously, or troubles befell the family, his spirit, rightly or wrongly, was at one time suspected. This had to be propitiated by visits to the temple. When death strikes, a family tends to become even more superstitious. Scissors and knives are hidden to avoid children cutting themselves and thereby inadvertently hurting the corpse. This is termed lei hei (##) meaning an edged tool or weapon which can injure. In this study, a Buddhist prayer in plastic holders was placed in strategic positions around family members' homes, including on the eldest daughter's bedside table. Although a person is a Christian, there is nothing like hedging protection. One granddaughter who had yam ngaan (dark eyes), namely psychic powers, heard a woman ghost wailing at night. When she placed the prayer on her bedside table, it kept quiet. This prayer could be rendered ineffective if taken into a church. Chinese always seem much closer to the spirit world than the average Westerner. For example, some of the older drivers on late-night buses travelling along the Pok Fu Lam Road stop and open the door whether anyone is waiting there or not. This is said to be to allow wandering spirits to get on and go back to the cemetery for the night. Chinese dislike people dying at home as it is considered 'unclean'. If they do, the body is removed as soon as possible, often in a woven, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 211 are confused with those of the interviewed. But these are more methodological problems which should not be blamed on the students Highly related to, and probably more appropriate if included in the religion section are the reports on offerings used in religious worship and on yu lan jie (ghost festival). The strength of these two reports is that they have made better use of field investigation to complement library material to reconstruct the historical development of their topics. The students who wrote on yu lan jie, for example, compare the Buddhist and Taoist versions of the festival by attending each of the occasions and plotting the similarities and differences, in terms of the administration, the main rites and the problems faced due to social change. The report on the manufacture of offerings, though grouped with two other reports on “traditional occupations", comes up with a list of the kinds of incense, candles, and paper goods involved in worship of different deities, as well as a tabulation of the frequencies of domestic worship of selected deities among members of a secondary school, reflecting the pervasiveness of popular religion. Many of the reports in the book follow a similar line of treatment. They emphasize structural descriptions, delineating specific historical events. How individuals respond to these events and how they conduct themselves in these situations are not known. The report entitled "The Eighteen-day Nightmare” on the half-hearted and short defence in Hong Kong against Japanese invasion in December 1941, for instance, uses a lot of space listing military maneuvers and explaining their significance. As a report on "the nightmare", however, it should be talking more about the lives of different sectors of society during this particular period. Similarly, this is a weakness for two reports that deal with remnants of Qing Dynasty in Hong Kong. One plots the marine defence facilities along the coast of Hong Kong, while the other describes the village schools scattered in different heungs of Yuen Long. The schools and forts were painstakingly visited and their physical layout recorded, but the reports only manage to preserve what existed in the past, and fall short of reliving what happened. If the reports put social actors in their specific historical contexts and let them speak for themselves, they will add life to the historical events, demonstrating the dynamics among social actors as individuals as well as social groups, and paint a more complete picture of the history and culture of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1993 https://digitalrepository.lib.hku.hk/catalog/66833t302 121 he was a hero who helped pacify the San P'ing area of Changchou who then had settled in the area, and when the T'ang philosopher, Han Yu, was banished to Ch'aochou in AD 819 he and I-chung saw much of each other. His legends are so similar to those told about Ch'ing-shui Tsu-shih that it is more than likely that they have been confused and adapted by devotees. His image portrays him as a seated Buddhist monk, holding a fan in his right hand, but without any unique identifying characteristics. His festival is generally celebrated on the double sixth. It is also celebrated on two other dates, lesser festivals, the 26th of the sixth, being the anniversary of his enlightenment, and the 26th of the tenth, the anniversary of him being borne off to Heaven. Three temples in Taiwan are dedicated to him, two in Taman and one in Nantou, though his image also appears on a number of secondary altars elsewhere in Taiwan. In a large temple in central Taman his image is the centre one of a triad flanked by Ch'ing-shui Tsu-shih on his right hand, and San Tai Tsu-shih on his left. They are said to have been sworn blood brothers. His image has not been seen in Hong Kong or Macau, and has only been noted on one altar in SE Asia, in Singapore where he is said to have been an incarnation of Ti-ts'ang Wang. They claimed that he died in Amoy where he sank into the ground and disappeared. He is portrayed on the Singapore altar as a standing gilded figure wearing a Buddhist mitre, and holding a rattle stick in his right hand and a bowl in his left. San Tai Tsu-shih Another separate southern Fukienese cult appears to be confused with Ch'ing-shui Tsu-shih. Three individual images have been noted on two altars, both in Yunlin county in central Taiwan, under the title of The Three Generations of Patron Saints or, as it was explained in one of the temples, that the three images represented one deity, The Third Generation Patron Saint, San Tai Tsu-shih. The main deity of the three is said to be the Second Buddha of the 31st kalpa. Some Taiwanese hagiographies claim that Ch'ing-shui Tsu-shih and San Tai Tsu-shih are one and the same deity, though one of the two temple keepers refuted this and explained that Ch'ing-shui Tsu-shih is the deputy to San Tai Tsu-shih. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 154 limited surplus funds. The Local Principal Deity Cult and the Making of Communal Culture Large-scale local festival activities can best demonstrate a community's communal culture. Unlike single-clan communities, where ancestral halls serve as the venues for collective functions, Tung Chung's ceremonies of ancestor worship generally occur within individual families. Most villages are multi-surnamed and do not have ancestral halls. Only a few single-lineage villages, such as Mok Ka 家 Wong Ka Wai 黄家圍 Lam Che 藍峰 Nim Yuen 稔園, and Ba Mei te, and some larger lineages such as the Hsiehs, the Hos, and the Chous at the multi-surname village San Tau, have, or used to have, ancestral halls for worship ceremonies in spring and autumn. For villages with ancestral halls, ancestor worship may be conducted on both a family basis and a lineage basis. At the houses of most villagers, spirit tablets of their ancestors are enshrined on the family altars in the main halls. Joss sticks are burnt daily in front of the tablets. During festival days, animal sacrifices, food, wine, and other offerings are prepared. Kowtow and the burning of incense and ritual paper form part of the simple ceremony. For a minority of single-surname villages with ancestral halls, collective ancestral worship on a lineage basis is held at the halls during the Ch'ing-ming Festival and the Double Ninth Festival. Among ancestral halls built before World War II at villages such as Mok Ka, Wong Ka Wai, Ba Mei, and San Tau, the Mo-yu-sheng tang at Mok Ka, and the Yung-ho t'ang at Wong Ka Wei are best maintained. Some of these halls also served as village schools to which boys were sent for three to four years, before a modern school was established near the Tung Chung Fort in the 1940s. At these halls, pupils were taught with the traditional primers, i.e., the San-tzu-ching (Trimetrical Classic), Ch'ien-tzu-wen (Thousand Character Classic), the Confucian classics, and the collection of Chinese idioms. After some halls had deteriorated, village offices would sometimes be used to accommodate the schools. As a case in point, the public office of the upper Ling Pei village was turned into a classroom after Ho's Study, the ancestral hall of the Hos and a village school at upper Ling Pei, had fallen into ruin. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 165 55 representatives of the rocket associations bid for the rockets Physical violence is avoided, but competition remains keen among bidders who strive to show superiority over each other in terms of wealth and power' To decide who in the winning group can take the representation of the god home, another ceremony should be held whereby the temple keeper, after placing on the temple altar a list of members of the rocket association and reciting a “song to invite the god" (#), casts the divining blocks thrice for each member The winner is he who passes the divination three times in a row. 1 50 In addition to the representative associations from villages such as Mok Ka's Yu-ch'ing tang W, upper Ling Per's Ch'un-ying t'ang #*, Ngau Au's Ch`un-lu t’ang San Tau's Ch'un-ch'ing tang # , and so on, other units such as social clubs and recreational societies also form their own rocket associations. According to Hayes's observation in the 1960s of the concomitant celebration of the Houwang feast day and the reopening of the Houwang Temple after the first major repair in 1909, among the rocket associations, two were fishermen's groups, (one from Tung Chung and the other from Tai O) and one was formed by the Seamen's Union from Hong Kong which came to Tung Chung for the festival for many years." Many native Tung Chung seamen had joined the union. By forming the associations and attending the festival, members of the same profession can also exchange information and news of their trade. In this sense, the festival functions tend to promote solidarity not only among villagers, but also among colleagues. For local residents of different surnames and various social backgrounds, the Houwang worship and its all-pervasive influence provide them with the social bond of union and the ideology of territory identity, through which the Tung Chung community seems to have become a culturally self-sufficient entity Even the fishermen settled in the district seldom visit the Empress of Heaven Temple at Chak Lap Kok or Ma Wan. Like other Tung Chung villagers, they pay homage mainly to the Houwang, the principal deity of the locale, and participate quite actively in the “bid-for-rockets” contest during the annual feast day festival. The Houwang's Birthday celebration also provides the local community with an opportunity for contact with the outside world. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1999 https://digitalrepository.lib.hku.hk/catalog/s178b887x baleful influences, the population was almost totally reliant upon assistance from religious personnel, and especially from the Taoists who specialized in this field. There was a tremendous demand for their services by the common people, who were generally anxious to solicit supernatural aid through their good offices." The work involved the specialists in pre-emptive as well as remedial roles, both warding off and putting right. Services such as these were confined to the priests and nuns of Buddhism and Taoism, since Confucians did not have a body of religious personnel of a comparable kind. Services for the People: Popular Buddhism and Taoism By the late 19th century, it was as difficult to differentiate between some aspects of the practice and ritual of Buddhist and Taoist priests as it had become hard to determine the precise derivation or affiliation of the religious texts and morality books of Buddhism and Taoism described above. This seems to have been especially the case in the popular religion and in the ritual services provided for the people. In 1882, the American missionary scholar B.C. Henry had stated that: "The worship of the spirits of the dead being a universal practice, they [the Buddhists] have taken it under their wing, and in conjunction with the Taoists superintend the ceremonies of the Yu-lan-Ui or “association for feeding the dead,” which offers annual worship to hungry ghosts. The Buddhists, by adopting this festival of All Souls, and emphasizing it by their doctrine of transmigration, have gained wide influence and great popularity.”20 Henry also mentioned that the Taoists: "perform daily liturgical services in the cloisters, and are employed in special rites at funerals, or in houses of mourning to repeat prayers for the dead,"21 adding that Taoist priests “utter good luck chants at feasts, at the laying of foundations for houses and temples, or on any occasion that may come up." Such services were also available from the Buddhist personnel.22 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n Dan Waters - A Brief History of Technical Education in Hong Kong, 1863-1980 ..... 210 Dan Waters - More Photographs from the HKBRAS 40th Anniversary Celebration Conference held in December, 2000..... 227 Dan Waters - The HKBRAS Volunteers 231 More on the HKBRAS Trip to the Socialist Republic of Vietnam between 30 September and 6 October, 2000 233 Jack Lao Mou Chi - Photograph of Hong Kong Harbour and Waterfront taken in 1954 ..... 251 Peter Halliday - Some Thoughts on Love is a Many Splendored Thing 255 Chiu Hang Shi - Amendments to the Article 'Yaumatei and the Yu Lan Festival' in 'In the Heart of the Metropolis: Yaumatei and its People' 267 James Hayes. - Model Village, Kowloon Tsai, Hong Kong 269 xi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 127 the sacred and the secular. Sacred time can be separated into liturgical and non-liturgical. Liturgical dates are those linked to the lunar calendar such as Yu Lan Hui, the Chinese All-Soul's Day, celebrated on the 15th of the seventh lunar month [best known as the Hungry Ghosts Festival] and the anniversaries of the gods and immortals; whilst the non-liturgical are fixed dates marking the seasonal changes. Only two such non-liturgical dates are still observed - the grave sweeping at Qing Ming, usually on the 5th of April, 106 days after the Winter Solstice, and the Winter Solstice itself. Secular dates are national state holidays. Humans accept the depth and space of time as a natural aspect of our daily lives. To people the world over a day, depending upon the culture, consists of the period between noon and noon, midnight and midnight, or from dawn to dawn. The lunar month has been a common time-marker since time immemorial, with the Chinese lunar calendar being based on the full moon on the 15th day of the month and the new moon, on the first. To many Chinese, as indeed to a number of other agricultural civilisations, time did not stretch back into eternity but came round again and again, it was cyclical, and again like other civilisations a zodiac evolved. Before the days of the cheap watch or clock, time to the average Chinese man-in-the-street was simply the year, which is the interval between each spring equinox, the month and the forenoon, afternoon and evening of the day. Chinese peasants were able to avoid the bourgeois vice of clock-watching. However, certain times were rigid; for example, the times of the opening and closing of the city gates; these were usually regulated by dawn and dusk, and for watchmen who walked the dark streets who knew from experience reasonably accurately when to call out the hour. For the majority of Chinese another important aspect of time is the lunar date of birth and death, as no marriage could be arranged without the exchange of time and date of birth of the potential bride and bridegroom. However, to the Daoist time never stops and no state can be retained. Change is the only constant. Everything is continually changing but for each action there is a reaction so that the cosmic balance remains the same. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 267 AMENDMENTS ON THE ARTICLE "YAUMATEI AND THE YU LAN FESTIVAL” AS IN "IN THE HEART OF THE METROPOLIS: YAUMATEI AND ITS PEOPLE" CHIU HANG-SHI I believe it would be desirable to amend some of the information, mainly about translation, in the article mentioned above through this Journal. 1. 2nd paragraph, pg.151 (as in the book mentioned above) The "Shing" in "Yu Lan Shing Wui" is, "" and not “” (as shown in the Glossary, pg. 181). 2. 6th paragraph, pg. 151 "Upper Original Festival” should be held on the fifteenth day of the first moon, not of the fifth moon. Another (ancient) version of the dates of the Upper, Middle and Lower Original Festivals are the seventh day of the first moon, the seventh day of the seventh moon and the fifth day of the tenth moon. 3. 4th paragraph, pg.155 The "King" in "Nim King Fat She" is, "" and not “" (as shown in the Glossary, pg. 181). The English translation would be "The Buddhist Society for Reciting with Respect" 4. 3rd paragraph, pg. 157 The title of the Announcement ("Pong") should be "The Golden Piece of the Bestowal Bliss" and not "The Golden Seal of the Bestowal Bliss". I was confused by the character "" for it means both "seal” and “piece”. 5. 6th paragraph, pg. 158 Mung Shan Offering Ceremony: This ceremony is held every day since it has been incorporated into the Evening Recitation in Chinese Buddhism. For those who would like to read the whole text of it in English, please refer to the “Sagely City of 10,000 Buddhas Daily Recitation Handbook” (1991) published by the Dharma Realm Buddhist University, Buddhist Text Translation Society. The founder ================================================================================