RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d Chu-tsing Li Yoshito Yonezawa 10 Osvald Siren 11 Chang Jui-tu 1576-1641 early 17th century 1607 obtained chin-shih degree Victoria Contag 12 B. ca. 158 - after 1660 Chang Hung Hung-jen K'un-ts'an Chu Ta 1577 - after 1668 1610 - 1663 1612 - ca. 1674 1626-1705 Chen Kuan act. 1620. 1640 Shen Hao act. 1630 - 1650 Kung Hsien 1617/18 1689 Tao Chi - 1663 1626-1705(?) early 17th century mid-17th century 1625 · 1705 + active 1600 act. 1630-1650 d. 1689 died in his forties 1612 - 1697 1626 - 1705 c. 1620-1689 Hung Ting 1641 - before 1720 1660-1730 Chiao Pin-chen ca. 1680 - 1720 late 17th century 1650(1660) - 1730 - 1700 1630 - after ca. 1717 166--1730 1641 - 1707 Chang Tsung-ts'ang 1686. 1756 1686-1755 still alive act. 1680 - 1720 1686 - 1756 Chin Nung 1687 - 1765 Huang Shen 1687 - 1768 Yung Jung 1744 - 1790 1687 - 1788 still alive late 18th century 1687 - after 1768 BOOK REVIEWS 331 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 340 BOOK REVIEWS Chinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961. 2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada. 3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe. 4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, "Bronzes in the Hellström Collection", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, "A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection" was published in Minneapolis in 1951. The third, "Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30. 5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking). 6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley. 7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago). 8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London). 9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London). 10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo). 11 Osvald Siren: Chinese painting, Vol. VII, (1958, London). 12 Victoria Contag: Chinese Masters of the 17th Century (1969, London). 13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), "A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting", (1931, Peking). 14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing. 15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C. ================================================================================