RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 227 was commendable that the A.D.C. had departed from farce and burlesque, its venture into something more serious was not altogether successful; but the fault may have been not in the type of drama but in the type of characters of the particular play. It was the opinion of the reviewer that "In selecting plays they should have no out-of-the-way characters. A success at home may not be suited to Amateurs, such as these in Hong Kong. Some dramas are written for special actors". He suggested that "perhaps the amateurs could give a selection, perhaps one or two scenes, or an act from a standard play, for example, the scene between Wolsey and Cromwell in Henry VIII." This had been done by the Hon. Mr. York at the inauguration of the City Hall's Theatre Royal in 1869 during the visit of His Royal Highness, the Duke of Edinburgh. The suggestion was not taken up, and the Company attempted another serious piece, the popular play "The Caste". In this, the amateurs had to compete against the standard set by performances given a short time before by two different travelling professional companies in which actresses played the female parts. The comparison was not kind to the amateurs. As usual, the reviewer was reluctant to criticize, but he did venture to say that the performance might tend to lessen subscriptions for the next season. He thought too much had been spent on the costumes, when, in fact, in his view, "people go to see acting, not wardrobe". The A.D.C. returned to something lighter, and in 1876 put on a very successful burlesque, "The Field of the Cloth of Gold," by William Brough. The opening scene in the London production had been the harbour of Calais; in Hong Kong, it was the Praya between City Hall and the Bath House of the Victoria Recreation Club. The field of the cloth of gold was East Point. Though it was agreed that there was not much scope for dramatic talent in the piece, it was pronounced "an undoubted success, and far surpasses, in splendour of the get-up, number of performers, and brilliancy of the scenes, anything hitherto placed on the boards of this colony". Unfortunately, its lavishness had to be paid for, and it took several seasons before the A.D.C. had a balance. One of the perennial favourites was the burlesque "Aladdin the Wonderful Scamp". It was given in 1863, 1867, 1875 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 47 The intention to recruit engineers to undertake these works in Hong Kong was presumably advertised in the Home Civil Service and Borough Councils, where Jackman was employed from 1897. Given his training and experience in Sheffield, he was well qualified for the type of work needed in Hong Kong and he was recruited to the Colonial Service on 20 October 1902. The City of Hong Kong at the turn of the century was undoubtedly impressive: with most industry and wharfage on the eastern part of the Island and Kowloon, Central District had developed into a well laid-out commercial area with fine examples of architecture in a number of styles. The city was expanding rapidly, and 65 acres with two miles of sea-front were added with the completion of the Praya reclamation in 1903. Even back in the 1900's, the view of Victoria Harbour often prompted heady descriptions "Viewed from the Harbour, Hong Kong presents a very picturesque appearance, not unlike that of the north coast of Devon or the west coast of Scotland. At night, the scene resembles a city en fête. The riding lights of the shipping sparkling like gems on the bosom of the deep, the bright illuminations of the waterfront, the countless lamps that bespangle the hillsides and stretch along the terraces as though in festoons, furnish a sight that fascinates the eye and leaves an enduring impression of delight upon the mind." (H.A. Cartwright, in Twentieth Century Impressions etc. 1908) Jackman arrived in Hong Kong in 1903 and reported for duty in the P.W.D. on 15 July at an annual salary of $3,000. His rank was Executive Engineer, of which there was a single grade then (the rank was split into First and Second Grade Executive Engineer in 1911). The Director of Public Works at that time, as during much of Jackman's Civil Service career, was William Chatham. Soon after his arrival, the Government started payment of salaries to expatriate staff in Sterling, and Jackman's salary was fixed at £480 per year, with some allowances paid in local currency. During his early career in Hong Kong, Jackman was mainly involved in drainage and sewerage works. He was responsible for ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 105 ALPHABETICAL LIST OF PERSONS BURIED IN THE PROTESTANT CEMETERY, MAKATI, RIZAL TO BE TRANSFERRED TO MANILA MEMORIAL PARK Date of death Name Date of death Name 12.6.1944 AARON, Margaret Tyre ADAMS, Henry Not known AEROBE (baby) 26.4.1886 AHR-LEGER, Suzanne 5.10.1919 AITKEN, Charles H W 2.3.1921 AITKEN, Mary Louise 29.10.1952 ALFON, Jose 21.4.1919 ALKAN, Camille 3.10.1915 ALLEN, George 15.4.1906 ALLINSON, James 20.5.1918 AMER, Basserody 14.11.1904 AMOLOCHITIS, John 30.6.1962 ANDERSON, James 20.11.1936 ANDERSON, William 6.4.1908 Roberts ANDREWS, James 27.1.1894 ANDREWS, Richard 31.8.1900 Montgomerie Henry ARMSTRONG, George 12.11.1920 ATKINSON, Dorothy 20.6.1925 AULE, John 30.9.1889 AYLETT, William 20.8.1880 BAALK, Emil Ch. M 13.8.1878 BACKHOUSE, C 18.3.1903 BAEL, Joe 25.9.1919 BAENZIGER, Gustav Adolph 27.10.1899 BALLEY, George 3.9.1909 BARKAS, Gabriel 25.4.1938 BARNES (still-born) 25.1.1923 BARNETT, Edward 8.5.1936 BARR, Robert 24.1.1926 BARRIOS, Raphael Plaza 28.4.1960 BATCHELLOR, John 8.1920 BAUEN, G William Not known BENZIE, John M 12.5.1925 BERGACKER, Johanna Maria 3.10.1963 BERNARD, Son of M L 8.7.1881 BERNSTEIN, Simon 13.3.1900 BETZ, Max 11.9.1882 BIERMANN, Fritz 12.1903 BINDER, Heinrich 22.8.1892 BIRD, Isaac J BLACK, John Gordon 22.2.1870 BLANCO, Emilio Palomov 6.8.1964 BOIE, Reinhold 14.9.1896 BLAIR, William A BLOCH, Leon Not known BOLLWILL, DE 6.7.1887 BOLTON, Edwin 10.12.1920 BONIFACE, Mark Graham 15.1.1945 BOUNTIFF, Eliza 13.11.1918 BOWER, I H 19.3.1899 BRAMHALL, J C 7.5.1868 BRAMMER, Agnes 26.8.1902 BARMMER, Heinrich 2.9.1898 BRAMMER, Otto Franz Ernst Rudolf Hugo 15.9.1893 BRAMMER, Pauline 8.10.1901 BRAMMER, Richard 20.11.1900 BRAMWELL, Geoffrey 17.1.1915 BRAUN, Max Francis 12.4.1909 BREMER, Adelisa 25.1.1962 BREMER, Ann Marie 25.9.1961 BREMER, Dennis 30.11.1941 BRENNER, Issac 2.9.1915 BRETTHAUER, G Luísa Gonzales de 6.1903 BRIGENDIRE, Maria 10.1.1945 BROUGH, Robert BRIDGE, Harry 27.12.1922 BROOK, John Evans 24.2.1902 BROWN, Bright 18.6.1921 16.12.1913 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 235 that in more congenial parts Mr. FUNNYDOG will help to compensate us for the loss of that most genial of humourists, our incomplete BRUSHWOOD". The critic ended with the following advice: "For the future it would be better to rehearse three pieces and play two of them the first night; then in the event of a second performance the piece which was received on the first occasion with the heartiest plaudits might be repeated, preceded or followed by the new Drama held ready and in reserve. We are inclined to offer this suggestion owing to the various complaints which we have heard of the lateness of the hour at which Thursday's entertainment concluded, and also from a selfish wish perhaps to have two dramatic treats instead of one” (NCH 16.12.1865). ## APPENDIX I ## Authorlist of plays staged in Shanghai 1850-1865 In this list full titles of the plays staged in Shanghai will be found as well as first nights in London (these generally according to Nicoll. History of English Drama). P: Performance in Shanghai ?: The play is listed under more than one author | Author | Play Title | First Night in London | P: Performance in Shanghai | | --- | --- | --- | --- | | AYTON, Richard (1786-1823) | "The Rendez-Vous" | 21.9.1818 | 24.3.1852 | | BARNETT, Morris (1800-1856) | **The Serious Family** | 30.10.1849 | 8.10.1859; 23.3.1865; 28.4.1865 | | A BECKETT, Gilbert Abbott (1811-1856) | "The Roofscrambler” | 15.6.1835 | 12.12.1850 | | | **Siamese Twins** | [14.4.1834] | 5.5.1853 | | | **The Turned Head** | 3.11.1834 | 27.1.1865 | | BERNARD, William Bayle (1807-1875) | "A Practical Man" | 20.10.1849 | 8.3.1854 | | BOUCICAULT, Dion (1822-1890) | **The Colleen Bawn or the Brides of Garryowen** | 29.3.1860 | 25.4.1865 | | | "The Octoroon or Life in Louisiana" | 6.12.1859 | 7.1.1865; 13.1.1865; 14.1.1865 | | | "Used Up" (with C. Mathews) | 1.6.1846 | 26.1.1853; 8.2.1857 | | BRIDGEMAN, John Vipon (1819-1889) | **I've Been Eaten My Friend!** | 8.9.1851 | 22.3.1854 | | BROOKS, Charles William Shirley (1816-1874) | "Anything for a Change" | 7.6.1848 | 14.5.1854 | | BROUGH, Robert Barnabas (1828-1860) | "Crinoline" | 18.12.1856 | March 1863; 16.3.1863; 1.4.1863 | | | **Medea or The Best of Mothers with a Brute of a Husband** | 14.7.1856 | 28.12.1864 | | BROUGH, William (1826-1870) | 'Apartments: Visitors to the Exhibition may be accommodated. A piece of extravaganza to suit the times' | 14.5.1851 | 23.3.1853 | | | "The Area Belle" (with A. Halliday) | 7.3.1864 | 30.9.1865 | | | "Conrad and Medora or Harlequin Little Fairy at the Bottom of the Sea" | 26.12.1856 | | 138 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 237 COYNE, Joseph Stirling (1803-1868) "Binks the Bagman" (13.12.1843). P: 8.10.1857 "Duck Hunting" (29.9.1862). P: 30.3.1864; 4.4.1865 "The Infanticidal Farce or Did you ever Send your Wife to Camberwell?" (16.3.1846). P: 21.2.1856 **Urgent Private Affairs** (7.1.1856). P: 5.5.1858 CROSS, John C (d 1810?) The Golden Farmer or Harlequin Ploughboy (28.6.1802). P: 8.10.1857 DANCE, Charles (1794-1863) **Delicate Ground or Paris in 1793** (27.11.1849). P: 13.2.1864 "The Dustman's Belle" (1.6.1846). P: 9.2.1858 DANVERS, Henry (??) **A Conjugal Lesson** (3.7.1856). P: 26.3.1857 DIBDIN, Thomas John (1771-1841) **The Birthday** (16.3.1799). P: 9.2.1858 DUMAS, Alexandre fils (1824-1895) "Camille" (English adaptation of 'La Dame aux Camélias') (1852; London: 1858). P: 27.3.1865 EDWARDS, Henry Sutherland (1828-1906) **The Goose with the Golden Eggs** (with A. Mayhew) (1.9.1859). P: 13.2.1863 FITZBALL, Edward (1792-1873) "The Daughter of the Regiment" (30.11.1843). P: 15.4.1865 GILL, W.B. **Aurora Floyd Burlesqued**. P: 19.4.1865 "Which is Which?". P: 27.3.1865 GORE, Catherine Grace Frances (1799-1861) **A Good Night's Rest or Two in the Morning** (19.8.1839). P: 21.2.1856 HALLIDAY, Andrew (1830-1877) "The Area Belle" (with W. Brough) (7.3.1864). P: 30.9.1865 HARDWICKE, Pelham: See C. Mathews HARRIS, Augustus Glossop (1826-1873) "The Rose of Castille" (Music by M.W. BALFE) (29.10.1857). P: 8.10.-14.10.1864 HAZLEWOOD, Colin Henry (1823-1875) ? "Aurora Floyd or the First and Second Marriage" (21.4.1863). P: 26.11.1864; 17.4.1865 ? "Lady Audley's Secret" (25.6.1863). 142 P: 28.12.1864 "Rob Roy" (19.6.1864). P: 28.3.-5.4.1865 JERROLD, Douglas William (1803-1857) "Black-eyed Susan or All in the Downs" (8.6.1829). P: 28.3-5.4.1865 JERROLD, M. William Blanchard (1826-1884) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 240 RODWELL, James Thomas Gooderham (d. 1825) "A Race for Dinner" (15.4.1828). P: Announced in March 1854 but not performed. "The Young Widow or A Lesson for Lovers" (1.11.1824), P: 27.4.1865 SELBY, Charles (1802?-1863) "The Boots at the Swan" (5.4.1843). P: 14.12.1865 **A Fearful Tragedy in the Seven Dials". P: 15.2.1860 **A Lady and a Gentleman in a Peculiarly Perplexing Predicament" (9.8.1841), P: 13.2.1864 **The Unfinished Gentleman'' (1.12.1834). P: 17.6.1865 SHAKESPEARE, William (1564-1616) "King John" (1594–1596). P: 12.11.-18.11.1864 (Prison scene, Act IV.1 only) **Richard III" (1592-1593). P: 26.4.1865 (Act V only) SHERIDAN, Richard Brinsley (1751 1816) **The Rivals" (17.1.1775). P: 28.9.1858; 23.11.1864 SUTER, William E. (1812-1882) ? "Lady Audley's Secret" (22.2.1863). P: 28.12.1864 TALFOURD, Francis (1827-1862) "A Household Fairy" (24.12.1859), P: 26.11.1864 TAYLOR, Tom (1817-1880) ? "Cinderella" (12.5.1845). P: 12.11.-18.11.1864; 28.4.1865 "Still Waters Run Deep" (3.3.1856). P: 23.4.1857; 15.3.1860 TOBIN, John (1770-1804) ? "The Honeymoon" (31.1.1805). P: 19.4.1865 TOWNLEY, Rev. James (1714-1778) "High Life below Stairs" (31.10.1759), P: 21.4.1851 WEBSTER, Benjamin Nottingham (1797-1882) ? "Aurora Floyd' (11.3.1863). P: 26.11.1864; 17.4.1865 ? "The Golden Farmer or the Last Crime" (26.12.1832). P: 8.10.1857 WILLIAMS, Thomas John (1824-1874) "Nursery Chickweed" (12.11.1859), P: 28.3-5.4.1865 "On and Off" (6.6.1861). P: 25.4.1864 APPENDIX II An alphabetical list of plays staged in Shanghai 1850-1865 The Adventures of Bonnie Prince Charlie or the Rising of 1745: N.N.; 13.6.1864. Aladdin or the Wonderful Scamp: H.J. Byron; 2.9.1864, 19.11.1864, 29.4.1865, Anything for a Change: C.W. Brooks; 15.5.1854. Apartments: W. Brough; 23.3.1853. The Area Belle: W. Brough & A. Halliday; 30.9.1865. Attic Story: J.M. Morton; 6.5.1852. Aurora Floyd: C.S. Cheltnam? C.H. Hazlewood? J.B. Johnstone? B. Webster? 26.11.1864, 17.4.1865. ================================================================================