RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author 66 Vol. 1 (1961) ISSN 1991-7295 the Ultra-Ganges Missions.) Accompanied with miscellaneous remarks on the literature, history, and mythology of China, etc. Malacca, printed at the Anglo-Chinese Press, 1820. MORRISON, Mrs. Eliza (Armstrong), born c.1800. Memoirs of the life and labours of Robert Morrison, compiled by his widow, with critical notices of his Chinese works by Samuel Kidd. 2v. London, Longman, Orme, Brown, Green and Longmans, 1839. MORRISON, ROBERT, 1782-1834. Bible. New Testament. Chinese. 耶穌基利士督我主救者新遺詔書俱依本譯出「嗎啫哩英華書院印」8v. 1813 鑰 Yeh-su Chi-li-shih-tu wo Chu Chiu-che Hsin-i-chao-shu (The New Testament of Jesus Christ Our Lord and Saviour). [Translated by Robert Morrison and William Milne.] 8v. Malacca, Ying-wa College Press, 1813. MORRISON, ROBERT, 1782-1834. A dictionary of the Chinese language, in three parts... by R. Morrison. Macao, China, printed at the Honourable East India Company's Press, by P. P. Thoms, 1815-1823. MORRISON, ROBERT, 1782-1834. Horae sinicae, translations from the popular literature of the Chinese. London, printed for Black and Perry, etc., 1812. MORRISON, ROBERT, 1782-1834. Urh-chih-tsze-teen-se-yïn-pe-keáou [ ] being a parallel drawn between the two intended Chinese dictionaries, by Robert Morrison, and Antonio Montucci, . . . together with Morrison's Horae Sinicae, a new edition, with the text to the popular Chinese primer San-tsi-king, London, printed for the author, 1817. NEUMANN, CHARLES FRIEDRICK, 1798-1870. Translations from the Chinese and Armenian, with notes and illustrations. London, printed for the Oriental translation Fund, and sold by J. Murray, 1831. Osbeck, PETER, 1723-1805. A voyage to China and the East Indies, . Together with a voyage to Suratte, by Olof Toreen and An account of the Chinese husbandry, . . . To which are added, A Faunula and Flora Sinensis. 2v. London, printed for Benjamin White, 1771. PARK, MUNGO, 1771-1806. Travels in the interior districts of Africa, performed under the direction and patronage of the African Association, in the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol 1 (1961) ISSN 1991-7295 93 The climax of the dramatic struggle between No-cha and his father Li Ching may be summed up here: Li Ching, hearing that No-cha had come again with his magic arms, was infuriated. He mounted his black horse and came out to meet No-cha with his halberd with crescent-shaped blade. The fighting had not lasted many minutes when Li Ching was in a profuse perspiration and had to flee for his life. No-cha pursued him with desperate efforts and nearly caught him when Mu-cha, the second son of Li Ching and disciple of the Immortal P'u-hsien (Samantabhadra), came on the scene. Although they were brothers they had not known each other before and No-cha had to tell Mu-cha the whole story. Mu-cha rebuked No-cha and called him a patricide, and defended the father with his precious sword. No-cha hurled his golden brick in the air which fell on the back of Mu-cha and hurt him. No-cha resumed his pursuit, and as Li Ching, being exhausted, did not wish to be overtaken by his son, he drew his sword and was about to commit suicide when he was stopped by a Taoist who was no other than the Wên-shu Kuang-fa Tien-tsun (Mañjusri) who was invited to come by Immortal T'ai-i to give No-cha an impressive lesson. Wên-shu now hid Li Ching in his grotto and seized the naughty hero with his "Dragon-concealing Stake"--which was also called "Seven Precious Golden Lotuses"--which in a mist of dust fastened No-cha's neck and feet with three golden rings and bound him to a golden stake. Wên-shu ordered Chin-cha, his disciple and No-cha's eldest brother, to beat No-cha black and blue with a staff until T'ai-I himself appeared. At the intercession of T'ai-i, No-cha was released and both father and son were brought before the two Taoist masters. T'ai-i rebuked the father for his petty-minded action and told him to go home. After Li Ching's After Li Ching's retreat, he instructed No-cha not to bear any grudge against his father and charged him to return to the grotto in Mt. Ch'ien-yuan on the pretext that he would stay with Wên-shu and play chess. No-cha, raging with anger, taking advantage of the absence of the two masters, pursued his father again. When Li Ching was in danger of falling into the hand of the son, another Taoist, the Jan-têng Tao-jên (Dipamkara) of the Yüan-chüeh Cave on the Vulture Peak, appeared on the scene as if by accident. He sheltered Li Ching behind, and when No-cha demanded single combat with his father, he increased Li Ching's strength by spitting on him and touching him on the back. Li Ching was then able to get the upper hand in the fighting and No-cha was defeated. No-cha was beside himself with rage. He jumped aside suddenly and tried to pierce Jan-têng with his spear, but the thrust was repelled by a white lotus flower emitted from the latter's ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1964 https://digitalrepository.lib.hku.hk/catalog/qz20zx09r 71 PENG CHAU BETWEEN 1798-1899 J. W. HAYES, M.A. I The object of this and previous articles is to recover as much of the pre-1899 past of the Hong Kong region as possible, with special reference to the nineteenth century. What materials for a history of the life and times of the people still exist? Locally there are occasional stone tablets commemorating the repair of temples or the settlement of an important local dispute. They mostly belong to the latter part of the nineteenth century. Some eighteenth century ones have survived but early tablets are generally rare because local people have a habit of getting rid of them when the temple is repaired once more. If not actually thrown out, they are taken into the yard and eventually broken up by children, or taken away to serve as impromptu table tops and seats or as chopping boards for vegetables. Then there are the numerous horse-shoe shaped graves which stud the countryside, practically all of which have dated tablets. Many of those still legible date from the late CHING period (1644-1912), but time and exposure to the elements have often done their worst, especially where a family has died out and the grave is no longer visited every year. There is the mute evidence of the countryside itself, where land long fallow and houses mouldering into the ground testify to a more populated past, often at a considerable distance of time from the present. Written records include clan genealogies. These seem to be fairly widespread, though fewer in number than before the Japanese war. In the remoter and poorer areas, where the clans are small and poorly educated, they often amount to no more than a list of names without even dates of birth and death; but those of the larger clans are often printed and include all kinds of interesting information, such as lists of property, honours and posts held by ancestors, clan rules, etc. A few land-deeds from the CHING period also turn up from time to time, but, like the genealogies, they have suffered from damp and the consuming desire of white ants to know more of their local history. It has also to be remembered that land-deeds had to ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 188 KEITH STEVENS the 23rd day of the sixth lunar month. In Singapore and in Malaya the usual date is the 23rd of the seventh lunar month; but other comparatively common dates are the 6th of the third lunar month, the 18th of the fifth lunar month, the 26th of the sixth lunar month, and the 10th of the eighth lunar month. Names of his family Fa Chu Kung's family name was Chang (**張**) and he was called Chang Kung (**昌公**). His two brothers are called variously: a. Chang Kung (#2); red face; in Fukien temples b. Hsiau Kung(); pink face; in Fukien temples a. Hung Kung (#2); pink face; in Fukien temples b. Hsiau Kung (2): white face; in Fukien temples a. Chiang Chün Ye (*): red face; this last group was seen in a Cantonese temple in Seremban b. Fa Ch'ing(): white face; this last group was seen in a Cantonese temple in Seremban His four assistants have been observed in one temple only, a Hengwa Fukien temple, and are called: a. Liu 劉 b. Lien 遵 c. Chang 張 d. ... He has two main disciples: Ma Ye: white faced; with a bell in right hand for punctuating prayers, and wearing a horse head hat. Hu Ye: red faced; with a bottle in his left hand containing magic water for frightening demons, and wearing a tiger head hat. Community Groups worshipping Fa Chu Kung Each temple in which Fa Chu Kung has been observed has had a temple keeper, appointed by the temple committee or from whom he had purchased his franchise. The main community groups in which Fa Chu Kung is to be found are from the An Chi and Ying Ch'üen areas of Fukien province. Other community groups which have images to Fa Chu Kung are Foochow City, T'ung An and Heng Wa. He is to be seen in at least 34 temples in Singapore and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 60 CAROLE MORGAN Other ceremonies involving dogs are mentioned in the Chou Li, the Chou Book of Rites (a utopian picture of Chou society compiled from late Chou, Chin and Han sources in the 1st Century B.C.). In the nu (（）) sacrifice to drive away pestilence, a dog was dismembered and his remains buried in front of the main gates of the capital.10 The ba (*) sacrifice to ward off evil required the participation of the Emperor himself. Riding in a jade chariot it was his duty to crush a dog under the wheels of his carriage. An analysis of the character ba clearly shows what took place in the ceremony. The term ba is written with the radical for cart and a phonetic element (（）) which originally meant an animal whose legs had been bound. It was the duty of a specially appointed official to supply a dog of one colour and without blemishes for the sacrifice.12 According to one author, Schindler, the origin of using dogs as sacrificial animals dates back to a primitive cult in honour of a dog-shaped god of vegetation whose worship later became amalgamated with that of Shang Ti, god of agricultural production and reigning deity of the Shang pantheon.13 The fact that alone among domestic animals dogs and horses were buried (dogs being wrapped in reed mats and horses in sheets) gives some support to this theory.14 In Chou times, horses too were used as sacrificial victims. In the ma (（）) ceremony horses were used as chthonic sacrifices to the Earth Goddess;15 and Ssu Ma Ch'ien tells us that Duke Hsiang of Ch'in (776-766 B.C.) sacrificed a red colt to the White Emperor of the West.16 In such cases the horse to be sacrificed was first shot with an arrow and then buried.17 But as horses became more valuable the practice of using them as sacrificial victims gradually died out. By 103 B.C. Ssu-Ma Ch'ien informs us all live horses had been replaced by wooden statuettes except in cases such as the chiao (*) sacrifice, celebrated by the Emperor himself, during which he informed his ancestors that he was about to undertake a punitive expedition.18 Horses, however, were not only used as sacrificial animals, they were also entitled to a cult of their own. According to the Chou Li it was the duty of an official, the Hsiao Jen, to sacrifice in Spring to the ma tsu (（马祖）), the ancestors of horses. It was the duty of the same official to honour the "tamer ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 62 CAROLE MORGAN Although, as we have seen, horses were hunted as early as the third millennium, there is still some controversy among experts as to whether horses were eaten by the Shangs. Certainly by Chou times the practice of eating horse meat had become prevalent enough to warrant an injunction in the Chou Li against eating bad horse flesh27 and a warning in the Li Chi that the taste of a horse with black hair growing along its spine is no better than that of a burrowing animal.28 In a book from the latter part of the third century B.C. called the "Travels of King Mu" we are told that King Mu, while on a journey through Western China, was offered 300 edible horses by the Chu Tse (✯✯) tribe, 900 by Tsao Nu (✯ ✯) and 700 by the Chih ( ),29 As for dogs they, along with pigs, constituted the major source of animal protein in ancient China. The Shuo Wen even gives a special character for dog's meat (1) written with the radicals for dog and flesh, while the Chou Li divides dogs into three categories: the tien chuan (□) or watch dog, the fei chuan (ok†) or barking dog and the chih chuan (✯✯) or edible dog.30 With the exception of the liver every part of the animal was considered edible.31 At the banquets of feudal lords a dish of dog's broth and glutinous rice was considered a great delicacy;32 for Summer dried fish fried in pungent dog's fat was thought to be cooling33 and when dog's meat was prepared as sacrificial meat it had first to be marinated in a mixture of vinegar and pepper.34 (Animals whose meat was used for sacrificial purposes were never referred to by name. Thus an ox was known as i yuan da wu (~✰✰✰) a head一元大武) on large feet; cocks as han yin (4) birds whose cry reaches heaven and dogs as gao hsien ( ‡**) animals used to make ancestor soup.35 The Emperor was required to eat dog's meat during the first three Autumn months36 and much later dog's meat was credited with the power of reducing fatigue and was recommended for scholars sitting for their examinations.37 Both edible dogs and horses were considered fit presents for the Emperor and feudal lords, although a pure white horse was deemed unsuitable, possibly because white was the colour of mourning.38 (The writer is more inclined to believe that since white horses were ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 LEGENDS & STORIES OF THE NEW TERRITORIES 175 found in Wing Lung Wai where his portrait in military officer's uniform is to be seen. Tang Ming Luen, the son of Tang Kuen Hin, was another military officer. He was a very powerful man with exceptional strength in his arms. When he was young and before he studied the military arts, he came across, one day, two water buffaloes fighting in a road. The people standing by were unable to pass and yet could do nothing to separate the animals. Tang Ming Luen, seeing this, seized each buffalo by the horn, wrenched them apart, and stopped the fight. It happened that a newly passed Kui Yan named Tang T'in K'ei, who came from Tung Kwun district, was visiting Kam T'in to worship at the ancestral hall, and, according to old Chinese custom, to report the good news of his degree to his ancestors. He witnessed Tang Ming Luen's feat of strength and greatly admiring him, he encouraged him to study for the army, giving him ten taels of pure silver sycee as a reward. Tang Ming Luen passed his Mo Sau Tsoi in the 25th year of Ka Hing, A.D. 1820, and the Mo Kui Yan in the following year. There is another story that Tang Ming Luen dug up some hidden treasure in his orchard, which was near Sui T'au Ts'un. To the North of the garden, there was a large banyan tree and close by it a rock covered with creeping plants. On dark days, it was said that a light used to shine near this rock and at a distance, it appeared like a big white horse. One day, Tang told a labourer to dig a hole for planting a fruit tree in a corner of the garden where a lot of long grass was growing. In doing so, the man dug up a large earthenware jar with a lid on it, which was full of silver sycee. He seized a handful of them and started to carry them home, but at once, his eyes became dim-sighted and he was unable to see his way. Thinking that it must be a punishment for trying to take money that did not belong to him, the man put the coins back in the ground, and his sight recovered at once. When he told Tang of his discovery, Tang had the ground thoroughly dug, and many more jars, each full of silver coins, were found. Tang Kuen Hin was born in the 20th year of Kin Lung, A.D. 1755, and he built a school called So Lau Yuen in Shui Tau Tsuen, one of the Kam T'in villages. This building has a curious carving inside, rather like the face of a clock with Roman lettering on it, the origin of it being unknown. Another building called Ch'eung Tsun Yuen was built by one of his descendants. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 Plate 14. Using an axe to rough out The White Horse General (白馬將軍) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n A JOURNEY TO YENAN 1946 47 in the blue water purple where the reflection of the mountain showed. Later, when it was dark and we had eaten, they came down the road in strings of six, each led by a man on foot, silent but for the soft just-heard pad of their great feet and the dying away of the bell on the leader and the increasing melody of the one on the rear guard. Next morning there was pandemonium on the road leading out of the town. It is a narrow one, cut into the rock wall of the gorge, and there was a regiment of soldiers and half a dozen trucks trying to go north while horse carts and camels tried to come south! We got through and then the road went on up the river valley (the Pao Ho). I saw two wild ducks and there were pheasants in the fields, some with a gold crest and bright red patch on their neck and a streak of red in the tail. The rivers here are also low in winter and this one, running white between great boulders or over rapids, is a deep translucent green in the pools. That evening, February 30th, the convoy arrived at Shuang-shih-p'u where the road to Lanchow and the Northwest divides from the one to Pao-chi and Hsi-an (Sian). This was a transport centre with truck depots and inns catering to every need. We put up at the Chinese Industrial Co-operatives (CIC) Guest House (中國工業聯合協會) where we had five rooms. Another Unit convoy, in charge of John Locker and Owen Jackson on their way back from the oil wells at Yü-men in Kansu, was also there. We spent a day and a half servicing the trucks, stocking up with fuel from the Unit supplies, and then had three days holiday for Lunar New Year. Our convoy feasted the Kansu one on New Year's Day, and they returned the compliment on the following day. On February 5, the convoy set out for Pao-chi, then the western termination of the Lunghai line, where we loaded the trucks onto flat cars (Plate 10) and were hitched onto the night train to Hsi-an. Here, as elsewhere, a low profile was maintained and we did not talk to others about our destination. The 18th Group Army, despite the blockade, maintained a liaison office in Hsi-an and after getting our road permit we called there and they sent one of their members with us on our route north. The road as far as the 'border' was poor. Near Tung Ch'uan it crossed the bridge shown in Plate no. 11. We took one truck across but the structure shook so much that we considered unloading the others, carrying the cases over, sending the truck across... Corrected version in HTML format as requested. However, some minor corrections were made: 1. "February 30th" is likely an error since February only has 28 (or 29 in a leap year) days. 2. "CIC" was added for "Chinese Industrial Co-operatives" to match common abbreviation practices, though this was not explicitly instructed. 3. Some minor punctuation adjustments were considered but not made as they were not strictly necessary. Here's the corrected text with the requested format and rules applied: A JOURNEY TO YENAN 1946 47 in the blue water purple where the reflection of the mountain showed. Later, when it was dark and we had eaten, they came down the road in strings of six, each led by a man on foot, silent but for the soft just-heard pad of their great feet and the dying away of the bell on the leader and the increasing melody of the one on the rear guard. Next morning there was pandemonium on the road leading out of the town. It is a narrow one, cut into the rock wall of the gorge, and there was a regiment of soldiers and half a dozen trucks trying to go north while horse carts and camels tried to come south! We got through and then the road went on up the river valley (the Pao Ho). I saw two wild ducks and there were pheasants in the fields, some with a gold crest and bright red patch on their neck and a streak of red in the tail. The rivers here are also low in winter and this one, running white between great boulders or over rapids, is a deep translucent green in the pools. That evening, February ...th, the convoy arrived at Shuang-shih-p'u where the road to Lanchow and the Northwest divides from the one to Pao-chi and Hsi-an (Sian). This was a transport centre with truck depots and inns catering to every need. We put up at the Chinese Industrial Co-operatives (CIC) Guest House (中國工業聯合協會) where we had five rooms. Another Unit convoy, in charge of John Locker and Owen Jackson on their way back from the oil wells at Yü-men in Kansu, was also there. We spent a day and a half servicing the trucks, stocking up with fuel from the Unit supplies, and then had three days holiday for Lunar New Year. Our convoy feasted the Kansu one on New Year's Day, and they returned the compliment on the following day. On February 5, the convoy set out for Pao-chi, then the western termination of the Lunghai line, where we loaded the trucks onto flat cars (Plate 10) and were hitched onto the night train to Hsi-an. Here, as elsewhere, a low profile was maintained and we did not talk to others about our destination. The 18th Group Army, despite the blockade, maintained a liaison office in Hsi-an and after getting our road permit we called there and they sent one of their members with us on our route north. The road as far as the 'border' was poor. Near Tung Ch'uan it crossed the bridge shown in Plate no. 11. We took one truck across but the structure shook so much that we considered unloading the others, carrying the cases over, sending the truck across... Let me know if further adjustments are needed. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n UNDER ALTARS 87 Of these eight titles, Marshal Yin, a famous character in mythology, is a God in his own right in the Taoist folk religion pantheon. He is to be seen only in one temple in the heart of rural New Territories in image form, where, unconnected with any Under Altar, he is one of four generals guarding a major deity. Others who regularly appear in the Under Altar and are the deities who share the occupancy but in image form, are the Local Wealth God and the White Tiger. Others who occasionally appear on top of, near to, or in the Under Altar include the Green Horse, Marshal Chao and a second demonic figure similar to the Local Wealth God. The Local Wealth God (地方財神) The major image, sometimes called the Wealth God of the Under Altar (下壇財神) or the spirit of the Location (地方神) is usually alone though very, very occasionally he may be accompanied by a somewhat similar image. A Hong Kong Cantonese writer who lived during the last century, Wu Yen-jen, in the collection “Ch'ing Tai Wu Yen-jen Yu Yen Chi” (清代吳恩仁寓言集) calls this local deity the "Local Demon" (地方惡魔), a description which is more honest than the anodyne and unprovocative term "spirit" used nowadays. The Wealth God of the Location is a gaunt middle-aged man dressed in mourning apparel, ill-fitting robes of sacking (hessian). He has a protruding tongue and a tall dunce's cap bearing the message vertically on the front "Fortune at one glance" (一覽生財). His face is haggard, often with tears of blood coursing down his cheeks. Most Local Wealth Gods clutch palm leaf fans in their left hand, whilst others carry either furled umbrellas, wands with tattered edges raised above their heads in their right hands, have their arms full of paper charms, or a string of silver coins strung around their necks. The majority of images are roughly made of folded coloured papers, and bear strips of white cloth as a sign of mourning. One, in Macau, had a hessian veil stretched across the face "to prevent him from eating worshipper's “luck"", so the keeper said! The Local Wealth God is located at ground level because he is neither fit nor qualified to stand on the altar. According to a God Carver in Macau, he stands in the Under Altar for the want... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 88 K. G. STEVENS of a better place. In most temples he stands slightly off to one side from the middle of the Under Altar behind the incense pot. The same God Carver explained that the other, similar image in the Under Altar, is the Black and White Demon (). He too is standing, dressed in sackcloth and has his tongue protruding. He has a black face, the same four characters down the front of his dunce's cap. He too, holds the wand with its tattered decoration which he uses to lead souls safely into the Afterworld and before the Judges of Purgatory. He is sometimes known as "The one who leads the souls" (). The usual image, the Local Wealth God who is occasionally known as the Filial son (#7) according to the Macanese carver, is taller, stands in sackcloth, but with a white face and wearing a dunce's cap without characters. This statement by a man who is at the heart of image making and whose other statements have been well borne out by temple keepers in both Hong Kong and Macau, has thrown a cat amongst the pigeons, as a careful examination of Under Altars reveals that very few images have black faces or characterless caps. All, with and without characters and with black or white faces, are referred to without exception by the individual temple keepers as the Local Wealth God. They added, however, that they may also be called by the less polite and now old-fashioned title of Wu Ch'ang Kuei, the "Unpredictable Demon" (), a term Burkhardt1 consistently used for the demonic policeman who arrests souls. The same God Carver also explained that the Wu Ch'ang Kuei quite frequently has red tears running down his face because, apparently, as a youth he so got on his Mother's nerves that she cried herself to death. Covered by remorse and crying until he drew blood, he set himself the task of guiding first her soul, and then souls of others, safely into the through the Underworld. The primary function of the Local Wealth God, according to the majority of temple keepers concerned, is to provide unexpected money (always in small quantities), and particularly for luck in gambling, especially horse racing. He is prayed to by gamblers who are going through a lengthy and damaging run of bad luck. In addition to this well-known ability to provide small quantities of unexpected money, a few temple keepers understand that, dressed in hemp, he has the power to drive away sickness demons and, if (1) V. R. Burkhardt: Chinese Creeds and Customs: Vols. 1-3. 1952-5 Hong Kong (SCMP). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n UNDER ALTARS 91 Thirdly, there is the incense pot, in dull bronze, pewter, or earthenware pottery, besides which one or more small oil lamps stand with their tiny wicks lying across the bowl of oil smudged with soot. Fourth, there is a flower vase in which real or imitation flowers are placed by worshippers. Fifth and finally, there may be a wooden tablet to the "Five types of Terrain and the Five Directions”, (£) standing at the back, which will be referred to later in greater detail. There are two deities who are so often seen in or near the Under Altar that they really must be described here. Only one is connected by title, and both may be seen just as frequently on the altar above the Under Altar, on a separate altar or, divorced completely from everything else, down one side wall of the temple. The first is the White Tiger (), who is sometimes referred to as the White Tiger of the Dark Altar (6). The second is the Green Horse. The White Tiger He is to be seen in about half of the Under Altars in Hong Kong and Macau. In most temples he is made of stone, though occasionally of paper or wood. Sometimes he crouches at ground level, obliquely, on the opposite side of the altar to the Local Wealth God or elsewhere in the temple on the floor and on the altar. He may even be seen in groups of twos or threes, or even more, in very rare sightings. He is one of the most common of animal spirits in folk religion temples of all communities and, not surprisingly, is often black having been kippered in incense smoke, though one or two manage to retain their yellow and black stripes and look just as all good tigers should. White Tigers, who are not really white at all, are mostly poorly shaped lumps of stone with a tail, tiny ears and a cavernous mouth. The largest number seen together in an Under Altar was seven, but even that number did not look incongruous as one big one was surrounded by what seemed, at first glance, to be six kittens. White Tigers are fierce and must not be offended. Should you offend one he causes a sickness of the chest or stomach called ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n UNDER ALTARS 93 enter the homes of the beater and her family. (Incidentally, they did the same with the "small people" a common man (Hsiao Jen A) who are gossips causing untold trouble. They are depicted on a black-printed charm as a row of men, and represent anyone who bears a grudge or gossips about their neighbours.) Though Ch'ao Chow and Hoklo temples have no Under Altars, keepers in temples used by these communities claim that other unspecified Hoklo and Ch'ao Chow temples do have them. In practice, however, most have a stone White Tiger, blackened with age, crouching on the floor in front of one of the secondary altars. In one Ch'ao Chow temple, what at first glance could be confusing, were two large and untarnished black and yellow striped tigers seated before the temple's Earth God. According to the watchman, they were normal tigers and not White Tigers, awaiting his orders. The Green Horse The second is the Green Horse (*) who occasionally has a groom though, rarely, a rider. Not surprisingly the horse actually is green, although it is possibly called so because Liu (green) is a homophone for "lucky". In a few temples he is colloquially referred to as the "Money Horse". He is to be found in several temples where there is no Under Altar, no White Tiger, and no Local Wealth God. Green Horse stand on their own four legs and are seldom made of a permanent material, though two in Macau and one in Hong Kong are made of what appears to be painted concrete about half life size. Most are coloured paper pasted over a bamboo frame, frequently decorated with tall, gold paper floral crowns and red rosettes. The Green Horse is variously offered prayers and incense for assistance in keeping in touch with distant relatives, for bearing petitions to unapproachable Gods, for stopping quarrels and rumours and, according to some, for wealth. Some even refer to the Green Horse as the Protector of Women. Many Green Horses seen in temples are heavily ensnared or trussed with long, fine red (or on very rare occasions, white) cords bound around the forelegs. Occasionally pairs of red chopsticks are bound to the Horse by these red cords. Both the chopsticks and the cords are charms, placed there by wives who pray that their travelling or erring husbands will be faithful to them, or return immediately to them leaving the... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 94 L K. G. STEVENS cause of their infidelity behind. (White cords have no separate meaning according to the temple keepers concerned). The larger and more permanent Green Horses are offered fresh vegetables which are not placed in or near their mouths but, rather frustratingly for the horses, balanced on their heads. The rider of the Green Horse is known as the "Nobleman of the Green Horse" Kuei Jen (†A), and although he is rarely depicted save on paper charms it is accepted that they are a pair who work together and never separately. A keeper of the Stone Nullah Lane temple in Hong Kong claimed that the Nobleman (the Kuei Jen) and his Green Horse are helpful persons to whom people turn in time of need. He then referred to the opposite, the Hsiao Jen, the “mean one" who grumbles, carries tittle-tattle and is envious. The latter causes you unnecessary trouble such as loss of money. The helpful Nobleman shows you the way to fortune and the easy route through life. The beating of the "mean ones”, described earlier, is to discard the bad luck such people bring. A few devotees, only encountered in Shamshuipo, believe that the Green Horse is capable of providing academic success for members of the devotee's family, as they reason that a nobleman on a horse must be both well-educated and an official, and that his support must inevitably bring success to youthful scholars. A few devotees pray to Green Horse before a journey and again after a safe return. An extension of prayer for the traveller's safety was described in one small temple in Kowloon where the keeper said that the Green Horse is a divine messenger who is asked to visit and inform close relatives far away, of the sender's well-being and bring back tidings of their lives and aspirations. The keeper rather surprisingly added that it was also his understanding that if children failed to obey their parents, the elders would petition the Horse to knock some discipline into them! In another temple, however, a keeper was quite adamant that the Green Horse is only a messenger used by the Gods to send messages to each other, and must never be approached by humans. Finally, in Shamshuipo and in Wanchai, the Green Horse and the Nobleman are prayed to by the out-of-work, as the couple have the reputation of speedily being able to find suitable employment for devotees. There are other similar horses which should not be confused with the Green Horse. The first is the steed ridden by Kuan Ti, the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n UNDER ALTARS 95 God of Loyalty and patron of businessmen, soldiers, detectives and firemen. When represented, this stands near the entrance to his temple and is held on a short rein by a standing groom. The second is the paper horse used for carrying messages to the dead ancestors during the Yu Lan festival (15th of the seventh lunar month). These white or red horses look very similar to the Green Horse and are burnt during ancestral rituals. The third is the White Horse of the monk Hsuan Chuang, Tripitaka, who brought the Buddhist Sutras back from India in the 7th Century, and is only to be seen in one temple in Macau and not at all in Hong Kong. An interesting observation which would appear to have no special significance, and one which surprised many Chinese temple keepers, is the sighting of the Green Horse on the altar of the maids and attendants of Chin Hua, the Goddess of Childbirth, in some thirteen temples. Offerings, Charms and Messages Apart from the force feeding of the White Tigers at the festival in Spring, an offering of a large slab of cooked fatty pork is frequently placed on the Tiger's head, and sometimes several ounces of Chinese yellow wine is then poured over it. Charms, printed on yellow or red paper, are pinned to the Local Wealth God and incense and candles are burnt before the whole Under Altar. Offerings of paper money on the "Bank of Hell" are piled onto some Local Wealth Gods, as are paper taels of gold and silver. On occasions particular to the individual devotee and connected with calamities in their lives, he or she may place five yellow paper charms, purchased from the temple keeper, beneath each of five oil lamp saucers with glowing wicks. These, together with fresh eggs, are offered to the spirits in the Under Altar. Individual devotees who wish to report their particular misfortune to the Disaster Spirits obtain slips of paper from the temple keeper. These are normally some four inches long and two inches wide, in either red or green, with a regular pattern of diamonds and circles cut out by folding and snipping in a special way. In a few cases, temple keepers require details of the "disaster" to be written on them, with dates and names of the people involved. The slips of paper are then burnt in the temple incinerator. In rare cases where devotees confuse the message papers with charms, they are ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 96 K. G. STEVENS pasted up on the upper lintel of the altar, or across the sides, where they remain until Spring-cleaning, or just drop off with time. They are called petitions, Pang (#). Another form of charm connected with the Green Horse is a simple postcard-sized piece of rice paper, block-printed in three colours, depicting a galloping green horse and his groom, on which is the petition (****). This is only used during the lunar New Year and, too, is burnt. One temple keeper very carefully folded such a paper inside a piece of red paper, producing a package no larger than a cigarette, ready for devotees to burn. Occasionally, green and red paper cut-outs are pasted on the Under Altar, or tied to the Green Horse's nose, head or back. These are said to represent "messages" from humans to the Gods asking for general benefits, and passed directly on by the Green Horse without going through a spirit medium or being dispatched by incineration. These "messages" without inscription are entrusted to the Green Horse at all times of the year. Although borne aloft to the Gods by the Green Horse, he is never expected to bring back a reply; the general benefits doubtless will manifest themselves in time. Paper charms obtained from the temple keepers, bearing printed prayers and pictures begging the Gods for safety, protection and blessings, are thrust into the belt or hands of the Local Wealth God or again tied to the back of the Green Horse. The slips themselves go under the generic title for red ones of "the Nobleman", and for green ones of “Green Horse". These are also regarded by many as charms to ward off demonic influence and not as messages, and are therefore pasted on certain altars and figures. Occasionally street shrines, such as the one on the corner on Taipingshan Street and Pound Lane, dedicated to the local Earth God (), have a further role as an Under Altar. The roof of the shrine and wall above it are heavily coated in red and green Green Horse and Nobleman slips which normally should be burnt. Many of the slips of paper are, in this case, pasted over the top of white or black cut-out papers which represent the Mean Ones, the Hsiao Jen. These appear in two forms; as individual human figures with large ears in black paper, and as white or black cut-out slips which look like carnival masks for a man with five eyes! ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n UNDER ALTARS 97 When the Mean One's slips are pasted up they are promptly beaten with a shoe or slipper, and then, over them, are pasted the red and green slips representing the control exercised over them by the Green Horse and the Nobleman. One form of the charm is a green paper cut-out horse about 24 inches long, mounted by a separate piece of red paper, cut out in the stylised form of a man. These are pasted in shrines to control the Mean Ones. One word of warning for the iconographer. Confusion may arise in temples of Overseas Chinese communities beyond the shores of Hong Kong and Macau, particularly in Fukienese temples in SE Asia. In these there is no Under Altar as such, except in Cantonese communities in places like Kuala Lumpur. There is a separate altar which has no special title, on which there are two or more images whose general features are very similar to the Local Wealth God. They wear dunce's caps, have gaunt faces with protruding tongues and carry a fan each. In addition they carry either a chain and padlock, or a tablet permitting them to carry out an official arrest. These are the lictors of the City God whose task it is to arrest the souls of humans when the ill-fated day of death arrives, and then drag the soul before the Judges of the Underworld. Usually, one of the two images is a short man and the other, very similar to the Local Wealth God, is a tall man. The Cantonese do not appear to hold them in awe as do the Fukienese, and only depict these lictors on murals, paintings and sketches of the courts and punishments of the Underworld. Incidentally, in Yunnan, the demonic lictor of the City God was known as the "Chicken Foot Demon", because down to his knees he was as described, "gaunt, with dunce's cap etc," but below his knees were two enormous chicken's claws. On the altar of these lictors in Fukienese temples one may see the occasional White Tiger and, very rarely indeed, a Green Horse. More frequently, the small image of Chao, the Wealth God Hsuan T'an can be seen astride or beside his tiger. One exception to the latter is interesting. In Stone Nullah Lane in Hong Kong a larger than life image of Chao Kung-ming stands with three other deities before the main altar. Beside him is a minute tiger, the size of a kitten. The image of Chao is the only one in Hong Kong temples which is coated with red and green ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 100 Recapitulation K. G. STEVENS To sum up, there is a special altar in certain Cantonese, Hakka and Boat People's Taoist folk religion temples dedicated to spirits who cope with the adversities people encounter in life. That altar, because it is below the pale, houses several other spirits who all seem to be able to eliminate calamities and suffering, which no doubt is why the altar is called the Misfortune Altar. Other subsidiary roles of the spirits on the altar according to individual informants, include the chasing away and destruction of demons particularly sickness demons; the preservation of youthful feminine beauty; the correction of erring husbands and the discipline of wayward children. The Green Horse, who has little to do with the Altar, appears to have the function of messenger either to, or between the Gods or to the dead or distant relatives. The White Tiger, a demon destroyer, who also is a lodger in the Under Altar, though declared ferocious and potentially very dangerous by most temple keepers, seems to be ignored for much of the year and feted only on his festival in early Spring. ADDENDUM Four large earthenware pots each sealed with red and green paper charms were seen standing on the front of an under altar in a small folk religion temple in Macau. The temple keeper explained that evil demons exorcised during a recent ceremony had been incarcerated in the pots which had been placed on the altar where they could cause no further harm. The keeper also said that such pots cannot remain before the altar forever and that it was usual practice either to bury them or to take them well out to sea and cast them overboard. — K.G.S. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n Plate No. 27. The earth god shrine in Pound Lane, Tai Ping Shan Street, above which Green Horse and Noblemen slips have been pasted over the white slips of varying shapes called the "Mean Ones". ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n Plate No. 30. Green Horse and (red) Nobleman pasted on a shrine's internal wall, with the "Mean Ones" in black represented by upside down black human figures and black cut-out strips of a connected series of 'O's sometimes faded white. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 NOTES AND QUERIES 197 leg down and right leg bent, and with round protruding eyes fixed on the horizon. News of his sainthood quickly spread throughout Chuan Zhou, as did the word that he now had great spiritual powers. A small temple was built for him and his fame slowly spread far and wide. He helped and advised people, in their dreams, and his popularity was such that the title of King was awarded him. He did not always answer people's prayers himself as he had a small staff of spirits as assistants. One day a very elderly couple were promised a child by a spirit assistant in his absence. When Guo returned and heard of the rash promise he realized there was only one way to fulfil it and had himself reincarnated as their child. His temple fell into disuse, and for 21 years it lay empty. A fortune teller told the old couple that their only child would pass the Imperial examinations with very high marks. Whilst a student, “Guo” (though not now of the Guo family) cured the Emperor's mother who was very ill and for this he was given the title of Guang Ze Zun Wang.* He was warned, however, never to touch anything black as this would result in his death. The award of a 1st Class Civil Examination result required him to attend the Imperial Palace at the Capital in scholar's clothes, and as he had been created a magistrate his uniform was black! He donned it, returned to Nan An in triumph but because he had touched black, dropped dead on his return. A beggar asked "Guo's” mother for money. When she replied that she had none and was in mourning for her recently dead son, the beggar said that he had just seen “Guo” riding a white horse, and moreover "Guo" had promised him a stated amount of money which he had told the beggar was under his pillow. When "Guo's” mother looked there was the exact money! "Guo's" mother then knew he had not died but had returned to his temple. She followed, instituted prayers and incense burning before the deity who now bore the title of Guang Ze given to him by the Emperor. A Taoist priest's daughter fell in love with the image of Guang Ze in the temple and said she wanted to marry him. The image heard her and from then on, each day whilst the daughter was washing the family's clothes in the stream, she saw a jade bangle lying on red linen in a bowl floating near her. On her mother's *This literally means the Saintly King of the Wide Marsh. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 201 I would like to add two more passages to this note, both of which came my way after I wrote the above. The first passage was kindly given me by James Hayes, who was given it by Mr. Ho Kei Fook, of Kei Ling Ha village, born in 1928, and educated (1937-1941) in the neighbouring village of Tseng Tau, previously village representative, and Vice-Chairman of the North Saikung Rural Committee. The second passage I came across in Ch'en T'ieh-erh5, "Huang Hsiao-yang yu Pai-e t'an" (Huang Hsiao-yang and the White Goose Pond), in Kuang-tung wen-hsien chi-k'an vol. 15 no. 2 (1985) pp. 60-62. Passage 1 "It is said that in the Ming dynasty there was this man Ho Tsoh Shing who obtained a wonder book. The book recorded thirty-six grave sites at the mouth of the dragon. [The family] buried there would achieve great wealth for its descendants and even produce an emperor. Ho Tsoh Shing was already an official at court, holding the post of Minister of the LeftE. But his mother did not have the good fortune to support this achievement. When his wife was pregnant, his mother scolded her saying, 'My son is an official at court many mountains and seas away, so how is it that you are pregnant?' The daughter-in-law said, 'He comes back every night'. What happened was that every night Ho Tsoh Shing rode home on a bamboo-rigged flying horse, and early in the morning he rode the flying horse back to court. The daughter-in-law said, 'If you don't believe me, you can hide by the courtyard tonight and watch him as he comes in'. [This the mother did] and saw that that was what really happened. The horse stopped at the courtyard, and the mother, being curious, rode on it. The horse could not fly, because it was bogged down by the woman's breath. When Ho Tsoh Shing rose the next morning to go to court, the horse was still bogged down by woman's breath. So immediately, he went to cut some bamboo to rig another horse to fly to court. He was late. The emperor was in his court calling the rolls. When he came to Ho Tsoh Shing's name, Ho answered from the outer court [in such a loud voice] that it shook the emperor. The emperor then suspected that Ho Tsoh Shing was scheming to take the throne, and other officials also made many comments. They found out that Ho Tsoh Shing possessed the thirty-six grave sites at the dragon's mouth. When this was known, Ho Tsoh Shing was killed by the emperor, and the fungshui was to ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v language. The third reason for the house was that a place was needed for the priests living up country in China to take their summer vacation. Now to the 'when' of the house. Early in the thirties, our founder Bishop James A. Walsh was here, and he wanted to build a house for the just mentioned reasons. He contacted a Chinese real estate man, Mr. Lee Ue Ch'eung. Incidentally he was the brother of that famous shoe maker Mr. Lee Ue Kei who was known locally as Leaky Lee the shoemaker. Well, Mr. Lee told our founder to meet him at the Hong Kong side of the Star ferry one morning, and they then drove out in his horse and buggy through Aberdeen to Repulse Bay. From there they followed the old military track that swung around the mountain and dropped down into Stanley. As Mr. Lee and our founder came around the mountain, Mr. Lee pointed out this hillock and said that was the place he thought might be suitable for the center. Our founder took one look, and said 'I'll take it. It's exactly what I want'. At that time there was nothing in Stanley except the Fortress, the Prison, St. Stephen's College and of course the small fishing village. Construction started in 1933, and was finished in 1935. When planning was going on, the depression reached its height and the building was reduced in size two times. There was a big discussion about whether to put in expensive hard wood or cheap soft wood. The hard wood boys won out, and the white ants have ever since been breaking off their teeth on this wood. Had the soft wood been put in, it would have had to be changed practically every year. The house was built before air conditioning, and so is very cool in summer, and very cold in winter. The house is built like a big "U". In this wing, the ground floor is now used for conferences, and the chapel is upstairs. In the opposite wing, the ground floor has staff quarters and maintenance shops. The upstairs has our parlor, television room, and a small library. On the ground floor of the South wing are the offices, the dining rooms, and the kitchen. The next two floors contain bedrooms. At that time, there were these wide open spaces in Stanley and quite a bit of wild life. There were barking deer and monkeys. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 132 - Anna, she took along the children of good friends with her as well Bessie, Clara, Dora and Laura Chung, and Alice Ping Lam. In spite of the primitive surroundings, it was a treat for city children to enjoy the freedom of the outdoors. How nostalgic is the smell of sweet ripening rice in the fields. The memory of early morning breakfasts of steaming rice, hot tasty dishes and strong tea. The smell of smoking guava wood under the big wok! The feel of crispy rice from the bottom of the wok! The clear, cool, invigorating mountain air! The soft dawn suddenly bright from the glow of the rising sun seen through the wide, paneless windows of the large kitchen where we ate! And the never satisfied appetites for anything edible around the farm! We did not have a care. Between chores we would wander into the dense guava bushes growing wild in the uncultivated areas, and would pick, taste, discard or eat only the sweetest fruits. The white-seeded ones were the best. There were mangoes and bananas, all for the picking. We got our vitamins the joyful way. Or we would wade in the deep cold stream or in the drained rice fields to catch snails, opelu and catfish that were left in the puddles after the harvest. While the older children kept an eye on the younger ones, without supervision from the busy adults, we always found something to occupy our time and were never bored. Uncle decided to make a change in 1916. He moved to a small leasehold, located off Lilipuna Road not far from Kamehameha Highway, owned by Joseph Whittle, a sign painter. The neighbours were John William Grote and Henry Cobb-Adams. The former was the postmaster and the latter the tax collector in Kaneohe. Uncle increased the amount of vegetables he produced and replaced the buggy with a large horse-drawn wagon to take his produce to the Honolulu market. When the lease expired in 1918, he moved to a property owned by the widow of William Henry, who had been a gaoler at the Oahu Prison. This farm was on the Maikai side of Kamehameha Highway, separated from the Cobb-Adams property by a narrow stream. Aunt had a green thumb and from selected seeds sent by Step-Grandmother from Shekki, she was able to raise high quality vegetables that brought a good price and profit. As business increased, Uncle invested in a Reo truck and started the first truck farming business in that community, acting as agent for other farmers on a commission basis. Although Cousin Mary learned to drive ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h The Rivals. 1861 saw some entertainment on board H.M.S. Scout, and in March 1864 there was a Prussian ship, the Gazelle, in port, and its amateur society performed three plays, two of which were by Kotzebue and Körner, whether in German or English is unknown, but the audience "frequently expressed their approval by enthusiastic applause”. As was stated in the introduction, there were times in the history of Shanghai when the Settlement was threatened from outside and foreign troops had to assist in its defence. Thus in the early sixties several regiments were brought down to the city. Both the British 31st and 67th regiment came out in 1861, to sail home in July 1863 and July 1865 respectively. The Royal Artillery started operations in 1862. After the military tasks had been largely completed in 1863, there was time left for whatever amusement could be organised — among these, of course, theatricals. Mid-March 1863 the amateurs of the 31st staged Lover's The White Horse of the Peppers and Brough's Crinoline "before the largest audience of the season"." Some weeks later the Royal Artillery scored an equal success. Shortly before their return to England the 67th amateurs put on Selby's The Unfinished Gentleman on June 17, 1865, which was "well attended and gave great satisfaction"." On more than one occasion the officers and local amateurs joined forces for the staging, for instance, of Morton's farces Where there's a Will there's a Way and Fitzsmythe of Fitzsmythe Hall on March 26, 1863 "before a crowded audience of subscribers to the fund for defraying the expenses".42 Travelling Companies Until the heyday of theatrical entertainment in Shanghai during the years 1864 and 1865 only one professional company visited the city: On August 9, 1856 Messrs Baker, Woodward and Montgomery ("formerly of the New York Serenaders") advertised that they would give, on the 14th, a "Grand Ethiopian Musical Soiree" which “could not fail to please all lovers of fun and harmony" and at which among others "the sidesplitting Negro farce 'The Nigger Doctor and his Patient, or The First Lesson in Surgery' "' would be performed. Ethiopian Soirees were another name for the minstrel shows given by blackened whites; they originated in the early 1830s and became hugely popular, especially in America, but later also in Britain,40 and to some extent in Shanghai too. These Ethiopian entertainments were given sometimes by amateurs (May 15, 1854) and sometimes by touring companies like the one mentioned above and later, in November and December 1864, by the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 213 Our Wife: Count de Brissac: Major Taylor Rosine: Mr. W. Hyslop (of Gibb, Livington & Co) Pomaret, father of Rosine: D.A.C.G. Cooksley Marquis de Ligny: Mr. Stuart Mariette: Lt Maynard of the 31st regiment The Goose with the Golden Eggs: Mr. Turby: D.A.C.G. Cooksley His wife: D.A.C.G. Hayter Clara, their daughter: Mr. A. Broom (of Jardine, Matheson & Co) Bonsor, clerk: Dr. Sexton of the 5th Bombay N.L.I. (native lancers and infantry) Flickster: Li Yonge, 2nd Beloochi regiment After a lapse of almost three years the amateur theatricals took a new lease of life in a tastefully fitted up godown-theatre (for a description see Survey). It was a subscription-night with about 250 spectators, of whom 30 were female. For the first time some real names of actors were given and it became clear that the cooperation of the military had been sought for the occasion. Because the names are no longer phoney, it is finally useful to present a cast list. Among those mentioned was D.A.C.G. (i.e. Deputy Assistant Commissary General) Cooksley who died in July during one of the campaigns against the Taipings, at Quinsan. Fine playing, if one did not mind the pieces. That, however, had become a standard complaint by now. "There was nothing striking or witty in either of the plays so that an occasional local pun or remark interpolated by the actors elicited the greatest applause"; rather sourly the critic continued “this should not be as it interferes with the harmony of the play”. In Our Wife "the gentle blushing Rosine was capitally got up by Mr. HYSLOP who created quite ‘a sensation' when he made his curtsey to the audience". In contrast Mr. STUART "was graceful in his part but lacked energy where it was requisite to give effect to the plot". That female dress was not always easy to wear for the men was underlined when "Lt MAYNARD acted the strong-minded cousin Mariette very fairly, despite the difficulties of crinoline”. In The Goose with the Golden Eggs the Mrs. Turby of D.A.C.G. HAYTER was "the best piece of masculo-feminine performance we have seen". It had to be admitted though that not all men were equally up to female characters: "Clara, as represented by Mr. BROOM, although admirably got up in the coiffure, was rather outré in the dress, especially about the sleeves; while the manner and voice resembled more the roughness of the father than the gentleness of the mother". (NCH 14.2.1863). L 17.2.1863 (Tue) Repeat of 13.2.1863. 2.3.1863 S. LOVER: "The White Horse of the Peppers" (1838) T: Comic drama (2 acts) R.B. BROUGH: "Crinoline*" (1856) T: Farce (1 act) C: Amateurs of the British 31st regiment TH: N.N. R: Cast: The White Horse of the Peppers: Major Hans Mansfeldt: W. Parrott Gerald Pepper: A. Keeble Magdalene: H. MacGuire Crinoline: Mrs. Coobiddy: S. Gale Mr. Coobiddy: W. Phillips Agutha: S. Gule Dillon: J.S. Galbreath Capt. LeBrown: J.S. Galbreath Miss Tite: P. Conron ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 238 "Cool as a Cucumber" (24.3.1851). P: 26.3.1857; 30.3.1864; 4.4.1864 JOHNSTONE, J.B. (1803-1891) ? "Aurora Floyd" (May 1863). P: 26.11.1864; 17.4.1865 KENNEY, James (1780?-1849) **Love, Law and Physic** (20.11.1812). P: 28.1.1851 "Raising the Wind" (5.11.1803).144 P: 9.2.1858; 30.3.1864; 4.4.1864 **Sweethearts and Wives** (7.7.1823). P: 11.4.1865 **Truth out!** (7.3.1812). P: 10.11.1865; 20.11.1865 KÖRNER, Theodor (1791-1813) "The Governess" (= "Die Gouvernante"). P: 28.3.1864 KOTZEBUE, August Friedrich Ferdinand von (1761-1819) "The Harvest at Home". P: 28.3.1864 LACY, Thomas Hailes (1810-1873) "A Silent Woman" (17.8.1835). P: 29.6.1864 LILLE, Hubert "As Like as Two Peas" (30.6.1854). P: 16.3.1858 LINLEY, William (1771-1835) ? "The Honeymoon" (7.1.1797). P: 15.4.-21.4.1865 LOVER, Samuel (1797-1868) **The White Horse of the Peppers** (26.5.1838). P: March 1863; 16.3.1863 LYTTON, Edward Bulwer (1803-1873) "The Lady of Lyons or Love and Pride" (15.2.1838). P: 10.2.1864; 22.10.-28.10.1864(?); 29.4.1865(?) MADDOX, John Medex (1789-1861) "A Fast Train! High Pressure!! Express!!!" (25.4.1853). P: 8.3.1854 MARSTON, John Westland (1819-1890) "A Hard Struggle" (1.2.1858). P: 12.11.-18.11.1864 MATHEWS, Charles James (1803-1878) "A Bachelor of Arts" (under pseudonym: Pelham Hardwicke) (23.11.1853). P: 10.2.1858; 8.5.1865 "Little Toddlekins" (15.12.1852). P: 26.5.1864 "Used Up" (with D. Boucicault) (1.6.1846). 138 P: 26.1.1852; 27.1.1853; 18.2.1857 MAYHEW, Augustus Septimus (1826-1875) "The Goose with the Golden Eggs" (with H.S. Edwards) (1.9.1859). P: 13.2.1863; 17.2.1863; 26.4.1865 MAYHEW, Edward (1813-1868) "Make your Wills" (16.7.1836). P: 23.1.1856 MAYHEW, Henry (1812-1887) "The Wandering Minstrel" (16.1.1834). P: 24.5.1865 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h Richard III: W. Shakespeare; 26.4.1865. The Rivals: R.B. Sheridan; 28.9.1858, 23.11.1864. A Roarer: N.N.; 19.4.1865. Rob Roy; C.H. Hazlewood? W.H. Murray? 28.3.-5.4.1865. A Roland for an Oliver: T. Morton Sr; 23.2.1852. Roofscrambler: G.A.à Beckett; 12.12.1850. The Rose of Castille: A.G. Harris; 8.10.-14.10.1864. The Rough Diamond: J.B. Buckstone; 13.4.1865. The Serious Family: M. Barnett; 8.10.1857, 2.6.1859, 23.3.1865, 28.4.1865. Siamese Twins: G.A.à Beckett; 5.5.1853. A Silent Woman: T.H. Lacy; 29.6.1864. Sink or Swim: T. Morton Jr; 16.2.1857. Slasher and Crasher: J.M. Morton; 21.2.1856. Still Waters Run Deep: T. Taylor.; 23.4.1857, 15.3.1860. Sweethearts and Wives: J. Kenney; 11.4.1865. Take that girl away: L.S. Buckingham; 15.2.1860; 3.12.1864. Time tries all: J. Courtney; 5.5.1858, 10.5.1860, 21.3.1865. To Paris and back for £5: J.M. Morton; 10.5.1860, 21.3.1865. The Turned Head: G.A.à Beckett; 27.1.1853. Turn out!: J. Kenney; 10.11.1865, 20.11.1865. 'T Was I: J.H. Payne; 27.4.1865. The Two Bonny Castles: J.M. Morton; 22.3.1854, 8.5.1865. The Unfinished Gentleman: C. Selby; 17.6.1865. Urgent Private Affairs; J.S. Coyne; 5.5.1858. Used Up: D. Boucicault & C.J. Mathews; 26.1.1852, 27.1.1853, 18.2.1857. The Wandering Minstrel: H. Mayhew; 24.5.1865. Where There's a Will There's a Way: J.M. Morton; 26.3.1863. Which is which?: W.B. Gill; 27.3.1865. Whitebait at Greenwich: J.M. Morton; 23.1.1856, 16.2.1859, 26.5.1864. The White Horse of the Peppers; S. Lover; March 1863, 16.3.1863. A Wonder: H. Carey S. Centlivre?: 12.11.-18.11.1864, Woodcock's Little Game: J.M. Morton; 14.12.1865. The Young Widow: J.T.G. Rodwell; 27.4.1865, 243 Page 268 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 289 Every few yards you see people bathing. Women come down and go out into the middle of the water up to their shoulders, and then dip and scrub the little brown youngsters and teach them to swim. In places the water is quite alive with them, men, women and children altogether. It is quite disgusting to see such scenes of indecency, but people there seem to think nothing of it. On the second day of my walk, I went into town and found a French watchmaker, and got him to put me a new glass, in place of the one I broke in the Channel. I had to pay three rupees, (5/-) for it. Nobody there charges less, and they never do any job to a watch under five rupees. I had a good chat with the old fellow, and got him to repair the hands into the bargain. In his shop I found a young German who could speak almost every European language. During the time I was at Batavia the horse races came off. The plain in front of the Hotel was the race course. Although of course I had nothing to do with the races, I amused myself by looking at the people from the verandah. There was a motley throng of people dressed in their gay holiday clothes. The Malays of all descriptions were dressed in pink cotton clothes. The Chinese in white coats, light blue trousers and straw hats. The Armenians in long flowing robes of yellow or blue, the Arabs somewhat similar, with large turbans. The half-caste and Europeans were dressed as is the universal custom in white. Consequently there was a mixture of colours, as well in dress as in countenance. The fruit sellers were very busy, and seemed to be making a deal of money. The Chinese, with their usual carefulness and forethought, each brought a little bundle of fruit with them so that they might not have to pay through the nose for it. Of the races I can say nothing since I saw nothing; only it pleased me to see a tremendous shower come on in the middle day of the three, and put a stop to the day's fun. One day I bought some clothes of the men who infest the place, viz. two kobias, a kind of loose white jacket to sleep in, and wear in the morning, and two pairs of perjaumers, or native loose trousers for the same purpose. Of course people here never think of using bed clothes, and these sleeping clothes are as thin as possible. I also bought a light silk coat, and a pair of white jean trousers. During our stay Captain Moate, unknown to me, got two quart bottles of gin, and got dead drunk. I could not have thought it of him, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1994 https://digitalrepository.lib.hku.hk/catalog/zk522640g As a chartered monopoly the East India Company had the right to exclude British subjects who were not members of the company from residing permanently in China. Their presence was tolerated for only the few months of the trading season. Consuls representing a foreign country could claim exemption from this rule. In 1783, John Reed was commissioned as head of the Austrian Imperial Factory at Canton - the trading establishments were called factories. He had been born in Britain but subsequently became a naturalised subject of the Austrian Emperor. Another Englishman, a subject of Austria, arrived in Canton in 1787, carrying a certificate of naturalisation from Austria. There was, however, a dispute about the national status of Edward Watts and the British East India Company demanded he leave at the end of the trading season, but he stayed on for several more years ignoring the attempt to get rid of him. Daniel Beale, a British subject who had been in the employ of the East India Company, in 1787 was appointed the Prussian Consul at Canton. This post was held by subsequent partners of the firm of which Beale was a member. The firm eventually became Jardine, Matheson and Co. The present Rua Pedro Nolasco da Silva in Macao is called by Chinese Bak Ma Lo, or in translation White Horse Road. Father Manuel Teixeira, the Macao historian, states that the white horse was on the Prussian flag which flew over what was then No. 1 Rua Hospital, a building occupied by Jardines for some years. In the lists of residents on the China coast published in the Chinese Repository and the Anglo-Chinese Commercial Directory, the first name I have identified as German is Edmund Mueller in 1835. He was from Hamburg but arrived at Canton from Manila. He became the editor of the Canton Press, holding this position from 1836 to 1844. In the latter year he went into trade at Macao. He appears to have left China by 1847. Gustav Christian Schwabe is listed as a German residing at Canton in 1837. He had arrived from Calcutta in November 1836 and sailed for Manila in October 1837. The firm of Sykes, Schwabe and Co, which later became Boustead and Co., had its head office at Liverpool with overseas branches at Singapore, Manila and Canton. Mr. Schwabe was manager of the Liverpool office from 1845 to 1853. He then returned to China to head the firm of G.C. Schwabe and Co. at Shanghai. This firm was dissolved by lapse of time in 1859 and was succeeded by Bower, Hanbury and Co, Shanghai. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 236 The rituals performed by both the 'red hat' and the 'black hat' professional religious specialists, often connected in one way or another with mortuary rites, continue as before. The difference being that before redecoration the ritual performances in the half light, by 'red hats' in particular, accompanied by the boom of their ox horns blown at intervals during the rituals, provided an even more exotic and eerie scene. The former layout of the temple consisted, as you entered the temple from the street, of the main hall dedicated to the Lord of T'ai Shan. This led through to the rear hall dedicated to the Saviour of the Underworld, the Buddhist deity, Ti-tsang Wang, with a long and comparatively narrow annexe running down the sides of the whole length of the two halls. On the other side of the halls were large rooms dedicated to the ritual services. The usual images one would expect in the halls of both the Lord of T'ai Shan and Ti-tsang Wang stand either before or beside the altars, and lining the walls. Many are tamed demons such as Horse Face and Buffalo Head, and the Short Black and Tall White Demons who seize the souls of humans on their due date of death, dragging them before the City God for their primary interrogation. Others include the City God himself and the Goddess of Maternity, Chu-sheng Niang-niang, both of whom occupied their own secondary altars flanking that of Ti-tsang Wang; the Judges of the Ten Courts of the Underworld; and the Civil and Military Secretaries to the Lord of T'ai Shan. and they have been However, since the refurbishment of the temple, which took some two and a half years, the images down the side annexe which used to stand each in its own shrine have been relocated. The comparatively large image of the local tutelary deity, the Earth God, now has a shrine of his own in the Ti-tsang hall and the other two major images, of the Lord Protector of the Realm, Hu-kuo Tsun-wang Immortal Celestial Physician, Tien-i Chen-jen moved to the Ti-tsang Wang hall where they now sit on the main altar but in front, one on either side of the altar, both newly repainted. These two deities have borne these titles for at least thirty years and during that time the temple staff who appeared to be quite knowledgeable explained that the images down the side wall of the annexe had been brought in from other temples when the latter had been demolished for one reason or another, and their identities had been lost over the years. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 70 the primary one in China being as the Lord of the Underworld known as Yen-lo Wang. In later Brahmanist mythology he is one of the eight Lokapalas, the guardian of the south and judge of the dead. He was the son of the sun, with a twin sister Yamuna - regarded by some Hindus as the first human pair. An image of Yama is present in both the Pi-yun Ssu and the Ta Pei Ssu. In northern China images of Yen-lo Wang have been noted in several old temples where he is portrayed as a benign elderly human, dressed in court robes and cap of dynastic China. In the Kuan Yin Hall of the Ta Pei Ssu in Peking his image depicts him thus, with his hands held palms together before his chest. He has no unique characteristics and is known simply as Yen Mo Lo. He is referred to by the temple staff as Yama and appears to have no other title and is looked upon by the monks as the Lord of the Underworld. In the Pi-yun Ssu he is a general wearing armour under his colourful robes and has an axe clutched in his right hand. His left hand is held across his body pointing with two of his fingers. He has dark skin, round eyes, a short black beard and moustache and a scarf swirling behind his head hanging down in front of his body. There is also Yen-mo Hu-fa, a Lama Buddhist [Tantric] deity, whose image stands in the Lama Temple in Peking. It is typical Tibeto-Mongol iconography, swathed in silken robes obscuring the body leaving only the fierce head and the raised right arm visible. The head, which looks somewhat like a blue pig with gold eyebrows and red mouth, has a row of skulls across the top of the head mounted on a coronet, with a fiery nimbus behind that. He is holding in the air in his right hand a short rod [a heavenly cane] with a miniature white skull mounted on the top. Without the silken robe the deity is revealed standing on a blue horse or mule which, in turn, is prostrate on a naked human. The deity has another small blue-skinned demonic figure standing before him, facing him and holding its hands up towards the deity in supplication. 14] Sagara known in Chinese as P'o-chie Lung-wang and P'o-chie-lo Sagara is the Naga King of the Ocean Palace north of Mount Meru, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 53 by the Hainanese and especially those from the Hainanese county of Wanning where he is primarily prayed to by the sick. He is claimed to be extremely efficacious and able to cure or heal any sickness or injury. He usually sends his Black or White Horse Generals to help devotees and only leaves the Heavens himself for very important cases. His image has only been seen in Singapore, Kuala Lumpur, Borneo, Bangkok and Phnom Penh where his festival is generally celebrated on the 15th of the fifth lunar month. However, he must never be prayed to for prosperity. Two entirely different legends describe the origins of this deity, one more popular in Singapore and southern Malaysia, and the other in Thailand and Cambodia. In neither is the Marquis identified by name and he therefore remains unidentified. He is also referred to as: the Lord of the Seas, Wenzhou Haizhu Houwang Tongzhu Houwang The Marquis Lord of the Aboriginal People Shanqin Houwang The Imperial Marquis of the Mountains The first legend claims that a petty king in China was waved by an individual who, in the city of Wenzhou on the coast of Zhejiang province, north of and nearly opposite the island of Taiwan, was awarded the title of Marquis. This happened a long, long time ago. The ruler of Hainan, as a separate state, so the legend continued, had an image of the Marquis brought to the island of Hainan and placed in a specially built temple where he has been worshipped ever since. The second story relates that the Marquis was, variously, a Ming governor of Hainan island or a minister of an ancient dynasty against whom, through jealousy, evil ministers plotted. They killed him and threw his body into the sea where it turned into a log and floated away. A fisherman found it, realised that it had spiritual properties and so carved it into a statue which he revered and quickly became wealthy, Page 105 Page 106 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 54 The Marquis is usually represented on altars by tablets though where there is an image it conventionally portrays him as a scholar-official, sitting wearing a scholar's winged cap. He has a pink face, a black beard, a rolled scroll in his left hand and a plaque bearing the characters 'May the State Prosper and the People Enjoy Peace' in his right hand. He is usually accompanied by two aides, generals on horseback: Yinma Jiangjun The Silver Horse General [mounted on a white horse] Jinma Jiangjun The Gold Horse General [mounted on a black horse] In the temple in Hougang Avenue 5 in Singapore where the main deity is Shuiwei Shengniang, the side altar stage left is dedicated to Wenzhou Houwang whose image stands on the left hand of and paired with a deity simply known as 'Da Laoye' whose image is remarkably similar to that of Wenzhou Houwang. Da Laoye has two guardians mounted on horses and armed with long handled swords. They are Generals Gan and Meng [see below 4e - list of deities in temple loose-leaf records] b] "The Holy Mother of Shuiwei,' Shuiwei Shengmu, is primarily a Hainanese local deity who, in Hainan, was a protective deity prayed to mainly by fishermen. In South-east Asia where her cult has been established within Hainanese communities, she has also been adopted by devotees of other Chinese ethnic groups. In Singapore she is worshipped as a goddess who heals the sick by both Fukienese and Chaozhou devotees, the two ethnic groups which dominate the Chinese community in the island state. Her shrines have been seen in Malaysia, Thailand, Indonesia [even in a Chinese temple on the island of Bali], in Vietnam and Cambodia but not in either Hong Kong or Taiwan. It is claimed that the oldest Chinese temple in Thailand is dedicated to Shuiwei Shengmu, at Paknam pho. Other old temples dedicated to her have been noted in Korat and the surrounding area. Her images have no unique identifying characteristics. She is a motherly matron, sitting on a throne, attended by several assistants, and in several places she is portrayed wearing a cap bearing one to five birds with open wings. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 66 the imperial troops defending Lingnan area. Madame Xian sent Feng Sheng to help them but as the rebel general and Feng Sheng were old friends, Feng Sheng delayed his attack on the rebels, Madame Xian was furious and had Feng Sheng cast into gaol. She then despatched Feng An but found it necessary for herself to don armour and lead the troops against the rebels. Within a couple of months it was all over. The rebels surrendered. The Sui emperor pardoned Feng Sheng and appointed him to be the Governor of Luzhou, and at the same time appointed Feng Huai to be Governor of Guangzhou and at the same time appointed Feng Huai to be Governor of Guangzhou and Feng An as Governor of Gaozhou. He also appointed Feng Bao, Madame Xian's long deceased husband, the posthumous Area Commander-in-Chief of Guangzhou and Marquis of Jiaoguo so that he could appoint Madame Xian as Duchess of Jiaoguo. He also granted her the seal of her title to enable her to administer six prefectures. The empress presented Madame Xian with a tiara, jewellery and robes which Madame Xian placed in a chest in the main hall to display them to the family as a reward for three generations of loyalty and filial piety. She then advised the future generations to continue to do their duty. In AD 591 a number of places rebelled against the dynasty due to the corruption and tyranny of the Area Commander-in-chief of Panyou. Madame Xian proposed that she should arbitrate, and listed the crimes of the Area Commander-in-Chief to the emperor and peace was restored. She died at the age of 89 and was granted the posthumous title of Huguo Shengmu and given a state funeral. She was buried in Tianbai county, commonly known as Gaoling where a temple was raised in her honour leading to today's cult. b] A deity who, though not Hainanese, is revered by them in several temples in South-east Asia, is the Lord of the White Horse, Baima Laoshi Gong, possibly better known simply as Laoshi Gong. He has only been noted in three temples, in Singapore and Malaysia, though an image of him did appear on sale in a Kowloon curio shop some years ago. He is the main deity in two of the three temples, both on the west coast of central Malaysia, one north of Klang and the other to the south. Apart from in the two temples in Malaysia, other temple keepers ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 77 a] Changhua Laoye Shen It seen in Singapore on a Hainanese wayyang street theatre altar connected in some way with the major China-wide deity Hua Guang Dadi. b] As with small folk religion temples in all southern Chinese communities there are very minor deities on their altars about whom nothing is known. The following stand on a side altar in a small Hainanese temple on the Tampines Road in Singapore and are largely ignored though they are prayed to by a few devotees, more in passing rather than specifically for protection: main deity: The Marquis of the Heaven of the Buddhas, Fo Tian Houwang Soldier astride a red horse, wearing green and gilt armour, with a pink face, black beard and a sword raised in his right hand. flanked by: Shata Zunwang Qi Guan and Soldier astride a white horse, with green-gilt robes, black beard, brown face and sword raised in his right hand. Yongmeng Yatou Wang San Guan Soldier astride a black horse, with green-gilt robes over his armour, black bearded and a sword raised in his right hand. Conclusion There are some seventy to eighty major Han Chinese folk religion deities to be found in every part of China, and Hainan is no exception. However, in Hainan as in every local community, be it province, county, town or village, and even ethnic group, there are also local deified heroes and worthies not seen beyond their immediate area. Taken all in all, the range of deities on Hainanese altars is much the same as in all the other southern Chinese Han ethnic group temples. Hainanese communities, however, do have a number of uniquely Hainanese cult deities both on Hainan island as well as within Hainanese communities in south-east Asia. Although their legends are unique to ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 88 An image in the collection of the author of the Lord of the White Horse, Baima Laoshi Gong, possibly better known simply as Da Laoshi Gong✯✯✯, and the primary one of the Three Laoshi Gong. ================================================================================