RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f 98 J. W. HAYES approval. This authority, with powers of discretion, was given to the D.O. to help preserve the traditional way of managing land within the clan, and to provide a cheap and impartial arbiter in case of dispute. 13 In Shek Pik village the TSUI, CHEUNG, HO and CHI clans owned 1.1, 0.39, 0.55, and 0.04 acres of agricultural land in 1898. With the exception of the HO clan, they were intact in 1959. The TSUI tso probably dates from the fifteenth generation, and is therefore three hundred years old. The FUNG clan in Fan Pui owned 9.2 acres in 1898 but this was sold in 1953. 14 At Fan Pui I dealt with a disputed case of ownership in which the defendant stated that eight lots totalling 9,581 square feet of agricultural land had been specially set aside as joss and oil fields (shen you tian). Fields are also set aside for the worship of earth spirits. At Cheung Kwan O village in 1898 the two clans of CHAN and NG administered 1.41 acres of agricultural land under the name of a to tei wui. The rentals were originally devoted to the maintenance of the to tei or earth spirit who looked after the village, but for many years the revenue has simply gone to the clans. Many other cases are known at Mui Wo and Tung Chung. 15 See Chapter III (iii) and (iv) of H. B. Morse The Trade and Administration of the Chinese Empire (Shanghai, Kelly and Walsh, 1908) which is based on an article by Byron Brenan "The Office of District Magistrate in China” Journal of the North China Branch of the Royal Asiatic Society XXII, (1897-98), 36-65, and incorporates his own wide experience of China and her officials in the course of over thirty years' service in the Imperial Maritime Customs. Brenan himself (1847-1927) had served in China from 1866 and was H.B.M.'s Consul-General in Shanghai 1898-1901. Of the district magistrate Brenan wrote, "The magistrate is the unit of government; he is the backbone of the whole official system; and to ninety per cent of the population he is the Government"; op. cit. p. 37. 16 Papers 1899 p. 583. The text of the stone tablet outside the Tin Hau temple at Kat O, referred to elsewhere in the article, uses this picturesque phraseology. Contrasting their sorry lot beside the power of the yamen officials they had written in their petition to the Viceroy "We, civilians, whose lives are cheap as ants... who are we to start a lawsuit against the district yamen's worms?" An interesting feature of this inscription is that it follows the customary form of Ch'ing document in which reference is made in the text to other papers, by summary or quotation, instead of the western method of adding enclosures. See John K. Fairbank, Ch'ing Documents, an introductory syllabus, (Harvard University Press 1952) p. 21. 18 When I asked an old gentleman who graduated sau choi in 1896 about extortion and venality among magistrates, he replied in distinctly extenuating tones "Some did; but then they had so many people to look after". He observed that there were some rich districts in Kwangtung in which a magistrate had to do nothing to obtain money as it came rolling into the Office in the way of presents, inducements, additions to land and other taxes etc., whilst there were others which were so poor that the magistrate could squeeze very little from them even if he tried very hard. This is curiously echoed in Morse, Trade and Administration p. 92 “In Kwangtung we (the Imperial Maritime Customs) have regularly applied to ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q PRESIDENT'S REPORT FOR 1975 (Covering the period April 7, 1975-April 1, 1976) This has been another active twelve months for your Society. I start my Report with a review of the programme and will then turn to matters concerning publications, the Art Centre, Library, Membership, and the Photographic Survey which has been one of our more recent ventures. During the period we have organised nine lectures, 2 excursions to places of local interest, and one tour abroad, to Burma. We have arranged two film shows, one recital and a symposium — the seventh in our series. Most events were well attended. Lectures and films related to the regions of China, contemporary and traditional, Vietnam, India, Korea and Hong Kong. The year started last April with a lecture on changing patterns of merchant organization in late Ch'ing China given by Dr. Wellington K.K. Chan, a visitor from the United States, and also in that month we arranged our first excursion, to Macau, where members, guided by Dr. Leigh Wright, visited Chinese temples and toured the Museum and colonial cemetery. In May and June our focus was on Peking opera. In May, Dr. Rulan Pian, visiting professor in music at Chung Chi College, spoke on musical elements in the opera; and in June Dr. Chiao Chien explained revolutionary opera as a means for transmitting values and political ideas. The arts were further represented in June with a demonstration of Kathak dancing by a well-known expert Mr. Satyanarayana Charka; and in July and August we showed films--one on Chinese paintings and one on music. Another film dealt with the excavation of a Silla tomb of 5th century Korea. In August Sir John Addis, formerly Ambassador to China, described a visit to Ching-te Chen; and in September a talk was given on Brahman ritual by Professor Fritz Staal. Also that month James Hayes, our editor and one of our vice-presidents who in his professional life is District Officer Tsuen Wan, led members to visit his area. The focus was on the past-historical places, the present, as well as the future of the area--development plans. Following, in October, a discussion was conducted by Drs. Graham and Elizabeth Johnson, both anthropologists working in Tsuen Wan ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 GUANGXI Yangjiang GUANGDONG Guangzhou NANHAI XIAN Guangzhou Sha Fushan wan Hong Kong Area of larger map YANGJIANG XIAN HISTORIC SHIWAN SITES DONGGUAN XIAN Jishi HONG KONG FUSHAN Shiwan ansh Xiqiao Areas of recent excavation Figure 1. Map showing historic Shiwan sites. Insert showing areas of recent excavation is based on a map published in Wen Wu by Chen Zhiliang (***) (see Reference 2). 102 FREDRIKKE S. SCOLLARD ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 SHIWAN POTTERY EXPLORED 111 such as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process. I regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression. NOTES 1 Nigel Cameron, "Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977). 2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199. 3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47. 4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160. 5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165. 6 "Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162. 7 Op. cit. Ref. 2. 8 "Gong Yi Ming Cheng Fushan" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37. 9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961). 10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f. This theory is discussed more fully in: Fredrikke Skinsnes Scollard, "Destruction and Creation: The Impact of Revolution on Shekwan Pottery", Leverhulme Conference, University of Hong Kong, 1977, (In press). 11 Manuel da Silva Mendes, "Barros de Kuang Tung", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p BOOK REVIEWS 317 area stretches back only to the seventeenth century were originally Hakka, even when the unanimous tradition of themselves and their neighbours is that they were not, is surely a rather cavalier approach to the need for historical caution. On the Chaochiu/Hoklo/Hai-Lufeng residents it is surely unhelpful to downplay the very real and massive cultural, linguistic and socio-economic divisions between these groups and to force them all into a straitjacket of "Hokkien": rich business-men immigrants from Chiu Chow or Swatow or the fertile villages nearby have really nothing in common (not even a mutually intelligible language) with penniless coolie immigrants from the thin, infertile sand flats of Hai-Lufeng, or with the boat people descendants of the trading junk families from south Fukien. And “Waichow Hokkien" is a highly inaccurate title for Hai-Lufeng people! Blake writes his work with an obvious Hakka bias - he lived in a Hakka household and saw other ethnic groups to a large extent through Hakka eyes. This on occasion colours his work, and nowhere more clearly than in this attitude to the "Hokkien". Finally, Blake occasionally drafts into a rather turgid prose over-full of sociological jargon "ethnic groups are variegated amalgams of both the symbolic motivational dimension and the social organisational dimension of human existence" and "the continuum of ethnic group consistency may be analysed in terms of the following variables: (1) categorization (2) interpersonal affiliation (3) occupation (4) incorporation, and (5) government regulation" for instance which can be heavy on the reader who prefers his books written in English. P. H. HASE Chinese-English Glossary of Common Terms in Traditional Chinese Medicine (XRD), compilers Ou Ming, Lu Xian, Li Yanwen, Lai Shilong, Chen Xianging, Huang Yuezhong, Chen Jifan, Shen Chao, and Zhen Weiwen, executive editor Ou Ming, Joint Publishing Co. (Hong Kong), 1982 xi + 322 pp. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 182 NOTES 1 For historical developments of Taoism, see Ch'en, 1963; Stein, 1979: 53-82; and for a fuller discussion of Jiao-shi, see Saso, 1972: 32-83, Liu, 1974, and Keuper, 1977: 79-94. "They hold Jiao-shi in either Cantonese or Fukien dialects and in general, Cantonese-speaking dao-shi provide Jiao-shi to Cantonese-speaking communities and Fukienese-speaking dao-shi to Fukienese-speaking communities. * The two dao-shi groups who conducted Jiao-shi at these two locations are among the few practicing Taoist groups in Hong Kong. Dao-shi who performed Jiao-shi in Fanling were Cantonese-speaking and in Cheung-chau, Fukienese-speaking. 4 Exact instrumentation varies according to the practice of different regions; for example, Fukienese-speaking Taoist team performing at the Cheung-chau Bun Festival employs an er-hu in addition to the melodic instrument suo-na. Ch'en Guo-fu, 1963, mentions that the instrumentation of Jiao-shi music in the Jiang-nan area is quite similar to that of the Shi-fan-luo-go of that area which consists of the melodic instruments of di, xiao, sheng, er-hu, xian-zi, yun-luo, pi-pa and percussion instruments. 6 It goes without saying that changes of the pitches in the original pattern will result in rhythmic changes as well; they are viewed nevertheless as pitch-variants. In rhythm-variant, the pitches remain relatively stable while rhythmic details change. • Based on the examples which I have analysed, it seems that the rhythm-variants are rarely used and even if they are used, they are often accompanied by some kind of pitch-variant (e.g.,). + Only the vocal part is included in the transcription. The er-hu part plays the same melody an octave higher. The percussion instruments of luo and po, played by the Taoist priest himself in this case, repeat the following pattern throughout: luo ро 33 XX- -X333 *This structure makes it possible for the suo-na players to prolong their playing whenever necessary by repeating the middle part several more times before going on to motif k. • The similar use of instrumentation and seating arrangement, and melodic and rhythmic motives in Jiao-shi music and regional opera of the same locality are two ready examples. Chen, 1963, describes Taoists performing Kun-ju excerpts during Jiao-shi. See also Note 4. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 192 N° of Column 27. + + + Omens below the black, offer it along with wine and dried meat (?) and it will be auspicious. If sounds are heard on a chen day it bodes ill; parents will die. Offer a peach tree branch 6 inches 8 mu long. Write. + NOTES 1 Cheng Te-K'un, Archaeology in China, Heffer, Cambridge, vol. II (1960) p. 90. For the ning ceremony see the same volume p. 55. For further dismembering ceremonies see note 11. 2 * In Song times canine teeth, bile and penises were thought to possess medicinal properties. See D. Bodde Festivals in Classical China, Princeton University Press (1975) p. 321, "For an entertaining if not always accurate account of the discovery of the Dunhuang manuscripts, see Peter Hopkirk Foreign Devils on the Silk Road, John Murray, London (1980). The manuscripts discovered by Aurel Stein are in the British Library, those discovered by Paul Pelliot in the Bibliothèque Nationale. Manuscript numbers preceded by "P", refer to manuscripts in the Pelliot collection. + During the Song, the same offence carried the death penalty. Two cases of scholars found guilty of possessing astronomical works are on record; the life of the first man was spared because the book in his possession was incomplete but the second man was executed. See Li Tao * Xu zizhi tongjian chang bian * j.123, pp.1a, b and 續資治通鑑長編 j.14, p.10b. * P. 3608, chapters 9 to 14. This manuscript contains characters introduced in 689 which, while remaining in official use only until the end of Empress Wu's reign, continued to be used elsewhere until well into the 9th century. See D. Twitchett Printing and Publishing in Medieval China, Frederic C.Beil, New York 1983, p. 88 note 2. The most inauspicious themes associated with dogs are: the mating of dogs with pigs, thought by Jing Fang to indicate moral laxity in the nation's women (quoted by the Shou Shenji (juan 6) from the Yichuan); dogs growing horns, the birth of deformed dogs and dogs which suddenly begin to speak or sing. In this connection a tale from the lost part of the Shuyi ji by Ren Fang # preserved in the Gu Xiaoshuo Gouchen tells of a dog which suddenly began to sing and wittily announced the demise of two brothers. Although the animal was beheaded and its head buried by the side of a road the evil inherent in this supernatural phenomenon could not be averted and the brothers did indeed die. See Wei Jin Nanbei Chao Zhiguai Xiao Shuo Yanjiu 魏晉南北朝志怪小說研究 by Wang Guoliang, Wenshi Xue Shubanshi, Taipei (no date), p. 148. * E.A. Schafer "The Auspices of Tang" in The Journal of the American Oriental Society, vol. 83, No. 2, p. 210. * E.S. Schafer, op.cit, p. 202 “Our knowledge of popular omens lore is limited to a few random notes made by inquisitive scholars". ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q CONTENTS PRESIDENT'S REPORT ............. HON. TREASURER'S REPORT HON. LIBRARIAN'S REPORT ARTICLES: • Dian H. Murray, Pirates in the Pearl River Delta ... Dan Waters, A Brief History of Technical Education in Hong Kong • Steven A. Leibo, Not So Calm An Administration: The Anglo-French Occupation of Canton, 1858-1861 Wei Peh T'i, Through Historical Records and Ancient Writings in search of the Giant Panada • Carl T. Smith, The First Child Labour Law in Hong Kong vii xviii xxiii • 1 10 16 • 34 44 Sung Hok-P'ang, Legends and Stories of the New Territories; Tai Po 70 Sung Hok-P'ang, Legends and Stories of the New Territories; Castle Peak 26 76 Sung Hok-P'ang, Ts'in Fuk 86 Violet Mebig Chan Lew, A Sentimental Journey into the Past of the Chan and Jong Families 94 Harold M. Otness, "The One Bright Spot in Shanghai" A History of the Library of the North China Branch of The Royal Asiatic Society NOTES AND QUERIES: • David Faure, The Man the Emperor Decapitated Carl T. Smith, The Archives of the Basel Mission 185 198 203 P. H. Hase, The Lanterns of Chuko Liang O. William Borrell FMS, A Silver Bracelet with an Ancient Greek Coin found in Wewak, East Sepik Province, Papua New Guinea · 207 212 James Hayes, The Tai Sheung Lo Kwan Temple, Chai Wan 217 • E. W. Wright, The Hongkong Milling Company's Failure 218 P. H. Hase, A Traditional New Territories Latrine James Hayes, A Note on Rice Hullers 222 226 James Hayes, A Glimpse of the Land Settlement at Shek Pik Village, Lantau Island, Hong Kong 228 BOOK REVIEWS 234 · vi Page & ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 42 The search for the giant panda through Chinese historical records and ancient writings represented an interesting exercise. Nevertheless, no positive statement can be made that the Chinese had known about the giant panda before the pelt was brought to western attention. Père David, it is safe to say, may continue to bask in glory as the discoverer of the giant panda for the whole world, including China. baixiong 白熊 Bishan 璧山 Bishi 壁溪 GLOSSARY Erya 爾雅 Li Shizhen 李時珍 Liaodong 遼東 Lolo 玀羅 Ming 明 mo 貘 Ouyang Xiu 歐陽修 pixiu 貔貅 Sima Qian 司馬遷 Sichuan 四川 Shandong 山東 Xuande 宣德 Wuding 武定 Yunglo 永樂 Yunnan 雲南 Zhou 周 zhouyu 州圉 Zhu Su 朱橚 BIBLIOGRAPHY Brightwell, L. R., "The Giant Panda, Its History in Ancient China and Modern Europe”, Field 187:497-498 (London, 1946) David, Armand, "Journal d'un Voyage dans le centre de la Chine et dans le Thibet Oriental", Nouvelle Archives Musée Naturelle de Paris (Bulletins) 10:3-82 (Paris, 1874) Fox, Helen (editor and translator), Abbé David's Diary, Cambridge: Harvard University Press, 1949. Dictionary of Ming Biography 1368-1644, New York and London: Columbia University Press, 1976. Essay on Li Shih-chen (1518-1593) by L. Carrington Goodrich and Chaoying Fang, I:859-865. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 41 Kong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Jiao festivals celebrated between 1964 and 1972 in Ma Tau Wai, Nga Tsin Wai, Tung Chung and Tai O. N Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78). #I Kani, Hiroaki, "Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite" Shigaku 40, no. 2 & 3 (1967). 22 Obuchi, Ninji, “Hon Kon no tokyo girei" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769. 27 Yoshihara, Katsuo. "Shukyo" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191. 11 See note 37. 14 I have been told that Dr. Faure had a manuscript on the Jiao festival sent to a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals. 36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai-mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor-on, now Ph.D. candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the "Research Circle of the Regional Society of Southern China" focusing on musical, ritual and social aspects of the festival. 27 Locally published works besides those by Faure and my own are: - (a) Chamberlain, Jonathan, "Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted. (b) Chan Wing-hoi, “Observations at the Jiu [Jiao] festival of Shek O and Tai Long Wan, 1986" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the "ritual site", the "local gods" and the "events". (c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiandai Shehui [Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent 4 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 19 dominance of Cantonese by the 1860s when a Ningbo native, Chen Xuyuan, replaced the Cantonese as the chief comprador in Russell & Co. By the turn of the century, the Zhejiang compradors had outnumbered their Cantonese counterparts in Shanghai. Wu Jianzhang acted as the Shanghai tantai less than two years and was not succeeded by a Cantonese until 1864 when Ding Richang was called to the office by Li Hongzhang. However Ding had not been wholly pro-Cantonese. In response to the challenge of the Ningbo people, Cantonese such as Xu Run, Tang Tingshu and Zheng Guanying attempted, with success, to secure patronage from Li Hongzhang by taking part in his guandu shangban project. The Ningbo clique, however, competed with every effort to seek equal political support from another bureaucrat Zuo Zongtang in the 1870s.24 Entering into the Republican period, Cantonese gradually realised they were a minor group when compared with Ningbo men. They not only competed with one another but also collaborated together. Famous Cantonese capitalists such as Guo Piao, Huang Huan'dan, and Jian Dongpu were active in the Shanghai business community. Network of Hong Kong and the Pacific Rim The story of the Chinese in Hong Kong as settlers can be classified in the following way. First, the Chinese merchants or traders. They knew the region, they traded successfully and they made their homes wherever their trade led them. They remained the dominant group of settlers in nineteenth century and perhaps even into the twentieth century. Second, the labourers or coolies who arrived during the second half of the nineteenth century. Their main significance was that they came in large numbers, although for the main part they came for short periods and many failed, became destitute and were sent home. The more successful ones, however, returned with their savings to help their families back in China. Nevertheless, amongst them were a number who remained, having married locally or having lifted themselves above their labouring status and turned successfully to trade. Again, for most of them it was their ability to establish a trade, and therefore own property, which was the first step towards settling down. Included amongst them were many artisans who were able to use their skills to establish businesses. Amongst them also were partly literate or semi-literate people who used their writing skills either to work for Chinese businesses or to go into business for themselves. Sooner or later, the two main reasons for settling were success in business and the acquisition of a family. Third, the import- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 34 Chan Kin Tong 陳健堂 Cheang Hoong WA Chen Xuyuan 陳照元 Ding Richang TRS Guo Piao 郭標 Ho Kai 何啟 Ho Tung 何東 Huang Huan'nan # Jian Dongfu 簡東甫 Glossary Wu Jianzhang f Xu Rongcun 徐榮村 Xu Run 徐潤 Xu Yuting 徐鈺亭 Yuan Shikai 袁世凱 Zheng Guanying Zheng Tingjiang Baoyuanxiang 寶源祥 Zuo Zongtang E Law Pak Sheung A Bendi 本地 Law Sai Nam 劉世南 Lee Chak 李澤 guandu-shangban Leung Xiu 梁喬 Li Hing 李慶 Li Hongzhang 李鴻章 Lo Hok Pang #09 Ng A Cheong AS O Kee Cheung 柯其祥 Sheng Xuanhuai 盛宣懷 Soong Xe 宋琪 Sung Chin Tseung Tong Mow Chee # Tong Ying Shu (Xing Sing) 唐廷樞(景星) Wei Kwong #* Wei Yuk 韋玉 Danjia 晉家 # Guang Yang Xing 廣陽興 Guang Zhao Gongsuo 廣肇公所 Heshengxiang # huashang fugu huodong HÆ! Kejia 客家 lianhao 聯號 O Chin Sin Tong Qing Xu Yuzhi Xiansheng Run Zixu Nianpu 清徐雨之先生潤自序年譜 Sanyi 三邑 Shiyi 四邑 tongxiang hui 同鄉會 Zongban 總辦 Wong Kong 黄亞廣 References Cheng, T C. 1969 Chinese Unofficial Members of the Legislative and Executive Councils in Hong Kong In Journal of the Hong Kong Branch of the Royal Asiatic Society 9: 1-30 Choi, Chi-cheung 1991 Cong difangzhi kan Xiangshan xian difang shili de zhuanbian (The influence of migration in Xiangshan county as viewed from local gazetteers) In Zhongguo Shehui Jingjishi Yanjiu 1991/1: 60-8 1993. Competition among Brothers: the Kun Tye Lung Company and its Associate Companies, Unpublished paper presented at the Workshop on Chinese Business Houses in Southeast Asia since 1870 School of Oriental and African Studies, University of London ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 44 19 Ruan Yuan as a "bridge for classical learning" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that "recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era."10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan. After becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously." Other scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that "Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that "Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun."'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success. Ruan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 52 Zang Yungtang (1767-1811) had studied in Suzhou in 1793, the centre of Han Learning at that time, and was invited by Ruan Yuan to edit the classical dictionary, Jing ji zhuan gu. In 1800 he was asked again by Ruan Yuan to collate the Thirteen Classics. He stayed on Ruan Yuan's personal staff until 1802. After failing the Metropolitan Examination, he went into business; then joined the personal staff of Yi Bingshou (1754-1815), who was then the Prefect of Yangzhou, in 1804, to write about the topography of Yangzhou. From 1807 onwards, he went back on Ruan Yuan's payroll, compiling Wu Dai shi [History of the Five Dynasties] at the behest of Liu Fengao (1761-1830). Qian Taxin (1728-1804) came from a scholarly tradition, a grandson and son of noted men of learning. After obtaining his first degree at the age of 17 sui, he became residential tutor in a family with an excellent library which he used extensively. After attaining the jinshi degree in 1754, he remained in Beijing where he became friends with Dai Zhen and Ji Yun (1724-1805) who later became chief editor of the Si ku chuan shu. He directed the Chong shan Academy in Nanjing, and joined Ruan Yuan on the dictionary project in Hangzhou. He was the author of the critical notes on Er shi er shi kao yi [Twenty-two dynastic histories], 100 juan, 1782. Ruan Yuan's subordinate wife, Liu Wenru (1777-1849) was to compile the same for Er shi si shi [Twenty-four dynastic histories]. Chen Shouchi (1777-1834) of Minxian, Fujian had started his career with Zhu Gui. Afterwards he joined the faculty of Gu jing jing she and the Fu Wen Academy. He was recruited to work on Jing fu and Hai tang zhi by Ruan Yuan. At a later date, he served as editor-in-chief of Fujian tong zhi [Provincial gazetteer of Fujian] and Li xian fang zhi [Local gazetteer of the Li District of Jiangsu]. His own essays on the Classics, with several letters from Ruan Yuan, were printed in Zuo hai wen ji [Essays by Chen Shouchi]. Chen Wenxu (1775-1845) of Hangzhou was a “student” of Zhu Gui, who introduced him to Ruan Yuan. Ruan considered Chen one of the foremost poets of the province, and appointed him to his personal staff. He gained expertise in sea transport, salt administration, grain transport and flood control. He helped Ruan Yuan establish a humanitarian social welfare policy, including famine relief. He collected a large number of women students. Both his subordinate wives were acknowledged poets. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 57 Collectively, these secretaries were known as mu.38 There are a number of learned treatises on the subject in Chinese, but I do not think that the function of these people should be expounded here; suffice to say that they were treated as respected senior secretaries by the officials, including Ruan Yuan, and were assigned certain tasks. A few examples of Ruan Yuan's secretaries follow: Zhang Jian was with Ruan Yuan in Zhejiang, Canton, and after his retirement, in Yangzhou as well. He helped formulate and implement such policies as eradication of coastal piracy, famine relief, salt administration, and transportation of tribute grain by sea. Chen Hongshou's expertise ranged from river administration to coastal defence. Together with Chen Wenxu, Zhu Weibi, Shi Guoqi, and Ruan Yuan himself, he also drafted the memorials Ruan Yuan sent to the Jiaqing Emperor while he was Governor of Zhejiang. Scholars with "an extraordinarily fine hand"39 who worked as actual copyists for Ruan Yuan's memorials include Fang Pu, He Yuanxi, Shi Guoqi, and Wu Shucheng.40 Ruan Yuan found jobs for other scholars in academic institutions. The academies he founded, Gu jing jing she in Hangzhou and the Xue hai tang in Canton, had absorbed scores of scholars. Other academies took on dozens of others. Among the less commonly known academies founded or rejuvenated by Ruan Yuan were the An lan Academy41 in Haining, Zhejiang,42 and the Ta liang Academy in Henan.43 In appointing scholars he considered worthwhile to these academies, Ruan Yuan in fact helped to spread Han Learning throughout the country. Ruan Yuan must have been at his wit's end in trying to find a suitable place for so eccentric a scholar as Fang Dongshu (1772-1851). Fang, from Tongcheng, who only attained the first degree, was noted for his poverty and his inability to get along with anyone, except perhaps Ruan Yuan. In 1819, Ruan Yuan brought him to Canton to work on the Guang dong tong zhi under Jiang Fan. Jiang assigned him research and writing which was supposed to take two years to complete, but Fang finished the task in one month. Ruan Yuan then found him a job at Hai men Academy in Lianzhou, where he lasted less than one year; with a repeat performance at the Chang yang Academy for a similar period. Exasperated, Ruan Yuan took Fang onto his own personal staff. For scholars who worked on various literary projects sponsored by Ruan Yuan, see the Appendices to this paper. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 10 [bid || 63 &£#* (The He You sheng, "Chen Lan Fu di xue shu ji chi yen yuan" [learning of Chen Lan Fu and its origins], Gu Gong Wen xian 2.4 (Taipei, 1971), 1-19. He's study on Ruan Yuan can also be found in "Ruan Yuan di jing xue ji chi zhi xue fang fa" [Classical scholarship of Ruan Yuan and his education policy], Gu Gong Wen xian 2:1:19-34 (1970). 12 Liang Chi chao, qing dai xue wen gai lun [A discourse on Qing learning], (1921, Taipei Commercial Press reprint, 1975), 22 13 Xiao Yi shan, ging dar tung shi [History of the Qing dynasty], (1935, Taipei Commercial Press reprint, 1976), 11 717. 14 Hu Shi, Dai Dong yuan di zhe xue [The philosophical studies of Dai Zheng], 138. 15 This is the only work of Ruan Yuan's that I have not been able to find. It was never printed because Ruan Yuan was not satisfied with the draft. The manuscript had been kept with Ruan Yuan's papers in his lifetime and subsequently disappeared. There was no indication whether it perished in the fires that destroyed the Ruan residence in Yangzhou in 1843, or that which burned down his studio, Wen xuan lou, in 1935. 16 Ruan Yuan himself, as well as contemporary and modern scholars, complain often of the many errors in this edition. Ruan Yuan gave the excuse of not having had time to proofread the manuscript himself. In fact, he had been receiving admonitions from the Jiaqing Emperor at that time that he was expending too much time and energy on scholarly activities instead of concentrating on the affairs of state. Gungzhong dang (Palace memorials) Jiaqing 017818 (1817/29). 17 This work was not printed during Ruan Yuan's lifetime, but is in Qing shi kao (Draft history of the Qing dynasty). 18 There are a large number of these biographies of individual scholars, not necessarily all Ruan Yuan, scattered throughout rare book collections in various libraries. Copies of the biographies are also among the Guo Shih Guan (Qing Historiography Office) documents in the National Palace Museum (Taipei). 19 For example, the Provincial Gazetteer of Fujian by Chen Shouchi, the Gazetteer of Yicheng by Liu Wenchi, and a new edition of the Gazetteer of the Prefecture of Yangzhou by Jiao Xun. 20 A contemporary print is in the collection of the Harvard-Yenching Library. 21 Struve, 233 22 Ruan Yuan, Ding Xiang ting bi ji [Informal notes from the Ding Xiang studio] 4:1b-2a. 23 [bid. 24 Ruan Heng, Ying zhou pi tan [Notes from Yingzhou] 1.4b; also Ruan Yuan, Yen jing shi ji [Notes written in the Yen jing studio] 11:8:8a. 24 Zhang Jian, et al, Let tang an zhu di zi ji [The life of Ruan Yuan as recorded by his sons and students] 1:19b. 26 The preface was dated 1804, but the work was not printed until later, in 1807 when the manuscript was finally acceptable to Ruan Yuan. 27 Preface of a work entitled Ji Gu Zhai Chong ding yi chi kuan shi, printed in 1853. A copy can be found in the Fu Ssu-nien Library of the Academia Sinica in Taipei. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 103 Qingzhou. The other, Zhang Zhao San (3) Lang, eliminates epidemics. Less is known about Zhao Hou San Lang, who may be related to a legendary figure Zhao Hou who could have once been accepted into Canonical Daoism during the Ming, but left otherwise no trace in the Daoist Canon. 50 45 Hakka and Cantonese material suggest that Chen Jinggu, one of the three ladies, actually belonged to a separate tradition: that of goddess Wang Tai Wu who was associated with Mao Shan. It is likely that the current Taiwanese version represented the result of an effort to bring into the tradition of Lü Shan the Three Ladies. One observes that the Taiwanese account curiously mentioned Wang Tai Mu and two other female deities under the name of upper, middle, and lower “palaces", which is a corrupted version of an entry in the Cantonese priests' manual. But the connection between the Lü Shan and Mao Shan traditions can be found in the Liannan manuals as well. Perhaps they are found in the same tradition all along. I have already mentioned the appearance of Mao Shan magic much earlier than the 17th century ones to which Strickmann referred. "The Yi Jian Zhi has also a strange story, in more complete form elsewhere, that tells of a man who is destined to become upon his death Mao Shan dongzu (“master of cave?") and is therefore protected even before then from the revenge of a ghost. ** Records of ordination name in genealogies Given the different interpretations by genealogists of the names of their ancestors, some ordination names are not designated as such. There are cases in which genealogies trace descent from the same ancestors but some give “ordination names" their designation and some do not. Examples include the Wen genealogies and the Lis found in the New Territories of Hong Kong and elsewhere. I shall mention this again. Probably in many cases, the descendants have one or more names but no specific information as to the nature of each; i.e., whether ming, zi, hao, or an ordination name. One example is a He whose entry in the genealogy reads "Nian Shi(4) Lang, ming Chuan, zi Yuan Mei, hao Han Ming", leaving the reader no name category to apply to Nian Shi(4) Lang, which is not designated as an ordination name. Another example is the first ancestor of the Diaos, whose names were given as Qing, "original name" Fa Ying, and zi Zizhong, but written Qian Yi(1001). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 120 24 Н Tou To Wang, Changsha Wang and various Muowang "demons" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975) For example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil But Muowang "Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection Even then the Jade Emperor's native place, according to the same document, was "Puo Xi" which could have been Persia too See Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province "See Lagerwey for the present situation "The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC "See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all Th Interesting information is found in John Lagerwey was not mentioned, instead "John Keupers", "A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun - See for example the San Jiao Shou Shen Da Chuan Min Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe Yuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988 14 ALL Op eit pp 1181, 1429 + ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 122 * DJYL.cl_Zhongggo Minyan Xinvang Zhu Shen Xian Zhuan, a Taiwanese work published by different Hong Kong publishers each assigning a different author "Michel Strickmann "History, Anthropology, and Chinese Religion”. Harvard Journal of Asiatic Studies, 1980, vol 40, pp 201-48 **Anonymous, Yi Wen Zongfu, reprint Shanghai Commercial Press 1937, pp 5-6. It is interesting to note that his enviable destiny is due to possession of ten thousand strings of certain coins (zhengku qian), I fail to find out what exactly they are, but they are probably significant as magic objects rather than money 19 In Luo op cit, pp 365-375 + Luo, op cit, p 210 * Bao' Liao Shr Zongpu, in Luo, op cit, pp 357. * In Luo, op cit. p 102 + Who moved to Fujian from Nanjing, i.e. Lu Jiang, yun, probably part of the present Anhui province ** In Luo, op cit, p167 In some cases of the Wens for some ancestors two names are given for each, one of the simpler form and another prefixed by a numeric or non-numeric character Only names of the second form are designated as ordination names I am not sure if the names of the simpler form actually represent a more preliminary level of initiation [Check also the Lins of Hang Ha Po, Taipo, NT, note connection claimed with the Tian Hou Check also the Chens of She Shan] Luo, op. cit. pp. 97-99 *See Faure, op Cit, pp 67-68 for a brief account of the relationship between some of the lineages/segments +9 70 The Xing[ng] Mei[vian] YuuanYuan Lishi Pu Chao in Luo, op cit p48. The dates do not tally with the genealogy of the Lis of Shuen Wan and Chung Mei of Bao'an County which gives the date of birth of a 6th generation descendant of Hede as about the time the Song government moved to Southern China Luo, op cit, p 256 1 Luo op cit. p 281 71 This ancestor travelled by standing on clouds and by riding bamboo horses (cf the tale about the Three Ladies Chen in ZHJLS), and was given the title of 'General for The Protection of Kingdom" The genealogy contains two alternative stories that explained ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1999 https://digitalrepository.lib.hku.hk/catalog/s178b887x 246 The Royal Asiatic Society Council Dr Dan Waters President Rev Carl Smith Hon Vice-President Mr David Gilkes Immediate Past President Dr Michael Lau Vice-President Dr Elizabeth Sian Vice-President Dr Peter Barker Hon Secretary Mr Robert Nield Hon Treasurer Dr Peter Halliday Hon Editor of the Journal Ms Julia Chan Hon Librarian Mrs Valerie Garrett Hon Activities Co-ordinator Dr Patrick Hase Mrs May Holdsworth Mr Bob Horsnell Mr Tim Ko Tim Keung Prof Janet Lee Scott Dr Joseph Ting Royal Asiatic Society GPO Box 3864 Tel: 2813 7500 www.royalasiaticsociety.org.hk ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 123 scroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity. A six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere. Only in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces. In several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as: Li Bing 李丙 Huang Chengyi 黃丞乙 Zhou Deng 周登 Liu Hong 劉洪 In a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 125 the death of his mother who had been defenestrated on orders from her husband, King Zhou, as punishment for bearing such a 'monster.' Yin Jiao was determined to destroy not only his father but also the Imperial Concubine, Da Ji, the Nine-tailed Fox Spirit and current royal favourite who had caused the death of Yin's mother by her calumnies. Yin was presented with two magic weapons by the Goddess Tian Fei, a gold club and a battle-axe, and after the final great battle between the forces of the declining, sinister and corrupt Shang dynasty and the victorious future Zhou dynasty at Wan Xian Chen, Yin Jiao fought first on the side of his father, King Zhou. Later, after switching sides and fighting for the good King Wu, he was unfortunately decapitated by a general during the battles having been sandwiched by the Buddha Randeng between two mountains. He was deified during the general deification at the end of the war by Jiang Ziya, the future Prime Minister of the new dynasty, on the authority of the Jade Emperor. Yin Jiao, at the end of the novel, having been sent by Heaven to bring dread calamity down on to King Zhou because of his blasphemies and evil ways, volunteered to be the executioner of his father and his father's concubine, Da Ji. He was proclaimed Prince Jingming and was rewarded by the Jade Emperor for his bravery and filial piety with the titles of Taisui, Marshal Yin and with the presidency of the Ministry of Time. In the novel, the full title of Yin Jiao, the younger son of the evil King Zhou of the Shang dynasty, is Dou Lei Taisui Yin Yuanshuai. RC and as one of the Twenty-four Heavenly Lords he is also referred to as Yin the Heavenly Lord (Yin Tianjun). An entirely different story is given in another novel, the Shenyi Jing which tells of Jin Chong, the son of Pan Gu the creator of the world, who lived in the mountains of Shandong province. Jin was canonised as Taisui by Fu Xi, a primeval ruler and sage, the first of the three emperors of the legendary period, for his many good deeds and was made responsible to Heaven for supervising the activities of all the spirits and demons. Few Chinese would appear to know this story. Doré, who refers to Taisui as the Patron of the Harvests, explains that Yin Jiao's baby name whilst living with He Xiangu was Jin Nazha. This adds further confusion to the legends surrounding Li Nazha [the Third Prince - San Taizi], a very popular deity who appears with great frequency in Chinese legends and fairy tales. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 138 The Binary Titles for the Sexagenary cycle The list of the sixty combinations given below also includes the full title of the deity, the Spirit of the Year, the Taisui. Each title begins with the two characters from the 10 stems and 12 branches. These are followed by the two characters Tai Sui, and in turn the next two characters are the individual name of the spirit, followed by the final three characters for the Great General. Therefore, the first is Jiazi Taisui Jinbian Da Jiangjun, Jiazi being the first group of the sixty Taisui, followed by his name Jinbian, and finally the title of the Great General. However, the romanisation gives two words only out of the full title. The romanisation therefore only provides the first two [the stem and branch], followed by the personal name. The iconography of the Sixty varies considerably though the individual images in the two modern sets in Taipei do have very similar features. These range from military, civil and Daoist and Buddhist robes and caps to carrying spears, unsheathed swords, kerchiefs, fruit, small bowls of lustral water, tablets, brush pens, pearls and fans. The list, apart from the number within the bracket, obtained from the Daoist centre in the Baiyun Guan in Peking, provides sequentially the years of the sexagenary cycle. However, the images of the sixty Taisui in temples seem to be placed haphazardly along the altars. Also, the personal names of the spirits in each temple set can be different or allocated to a different year. A few are the same in every set, for example the first, Jiazi with the personal name of Jinbian, but the majority are different. The numbers in brackets are the order in which the images of the Taisui are placed in the folk religion temple in Pudong, Shanghai. Thus, the first item gives us: [the Shanghai number] Jiazi Taisui Jinbian Da Jiangjun Jiazi Jinbian and the years within the Sixty Year Cycle. [1] 甲子太歲金辨大將軍 [2] 乙丑太歲陳財大將軍 Jiazi Jin bian 1924 1984 Yichou Chen cai ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 249 Chinese as a response to Hun incursions is attributed to King Wuling of Zhao (325-298BCE). The crossbow had become the weapon of choice in infantry tactics, as can be seen from the Qin terracotta formations at Xi'an. But except for a weak version, crossbows did not translate to horseback tactics because they were loaded using the feet. It requires intensive training to become sufficiently proficient with a traditional Asian bow to be able to rely on it in a life-threatening situation. The aristocratic elite maintained their command of the bow and arrow through their practice of hunting with chariots and from the leisure time they could devote to perfecting their skills. The aristocracy were also the ones who had stocks of horses. Thus it was that the debate that is recorded (Yan Tie Lun, Zhan Guo Ce (Zhan Guo Ce: Wuling Wang Ping Chen Jian Ju. Selby p. 175 fn 17.) about adoption of mounted archery by the Chinese involved the question of putting the aristocrats on horseback: not the ordinary soldiery.) In the Eastern Zhou, therefore, tactical and technological developments pushed the aristocracy with their bows and arrows onto horseback, and placed crossbows into the hands of the common people in the rank-and-file. (The very reverse of what happened among the English and French aristocracy in the Middle Ages.) The Militarization of archery The Confucians had, at some point, chosen to stress the non-military aspect of archery. That trend is summed up in Jun zi wu suo zheng; bi ye, she hu (Selby: 5A). I believe that in the Eastern Zhou, archery had been received from previous eras as a semi-religious, ritual experience with further expression in hunting (to gain sacrifices for the ancestors) and warfare. Even in warfare, if the account of the Battle of Yanling (Zuo: Cheng Gong 16. Selby: 71.) is to be believed, archery was fraught with taboos. Contrast Yanling with the crossbow tactics at Maling (Shiji: Sunzi Wuqi Liezhuan. Selby: 8E) Despite Wang Meng's belated attempt to revive the rituals prior to his interregnum (Hou Han Shu: Liu Kun Zhuan. Selby: 8H.), the ritual aspects of archery were almost forgotten in the Han period. Nevertheless, there is abundant archaeological evidence of archery in hunting, warfare and funeral imagery (where Yi shooting the Suns in + Page 315 Page 316 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 15 HOW OLD IS SHANGHAI'S LONGHUA TEMPLE? ERIC N. DANIELSON · Shanghai's Longhua Temple (Longhua Si) is a functioning Buddhist temple with a large resident monk population belonging to the Chan sect (Chan zong) of Mahayana Buddhism. It is by far the largest one in Shanghai, and probably counts among the largest in China. Located southwest of the Xujiahui shopping district, the main temple complex sits on the north side of Longhua Lu, while its seven-story pagoda stands by itself across the street on the south side. Although it has often been said by many authors that this is supposedly the only pagoda in Shanghai, that is true only if one has a very narrow definition of what Shanghai is. Within the Shanghai Municipality (Shanghai Shi) there are a total of 16 historic pagodas, the other 15 being of equal age and historical authenticity but located out in the surrounding counties of Songjiang, Qingpu, and Jiading. The temple's long history Longhua Si undoubtedly has a long history, but the question is how long? The answer is debatable. In all likelihood, it is about 900 years old, rather than the 1800 years sometimes claimed for it. Very little evidence exists to support the often heard claims that the temple and pagoda were supposedly first built in 242 A.D. and 247 A.D. by Sun Quan, the King of Wu, during the Three Kingdoms (San Guo). Furthermore, maps of Shanghai's geological history contained in Zhou Zhen He's 1999 Shanghai Lishi Ditu Ji show that most of this area was underwater until the Tang Dynasty (618-907). Some sources also make vague claims that the temple was built by the Tang Dynasty Empress Wu Ze Tian sometime during her reign (690-705 A.D.), but later destroyed at some unspecified date during the rebellion of Huang Zhao (879-884 A.D.) against the Tang Xi Zong Emperor (873-888). The first specific year to appear in most accounts is a supposed rebuilding of a new temple on the same site as the earlier San Guo and Tang temples by the Wu Yue regional kingdom in 977 A.D. If these earlier versions of Longhua Temple did in fact exist, they were ephemeral and have left no lasting traces. Substantial documented evidence of the temple's origins begins to ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 16 appear during the Northern Song Dynasty (960-1126). In the year 1066 the Northern Song Emperor Ying Zong (1063-1067) built a new Big Buddha Hall (Da Fo Dian) and the New Precious Pagoda (Xin Bao Ta) on this same site. Although at that time it was named Kong Xiang Si, it is from this date that Longhua Temple's history can accurately be traced through a continuous progression of events up to the present day. In fact, it is even possible that the 11th Century Xin Bao Ta is the same pagoda which still stands today, albeit after having been repeatedly repaired and restored countless times. During the Li Zong reign (1224-1264) of emperor Zhao Gui Cheng at the end of the Southern Song Dynasty (1127-1279), four boundary stones were erected in 1262, one in each of the four corners of the temple's property. Two of these supposedly still exist today, and one of them can actually be seen in the Mu Ta Yuan, lying on the ground beside the Tao Ming Chan Si Mu Ta. In the Yuan Dynasty (1279-1368) the temple was given several land grants which added considerably to its territory. However, at the end of the Yuan Dynasty the temple buildings were completely destroyed during a battle, except for the Bao Ta pagoda, which is recorded as somehow miraculously surviving the conflagration, as it supposedly would in many similar situations throughout the temple's history. The third Ming Emperor Yong Le (1403-1424) completely rebuilt the temple from the ground up between 1410-1416, and also changed its name from the Northern Song Dynasty name of Kong Xiang Si to the present day name of Longhua Si. Later, the Shan Men front gate was built between 1506 and 1521. The structures built by Yong Le importunely had a short life span of only 140 years as the whole temple was destroyed during an invasion by Japanese Wako pirates in 1553. Nonetheless, after the destruction of the Wako pirates, the Ming Dynasty began a reconstruction project which lasted for about ten years, from 1563 to 1574. However, during the late Ming Dynasty the temple suffered from neglect and only one new hall, the Scripture Storage Pavilion (Cang Jing Ge), was built in 1611. A Cang Jing Ge is used by a temple to store the Tripitaka (San Zang) scriptures. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 25 Yin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986. Immediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin. Behind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore. Hidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 26 which is open to the public, the Mu Ta Yuan, so named for the Tao Ming Chan Si Mu Ta, a broken stone tomb pagoda dating from the year 1667 in the reign of Emperor Kang Xi which stands in the centre. The Mu Ta is a hexagonal stone pillar on a lotus flower with a round stone ball balanced on top decorated with dragon images wrapped around it. Two faint inscriptions can be seen on either side of the pillar. Lying on the ground beside the Mu Ta is a broken piece of an ancient inscribed tablet. This is one of the original four boundary stones of Longhua's predecessor Kongxiang Temple dating from the year 1262 in the late Southern Song Dynasty (1127-1279). Near the Mu Ta are three stone statues of a mythical animal, the Si Ge Lin Shou. These broken stone remains may be the oldest relics on the site, but their age, origin, and significance seem a mystery. In one corner of this courtyard is a corridor connecting with the Longhua Hotel next door. At the rear of the courtyard is the monk's Dining Hall (Zhai Tang), not to be confused with the separate Vegetarian Restaurant (Su Cai Guan) intended for public visitors located on the right side of the Da Xiong Bao Dian beneath the sign of the large wooden fish (pang) hanging from the rafters. Two long barracks-like halls run along almost the full length of the western side of the temple compound and are divided up into many small Buddhist chapels. The major ones include the Arhat Hall (Luo Han Dian), and the Goddess of Mercy Hall (Guan Yin Dian). The Luo Han Dian is a new addition to the temple, added sometime during 2002. It features small golden statues of 500 arhats or Buddhist saints. This chapel has become quite popular with worshippers, but one woman who had just finished praying mistakenly told the author there were 800 arhats, testimony to the newness of this innovation. The Guanyin Dian is on the left side of the fourth courtyard and features an impressive golden statue of Guanyin, who is depicted as facing in all four directions, and has 1,000 arms. Many of her hundreds of hands hold objects of special significance. In between the Luo Han Dian and Guanyin Dian is yet another hall, seemingly nameless, which although devoid of architectural splendor does have three splendid gilded Buddha statues. These three include Sakyamuni Buddha (Shi Jia Mou Ni Pusa) in the centre, Manjusri (Wen Shu) on your left, and Guanyin on your right. The interior walls of this hall are literally covered with memorial slips of paper and photographs meant to commemorate lost loved ones. It is ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 27 also in this hall that one is most likely to see the resident monks performing ceremonies which include chanting and the use of musical instruments such as cymbals and drums. A second long barracks-like hall hidden behind the first one is known as the Jade Buddha Hall (Yu Fo Dian), and contains other side chapels which are usually kept closed and only opened on special occasions. One of these is a chapel which contains an unusual Reclining Jade Buddha (Yu Wo Fo) like the one at the Jade Buddha Temple (Yu Fo Si). Above this chapel is a second floor with another image inside a glass case, and windows looking down on the gardens of Longhua Park next door. The monks' residence is in a separate set of buildings in a back corner of the complex and is off limits to visitors. Through the windows of the second floor can be seen their private library stacked with books. Approximately 90 resident monks live here now, with another 30 student monks in apprenticeship. The temple's current abbot is Master Ming Yang. The monks of Longhua supposedly belong to the Chan Zong sect (Zen) of Chinese Buddhism. However, the vast array of gilded effigies here, representing the whole Buddhist pantheon of deities, makes one wonder about the accuracy of this claim or the status of Chan Buddhism in China today. Chan was originally an iconoclastic sect which prohibited use of images of any kind. At least one resident foreign monk was noticed living here in January 2004, made obvious by his large crooked nose, white skin, and wide girth, as well as his lateness for morning prayers. Color photos of Longhua Temple can be seen in the author's Vol. I of his New Yangzi River series, entitled Shanghai and the Yangzi Delta, published by Times Publishing Ltd. of Singapore in 2004. ================================================================================