RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS 25 Several temples have large stone lions outside the entrance or just inside the main doors to guard the temple from demons. Boat Peoples' land temples used to have a pair of masts more than twice as high as the temple with a small red wooden crow's nest on each, some six feet from the top24. These are said to be the repository of the spirit of the dragon of the nearby hill or island peak which protects the local inhabitants from the depredations of evil spirits. Nowadays, only one temple seems to have them, the Hong Sheng temple at the old landing stage on Ap Lei Chau. Large triangular and colourful flags flown outside temples tend to identify the temple as a Chaozhou community temple. These flags bear the title of the main deity, the name of the temple and a spirit medium operates there, another flag in grey and black is flown, bearing an Eight Trigram diagram together with magical signs and symbols. Dating of temples About the only way that temples can be dated with any reasonable accuracy is from the plaque near the entrance listing the subscribers to the initial construction, from the temple bell inscription25 or from the dates on the ancestral tablets of the founders of the temple on the temple altar. From a very general examination of bells and chimes, several dozen bear dates between 1700 and 1840, that is post-Ming dynasty but pre-British occupation. One or two bells date back to the period immediately post-Ming and a further couple are dated within this century. The older traditional temples were probably rededicated post-Ming, or were built and dedicated post-Ming, mainly in the period following the rescinding by the Kang Xi Emperor of the order enforcing the removal of all who lived within 50 li (18.3 miles) from the coast during the period of intense pirate and anti-government activity along the China coast in the 1660s.26 Probably the earliest recorded date for the construction of a temple is the stone carving dated AD 1274 behind the Tian Hou temple in Joss House Bay. In AD 1012 Lin Daoyi, a trader from Fujian province, wrecked during a storm, was washed up on Tung Lung Island and built a temple dedicated to Tian Fei (as Tian Hou was then called) in thanksgiving. The temple was destroyed by a... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 30 KEITH G. STEVENS or halls.32 Nearly 70% of all nunneries are on Lantau island, whereas only 10% of the monasteries are; and three hundred and fifty-three temples and monasteries have resident staff. There are thirty-two temples in Macau, of which two are well-nigh derelict. Of the thirty-two temples, six are coastal, twenty-four are urban, and two rural. The majority of temples contain a mixture of Buddhist and folk religion images (no temples contain only Buddhist images), and the remainder contain only folk religion deities. Degrees of popularity of the major deities in temples and shrines The total number of temples dedicated to a specific deity throughout the two areas reflects the importance of that deity to devotees. In Hong Kong and Macau, forty-four different gods each have at least one temple dedicated to him (or her), whilst only seven gods have more than five temples to him (or her). The seven, in order of precedence (based simply on them being the main deity of a temple or monastery), are Tian Hou (seventy-eight) (*), Sakyamuni Buddha (thirty-nine), Guan Yin (thirty-eight), Guan Di (twenty-one), Hong Sheng (twenty), Bei Di, who is better known as the Northern Emperor, (ten), and Lu Zu or Lu Dongbin (seven). Although this gives only a very rough guide, the number of images of Guan Yin throughout Hong Kong and Macau vastly outnumbers those of Tian Hou. However, when the criterion is the number of temples in Hong Kong and Macau in which a particular deity is to be found (on any altar and not necessarily as the main deity), then the first five are Guan Yin, whose image appears in at least seventy-five temples, Tian Hou (114), Guan Di (88), Qi Tian Da Sheng (Monkey) (61), and Di Zang Wang (59). The Kitchen God, most frequently depicted by a reddish-orange paper pasted on the chimney above the stove, is the most common deity to be seen on the household altar, followed closely by Guan Yin, whose image, as we have noted, is also to be seen in 70% of all temples. The most common deities outside the home are Tu Di Gong, the Earth God (the local tutelary deity), in both urban and * The totals are not the number of images seen but the number of temples in which the deity is the main image in both Hong Kong and Macau. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 144 NOTES AND QUERIES Tai Lam Chung Sub-district:- Tai Lam Chung, So Kun Fat, Tai Lam, Tsing Fai Tong, Un Tan and Tin Po Tsai 田箭仔、 Lung Ku Tan Sub-district:- Nim Wan, Tai Shui Hang 大水坑, Pak Long 北朗, Ha Nam Long 下南朗, Sheung Nam Long 上南朗 and Tuk Mi Chung 篤尾涌. 18 At present, Tuen Mun consists of thirty-two villages; namely: Chi Tin Tsuen, Ching Chuen Wai † (mainly surnamed To 陶), Ching Shan Keuk 青山脚, Ching Shan Tsuen 青山村, Chung Uk Tsuen (mainly surnamed Chung), Fu Ti Tsuen 虎地村, Fu Hang Tsuen 福亨村, Ho Tin Tsuen 河田村, Ki Lun Wai 麒麟圍 (mainly surnamed Chan 陳), Kwong Shan Tsuen 礦山村, Lam Tei 藍地 (mainly surnamed To 陶 and Kwan 關), Lam Tei San Tsuen (mainly surnamed To), Leung Tin Tsuen 良田村 (mainly surnamed Ho 何), Lung Ku Taan 龍鼓灘 (mainly surnamed Lau), Nai Wai (mainly surnamed To 陶), Nim Wan 稔灣, Po Tong Ha 寶塘下 (mainly surnamed Tsui 徐), Sam Shing Hui 三聖墟, San Hing Tsuen 新慶村 (mainly surnamed Siu 蕭), San Hui 新墟, San Wai Chei 新圍仔, Shun Fung Wai »§ £, ♬ (mainly surnamed Cheung 張 and Leung 梁), Siu Hang Tsuen 小坑村 (mainly surnamed Tse 謝), So Kwun Wat 掃管笏 (mainly surnamed Lee 李), Tai Lam Chung (mainly surnamed Wu 吳 and Wong 黃), Tin Fu Chai (mainly surnamed To and Choi), To Yuen Wai (mainly surnamed Lee 李), Tseng Tau Tsuen 井頭村, Tuen Chi Wai 屯子圍 (mainly surnamed To 陶), Wo Ping San Tsuen 和平新村, Yeung Siu Hang 楊小坑 and Luen On San Tsuen 聯安新村. Tuen Mun has now been developed into a large new satellite town. A major road, the Tuen Mun Highway, has been built, joining it with Tsuen Wan, and a light rail system within the town area will be developed in the near future. NOTES 1 The name 'Tuen Mun' appeared first in Chapter 43 of the New History of T'ang. 2 Tuen Mun Shan was also known as 'Pui To Shan'. Nowadays, it is also called 'Castle Peak'. The Bay was also known as Tuen Mun O. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p BOOK REVIEWS 319 despite provision of a conversion table printed in very small characters. Despite these shortcomings, however, this is a useful handbook which will be of value in its field. P. H. HASE A Cadre School Life: Six Chapters Yang Jiang, trans. G. Barmé Joint Publishing Co. Hong Kong 1982, 91 pp. Madam Yang Jiang's "Six Chapters on a Cadre School Life", a book well received and translated into English, French, Japanese and other languages, is an epitome of life in the 'May 7 cadre schools' that could be found all over the country during the Cultural Revolution. This book provides food for thought for those free from any bias or prejudice, who will surely be enlightened after reading it. Like Madam Yang, I was an ordinary "fighter" of one of these schools. That experience should have made a greater impact on me as I had spent more time in a cadre school than she did. But for lack of literary talent and eloquence, I cannot vividly record this noteworthy episode of history in any way as well as she did. In the Foreword he wrote for the book, Mr. Qian Zhongshu said he thought there might well have been a seventh chapter called "Politics Chapter on Shame". I, too, have the feeling that there is still so much more worth narrating. We, of course, cannot expect everyone to feel exactly the same because different people have different experiences and also because cadre schools were not entirely identical although they had much in common. So different people will have different things to narrate and appraisals will not be quite the same from the readers. So far as I can remember, what struck me most was the damaging effect this period of history had on people of talent. If I were to add a chapter to this book, I would call it "Transformation Chapter on Fei". The word 'fei' is used mainly to denote 'waste' as in the term langfei'. It also has the meaning of 'tuition fee' as in 'xuefei'. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 370 ji-wai-deui K jou jou-se 做社 juk-jeung Jung Gaai 中街 Jyu-Jai #ff jyu-lou 主腦 Kam Hing Wai MAB Kam Tin B Man Kam To Man-Cheung Man-Wai Mau-Ging Tong Ming 明 Ming-Hok Ming-Lyun Miu Gok Yun 妙覺園 mou-geui-yan #^ Kam Tin Shi mou-leuk-le-wai Kangxi 康熙 Kat Hing Wai 吉慶圍 Kei-Fong Kei-Wa ✩✩ kiu-fu 轎伕 Kwun Yam Shan 觀音山 Kyun-Hin # laam-sang laat Lai Ga Dei Lai 黎 Lai-Gaan Tong Lam Choi 林財 Lam Pui *** Lam Ngau-Jai *4# Lam Yi-Hing Tong # Lam-Mau ** lat 甩 Lau 劉 Lei-Ging Tong Lei-Wik Leung Leung Gwan-Daat Leung Tung 梁同 lo-gu ga 4 Loi-Fu * Loi-Sing Tong *** Lok-Sin Luk Gwok 六國 Lung Yeuk Tau ✯✯✯ luo-tian mu畝 Mui Jai Yun 梅仔圜 Mung Yeung 蒙養 Naam Tau 南頭 Naam Bin Teng # Naam Bin 南便 Naam-Kai Naam-Teng E Nam Pin Wai Ng Sing-Chi f** Ng 伍 Nga-Chyun R Ngau-Wong [Wui] () paang 棚 Pat Heung 八鄉 Ping Shan 坪山 ping-on 平安 Pou-Am Pui-Hing Pun-Gu qimen dunjia 奇門遁甲 Qing 淸 Sa Bui Leng 沙貝嶺 Sa Jeng 沙井 Sai Pin Wai 西邊圍 sai-man ME San Tin 新田 San Sin Fu 神仙府 San Wai 新圍 San-Fung san-teng ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 40 Dean. Kenneth “Revival of Religious Practices in Fujian: a Case Study in Pas. Julian F. (ed.) The Turning of the Tide: Religion in China Today (Hong Kong: Hong Kong Branch of the Royal Asiatic Society & Oxford Univ. Press, 1989), 72. 4 Mr. Pang Cheng-chuen (Peng Zheng-chuen), interviewed by author, Fanling, Dec. 30. 1990. P Dean. 54. A student of the University of Hong Kong told me on Feb. 3, 1991 that he saw, by chance, a Jiao festival in 1990. He could not recall the exact date and location. However, he was very sure, from the celebrating flower boards, that it was a Jiao festival. K Ibid., 776. Liu Zhi-wan, Taibeishi Songshan qi an jian jiao jidian, Institute of Ethnology Academia Sinica Monograph, no. 14, (Taipei: The Institute, 1967). Besides Liu, the research team from the Academia Sinica included Song Lung-fei and Xu Jia-ming. Song's paper concentrated on aspects of folk architecture and decoration while Xu focused on the economic and social aspects. See Song Lung-fei "Song-shan jian jiao jiao tan jianzhu di zhuan shi Yi shu" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 157-217; Xu Jia-ming: "Songshan jian jiao yu shequ" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 109-153. 4 Li Zian-zhang. "Daojiao jiaoyi di kaizhan yu xiandai di jiao” Sinological Researches 5 (1968): 261. Ibid., p. 201. Saso, Michael R., Taoism and the Rite of Cosmic Renewal (Washington: Washington State Univ. Press, 1972), 34. Law, Joan & B.E. Ward, Chinese Festivals (Hong Kong: South China Morning Post, 1982), 83. Okada, Yuzuru, Kiso Shakai (Tokyo: Kobundo, 1949). See Brim, John A. “Village Alliance Temples in Hong Kong" in Wolf. A.P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford Univ. Press, 1974), 93–103; and Suenari, Michio "Sonbyo to sonkyo: Taiwan Hakka shuraku no jirei kara” [Village temple and village boundary: a case study of the Hakka communities in Taiwan] Bunka Jinna Gaku [Cultural Anthropology] (1985) 2:255-260. 15 Ueno, Hiroko, "Taiwan nanbo no osho to sonraku: Tainanken hito saishiken no sonraku aida kankei" (Wang Jiao and villages in southern Taiwan: worshipping area and village relationship] Bunka Jinriú Gaku 5 (1988): 64-82. + Taylor, W.A. "The Spirit Festival" Bulletin of the Cheung Chau Bun Festival 1980 (Cheung Chau: n.p., 1980), 39-41. (reprinted from Wide World Magazine, Dec. 1953). The annual Cheung Chau Jiao festival is better known to westerners as the Bun festival because of the three tall "bun mountains" erected at the ritual area. The festival is the most studied Jiao festival in Hong Kong probably due to the fact that (1) the island is comparatively easy to get to, (2) it is celebrated every year and (3) it is widely publicized by the Hong Kong Tourist Information Bureau. Besides Tanaka's accounts (see note 36), see also Jonathan Chamberlain and Ian Lambot's photographic account. The Bun Festival of Cheung Chau (Hong Kong Studio Publications, 1990). דן I owe my interest in the Jiao festival to Prof. Ward who first introduced me to Jiao festivals in 1980. She then suggested that I participate in the Jiao festival in Kau Lau Wan. K Law & Ward, 83-84. Hayes, James W., The Rural Communities of Hong Kong: Studies and Themes (Hong ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 51 the fortunes of the Nestorian church in China between 638 and 781, and a brief exposition of the major Christian doctrines. It was composed, according to the main Chinese inscription, by a Nestorian monk who had taken the Chinese name Ching-ching. From the Syriac section of the inscription we learn that his true name was Adam, and that he was the Nestorian metropolitan, or archbishop, of China. The Chinese term used throughout the Sian tablet inscription for Christianity is Ta-ch'in Ching-chiao K4, which can be roughly translated as the 'Syrian Brilliant Teaching.' The expression appears prominently in the inscription's title, the 'Tablet of the Spread of the Syrian Brilliant Teaching in China'. There has been considerable debate on the significance of the Chinese geographical term “Ta-ch'in'. In fact the term always remained imprecise in its application. At its most restricted, it denoted Syria and the country around Antioch. But it is also found before the Arab conquests applied to the Roman empire generally, or at least to its eastern part. Probably the best way to think of 'Ta-ch'in' is from the viewpoint of a Chinese merchant. He knew that there was a market for his silk at the Mediterranean port of Antioch. Antioch was in Ta-ch'in and to get there a man had to go through Persia. "Ta-ch'in' was simply the region to the west of Persia, and in most contexts 'Syria' adequately conveys the geographical area in question. As used in the Sian tablet inscription, Ta-ch'in retains its basic geographical significance as the country, however vaguely defined, to the west of Persia. Ta-ch'in is explicitly distinguished from Persia in a section of the inscription describing the Nativity: "One person of our Trinity, the brilliant and revered Messiah, veiling and hiding his true majesty, came to earth in the likeness of man. Angels proclaimed the good news; a virgin gave birth to a saint in Syria (Ta-ch'in). A bright star told of good fortune; Persians saw its glory and came to offer gifts." But whereas Ta-ch'in is sometimes used in the Sian tablet inscription in this restricted geographical sense, in other contexts it is used as a synonym for 'Christendom'. The inscription asserted, for example, that Ta-ch'in had Christian laws, fa fei ching p'u hsing JRIO. + ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 60 Governor-General of Yunnan & Guizhou Kunming 2A 1816-1835 Assistant Examiner of Metropolitan Exam Beijing 1833 Assistant Grand Secretary Kunming 1B & Peking Grand Secretary in charge of Board of War Beijing 1A 1835/3 Acting President of the Censurate Beijing 1835/10 Reader, Palace Examination Beijing 1836 Senior Professor (Hanlin Academy) Beijing 1836 Appendix 2 Ruan Yuan's Major Works and Compilations Kao gong ji ju zhi tu jie 考工記車制圖解 Shi qu sui bi 石渠隨筆 Yi li shi jing kan ji 儀禮石經校勘記 Shandong xue zheng Ruan Yuntai shi tong sheng shu mu 山东学政阮芸台示童生书目 Shan zuo shi ke 山左石刻 Jingyin dao ren zhuan 淨因道人傳 Yunfeng zhi bei tu 云峰志碑图 Zhejiang shi ke 浙江詩課 Chong xiu piao zhong guan ji 重修剽中观记 Xiao cang lang bi tan 小滄浪筆談 Shan zuo jin shi zhi 山左金石志 Huai hai ying ling ji 淮海英靈集 Liangzhe yu xuan lu 兩浙輶軒錄 Ceng zi shi pian zhu shu 曾子十篇註疏 Wei yu shu shi sui bi zhu 魏餘蔬食隨筆注 Zhu cha xiao zhi 竹姹小志 Jing ji zuan gu bu yi 經籍纂詁補遺 Di jiu tu shuo 地球圖說 Guang ling shi shi 廣陵詩事 Chong xiu Hui ji Da yu ling miao bei ji 重修惠济大禹陵庙碑记 Ding xiang ting bi tan 定香亭筆談 Chong jian Yangzhou hui guan bei ming 重建扬州会馆碑铭 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao Ku jing jing she wen ji 詁經精社文集 (Wang fu zhai) zhung ding kuan shi (E) H** Xue shi zhong ding kuan shi 薛氏鐘鼎款識 Jiao shan ding-kao 焦山定陶鼎考 Huang Qing bei ban lu Hai tang zhi 海塘志 Ji gu zhai zhung ding yi qi kuan shi **** 海連考 Hai yun kao I Liang Zhe jin shi zhi 兩浙金石志 Shi san jing zhu shu fu jiao kan ji +¶EAH Yang zhou Ruan shi jia miao bei 揚州阮氏家廟碑 Yen jing shi wen ji 擘經室文集 Sui Wen xuan lou ming Ying zhou shu ji 瀛舟書記 Qu jiang ting ji 曲江亭記 ** Si ku wei shou shu mu ti yao 四庫未收書目提要 Tian yi ge shu mu 大一閣書目 Ling yin shi shu zang mu Chou ren zhuan AM Shi san jing jing fu +* ****! Yi li shang fu da gong zhang zhuan zhu chuan wu Kao x 功章傳注舛考 Han Yen xi xi yue Hua shan bei kao ✶✶U** Ru lin zhuan kao ####N Guo shi wen yuan zhuan 國史文苑傳 Jiao shan shu cang shu mu 焦山書藏書目 (Song ben) shi san jing zhu shu (**)+*** Jiang su shi zheng # Jiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記 Guangdong tong zhi 廣東通志 Gai jian Guangdong xiang shi wei she zhuo bei ji ***** 碑記 Shi shu gu shun 詩書古訓 Yen jing shi ji 擘經室集 Chong xiu Ruan shi zu-pu CEE** Huang Qing jing jie 皇清經解 Xue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記 61 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 62 Yun nan tong zhi gao 雲南通志稿 選平樂府重建聖廟碑記 Xuan Ping lo fu chong jian sheng miao bei ji Ta xin shuo 塔性說 San jia shi bu yi 三家詩補遺 Wen xuan lou shu cang shu ji 文選樓書藏書記 Ba zhuan yin guan ke zhu ji 八轉吟館刻記 Bu bi tu shi 布幣圖識 A4 Ruan shi Chi gu zhai Han tong yin te 阮氏積古齋漢銅印得 Wen xuan lou cang bei 文選樓藏碑 Ruan wen da gong zhi shi hou jia shu 阮文達公致仕後家書 Han shi jing can zi 漢石經藏碑 Lang huan xian guan shi Ruan wen da gong zhi shi hou jia shu 阮文達公致仕後家書 Lun yu lun ren lun 論語論仁論 Meng zi lun ren lun NOTES Arthur F Wright, "Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11 Ibid., 4 See Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations 4 Lyn Struve, "The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed "We await Ruan Yuan" on the front piece of my copy of his work Struve, 231 The three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239 7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original 8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me 9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 140 borne to Earth by the Celestial Immortal Tian Fei, to his apotheosis when he was about to be borne off to Heaven; he is portrayed in one scene preparing medicinal drinks and in another overcoming the flood dragon. A popular legend related in Jiangxi about Xu describes how he destroyed a monstrous snake which had been terrorising the areas of western Jiangxi. Another describes how in Changsha in neighbouring Hunan province he killed a dragon which had transformed itself into a woman and had married a local mandarin. Xu Sun, according to Fitkin, had been a good and sympathetic magistrate and as such was regarded as a protective deity throughout Jiangxi province as well as among Jiangxi people wherever they went. According to folk memory he never took 'squeeze' nor would he tolerate corruption. He also threw the flood dragon down a well telling him as he did so that he might come forth when the iron tree blossomed. This well was in the huge Wan Shou Gong, a temple in the centre of Nanchang and though the temple was burned down in about 1916, it was [in 1922] being rebuilt at a huge cost and, as far as can be ascertained, no longer exists. Folklore claims that plague and flood, as well as brigandage would come to Jiangxi if there were no Wan Shou Gong in which to offer up worship and reverence. According to Bai Youchan [the Daoist Thunder Ritual master of the Mao Shan cult - ca. 1200 AD] Xu was venerated initially because, using water-charms, he had cured multitudes who were suffering from a virulent epidemic. Imperial patronage of the cult ensued in the 12th century AD. All his temples used to be called Wan Shou Gong as indeed his cult centre temple at Xi Shan still is. Another legend, possibly a variant on the water-charms story, and related in neighbouring Anhui, claimed that Xu had been an important tea merchant. Tea brewed from his leaves not only quenched the thirst but also cured sickness and even prevented people from becoming sick. He was widely renowned for his generosity giving away his tea to the poor in the Spring for people to infuse and drink to ward off sickness. He was deified for such benevolence by order of the emperor. In 1920 Nanchang was claimed to be unique in that it had never ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 125 the death of his mother who had been defenestrated on orders from her husband, King Zhou, as punishment for bearing such a 'monster.' Yin Jiao was determined to destroy not only his father but also the Imperial Concubine, Da Ji, the Nine-tailed Fox Spirit and current royal favourite who had caused the death of Yin's mother by her calumnies. Yin was presented with two magic weapons by the Goddess Tian Fei, a gold club and a battle-axe, and after the final great battle between the forces of the declining, sinister and corrupt Shang dynasty and the victorious future Zhou dynasty at Wan Xian Chen, Yin Jiao fought first on the side of his father, King Zhou. Later, after switching sides and fighting for the good King Wu, he was unfortunately decapitated by a general during the battles having been sandwiched by the Buddha Randeng between two mountains. He was deified during the general deification at the end of the war by Jiang Ziya, the future Prime Minister of the new dynasty, on the authority of the Jade Emperor. Yin Jiao, at the end of the novel, having been sent by Heaven to bring dread calamity down on to King Zhou because of his blasphemies and evil ways, volunteered to be the executioner of his father and his father's concubine, Da Ji. He was proclaimed Prince Jingming and was rewarded by the Jade Emperor for his bravery and filial piety with the titles of Taisui, Marshal Yin and with the presidency of the Ministry of Time. In the novel, the full title of Yin Jiao, the younger son of the evil King Zhou of the Shang dynasty, is Dou Lei Taisui Yin Yuanshuai. RC and as one of the Twenty-four Heavenly Lords he is also referred to as Yin the Heavenly Lord (Yin Tianjun). An entirely different story is given in another novel, the Shenyi Jing which tells of Jin Chong, the son of Pan Gu the creator of the world, who lived in the mountains of Shandong province. Jin was canonised as Taisui by Fu Xi, a primeval ruler and sage, the first of the three emperors of the legendary period, for his many good deeds and was made responsible to Heaven for supervising the activities of all the spirits and demons. Few Chinese would appear to know this story. Doré, who refers to Taisui as the Patron of the Harvests, explains that Yin Jiao's baby name whilst living with He Xiangu was Jin Nazha. This adds further confusion to the legends surrounding Li Nazha [the Third Prince - San Taizi], a very popular deity who appears with great frequency in Chinese legends and fairy tales. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 Transitional wares and their forerunners. Hong Kong: Oriental Ceramic Society of Hong Kong, 1981. Kotenev, Anatol M. + Shanghai: its mixed court and council: materials relating to the history of the Shanghai Municipal Council and the history, practice and statistics of the International Mixed Court, Chinese modern law and Shanghai municipal land regulations and bye-laws governing the life in the settlement. Shanghai: North-China Daily News & Herald, 1925. Kotenev, Anatol M. Shanghai: its municipality and the Chinese. Shanghai: North-China Daily News & Herald, 1927. Lam, Susan YY. and Sze, Jane Past visions of the future: some perspectives on the history of the University of Hong Kong. Hong Kong: University Museum and Art Gallery, The University of Hong Kong, 2001. Liao Disheng, Zhang Zhaohe, Cai Zhixiang Xianggang li shi, wen hua yu she hui. 1, Jiao yu xue pian. Xianggang : Xianggang ke ji da xue Hua nan yan jiu zhong xin, 2001. Liao Disheng, Zhang Zhaohe, Cai Zhixiang Xianggang li shi, wen hua yu she hui. 2, Tian ye yu wen xian pian. Xianggang: Xianggang ke ji da xue hua nan yan jiu zhong xin, 2001. Liao Disheng, Zhang Zhaohe, Cai Zhixiang Xianggang li shi, wen hua yu she hui. 3, Tian ye yu wen xian pian. Xianggang: Xianggang ke ji da xue hua nan yan jiu zhong xin, 2001. Lee, Kuan Yew Memoirs of Lee Kuan Yew. Tai-bei: Shi jie shu ju, 2000. Liang, Ellen Johnston Art and aesthetics in Chinese popular prints: selections from the Muban Foundation collection. Ann Arbor: Center for Chinese Studies, University of Michigan, 2002. lv ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 436 After a good Chinese lunch at the Lai Yue Mun Restaurant in Xin Hui we took a taxi (RMB250) through the County city of Tai Shan and past some interesting old Chinese villages, including Yeung Do. We arrived at the Guang Hai Bay port of Shen Ju in good time to catch the 4:00 pm public ferry to Shang Chuan Island. The timetable shows ferries leave daily at 9:30 am, 11 am, 2 pm, and at 4 pm, for the crossing that took us just over an hour. They are scheduled for the Shang Chuan to Shen Ju crossing at 7:30 am, 9:30 am, 12:00 and 2:00 pm. A group could otherwise hire a speedboat. We were told that the island had been closed to visitors until 1983 and that there was still a sizeable PLA naval base there. As we entered the fishing harbour at the NW side of the island we passed some naval vessels and fishing boats. We also had our first view of the St Francis Xavier Church on the hillside. There were several modern large tourist hotels in the Fei Sha Tan Tourist Resort at the eastern side of the island. We took a public minibus from the port to the Resort. Probably the best of the hotels was the Biyun Tian Hotel (Eastern Harbour View Hotel), though we chose a smaller one. Both faced the beach, with a pleasant esplanade packed with plenty of hawkers in the evening. The choice of restaurants was uninspiring. In the morning we hired a minibus with driver for a half day (RMB150) to show us around the island. He took us to the fishing village, purpose-built in 1992, and over the Cheung Po Chai pirate pass with the Twin Treasure Rocks. He also took us to a grotesque Laughing Buddha cave with little figurines representing the Journey to the West. Such were the delights the driver thought we should enjoy, but for us the highlight was the visit to the Church of St Francis Xavier at the NW side of the Island. The church was a simple white tiled building with a plaque above the porch dating the church at 1869. There was reported to have been a church at the spot since 1700 with various restorations from 1813 to 1932. The caretaker unlocked the church for us. There are several rows of pews facing a large wooden cross. On the altar stands a statue of a bearded priest in front of which is a statue of the Virgin Mary. Religious paintings were hanging on the walls. In the centre of the church lay a stone sarcophagus with some Chinese inscriptions. Outside, a modernist sculpture had been erected by the Yamaguchi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 17 In the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge). It will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery. During a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time? After a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 23 The second courtyard is flanked on the left side by a two-story wooden Drum Tower (Gu Lou) and on the right by the matching two-story wooden Bell Tower (Zhong Lou). On the first floor of the Zhong Lou is a glass case holding a golden effigy of Kshitigarbha (Di Zang). Dizang is the bodhisattva who has the special power to rescue departed souls from Hell, and thus plays an important role in Buddhist funeral ceremonies. Upstairs on the second floor is the bronze bell which can be rung for a fee of 50 Rmb. On New Year's Eve this bell is rung 108 times at midnight. It is considered good luck to be there to hear it ring, and even better luck to be the one who rings it. The Zhong Lou was rebuilt by Qing Emperor Guang Xu in 1895, following the Taiping destruction of the temple in 1860-1862. The bell itself was made in 1894, during the 18th year of the Guang Xu reign of the Qing Dynasty. Beside the Zhong Lou is a Ming-style stone stele with a partially legible inscription which has been damaged. On the first floor of the Gu Lou is a glass case containing a golden effigy of Guan Yu, the God of War. In the Ming and Qing dynasties Guan Yu had temples dedicated exclusively to him in every city in China. The former Guan Di Miao can still be visited in Shanghai's Nanshi District. The second floor of the Gu Lou cannot be ascended, and it no longer seems to contain a drum. Beside the Gu Lou is a Ming-style stone stele with a lengthy inscription in very good condition. The present Gu Lou dates from an 1895 reconstruction, following the Taiping destruction of the temple in 1860-1862. Across the second courtyard from the Mi Le Dian is the Hall of the Four Heavenly Kings (Si Tian Wang Dian). This hall dates from an 1881 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. The hall contains enormous gilded wooden statues of all four kings, two on each side of the hall. All four wear crowns on their heads and are dressed in heavy armor. One holds a four-string guitar and has a light green face, another holds a sword in his right hand and has a black face, a third holds an umbrella in his right hand and a small stupa in his left hand, and has a white face, while a fourth holds a snake and has a black face. This depiction is somewhat different than in the past. In the centre of the Tian Wang Dian are two glass cases containing golden effigies of two rather obscure Buddhist deities. Tian Guan Mi Le, a variant incarnation of Mi Le Fo, is depicted. ================================================================================