RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 38 one called "The Capture of Chi Pu". This refers to the same General Chi Pu mentioned earlier, whose life was saved by the knight errant Chu Chia. In this popular version, which is in doggerel verse, the story differs from the historical account. The name of Chi Pu's benefactor is given as Chu Chieh instead of Chu Chia. This is probably due to a confusion between the names Chu Chia and Kuo Chieh, the two most famous knights of early Han. Moreover, in this version, Chu is the official sent to arrest Chi Pu, and he is blackmailed into saving the latter's life rather than doing so voluntarily. This tale in doggerel verse has no great literary merits, but is of considerable historical interest as a specimen of popular chivalric literature of the Tang period. During the Sung dynasty, professional story-tellers flourished. According to the Tsui-weng t'an-lu (B680), a miscellaneous collection of stories and verses probably printed at the end of Sung, the story-tellers divided their tales into eight categories: "miracles" (ling-kuai), “female ghosts" (yen-fen), “love romances" (ch'uan-ch'i), “legal cases" (kung-an), “long swords" (p'u-tao), “clubs" (kan-pang), "gods and immortals" (shen-hsien), and “magic” (yao-shu)." Two of these, "long swords” and “clubs”, obviously deal with chivalrous deeds. The difference between the two, judging by the examples given in the Tsui-weng t'an-lu, seems to be that the former refers to battles waged between armies using long weapons, while the latter refers to private fights involving the use of short weapons. The latter is therefore more strictly concerned with knights errant, who usually fought as individuals rather than as leaders of armies. As for chivalric tales involving the supernatural, such as the story of Hung Hsien, they were classified under "magic". Many of the prompt-books used by the story-tellers, known as hua-pen, have come down to us, though usually edited by later hands. Moreover, some of them became integral parts of long prose romances. The most outstanding example of a chivalric romance based on oral tradition is the Shui-hu chuan, of which there are two English versions, one by J. H. Jackson entitled The water margin, the other by Pearl S. Buck entitled All men are brothers. The historical events on which the oral legends and the prose romance were based took place at the end of the Northern Sung period. According to the History of the Sung dynasty, in A.D. 1121 a group of rebels led by Sung Chiang and thirty-five others ravaged several prefectures : : 10 Wang Chung-min and others, Tun-huang pien-wen chi (Peking, 1957), vol. 1, pp. 58-71, 17 Tsui-weng t'an-lu (reprinted Shanghai, 1957), pp. 3-4. This is the most precise contemporary account of the classification of stories. Other accounts are similar but not so clear. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Vol. 1 (1961) ISSN 1991-7295 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 74 R The historical figure of Li Ching had long been admitted into the Taoist pantheon. He was, in the year 760, enshrined with Chiang T'ai-kung (B★A or Chiang Shang) as one of the ten famous historical generals. In the anonymous work, Li Wei-kung Pieh-chuan (A4), it is said, "When Li Ching was poor, he took a journey in the valleys and stayed in a cottage. When it was mid-night there came a woman who handed him a vase and said, 'Heaven has instructed you to pour down rain ...' and as we know in the Buddhist legends that it is Virupaksha (not Vaisravana) who is the king of the nagas, we understand that even in the T'ang dynasty the popular mind could not properly distinguish the function of these guardians of Mt. Sumeru. In an inscription on a tablet erected in the Temple of Vaisravana in Ning-hwa District (LM), Fukien, dated about 920, we read, P'i-sha-mên (Vaisravana) is a Sanskrit word which means "universal or much hearing" (to-wên SH). He dwells on the north of Mt. Sumeru, in the crystal palace, and is the chief of yakshas,10 From this narrative we see why in so many Chinese records it has become an undeniable fact that yakshas are believed to live at the bottom of the seas with the dragon-kings in marvellous crystal palaces loaded with wonderful treasures. The legends of these two heavenly kings have long been mixed in the popular mind." As Li Ching was such a famous historical hero, the Taoist priests could not forgive themselves if they failed to utilize his prestige. It is said in an anonymous work of the T'ang dynasty, Yuan Hsien Chi (E), that Li Ching was still alive in the epoch of Ta Li (766-779) and became a Taoist immortal, In addition to the book on military strategy attributed to him in the Bibliography of the Hsin T'ang-shu (MEBOXZ), the Taoist priests also ascribed to him some canonical texts dealing 12 • Hsin T'ang-shu (), Ch. 15, Li-yüeh Chih (M), 5. • Ku-chin Shuo-hai (546), Shuo-yüan Pu (R), Vol. chi (2) Also Tsung-shu Chi-ch'êng Ch'u-pien (£). 10 See Ninghwa Hsien-chih ("Annals of the Ninghwa District") of the Ming dynasty, quoted in Ku-chin T'u-shu Chi-ch'êng (4), Shên-1 Tien (R), chüan 54. The essay was composed by Huang T'ao () for Wang Shen-chih (E). 11 In the Ta-Tang San-tsang Ch'ü-ching Shih-hua (ERR), chüan 1, “...A" ("To-day, Vaisravana of the Indra Heaven, the Guardian of the North, will feed Buddhist priests in the Crystal Palace.") 12 Quoted in Chiu Hsiao-shuo (R), 2nd Series, Shanghai, Commercial Press Ltd., 1910. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 129 HAINES, Miss F. 10-F Headland Road, H.K. HALLIDAY, Lt. Col, P. A. T. Headquarters Land Forces, H.K. HARRISON, Prof. B. Dept. of History, H.K.U. HAYDON, E. S. The Supreme Court, H.K. HAYE, C. Education Dept., Fung House, H.K. HAYIM, E. J. 41 Island Road, Deep Water Bay, H.K. HELLBECK, Dr. H. German Consulate-General, 1 Duddell St., 4th fl. H.K. HENSMAN, Dr. Bertha Chung Chi College, Ma Liu Shui, N.T. HINDMARSH, R. H. Hong Kong Club, H.K. HO Teh-Kuei 61 Fort St. 3rd fl., North Point, H.K. HOGAN, The Hon. Sir M. Chief Justice's Chambers, Supreme Court, H.K. HOLMES, D. R. N.T. Administration, N. Kowloon Magistracy, Kln. HOLMES, G. M. 9 Chater Hall, 1 Conduit Road, H.K. HOLMES, The Hon. J. C. U.S. Consulate-General, H.K. HORSMAN, Miss A. M. Colonial Secretariat, H.K. HOOK, B. G. Queen Mary Hospital, H.K. HORTON, J. R. U.S. Consulate-General, H.K. HOWARD-WILLIAMS, E. D. The British Council, 133 Gloucester Building, H.K. HOWORTH, J. F. Leigh & Orange, P. & O. Building, H.K. HSIA Tung Pei 12 Ming Yuen Street W., 3rd fl. North Point, H.K. HUANG Sheng-Fu P.O. Box 9066, Kowloon City Post Office, Kowloon. HUGHES, G. M. American International Assurance Co. Ltd., H.K. HUGHES, Mrs. G. M. 175 Sassoon Road, H.K. HUGHES, Prof. W. I. Dept. of Extra-Mural Studies, H.K.U. HUNG, C. S. 19, Hec Wong Terrace, 1st fl., H.K. INGLES, Miss J. M. Government House Lodge, H.K. JACOBSON, H. W. U.S. Consulate-General, H.K. JONES, Dr. J. R. H.K. & Shanghai Banking Corpn. H.K. KAMATH, F. M. de Mello Commission of India, Tower Court, H.K. KAY, B. Flat 4, 52 Island Road, Repulse Bay, H.K. KEOWN, W. C. Butterfield & Swire, H.K. KHAN, Dr. L. A. M.O., Tai Lam Prison, N.T. KIDD, S. T. N. Kowloon Magistracy, Kln. KILBORN, Prof. L. G. Chung Chi College, Ma Liu Shui, N.T. KIRBY, Prof. E. S. 2 University Drive, H.K. KNOWLES, W. C. G. Butterfield & Swire, H.K. KNOWLES, Mrs. W. C. G. Butterfield & Swire, H.K. KRAMERS, Dr. R. P. Tao Fong Shan, Shatin, N.T. KUNG, Mrs. T. P. 8 Sunning Road, 2nd fl., H.K. KVAN, Rev. E. St. John's College, H.K.U. KWOK Chan, The Hon. Hang Seng Bank Ltd., H.K. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f NESTORIAN CROSSES 23 From this time on discoveries were frequent. In 1885 two Nestorian cemeteries were discovered in Tokmak (Semirechinsk) with stones from about 610 graves, some engraved with the outline of the now familiar Nestorian Cross, associated with inscriptions in Syriac dating from A.D. 1267 to 1316.3 In 1890 stones engraved with Nestorian Crosses were found at Hsi-wan-tzu in Sui-yüan province, north-west of Kalgan.23 But perhaps the most important Nestorian relics in China, after the Tablet of Sianfu, are the T'ang dynasty manuscripts found in 1908 in the sealed cave-library at Tun-huang, commencing with the 'Gloria in Excelsis Deo' with its important List of Scriptures and Historical Note (probably dating from about A.D. 781), the 'Jesus Messiah Sutra' dated A.D. 641, the earliest Nestorian document preserved in China, and three other T'ang Nestorian manuscripts, written probably between that date and the period of the Sianfu monument (A.D. 781).24 + In 1919 two beautifully carved Nestorian crosses, with short Syriac inscriptions, possibly from the chancel of a church, were found at Fang-shan in a Buddhist monastery called to this day 'The Monastery of the Cross' + (perhaps the one where Mark and Barsauma dwelt) south-west of Peking.25 In 1933 several Chinese scholars sought for and found the ruins of a 'Ta-ts'in Monastery' ★ (Nestorian Monastery) at Chou-chih in Shensi province, described in poems by the famous Sung dynasty poet Su Tung-p'o in 1062.26 In 1935 gravestones engraved with Nestorian crosses similar to those from Fang-shan were found at Pai-ling Miao TEM in Sui-yüan province (on the edge of Mongolia).27 In a number of places, too numerous to note in detail here, stone tablets have been found engraved with dated edicts of Yüan dynasty times, sometimes in the Mongol language, sometimes in Chinese, and sometimes in both, for the protection of 22 Saeki, Nestorian Documents and Relics, 2nd ed., 1951, Part II, chap. 4. 23 Saeki, op. cit. p. 426. 24 Moule, op. cit. p. 53; Saeki, op. cit. chs, III to XIII. 24 Saeki, op. cit., p. 430, and Moule, op. cit., Fig. 12. 24 Hsiang Ta, Tang-tai Ch'angan yû Hsi-yü wên-ming, App. II, 'Notes on the Ta-ts'in Monastery at Chou-chih' 向達著,唐代長安與西域文明, Yenching Monograph Series II, 1933. 27 Saeki, op. cit., pp. 423-4. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f CHINA'S 35 MILLION NON-CHINESE TABLE 1 73 CHINA'S MINORITY POPULATIONS IN ORDER OF SIZE, 1. Chuang 2. Wei-wu-erh (Uighur) 3. Hui (Dungan) 4. Yi (Lolo, etc.) 1953 5. Tsang (Tibetan) 6. Miao 7. Man (Manchu) 8. Meng-ku (Mongol) 9. Pu-yi 10. Ch'ao-hsien (Korean) 11. Tung 12. Yao 13. Pai (Pai-man) 14. Ha-sa-k'e (Kazakh) 15. Ha-ni 16. T'ai 17. Li 18. Li-su 19. Tu-chia 20. She 21. K'a-wa (Wa) 22. Kao-shan (Malay-Polynesian) 23. Tung-hsiang 24. Na-hsi (Na-khi) 25. La-hu 26. Shui 27. Ching-p'o (Singpho, Kachin) 28. Ko-erh-k'e-tzu (Kirghiz) 29. T'u (Mongor) 30. Ta-kuan-erh (Daghor) 31. Mo-lao 32. Ch'iang 33. Pu-lang (Palaung) 34. Sa-la (Salar) 35. Ngo-lo-ssu (Russian) 36. K'e-lao 37. Hsi-po (Sipo) 38. Mao-nan 39. A-chang 40. T'a-chi-k'e (Tadjik) 41. Wu-tzu-pieh-k'e (Uzbek) 42. Nu 43. T'a-t'a-erh (Tatar) 44. O-wen-k'e (Evenki) 45. Pao-an 46. Yü-ku (Sara Uighur) 47. Peng-lung 48. Tu-lung ... 7,000,000 3,640,000 3,559,000 3,250,000 2,775,000 2,511,000 2,418,000 1,463,000 1,247,000 1,120,000 712,000 665,000 567,000 509,000 481,000 478,000 360,000 317,000 300,000 * 286,000 210,000 200,000 155,000 143,000 139,000 133,000 101,000 70,000 53,200 44,100 43,100 35,600 35,000 30,600 22,600 20,800 19,000 18,400 17,700 14,400 13,600 12,700 6,900 6,200 4,900 3,800 2,900 2,400 2,200 450 O-lun-ch'un (Orochun) 50. Ho-che (Nanai) * Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000. † From April 19, 1957 issue of Kuang-ming Daily News. † An estimate. § Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137). Here is the revised response in HTML format using Markdown table syntax for the table: Order Minority Population Population (1953) 1 Chuang 7,000,000 2 Wei-wu-erh (Uighur) 3,640,000 3 Hui (Dungan) 3,559,000 4 Yi (Lolo, etc.) 3,250,000 5 Tsang (Tibetan) 2,775,000 6 Miao 2,511,000 7 Man (Manchu) 2,418,000 8 Meng-ku (Mongol) 1,463,000 9 Pu-yi 1,247,000 10 Ch'ao-hsien (Korean) 1,120,000 11 Tung 712,000 12 Yao 665,000 13 Pai (Pai-man) 567,000 14 Ha-sa-k'e (Kazakh) 509,000 15 Ha-ni 481,000 16 T'ai 478,000 17 Li 360,000 18 Li-su 317,000 19 Tu-chia 300,000 * 20 She 286,000 21 K'a-wa (Wa) 210,000 22 Kao-shan (Malay-Polynesian) 200,000 23 Tung-hsiang 155,000 24 Na-hsi (Na-khi) 143,000 25 La-hu 139,000 26 Shui 133,000 27 Ching-p'o (Singpho, Kachin) 101,000 28 Ko-erh-k'e-tzu (Kirghiz) 70,000 29 T'u (Mongor) 53,200 30 Ta-kuan-erh (Daghor) 44,100 31 Mo-lao 43,100 32 Ch'iang 35,600 33 Pu-lang (Palaung) 35,000 34 Sa-la (Salar) 30,600 35 Ngo-lo-ssu (Russian) 22,600 36 K'e-lao 20,800 37 Hsi-po (Sipo) 19,000 38 Mao-nan 18,400 39 A-chang 17,700 40 T'a-chi-k'e (Tadjik) 14,400 41 Wu-tzu-pieh-k'e (Uzbek) 13,600 42 Nu 12,700 43 T'a-t'a-erh (Tatar) 6,900 44 O-wen-k'e (Evenki) 6,200 45 Pao-an 4,900 46 Yü-ku (Sara Uighur) 3,800 47 Peng-lung 2,900 48 Tu-lung 2,400 49 O-lun-ch'un (Orochun) 2,200 50 Ho-che (Nanai) 450 * Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000. † From April 19, 1957 issue of Kuang-ming Daily News. † An estimate. § Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1963 https://digitalrepository.lib.hku.hk/catalog/4m90m091v 42 L. CARRINGTON GOODRICH manuscripts more than printed ones. To enlarge their collections private owners also exchanged books among themselves. In Sung times a number of collectors left detailed descriptions and catalogues of their collections. Some of these private libraries were put at the disposal of the public; others were turned over to students for their use. The Sung was a period in the history of China noted for many things: advances in material culture, in political development, in science, in the fine arts, in literature, in music, and in thought. These advances may well have been due in large measure to the accessibility of the printed word. BIBLIOGRAPHY For a general discussion of the beginnings of printing in China see Thomas Francis Carter, The Invention of Printing in China and its Spread Westward, revised by L. Carrington Goodrich, second edition, New York, 1955. As a result of new finds in China and fresh investigations some of our earlier conclusions no longer hold. Here are some of the principal studies which have appeared between 1955 and 1962. Chang Hsiu-min, Chung-kuo yin-shua shu ti fa-ming chi ch'i ying-hsiang, Peking, 1958. Chen Tsu-lung, Liste alphabétique des impressions de sceaux aux certains manuscrits retrouvés à Touen-houang et dans les régions avoisinantes, Mélanges publiés par l'Institut des Hautes Études Chinoises II, Paris, 1960. Jao Tsung-i, A study of the Ch'u silk manuscript, Hong Kong, 1958. Ling Shun-sheng, Bark cloth culture and the invention of paper making in ancient China, Bulletin of the Institute of Ethnology, Academia Sinica, 11 (Spring 1961), pp. 1-19. Li Shu-hua, The early development of seals and rubbings, Tsing Hua Journal of Chinese Studies, n.s. I, No. 3 (Sept. 1958), pp. 61-90. The printing of books in the latter half of the Tang dynasty, ibid. II, No. 2 (June 1961), pp. 18-32. Chih ts'ung ch'i-yüan, Taipei, 1955. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g The Travelling Palace of Southern Sung 27 height. The character toi was in a variant which has been mistaken by many people for tang (). Later, a further seven characters were added, vertically, on the right side, recording that repairs had been carried out in the ting mau year of the Ch'ing Emperor Chia Ch'ing (A.D. 1807). Of course, this means the re-engravement of the three original characters, for there was otherwise nothing to be repaired. The character wang (£) "king" should be huang (§) which stands for "emperor". It was first intentionally inscribed in that erroneous form in the history of the Sung Dynasty compiled by the Yuan officials where it was recorded that there were two Sung "Kings", implying that they were not recognised as Emperors perpetuating the Sung dynastic throne. This was a grave mistake subsequently pointed out by many Chinese scholars. We should use the character huang for "Emperor" instead. The naming of the Sung Huang Tai Garden and Sung Huang Tai Road by the Hong Kong Government is therefore correct. The precise meaning of the name Sung Wong Toi is not easily ascertained. It has been alleged that the boy Emperor Tuan Tsung used to rest in the cave beneath the great rock and sometimes played hide and seek there with his small brother. The mound has been likened to a toi, a terrace or high building. One historian has asserted that a watch tower was built on the top of the mound to look out for the advent of the enemy, hence its name. This last theory is not credible since the mound itself was already high enough for watching over the sea to the east without the superstructure. In my own research work, a line has been found in the Hsin-an Gazetteer which gives a very useful hint for the interpretation of the name. It reads: "There were three characters 'Sung Wong Toi', on the great rock which was beside the Toi".12 In reverse the last part can be read "the Toi was beside the great rock". Therefore, neither the great rock nor the hill itself can be identified as the Toi. The logical conclusion cannot be anything but that a separate toi must have been constructed near the foot by the side of the hill and the big characters were later engraved on the great rock merely as an indication of the historic spot commemorating the visit of two Emperors. It might have been a real watch tower, for the rocky hill was not easy to climb for military purposes. But where exactly was the toi or tower is a problem which remains to be solved. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g NOTES AND QUERIES 153 Long before the arrival of the Europeans in south China (1514) the Chinese were manufacturing cannon. Examples of them, some bearing fourteenth century dates, may be seen in museums in north China. The earliest one known, bearing a date equivalent to 1332, is housed in the Historical Museum in Peking. For an illustration see my short article in ISIS55(no.180), June 1964, pp. 193-4. At the beginning of the sixteenth century a new type appears, apparently introduced from Java or Cochin-China. It is known in Chinese literature as fo-lang-chi (or Farangi-Franks), the name applied slightly later to the Portuguese. This type is remarked as early as 1510. (Cf. Pelliot in T'oung Pao, 1948, pp. 199-207.) In the struggles against the Japanese and other pirates who infested the coast during the Chia-ching reign (1522-66) these cannon were frequently put to use not only on land but also at sea. (See Chao Shih-chen, Shen-ch'i p'u i, published 1598. Chao knew what he was writing about, as he was a drafter in the Grand Secretariat at the court in Peking, concerned with military defense, and is said to have manufactured some firearms himself.) Ming dynasty illustrations of war vessels sometimes show cannon mounted on deck. (See Mao Yüan-i, Wu-pei chih, published 1621, chüan 117. Mao was an expert on military affairs, and saw service both in Liao-ning and Fukien.) In the effort to repel the Manchu invaders in the north the Ming court sought the aid of both the Spanish and the Portuguese. Huang K'o-tsuan, for example, reports that when he was serving in the ministry of war (up to 1619) he recruited people from Luzon who could manufacture cannon; they made twenty-eight pieces, which he sent up to the northeast frontier in Manchuria. These must have been formidable (or Huang was trying to impress his superiors) for one cannon is said to have weighed over three thousand catties, and a shot could dispose of some seven hundred barbarians! (Ming shih-lu, Hsi-tsung, 4/29b. I owe this reference to Dr. Ray Huang, visiting professor at Columbia University.)5 * The importation of cannon and cannoneers from Macao about this same time is well known. In 1621 the well-known Christian convert and high official Hsü Kuang-ch'i ordered a shipment sent up to Peking, and a year later he recommended that the Jesuit fathers, Nicolo Longobardi and Manuel Diaz, proceed to Macao to purchase ten cannon and a few soldiers to operate them. In ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 70 CHIU LING-YEONG 7 Hsiang Ta, p. 35; Schafer, p. 20. 8 See Ssu-Ma Kuang *, Tzu-chih t'ung-chien | (TCTC; Peking, 1956), chuan 225, pp. 7228-7237. 9 Chang-Sun Wu-chi £**& and others eds., T’ang-lu shu-i |*| chuan 6; Ch'en Yü-ching, pp. 56-58. 10 E. Renaudot, Ancient Accounts of India and China by Two Moham-medan Travellers (London, 1733), p. 13. 11 Paul Wheatley, 'Geographical Notes on some Commodities involved in Sung maritime Trade', Journal of the Malayan Branch of the Royal Asiatic Society, Vol. 32, part II, 186:28-29 (Singapore, 1961). 12 Chiu Ling-yeong, pp. 504-508; Tao Hsi-sheng, 'Tang-tai ch'u-li fan-shang chi fan-k'o i-ch'an ti fa-ling' ^££# # X ¶¤£***÷. Shih-huo * 4:9:14-15 (Shanghai, 1936). 13 Ou-Yang Hsiu « and others, eds., Hsin T'ang-shu *M† (HTS; 1060 edited), chuan 163; Chiu Ling-yeong, p. 507. 14 N. I. Konrad, 'The Source of Chinese Humanism' (GALEKH Ht), Journal of the Soviet Oriental Studies 3:72-94 (Moscow, 1957). 15 Ch'en Yü-ching, pp. 74-77. 1 16 Ibn Khordadbeh, 'le livre des routes et des provinces', et annote par M. Barbier de Meynard, Journal Asiatique, serie VI, tome V. In this geo-graphical treatise, Ibn Khordadbeh gave a very vivid description of these trading ports: Khanfou, Kantou, Lonkin and Djanfon. Kuwabara was of the opinion that these four place-names are present Kuang-chou ★ ★. Yang-chou ##, Chiao-chou ★ and Ch'üan-chou ##. Cf. Kuwabara J.. 'T'ang-Sung mao-i-ching yen-chiu' ♫ ET &A”, Chinese translation by Yang Lien ## (Shanghai, 1935), pp. 64-154. Of these four place-names, Khanfou in the Khordadbeh's book was identified as Kuang-chou by Paul Pelliot and many other schools. Cf. M. Paul Pelliot, "Deux itineraires de Chine en Inde, a la fin du VIII siecle', Bulletin de l'ecole francaise d'extreme Orient (Hanoi, 1904), p. 205, Place-names in T'ang period and with 'fu' is very common. Kuang-chou was called Kuang-fu . There were also Yang-fu, I-fu # and Chiao-fu X Cf. Li Fang # and others, eds., T'ai-p'ing kuang-chi ★★ (edited A.D. 978) chuan 437; Ts'en Chung-min |, Chung-wai shih-ti kao-cheng *** (Hong Kong, 1966), I, 295-296; Ch'en Yü-ching, pp. 13-18. 17 HTS, chuan 144. 18 Liu Hsü $ and others, eds, Chiu T'ang-shu (CTS, A.D. 945 edited), chuan 198. 19 Chang Hsing-lang, Chung-hsi chiao-t'ung shih-liao hui-pien **££Ħ (Peking, 1933), 3, 132; Ch'en Yü-ching, p. 15; Maejima, S., 'Evaluation des sources arabes concernant la revolte de Huang Chao *‡, a la fin des Tang', International Symposium on History of Eastern and Western Cultural Contacts, Tokyo-Kyoto (1957), pp. 85-90. According to HTS, chuan 43, part I, it says the whole population in Canton at that time was not more than two hundred twenty-one thousand and five hundred. Huang Chao, in this case, could not have killed one hundred twenty thousand to two hundred thousand as the Arabs reported. To this point, see Ts'en Chung-min *, Sui-T’ang shih t★ ★ (Peking, 1957), pp. 503-504, n. 46. 20 Ho ch'iao-yüan †, Man-shu ⚡, chapter 7. 21 Hsiang Da, pp. 48-50. TCTC, chuan 218, p. 6972. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r PERSIANS, ARABS IN T'ANG CHINA 71 23 Ch'en Yu-ching, p. 19; Wang Gungwu1, 'The Nanhai Trade', Journal of the Malayan Branch Royal Asiatic Society, vol. 31, part 2, chapter 7, "The Middlemen and the Spices 618-960 (II), (Kuala Lumpur, 1958). 24 CTS, chüan 89; HTS, chüan 116. 25 TCTC, chüan 203; Wang Gungwu, pp. 75-76. The passage from TCTC follows Wang Gungwu's translation. 26 CTS, chüan 89; HTS, chüan 116. 27 Tung Hao and others, eds., Ch'üan-Tang wen♬ X (A.D. 1814 edition), chüan 291. 28 Hsiang Ta, pp. 38-39. 29 Ibid., Schafer, p. 21. 30 Wang Ch'i±1 ed., Li T'ai-po wen-chi4★ø̇ (A.D. 1758 edited), chüan 3, 'Ch'ien yu tsun-chiu hsing'☀☀f The Chinese version is as follows: 嬰獒龍門之綠桐，玉壺美酒清若空口 催舷梯往與君飲，看朱成碧顏始缸口 胡姬貌如花，當爐笑春風，笑春風， 笑春風，舞羅衣，君今不醉將安歸。 The translation here follows Schafer's. 31 Hsiang Ta, pp. 41-47. 32 Yüan-shih chang-ch'ing chiZAŁA (1929 edition), chüan 24, p. 5, 'Fa Chu'. After Schafer's translation. Schafer, p. 28. 33 Liu Mau-tsaiA†, 'Kulturelle Beziehungen zwischen den Ost Türken (Tu-Küe) und China', Central Asiatic Journal 3:3:199 (The Hague and Wiesbaden, 1957-58). The dictionary is 'T'u-chüeh yü'*A* See Schafer, p. 285, n. 175. 34 Cf. S. W. Bushell, Chinese Art, Victoria and Albert Museum Handbook (London, 1906), chapter 12; Osvald Siren, Chinese Painting (London, 1956) I, 71; Arnold Silock, Introduction to Chinese Art and History (Oxford, 1948), p. 181; Arthur Waley, An Introduction to the Study of Chinese Painting (London, 1923), p. 108; Jitsuzo Kuwabara, 'Zui-To-jidai ni Shina ni raiju shita seikijin ni tsuite'隋唐時代に支那に来往した番域人に就いて Naito Hakase Kanreki shukuga shukuga Shinagaku ronsoAKŁET#***$*£ (Tokyo, 1926; *ˆ†±‡ƒ), pp. 643-644; Chuang Shen#, 'Sui-Tang shih-tai Yü-tien tsu-chih chi fu-tzu hua-chia'MAARTA##, Lishih yü-yen yen-chiu-so chi-k'anAt*7*ƒƒ4N (Bulletin of the Institute of History and Philology), Extra Vol. 4, part I, pp. 403-454 (Academic Sinica, Taiwan, 1960). 35 Schafer, p. 36 Chuang Shen, pp. 408-416. 37 Ibid., pp. 440-443. 38 TCTC, chüan 203, p. 6415. For Ch'in Ming-ho and Li Hsün, I am indebted to Professor Lo Hsiang-lin's stimulating article 'Hsi-chu po-ssu chih Li Hsün chi ch'i Hai-yao pen-ts'ao'±Ùƒ±‡HZ‡❀$$‡ Symposium on Chinese Studies Commemorating the Golden Jubilee of the University of Hong Kong, 1911-1961. F. S. Drake, ed., (Hong Kong, 1964) II, 217-240. 39 For Ch'ung ICTH, chüan 95 see Lo Hsiang-lin's article on Li Hsün; also ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 82 HELGA WERLE dissolved in 1964 when because of lack of business the old leader got so desperate that he threw his puppets literally into a rubbish-bin. The third group Tung-i still exists under the leadership of Wu Mu-sen and Ch'en Yung-ming. Their puppets are older and much larger than those of the Hsin-shun-hsiang troupe, and are very seldom used now. When Wang Chiao-tsou died his eldest son Hsi-ch'in continued the Hsin-shun-hsiang Troupe. He usually plays the Yeh-hu, for which he is very renowned, in the opera-orchestras. This is a two-stringed violin of which the sound box is made of a coconut shell. Five of the seven brothers and sisters Hsi-ch'in, Hsi-tang, Hsi-yü, Hsi-ch'ing and Hsi-hsien are all versatile musicians or singers, joining in the puppet or opera performances. There are also six artists of the older generation with 30-40 years' experience performing with them. They are Li Chen-chiang, Huang Shun-ch'i, Ma Chen-huan, Chang Chung-liang, Li Han-t'an and Chiu Hsüeh-ching. During a typhoon in 1960 Hsi-ch'in's squatter hut was flooded and most of his puppets were destroyed. He travelled to Ch'aochow to replace them, but he could not find any old ones. Fortunately, he found an old-puppet-maker who made a new set which he took to Hong Kong, and it is used now by his troupe and also by the Tung-i Troupe. Today, there are about sixty puppet-bodies and eighty puppet-heads, belonging to these two troupes, the Hsin-shun-hsiang and the Tung-i. They give no more than seven performances a year between them. They are still called by Ch'aochow associations to perform at the festival of the T'ien-kung Chi on the 5th day of the first month, the festival of Po-kung Fu-te Ta-yeh on the 29th day of the third month and to the ceremony of Hsieh-shen (thanking the gods) in the 12th month. Although the name of either of the groups invited to perform appears on top of the curtain, the puppets, puppeteers, musical instruments and musicians are mostly the same. The fee is handed to the leader of the troupe who, together with the leader of the orchestra, keeps a larger share. The rest is distributed equally among all the other performers, puppeteers and musicians. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 92 CHUANG SHEN tion of old merits found in the Ming period art catalogues — the recording of quality and format of paintings, as well as inscriptions and colophons that appeared on them — and innovations of his own — the recording of measurements and seals — could be said to be the first complete art catalogue in the history of development of art catalogue editing systems. Later on, even the Shih-chü pao-chi *** (The first part was completed in the 10th year of the Chien Lung era, 1745; the second part, in the 58th year of the Chien Lung era, 1793, and the third part, in the 22nd year of the Chia Ching era, 1817), an art catalogue of the Ch'ing imperial household, followed exactly the editing methods introduced by Pien. It can thus be said that before the Wan Li era of the Ming dynasty, the editing methods of Chinese art catalogues were mainly descriptive, whereas after the Wan Li era, the stress was shifted to documentary. The Ming compilers' contribution to the compilation of art catalogues lay in their inauguration of recording colophons and inscriptions on paintings, as well as the quality and format of all paintings. The Ch'ing compilers' contribution, on the other hand, was the introduction of records of seal text on the painting, as well as the measurements of all paintings. It was only when such essential elements as inscriptions and colophons, seals, quality, size, and format etc. were all fully recorded that an art catalogue could be said to have possessed all the necessary requirements. Although Pien Yung-yü's Shih-ku-t’ang shu-k’ao and Shih-ku-t’ang hua-k’ao, both completed in the 21st year of the K'ang Hsi era, were the most perfect works in the history of development of art catalogue compilation, some other art catalogues that were completed after the publication of Pien's works still adhered to the traditional editing methods used before the Wan Li era. For instance, there were Tso Lang's San-wan-liu-ch'ien-ch'ing-hu-chung hua-ch'uan-lu *# (completed in the 60th year of the Chien Lung era, 1795); Shêng Ta-shih's ★± Ch'i-shan wo-yu-lu A4 (first completed in the 21st year of the Tao Kuang era, 1833); and Huang Ch'ung-hsing's Tsao-hsin-lou tu-hua-chi ******* in which no record * There is no date of completion. However, according to Tan Ting-hsien's ### preface dated in the 27th year of the Kuang Hsü era ✰✰ (1901), he was an old friend of Wang Ch'ung-hsing. Thus, it can be deduced that both were active during the Tung Chih and Kuang Hsü eras. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 102 CHUANG SHEN 2. Wang Yuan-ch'i £ß 3. Wang Yuan-ch'i 4. Wang Yuan-ch'i 5. Wang Chien £ 6. Wang Chien 7. Wang Hui 8. Fang Shih-shu 9. Hua Yen 華嵒 hanging scroll of the Fu-ch'un Mountain 富春山軸 hanging scroll of landscape executed in the style of Huang Kung-wang 黄公望 and Ni Tsan 倪瓒 handscroll of landscape in the style of former masters. Yün-ho sung-yin-t'u *** H , hanging scroll Ts'êng-luan-sung-ts'ui-t'u 翠圖 hanging scroll Hsia-k'ou tai-tu t'u #* album of landscape, figure and flower hanging screens of flower and bird 10. Wang Shih-min E 11. Liang Pei-lan 12. Ch'ien Tsai hanging scroll executed in the style of Huang Kung-wang hanging scroll of poems written in the running script hanging scroll of orchid and bamboo executed in ink monochrome Among the three different kinds of edition available today, no matter whether it is hand-written, or wood block printed, or type printed, all the texts in chuan 5 of this T'ing-fan-lou shu-hua-chi have left out ten items of painting and calligraphy; i.e., from the landscape album executed by the Sung and Yüan artists up to Ch'ing-chieh-t'u executed by Ch'ien Hsi-pai of the Sung dynasty. And similarly, all the texts in chuan 2 of the supplement of the same catalogue have omitted record of the 12 items of painting and calligraphy; i.e., from Wang Hui's hanging scroll executed in the style of Wang Meng up to Ch'ien Tsai's hanging scroll of orchid and bamboo executed in ink monochrome. For the same item of painting, the table of contents in this book lists its painter, its title as well as the format, and yet all these details have not been entered into the text. Such inconsistency cannot but be regarded as a shortcoming in compilation, the more so since this shortcoming arises not because of the difference in edition, but entirely due to the carelessness of the compiler. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 106 CHUANG SHEN Besides, in the table of contents of chüan 4 of T’êng-hua-t'ing shu-hua-pa, the 126th item is recorded as a landscape executed by Fang Hsün-yüan. Although there were quite a large number of artists in the Ch'ing dynasty, there was no one whose surname was Fang19. However, during the period between the Yung Chêng era and the beginning of the Chien Lung era, there was an artist by the name of Fang Shih-shu ✯±✯ (1692-1751) who was a native of An Hui and yet lived in Yang Chou. The literary name of Fang Shih-shu is Hsün-yüan20 #✡. Since in T'êng-hua-t'ing shu-hua-pa, it was Liang T'ing-nan's practice to designate all artists by their literary names and not their real names, therefore this unidentifiable Fang Hsün-yüan is very likely a name mistaken for Fang Hsün-yüan. If this assumption is correct, then Liang T'ing-nan had not only recorded incorrectly the literary name of this An Hui artist, but also mistaken his real name. Such an inexcusable mistake is again due to carelessness in proof-reading. C. Chronological Mistakes I have not thoroughly investigated the number of chronological mistakes in the art catalogues of the Kwangtung collectors. However, this kind of error can at least be discovered in Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. It should be noted here that Wu Yung-kuang had left two most important documentary records. One was the Li-tai ming-jen nien-p'u in 10 chuan, compiled in the 23rd year of the Tao Kuang era (1843) which was the year of his death. The other was Hsin-ch'ou hsiao-hsia-chi in 5 chuan, which, though printed a little earlier than the Li-tai ming-jen nien-p'u (in the 21st year of the Tao Kuang era, 1841), was in fact completed two years before his death. In other words, the two most important works of Wu Yung-kuang were both completed during the last three years of his life. Unfortunately, there are certain mistakes in both works. As early as ten years ago, the chronological mistakes in the Li-tai ming-jen nien-p'u have already been pointed out by experts21. It is also regrettable that in his Hsin-ch'ou hsiao-hsia-chi, he had committed some other curious chronological mistakes. On page 4 of chüan 4, there is recorded Wu Yung-kuang's own colophon inscribed on Ch'ien Hsüan's Li-hua-chüan #4, which reads, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 110 CHUANG SHEN (5) Tou Chên's Ch'ing-tai shu-hua-chia pi-lu in 4 chuan, in which there is Tou's own preface written in the 3rd year of the Hsuan Tung era (1911). 1 However the name "Fang Hsün-yüan" could not be found in any one of them. 20 The second parts of both the supplement of Chang Kèng's Kuo-ch'ao-hua-chêng-lu and Ch'in Tsu-yung's T'ung-yin lun-hua record Fang Shih-shu's literary name as Hsün-yüan. * Taiwan 21 See Fêng Ch'êng-chi's Li-tai ming-jen nien-p'u chêwu, published in Wen-shih-chê hsüeh-pao National University, No. 12, pp. 45-52, printed in Taipei, 1963. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 127 ) 3rd year of T'ong (統) dynasty, by a Buddhist priest named Yuen Chong (圓聰) in the Ts'z Yun monastery (慈雲寺) in Ch'eung On (昌安) city, Shensi (陝西) province, near the Great Wall. This monastery had been built about fifty years previously by the Emperor T'ong Ko Tsung (唐玄宗) for his mother. When the pagoda was being built a wild goose flew against it and was killed, and the monks buried the bird underneath the pagoda and in this way it received its name. It became the custom ever since Shan Lung (神龍) years A.D. 705 & 706 of T'ong dynasty for the Emperor to give a banquet in the monastery called the Kuk Kong Yin (曲江宴) “winding river banquet,” to all the new "Tsun Sz” (進士). Their names were carved on a stone tablet in the pagoda, and it became customary to use the expression “Ngaan T'aap T'ai Ming (雁塔題名) when congratulating successful candidates for the highest government examination. In Tang Lam's time the Tung Kwun people wished to have their own Ngaan Taap pagoda, and Tang Lam provided the money for them to do it. It was built some time during the ten years of Shun Yau (淳祐) A.D. 1241-1251 of Sung dynasty, and it was repaired in the 40th year of Shung Ching (崇禎) A.D. 1637 of Ming dynasty by a Tung Kwun "Tsun Sz” named Kwok Kau Ting (郭九錠). Lam's grave is still to be found in Hon Yee Haang (巷義行) in Tung Kwun district. The children of the four sons of Tang Tsz Ming seem to have left Kam T'in, and their descendants founded families in other villages. Those of Lam are to be found in the village of Lung Kwat Tau (龍骨頭) near Fanling (粉嶺); those of Waai still live in Tai Po Tau (大埔頭) near Tai Po market and Lai Tung (黎洞) near Sha Tau Kok (沙頭角), while Kei's descendants settled in Tung Kwun. But the great grandson of Tsz came back to Kam T'in. His name was Shau Tso (秀祖), he held the military rank of Chung Mo Kau Wai (忠武校尉) and in the Yuen (元) dynasty A.D. 1277 he received the honour of Hin Mo Tsueng Kwan (顯武將軍). He had two great-grandsons, brothers, named Hung Yee (鴻義) and Hung Chi (鴻志). The latter was a son-in-law of Hoh Tik (何狄) the younger brother of Hoh Chan (何真) who ruled Kwangtung (廣東) and Kwangsi (廣西) provinces at the end of the Yuen dynasty. When the Ming dynasty started Hoh Chan gave up his territory to the first Emperor, but later on he became involved in the case of General Leung Kwok Kung (梁國公) Laam Yuk (濫獄)... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS 329 Chapter VI: Chapter VII: (1577-after 1668), Sheng Mao-yueh (act. 1620-40), Hsiang Sheng-mo (1597-1658), Yün Hsiang (1586-1655) and Shen Hao (act. 1630-50). "The Sung-chiang School: Triumph of a New Theory", under this headline five artists of the Ming Dynasty, Mo Shih-hung (ca. 1540-1587), Tung Ch'i-chang (1555-1636), Ku Shau-yu (act. early 17th century), Li Liu-fang (1575-1629), and Pien Wen-yü (act. 1620-1670) are discussed. "Various Directions of Late Ming: A Mixture of Old and New", this chapter covers Mi Wan-chung (1595-1628), Chang Jui-t'u (1576-1641), and Lan Yü (1585-1664). Chapter VIII: "The Orthodox Masters of Early Ch'ing: The Great Synthesis”, discussions are concentrated on Wu Li (1632-1718), Wang Hui (1632-1717) and Wang Yuan-ch'i (1642-1715). Chapter IX: Chapter X: Chapter XI: Chapter XII: "The Lou-tung School: Homage to Wang Yuan-ch'i", in this chapter the Lou-tung school artists are represented by Huang Ting (1660-1730), Chang Tsung-ts'ang (1686-still alive in 1755) and Wang Ch'en (1720-1797). "The Yu-shan School: Homage to Wang Hui”, in this chapter, Chiao Ping-chen (act. 1680-1720), Wang Chiu (act. later 18th century) and Prince Yung-jung (1744-1790) are taken as being representatives of this School, "The Anhwei School: Transformation of the Ni Tsan Tradition", four early Ch'ing artists: Hsiao Yün-ts'ung (1596-1673), Yao Sung (1648-after 1717), Hung-jen (1610-1663), and Mei Ch'ing (1623-1697) are discussed in this chapter. "Monks and Hermits: A silent Revolution”, another four early Ch'ing artists; K’un-ts'an (b. 1612-ca. 1673), Kung Hsien (b. 1617-1618, d. 1689), Chu Ta (1626-ca. 1705), and Tao-chi (b. 1641-d. before 1720), are discussed under this heading. Chapter XIII: "The Yang-chou School: Haven of the creative mind”, two Yang-chou school artists; Chin Nung (1687-1765) and Huang Shen (1687-1768) are discussed in detail. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 54 Tien-Shui Hui-Hsien W. A. REYNOLDS NINGSIA KANSU Yung-Ping YEN-AN Kan-Cho -Chu Slo-Pa Kien Rateni (?) -Cheng Cheng-Ku Han-Chang Digi-Hsiang (?) ? SHENSI Nan-Hsing turng (?) WEI HO Hsing-Ping PAO-CIT Hung-Hua-Pu HSIA Fang Kuang-Shih-Pu HONAN Lo-Chuan Hiao-Ho-Kou Huang-Ling I-Chun SHANSI River Kuang-Tiao Chien-La (?) Tru-Tung (?) Hien-Yang Te-Yang Sun-Tai Wan-Yuan Lo-Heh-Pa Shuang-Po-Chang SZECHWAN Ta-Haien Rs In-Tu (?) CHENG-TU Sui Ning den-Yang (?) La- Tung-an Izu-Yang (?) Peng-Ch Chu-Hsien CHANG CETAM (?) -Nan-Char (?) Ta-Chu -Ch: eng/An 1in-Shui (?) Chung ́ung- Lo Jung-Shi Hei-Chiark P1-Shi (?) hg-Chuan (?) "Lung-Chiang KWEI CHOW HUPEH HIUNAN (?) Szechuan & Shensi Main Road System 1946. Scale: 1:3,000,000. Figure Map of Szechuan & Shensi showing routes. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n TWO ESSAYS ON THE CHING ECONOMY OF HSIN-AN 65 implied a physical division of the land itself. From the scanty evidence on tenant rings, we can conclude that the sale of cultivation-value was probably regulated within the group. In any event, it was unnecessary for the landlord to be informed of the sale. Descent among perpetual lessor clans was governed by the principle Fen tsu erh pu fen t'ien (分租而不分田: "divide the rent but not the land.") Gompertz, in CSO109 Ext., comments: When an inheritance has already been divided among the various branches of the clan the problem is very much simpler but as a matter of fact such partitions have been hitherto very rare and we are now in the dilemma of being obliged either to devise a form of title suited to this collective ownership or to refuse to take cognisance of anything but the ownership of individuals.3 The Ping Shan Tang genealogy gives this account of the origin of this principle in Tung-Kuan county (at the time of the writing of this passage, Hsin-An had not yet been formed): We have been inhabitants of Ping Shan for six generations. From my great grandfather to my father (i.e., three generations) no ancestral property was divided, a fact which greatly benefited the villagers. At the beginning of the Ming Dynasty, an imperial edict forbade the uniting of different families into single households. Thereafter, my younger brother and I began to register separately as inhabitants of Huang T'ien Ch’ang (黄田昌) and Tung-Kuan respectively. The ancestral properties were divided into two portions. As for the properties in remote areas, the grain payments (i.e., the rent) and the land-tax (plus corvee responsibilities) were also shared equally between us.36 One of the strongest prohibitions contained in clan rules was that against selling land, private or communal, to "outsiders:" In large clans transactions in land take place, as a rule, between different members of the clan without the property ever being disposed of to outsiders. In such transactions the deed of transfer is invariably worded as if it were a mortgage, and no period of redemption is fixed, the vendor or mortgagor, or his descendants, thus having every opportunity to redeem the property at the original price even several generations after the transaction has been made.37 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 46 KEITII STEVENS Mu. The whole is best known as a Taoist Heaven (*). The temple at its peak bears the title of Fan Ch'ih Kung (£) "The Palace of the Essence of Brahma". The slip of paper in Tou Mu's back relates that Huang Wen-yuan, a sincere believer, born on the 27th day, 11th moon of the Year i wei (about December, 1835), residing south of Lu Ling City, Chi An Prefecture, Kiangsi Province, together with the whole of his family, on a lucky day of the 9th moon, of the Year keng wu during the Tung Ch'ih reign (about October, 1870), prayed before Tou Mu stating, "I respectfully implore Most Reverend Tou Mu, a heavenly Goddess of Sacred Virtue, having the immense brilliance of T'ien Hou, generosity, the magic powers of suppressing demons and spirits, and the ability to produce amulets and prescriptions for saving people with serious afflictions, to effectively respond to my earnest prayers and wishes, and wield her supernatural powers to protect all the members of my family and to increase not only the number of children but also all kinds of happiness and prosperity". Of the score or so images, only three deities are categorically identifiable, Kuan Ti, Kuan Yin, and Chao Kung-ming, the deities of loyalty, mercy and wealth respectively. Two of the images seem to be local Earth Gods (+) (Plate 8). They are of a style very commonly seen but with what are probably provincial characteristics. They are seated old men, clutching a fly whisk by the end of its handle allowing the handle itself to rest along the forearm and the whiskers to hang from about the elbow. They have a "shoe" of gold in their left hand, long white beards, white eyebrows and white hair under a green floppy form of skull cap with their hair drawn up into a bun through a hole in the top of it. They are wearing long robes bound by a red belt tied in a bow at the front, and black shoes. A female carved in the same pose, holding a fly whisk in the same manner, and dressed in a floral robe but without the “shoe" of gold, has unbound feet, and hair, without a cap, drawn into two short pigtails. She may perhaps, be the consort of the Earth God. A final image, unidentified, has a spectacular face (Plate 9). He is an unidentified monk, seated cross-legged on a bench and with the ends of his robes hanging beneath him concealing the bench. He holds a fly whisk in his right hand in the same manner as the Earth God and in his left hand he holds a rosary. He has the face of an elderly man but with the characteristics more frequently ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 SHIWAN POTTERY EXPLORED 111 such as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process. I regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression. NOTES 1 Nigel Cameron, "Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977). 2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199. 3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47. 4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160. 5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165. 6 "Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162. 7 Op. cit. Ref. 2. 8 "Gong Yi Ming Cheng Fushan" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37. 9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961). 10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f. This theory is discussed more fully in: Fredrikke Skinsnes Scollard, "Destruction and Creation: The Impact of Revolution on Shekwan Pottery", Leverhulme Conference, University of Hong Kong, 1977, (In press). 11 Manuel da Silva Mendes, "Barros de Kuang Tung", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 166 C. MARTIN WILBUR Ching Ho; A Sociological Analysis. The Report of a Preliminary Survey of the Town of Ching Ho, Hopei, North China. (Hsu, Leonard, S., Editor.) Peiping, Yenching, 1930. "Clanship Among the Chinese". (Chinese Repository, vol. 4, 1836, p. 411-415). Creel, Herrlee G.; Sinism; a Study of the Evolution of the Chinese World View. Chicago, Open Court, 1929. De Groot, J. J. M.; Les Fêtes Annuellement Célébrées à Emoui (Amoy); Étude Concernant la Religion Populaire des Chinois. 2 vols. Paris, Leroux, 1886. De Groot, J. J. M.; The Religious System of China. 6 vols. Leyden, Brill, 1892-1910. Demiéville, P.; "Hou Che Wen Ts'ouen (MILŻ#)" (Bulletin de l'École Française d'Extrême-Orient, vol. 23, 1923, p. 489-499). Des Routours, Robert; "Les Grands Fonctionnaires des Provinces en Chine sous la Dynastie des T'ang." (T'oung Pao, vol. 25, 1928, p. 219-330). Duyvendak, J. J. L. (translator); The Book of Lord Shang, a Classic of the Chinese School of Law, London, Probsthain, 1928. Ferguson, John C., "Political Parties of the Northern Sung Dynasty" (Journal of the North China Branch of the Royal Asiatic Society, vol. 58, 1927, p. 36-56). Ferguson, John C.; "Southern Migration of the Sung Dynasty" (Journal of the North China Branch of the Royal Asiatic Society, vol. 55, 1924, p. 14-27). Ferguson, John C.; "Wang An-shih" (Journal of the North China Branch of the Royal Asiatic Society, vol. 35, 1903-04, p. 65-75). Giles, Herbert A.; A Chinese Biographical Dictionary. Shanghai, Kelly and Walsh, 1898. Giles, Herbert A.; A Chinese English Dictionary. 2nd ed., 2 vols.; Shanghai, Kelly and Walsh, 1912. Granet, Marcel; Chinese Civilization, London, Kegan Paul, 1930. Hirth, Friedrich; The Ancient History of China to the End of the Chou Dynasty, New York, Columbia, 1911. Hsieh, Pao Chao; The Government of China (1644-1911). Baltimore, Johns Hopkins, 1925. Hu, Shih; "The Establishment of Confucianism as a State Religion During the Han Dynasty” (Journal of the North China Branch of Royal Asiatic Society, vol. 60, 1929, p. 20-41). Hu, Shih: "Religion and Philosophy in Chinese History" (in Symposium on Chinese Culture. (Zen, Sophia H. Chen, Editor). Shanghai, Institute of Pacific Relations, 1931, p. 24-58). Hu, Shih; "Wang Mang, the Socialist Emperor of Nineteen Centuries Ago” (Journal of the North China Branch of the Royal Asiatic Society, vol. 59, 1928. p. 218-230). Huang, Han Liang; The Land Tax in China. New York, Columbia, 1918. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 178 DAVID H. S. CHAU The fact that in the Tsin Dynasty (#), 303-379 AD, the technique had been widely used, and about the seventh or eighth century the Chinese already used woodblock to print calendars (Ɔ). The oldest woodblock printed book still in existence, so far as we understand, is the Diamond Sutra (✨#∞) a Buddhist text (**) printed in the year 868 AD, which was found along with thousands of manuscripts from Mokao (†) the Caves of the Thousand Buddhas (†) at Tun-huang ( ). Tun-huang, a city situated on the outskirt of the Lob Desert in western Kansu Province (+), was once the main gate of the Old Silk Road (***). From the first century until the fourteenth century, merchants, caravans, travellers, monks, and armies leaving for the West all passed through Tun-huang on their way to the Middle East, the Mediterranean, and Europe. The Italian merchant Marco Polo („§ +) used the same route to come to China. Hollowed out in irregular tiers along the face of a steep cliff, the cave temples of the Thousand Buddhas were known in the Tang Dynasty () as Mokao or “Grottos of Surpassing Height". They are located a few miles southeast of Tun-huang City. There had been huge Buddhist monasteries at the place for centuries, but it became forgotten when the Ming Dynasty (#9) began trading with the West by sea, and since then most of the caves had been buried by the shifting sand of the desert. In the late nineteenth century, it was rediscovered by a Taoist Priest called Wang Yuan-lu (10*), but by then all the wooden structures of the monasteries had vanished, and only the stone caves used as shrines remained. Mokao is more than five thousand feet in length and consists of four hundred and ninety-two caves of various sizes. Over two thousand Buddhist statues and numerous huge murals can still be found in the caves. If we could have all the murals linked together, they would be at least twenty-five miles long. In the year 1899, Wang Yuan-lu discovered an old monastery library in a walled-up chamber behind a mural in one of the caves. In the chamber, he found more than twenty thousand volumes of manuscripts and woodblock-printed documents and books, among them the Diamond Sutra. The news of the discovery soon spread abroad. In 1907 an Englishman, Sir Aurel Stein, traded with the priest and carried away 29 cases of manuscripts and books. More ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 # WOODBLOCK PRINTING 179 than eight thousand volumes together with the world's oldest wood-block printed book are now kept by the British Museum in London. In 1908 a Frenchman, Professor Paul Pelliot, took away two thousand five hundred more volumes. What remained in the library, around eight thousand volumes, were sent to Peking in 1911 and are now kept in the Peking Library. Buddhism came to China along the Old Silk Road first from Central Asia at the end of the last millennium BC and again in 67 AD when a mission sent to India by the Han Emperor Ming Ti (***) returned with two learned Indian scholars. Chinese pilgrims, notably Fa-hsien (3); §) 399-424 AD and Hsuan-tsang (✯✯) 625-645 AD, used the Old Silk Road. All went through Tun-huang, By the time of the Tang Dynasty, 618-905 AD, woodblock printing had already developed to a high state of artistry. Buddhists made full use of the printing technique to popularize their religion. Buddhism was very prosperous at that time. There were more than five thousand temples in existence, and around three million people became monks or nuns. The temple authorities and their followers engaged in publishing Buddhist texts or sutras with great enthusiasm, as they believed that the more texts or sutras that could be published and circulated the more merit would be rewarded. Most of the sutras were printed with images and illustrations so that they could be better understood by those followers with only little education. In the year 931 AD the government of Late Tang (k) set up a special printing section under the Education Department (§76) to engage scholars, carvers, and printers to make woodblocks to print all classical texts copied from the stone texts, the first official textbook printing in Chinese history. It took twenty-two years to accomplish the whole series, consisting of nine classical texts totalling one hundred and thirty volumes and finished in the year 953 AD, Late Chou (£§). The great advance in wood engraving skill should be credited to Northern Sung Dynasty (a). In the period of the tenth or twelfth centuries, the production of both classical texts and illustrated novels, including imprints of stone and woodblock folk prints, increased in quantity and quality. Books of fiction printed in the Sung Dynasty 960-1179 AD were amply illustrated, with illustrations Page 195 Page 196 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 204 DAVID FAURE hsü 12 (1886). In the Kau Sai Hung Shing Temple, the lintel is dated Kuang-hsü 15 (1889), and the altar Kuang-hsü 20 (1894); and in the Hang Hau T'in Hau Temple (besides the 1840 bell), the lintel is dated Kuang-hsü 1 (1875), a tablet Kuang-hsü 2 (1876), an altar is of the same year, a wooden board of Kuang-hsü 4 (1878), a shrine of Kuang-hsü 10 (1884), a pair of stone lions of Kuang-hsü 13 (1887), and a pair of incense burners of Kuang-hsü 20 (1894). The bell and the incense burner at the Tin Ha Wan T'in Hau Temple are both undated, but Mr. Ip Ch'un, who lived nearby, told us that the temple was already in disrepair over fifty years ago. Historical inscriptions found in Sai Kung and elsewhere in Hong Kong and the New Territories have been transcribed as a special project and may be found in David Faure, Alice Ng, and Bernard Luk, "A collection of historical inscriptions in Hong Kong". The report is available in the Institute of Chinese Studies, Chinese University of Hong Kong, and will, it is hoped, be published shortly. 7 Mr. Hoh Taai of Ko Tong, aged over 60, knew of the whereabouts of a charcoal burner, but never saw it in operation (Int. 10.6.81). Lime kilns were reported in Wong Yi Chau, Wong Keng Tei, Tai Mong Tsai Tso Wo Hang, Tai Wan, Kiu Tsui, Sha Ha, Pak Sha Wan, Che Keng Tuk, Ta Ho Tun, Tai Tan, and Yau Yu Wan (Ints. Mr. Yau T'aam Shang 15.5.81, 22.5.81, Mr. Wong Yung Ts'ing 20.5.81, Mr. Tang Kei Faat 25.6.81, Mr. Lei Yau 28.6.81, Mr. Wong Ping Lin 29.6.81, Madam Liu 20.5.81, Mr. Lau Lui Faat 23.6.81, Mr. Tse Wing 9.6.81, Mr. Tse Shui Kam 24.6.81, Madam Lo Koon Mooi 21.6.81, Mrs. Hoh née Lei 28.6.81, Mr. Chung 23.7.81, and Madam Lam Yau Ch'un 19.8.81.) The Liu family at Kiu Tsui built the ancestral hall that can be seen today on the main road into Sai Kung Market. For an impression of the long history of lime making in Sai Kung, it should be noted that Madam Lo Koon Mooi was 85 and Mr. Yau T'aam Shang 87 in 1981, and it was their fathers who were engaged in the lime business. Mr. Yau continued working the kilns until his early 40's. Brick kilns were reported in Chek Keng and Pak Tam Chung (Ints. Mr. Chiu Sz 7.5.81 and Mr. Yau T'aam Shang 15.5.81, 22.5.81). The lime industry, of course, also provided income for fishermen who collected coral for the kilns. See "Return of the approximate number of fishermen employed in taking coral and shell from the sea adjoining the New Territory", in Hong Kong Legislative Council, Sessional Papers, 1901, p. 685. "The best indication of the growing importance of the trade in pigs is a set of account books that belonged to Mr. Yung Sz Ch'iu of Pak Sha O, a photocopy of which is held by the Oral History Project. See also ints. Mr. Chan Tsz K'eung 28.5.81 and Mr. Hoh King 5.6.81. • There are many instances of seamen recruited by recruitment firms (haang shuen koon); see, eg. Mr. Chiu Sz (Int. 7.5.81). Remittance from abroad was sent back to the village through import-export houses (kam shan tsong), see Mr. Yau T'aai Hong (Int. 11.8.81). 10 Mr. Cheung T'o's grandfather was a cook on Hong Kong Island, and his father was employed on the Kowloon-Canton Railway. Mr. Cheung, of Ho Chung, was c. 70 in 1981 (Int. 15.6.81). Mr. Tsang Yau of Tai Mong Tsai (age unknown, but who married before World War II) worked in a shop started by his father in Shaukiwan on Hong Kong Island (Int. 23.6.81). 11 Ints. Mr. Cheng Chung Ting 21.5.81, Mr. Chan P'aang Hing 29.5.81, Mr. Chan T'aai 22.7.81; Bernard Williams, "Visit to Ho Chung and Sheung Yeung villages in the Sai Kung area”, in Marjorie Topley, ed. Aspects of Social Organization in the New Territories, Hong Kong, 1965, pp. 46-47, and "The Chan family of Tseung Kwan O", JHKBRAS 7 (1967), pp. 158-160. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 188 WILLIAM Y. CHEN Han-shan, 1546–1623. Kuan Lao-Chuang ying hsiang lun. Taipei, 1974. 憨山,觀老莊影响論.台北,廣文書局,1974.278 p. BC Hsi-hsin-tzu、Ming-tao yù lu. Taipei, 1970. 洗心子,明道語錄,再版,台北,真善美出版社,1970. 4, 5, 6, 159 p. LC Hsiao, Tien-shih, Tao-chia yang sheng hsiüeh kai yao. Taipei, 1963 蕭天石.道家養生學概要·儒釋合叁.台北,自由出版社,1963. 7, 3, 4, 450, 2, 6 p. LC Hu, Che-fu. Lao-chuang che-hsüeh. Shanghai, 1935. 胡哲敷,老莊哲學,上海,中華書局,1935.1 v. CA Kaibara, Ekiken, 1630-1714. Shinshiroku. Osaka.1815. 益軒貝,慎思錄, 大阪, 勝寫喜六郎,1815.6v. Kan ying lei ch'ao, Taipei, 1967. BC 感應類鈔,史潔珵纂輯,台北,自由出版社,1967. 158 p. LC. SA Kimura, Eiichi, 1906– Rō-shi no shinkenkyů. Tokyo, 1959. 木村英一,老子の新研究.東京,創文社,1959. 7, 2, 633, 9, 25 p. LC Ko, Hsüan. Ko-hsien-weng chih tao hsin ch'uan. Taipei, 1968. 葛玄,葛仙翁至道心傳,台北,自由出版社,1968.5, 34, 102 p. LC, SA Lao-Chuang ssit hsiang yi hsi fang che-hsieh. Taipei, 1968. 老莊思想與西方哲學,宋稚青譯,台北,三民書局,1968. 4, 170 p. LC Li, Shu-huan. Tao-chiao tien ku chi. Kao-hsiung, 1975. 李叔還,道教典故集,高雄,李叔還,1975. 6, 7, 104 p. BC, LC Li, Shu-huan. Tao-chiao yao i wen ta ta ch'üan. Kao-hsiung, 1972. 李叔還,道教要義問答大全,修訂本,高雄,李叔還,1972. 6, 25, 237 p. BC Li, Tao-shun. Chung-hochi. Taipei, 1957. 李道純,中和集,台北,自由出版社,1957. 4, 6, 178 p. LC, SA ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 BIBLIOGRAPHY OF TAOISM 193 Tonkō dokei mokuroku. Kyoto, 1960. 敦煌道經目錄,大淵忍爾編,京都,法藏館,1960. xv, 123, 5 p. CA Yen, Ling-feng, 1916– Lao-Lieh-Chuang san tzu chih chien shu rru. Taipei, 1965. 嚴靈峯,老、列、莊三子知見書目,台北,中華叢書編審委員會,1965. 3 v. in 2. LC 3. SACRED BOOKS 經典 Ch'ing-ching-ching Hsüan-men-pi-tu ho k'an. Taipei, 1966. 清靜經玄門必讀合刊.無名子,李二曲合著,台北,自由出版社,1966. 8, 79, 2, 1, 12, 7 p. Chuang-tzu. Taipei, 1969. 莊子,沈洪選註,台1版,台北,台灣商務,1969. [20], 10 p. Chuang-tzu chi shih. Taipei, 1974. LC, SA LC 莊子集釋,郭慶藩輯,台景印3版,台北,河洛圖書出版社,1974. 8, 1118 p. LC Huang-ti yin-fu-ching Huang-t'ing-nei-wai-ching-ching ho kan. Taipei, 1965. 黃帝陰符經,黃庭内外景經合刊,歷代古真輯註,台北,自由出版社,1965. 2, 152, 18 p. LC, SA Huang-t'ing-ching mi. Taipei, 1965. 黃庭經秘義,冷謙註,台北,自由出版社,1965. 2, 124 p. LC, SA Huang-t'ing wai-ching yin-fu-ching ho chu. Taipei, 1959. 黃庭外景陰符經合註.石和陽註,台北,自由出版社,1959. 1 v. LC, SA Huang-chün-lao-tsu. T'ai shang wu chi hun yüan chen ching. Taichung, 1972. 鴻鈞老祖,太上無極混元真經,台中,鸞友雜誌社,1972. 34 p. LC Keng-sang, Ch'u. Sung pen Tung-ling-chen-ching. Shanghai,1928. 庚桑楚.宋本洞靈真經,上海,涵芬樓,1928. 38 double leaves. CA Page 225 Page 226 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m 60 JUAN YUAN'S MANAGEMENT OF SINO-BRITISH RELATIONS IN CANTON, 1817-1826 167 Ibid., 1:22b-23. Court letter to Juan Yuan et al., TK 2/5/25 (1822/7/13). 07 After Juan Yuan left Canton, his successor as Governor-General of Kwangtung and Kwangsi, Li Hung-pin, established a system of patrol boats to check on opium smuggling. Each boat received a monthly bribe to permit the illicit trade. Liang, Kuang-chou shih-san hang k'ao, p. 299. Chang Shun-ts'un # Tao-Kuang ch'ao Ch'en 陳 Ch'en-Li shih ★BA chin f chüan-na ‡Ã1⁄4 fen 分 Hsiang-shan J Hsin-hui hsien-chih Hsi Nai-chi 許乃濟 Hsüeh-hai t'ang*** Hu-Kuang Hu-pu 户部 Huang I-ming *** I-li-pu 伊里布 Juan Yuan 阮元 Kuang-tung shih-san hang k'ao Kuang tung tung chi là ki Kung-chung-tang kung-hong 2Ấ Kuo-Liang shih Li Hung-pin 李鴻賓 Liang Chia-pin 梁嘉彬 Liang-Kuang✯ Liang-Kuang yen-chih ch'ou-pan i-wu shih-mo tao-t'ai Ti-tzu chi, for (Lei-t'ang-an-chuɃ‡ƒ‡ ti-tzu chi) Ts'an-chan ta-ch'en ★★★E ts'un += 1/10 Chinese foot) Wai-chi-tang >-*# Wai-chiao shih-liao ££* Wu Kuo-yung Wu-lung-a Wu Shou-ch'ang ££ 3 Wu Ts'ung-yao 14 Wu Tun-yuan {£✶ ̃ yang-hang *{1 yang-shang 洋商 Yeh Huan-shu #£# Yeh Hsia 葉及 Yen-ching shih-chi &*£✯ Yun-Kuei + Nei-wu-fu Pan-yü 番禺 pao-chia 保甲 Ta-Ku # ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m THE HONG KONG ORIGINS OF DR. SUN YAT-SEN'S ADDRESS TO LI HUNG-CHANG 177 Translation from op. cit., vol. 3, p. 1. # The school was set up in 1870 and was originally named the Diocesan School and Orphanage for Boys and known in its short form as the Diocesan Home. The orphanage was closed in 1896, but the school has continued as the Diocesan Boys' School. Its early history is given in W.T. Featherstone, The Diocesan Boys' School and Orphanage, Hong Kong, 1869 to 1919 (Hong Kong, 1930).* The Central School was set up by the Hong Kong Government in 1862 as a result of a proposal from the famous sinologue James Legge. It was the first government school put directly under the supervision of a government officer recruited from Britain. The school was meant to be a model school for the promotion of teaching of English and Western learning. For its history, see Gevenneth Stokes, Queen's College, 1862–1962 (Hong Kong, 1962). 7 The article was written in 1937, when the early school register was still in the possession of Queen's College. The Yellow Dragon, vol. 37, p. 94. It is still not clear when Sun entered the college. It is generally known that Sun was transferred to Hong Kong in early 1887, but the college was not opened until October of the same year. It is possible that Sun had been transferred to work at the Alice Memorial Hospital as a student before the college was officially opened. For Sun's student life in the college, see Lo Hsiang-lin, Kuo-fu chih ta-hsüeh shih-tai (Chungking, 1945). 10 A brief survey of the significant role of the Central School in this respect is given in Ng Lun Ngai-ha, “Role of Hong Kong Educated Chinese in the Shaping of Modern China”, paper presented to the 8th IAHA Conference, 1980. 11 “For more information on these and other early Hong Kong newspapers, see Ng Lun Ngai-ha, “A Survey of Source Materials in Hong Kong Related to Late Ch'ing China”, Ch'ing-shih wen-t'i, 4, (December 1979), 145–146, appendix A. 12 The China coast newspapers are valuable sources for the study of modern Chinese history. For a brief survey of these materials, see Frank H. H. King and P. Clarke (eds.), A Research Guide to China Coast Newspapers, 1822-1911 (Camb. Mass., 1965). 13 It was said that Sun might have contributed articles to the local newspapers and also to the Wan-kuo kung-pao, of which Cheng Kuan-ying was a patron. See Sun Chung-shan nien-p'u (Peking, 1980), p. 24 and Lo Hsiang-lin, "Kuo-fu yü Ho Chi chüeh-shih ti kuan-hsi", Kuo-fu ti kao-ming kuang-ta (Taipei, 1965), p. 129. 14 The Hao T'ou yueh-k'an 14 and 15 (1947), a magazine published by a secondary school in Chung-shan county, noted that it was first published in the Macao Daily in 1892. Its full text can now be found in Sun Chung-shan Shih Jiao chuan chi (Kuang tung wen shih tzu-liao, Canton, 1891), pp. 271–273. 16 For a brief comparative study of the two letters, see Huang-yen, “Chi-shao Sun Chung-shan 'chih Cheng Tsao-ju shu'”, Li-shih yen-chiu (1980:6), pp. 184–189. 10 For a short description of Ho's life and career in Hong Kong, see Wu Hsing-lin, The Prominent Chinese in Hong Kong (Hong Kong, 1936), II, pp. 1–2. Ho's contributions to the reform movements in China have been studied in a number of works. The more recent ones are Chiu Ling-yeong, The Life and Thought of Sir Kai Ho Kai (unpublished Ph.D. dissertation, University of Sydney, 1968) and Tsai Jung-fang, “Comprador Ideologists in Modern China: Ho Kai and Hu ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 42 JULIAN PAS Webster's Dictionary (1979), p. 1733. 10 Webster's Dictionary (1979), p. 170. Lenormant (1875), p. 18. 12 Lenormant (1875), p. 19. 13 Lenormant (1875), p. 30. 14 Needham (1956), p. 349. Banck (1976). 16 CHENG, Chen-tuo, Editor, T'ien-chu ling-ch'ien (Reproduction of the Earliest Preserved Set of Temple Oracles) Folklore & Folk Literature Series of National Peking University. (reprint), Taipei: The Orient Cultural Service, 1958. 17 19 I have used the cheng-t'ong or Ming edition, as reprinted in Taipei. Eberhard (1970), p. 193. Huang-ti shen-kung Ħ☎1⁄2, Banck (1976), #17. 20 Eberhard (1970), p. 191-192. 21 Jordan (1982). 11 W. Eberhard (1970), p. 195. The Chinese text: 1+X8 23 24 The Chinese text: 高達五十得名 St. Augustine's Confessions, translated by William Benham (New York: Collies & Son, 1909), pp. 141-142. BIBLIOGRAPHY A. Sources (i) Taiwan (& Hong Kong) Oracles, published in booklets B-I B-I B-I B-2 B-2 B-2 Sheng-ch'ien chu-chieh E, Kuan Yin Fo-tsu, T'ien-shang Sheng-mu &Ħ, X_L, Taichung, Jui-ch'eng Bookstore AĦĦ , 1972, (1st ed. date, unknown). K'ai-t'ai Ma-tsu chien-chieh, published by the Feng-t'ien Temple in Hsin-kang, Chia-yi *, ****8. (n.d. circa 1978). The oracle texts are on pp. 1-30. + Ling-ch'ien chich-shuo, with commentaries by Yeh Shan #ll, Taichung: Ch'uang-shih Publishing House, & FURN 1979. + Pai-shou ch'ien-chieh, Published by the Hsing-sheng Temple in Taichung 台中市行聖宮,1977. Ling-ch'ien chieh-shuo *, with commentaries by Yeh Shan #. Taichung: Ch'uang-shih Publishing House, ÷ÞOKRE 1975 (1st ed.: 1966) Kuan-sheng Ti-chún ch'ien-shih chich MESE the Shui-hsien Temple in Nan-kang, Chia-yi, 1 Published by *, 1964, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 43 B-2 B-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976. M. Published Kuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix). B-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975. B-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977. B-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980). B-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951. B-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977. B-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976. + Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963. (ii) Taiwan Oracles: Temple Samples Werner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976. (iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition) 1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles). 2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles). 3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition) + 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles). 5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 286 CHOI CHI CHEUNG The Cheung lineage was not prosperous until the Tao Kuang (*) period. Ancestor Yao-chih (2) of the 2nd sub-lineage became a successful merchant, and through his generous donation, an Ancestral Hall for the whole lineage was built. The Ancestral Hall of the Ya-kang segment was built in the middle of the Chia Ching period by the effort of ancestor I-pi ( ), brother of Ah-lum's grandfather (see clan record, Tz'u yu pu (3) section, Tz'u T'ang Chi (2) sub-section pp. 1-4). Though the lineage had several National School students (B), no one succeeded in the official examinations until the end of the Ch'ing dynasty when they had three chüren (A). Two of them were Ah-lum's sons. Ah-lum's father was also a National School Student who earned his living by teaching in the villages nearby (see the biography of Ah-lum's father in the Clan record, Chi-ching pu (it) section, Hang Chuang ((HA) sub-section p. 5). This man is not otherwise mentioned in the Clan record. According to Ah-lum's statement as given in court, "he first came to the colony at only 18 years of age. He was first employed by Mr. Bigham, who went to California; after that by Mr. Franklyn; then by Murrow, Stephenson & Co.; then by Mr. De Silver, for whom he made biscuits, as well as did other business see: British Parliamentary Papers, China, no. 24: Hong Kong, P. 183. (= BPP 24:183). The Russell was owned by Russell & Co., and the Shamrock by Mr. Xavier, c.f. BPP 24:170 and 173. See BPP 24:164–184. The bakery had three machines making bread to supply most of the foreigners in Hong Kong. See BPP 24:155-184, and Eitel op.cit. p. 311-313. 10 The Arrow War. The anti-foreigner movement was supported by Yeh Ming-shen (), the Imperial Commissioner for Kwangtung, in Canton. See Wakeman, F. Jr. Strangers at the Gate. 1966, pp. 109ff. Also Eitel op.cit. p. 305. 11 Eitel: op.cit. p. 312-313. 12 According to Chen Kuan-ying (###), Ah-lum was chief of the China Merchants Steam Navigation Co. (TERA) in Vietnam. He owned a shop Hung Tai Ch'ang() in Saigon, and his son Ti-fu (#) was chief manager (*) of the Cambodia Opium Co. (12). Chen Kuan-ying (E), Nan-yu Jih-chi (12), (Diary of a Journey to the South), reprinted 1967, Taiwan, p. 19ff, 81-89. According to the Clan Record Tsa Chi-pu() section, Pa-yu (if) sub-section, p. 1, Ah-lum had businesses in Saigon, Haiphong, Comuponton, and in Nha Trang in Kwangnam (ÂM NHIỀU). 13 According to the clan record, we know that one of Ah-lum's sons was buried in the free cemetery of Haiphong (), and another was buried in the free cemetery of the Canton City Association in Vung Tau, Vietnam (#). 14 In 1884, when Chen passed through Vietnam, Ah-lum was chief manager (*) of the China Merchants Steam Navigation Co. in Vietnam. See Chen: p. 19. 15 Chen: ibid. 16 Clan record, Chi-ching pu (###) section, Ch'i-shou (##) sub-section, pp. 1-4; has two essays presented on this occasion by the gentry of Heung Shan, and by the merchants of the Canton City Association in Vung Tau, Saigon (F#城會館). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 84 CHAN WING HOI not give any figures for the ratio between indigenous residents and newcomers among the members, but he stressed that no distinction was made between the two groups (mou-san pei-chi). It seems, nonetheless, that the Hoklo, Wai Chau and Chiu Chau residents see themselves as distinctive groups in the settlement. There is probably a separate association for them, for many of the flags put on display in the entrance area were styled "to the Fuk-Wai-Chiu [a short term for Fuk Kin, Wai Chau and Chiu Chau] fellow townsmen" or their Association.' I found out less about Tai Long Wan and Hok Tsui. In these two settlements, too, the indigenous villagers had been Hakka and Punti people who practised paddy cultivation and fishing. Many of the men of more recent generations worked as seamen and their descendants were able to obtain jobs in the city. As in the case of Shek O, outside interest in their scenic surroundings has been a major factor in the changes in the last few decades. I talked with Mr. Yau Ho Sam, who moved to Tai Long Wan about 40 years ago. His native place was Zheng Cheng, but before he moved to Tai Long Wan, he had lived at Wong Chuk Hang. There were only some ten families at Tai Long Wan when he arrived. Now there are more than 100. The original inhabitants were mainly Hakka although some were Punti. According to Mr. Wong, Tai Long Wan is still a mainly Hakka village, although there are also some Punti, Chiu Chau and Hoklo people. Tourist facilities can be seen in the village, and there are some Westerners' residences. For Hok Tsui most of my information comes from the man who drove the Taoist priests to his village in his van for the daily haang-chiu procession in the festival. In the past the village had 40 indigenous households. Now there are fewer. The villagers were mainly Hakka. His family has been here for ten generations, counting to his grandsons. In the past many worked as seamen. They probably became wealthy in that occupation. There is a watch tower (diu-lau) in the main village (jing-chyn) for protection against bandits, said to be the only watch tower left on Hong Kong Island. I observed that many of the present houses were not in the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 faan-gon gan-jy 跟佳 gou-hing gung-so 公所 Gwong-seui 光緒 haang-chiu 行朝 haang-heung 行否 Hakka 我家 hin-bei 纈妣 hin-hau Hoi Luk Fung 海陸豐 Fuk-Wai-Chiu 高惠潮 mou-fan pei-chi 冇分彼此 Naam Tau 南頭 Naam Bin Chyn 南便村 ping-on 平安 Piu-sik 飄色 po-yat 破日 Punti 本地 Qing 淸 se-su 教書 seun-si 信: Seung Wai 上圍 seung-yuk 上肉 101 Hok Tsui 健咀 Shaukiwan 筲箕灣 Hoklo 仙佬 Shek O Saan Jai 石澳山仔 hou-wan 好運 Shek O 石澳 jam-mong 浸润 jang-paang 繪櫥 Jeng Gwok Man 會國民 Tai O 大澳 jing-chyn 正村 Jiu 邱 M 媽 jung-lei 總理 Kam Tin 錦田 laam-bong 攬榜 laam-yuk 腩肉 Laan Lai Wan 斕坭滟 Lam 林 Lau 劉 Lau Sing Jai 對勝任 lei-si 理事 Leung 梁 Leung Yi Hoi 梁值海 Leung Nung 梁龍(?) Ma-leung 馬料 Man 文 Siu-yau 小幽 Tai Tam Tuk 大潭篤 Tai Long Wan 大浪灣 tai-ye 睇嘢 Tanka 蛋家 Tin Hau 天后 Wai Chau 惠州 Wong Man Gwong 黃文光 Wong 黃 Wong Chuk Hang 黃竹坑 Yat Gin Fa Choi 一見發財 Yau Ho Sam 邱河深 Ying-shing 迎聖 yn-sau 縁首 Yu Laan 盂蘭 Yuk Wong 玉皇 Yu Laan 媽娘 Zheng Cheng 增城 : : ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 88 Our principal concern has been to document and explain the rapid growth in popularity in Hong Kong since the 1940's of the cult of Huang Daxian (on which, see Lang and Ragvald, "Upward mobility of a refugee god"). However, we have also been trying to trace the origins of the cult in Guangdong province, hence the research trip to the village. A report on this visit, and on the first author's initial visit to the village in 1985, has also been prepared. We are now working on a book on the history of the cult in Guangdong and Hong Kong. Probable cases of the mergings of deities include, from ancient Greece, the merging of two incarnations of Zeus (Gilbert, Murray, Five stages of Greek Religion, Garden City, N.Y., Doubleday Anchor Books, 1951, p. 48; H.J. Rose, Religion in Greece and Rome, N.Y., Harper and Row, 1959, pp. 48-49), and of various female deities in Aphrodite (Paul Friedrich, The Meaning of Aphrodite, Chicago, The University of Chicago Press, 1978, ch. 2); from Rome, the blending of Roman with Greek deities, and the subsequent apparent merging of some Roman deities with Celtic deities (John Ferguson, The Religions of the Roman Empire, Ithaca, N.Y., Cornell University Press, 1970, pp. 211-220); from the early Christian era, the probable absorption of elements of the cult of Diana into the cult of Mary (Herbert Muller, The Loom of History, N.Y. New American Library, 1958 p. 173; Durant, 1939: 183); from Mexico, the absorption of elements of the Indian goddess Tonantsi into the cult of the Virgin of Guadalupe (Ena Campbell, “The Virgin of Guadalupe and the female self-image: a Mexican case history", in Mother Worship: Themes and Variations, ed. by Richard Preston, University of North Carolina Press, 1982). 9 This translation strangely enough contains one serious (the failure to recognize Dongtian Fudi [Cavern-heavens and blessed spots] as a general Taoist concept) and a few smaller mistakes. These, however, do not affect the arguments made in this paper. 10 This probable origin of the autobiography was pointed out to us by Dr. S.H. Wong of the Department of Chinese, Hong Kong University (see Wong, "A study of Huang Ta-hsien"). There are several slightly different versions of Shenxian Zhuan. For this translation we have used the relatively early (Song dynasty) version in Biji Xiaoshuo Daguan (A Parade of Note-form Fiction), Taibei, Xinxing Shuju, volume 4. 12 Essentially the same story is related in Huitu Liexian Quanzhuan, compiled in the 16th century by Wang Shizhen (reprinted by Zhongwen Chubanshe in 1971 on Taiwan). This is one of the major reference works on Taoist saints, with capsule biographies on some 500 of them, and covers the entire period from the beginning of Taoism until the last year of the reign of Hongzhi (1506 A.D.). This source adds only the information that during the Song and Yuan dynasties, both Huang Chuping and his brother were awarded honorary titles by the state. The story of Huang Chuping also appears in Jinhua Fuzhi (the prefectural gazetteer of Jinhua), volume no. 22 in the subsection "xian shi" (on fairies). 13 Ge Hong was a native of Jurong in Danyang (present day Jiangsu province). His career included service as assistant to prime minister Sima Rui, and as counsellor and military staff officer. He was honoured by the state for his services in the suppression of the peasant revolt led by Shi Bing. However, he was also very interested in Taoist alchemy. He was a grandson, on the fraternal line, of the famous necromancer and alchemist Ge Xuan (164-244), and from a disciple of Ge Xuan's, he learned the art of refining cinnabar. When word spread that cinnabar sand had been found in Jiaozhi (the ancient name for part of Guangdong and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 74 Tang family had the right of building shops there, and a stone with an inscription to that effect, was put up in the temple of T'in Hau Kung(g) which can still be seen in old Tai Po market. When the Man family lost their case a wealthy friend called a big meeting of the elders of the seven districts round about Taai Haang (林村), Fan Ling(K), Lam Ts'un(#1), Yip Woh(), Sheung Wan(), Ting Kok(TM) and Cheung Shue Tan(). At his suggestion, and financed by him, they built a new market where the present market now stands. It was called Taai Woh Shei (utmost friendship market)(★Fifi) and was officially opened on the twenty-third day of the 6th month of the twentieth year of Kwong Sui, A.D. 1894. All the trade at once went to the new market and the old one gradually fell into disuse and can now be seen as a very poor and derelict village. Note. 1. The district of Sun On was formed in the sixth year of Lung Hing() A.D. 1572 of Ming dynasty. Fourteen years later the **History of Sun On District** was written by Yau Tai Kin the district magistrate. It was revised for the first time in the eighth year of Sung Ching(), but this edition was not published until eight years later when a third magistrate Chau Hei Yiu(2) added slightly to it. A second edition was published in the eleventh year of Hong Hei(E) A.D. 1672 of Ts'ing dynasty, a third appeared sixteen years later, and the present edition was published in A.D. 1819. Note. 2. The second character(W) is read yeuk in Cantonese but in the New Territories dialect it is read as Kwat. # Note. 3. Lam Fung is "Limahong" (= Lim a hong, not Li ma hong) whose name is already mentioned in the history of the Philippine Islands. It is also translated as in some Japanese books, and Limahong or Lin Ah Hong in some of the European books. = Lam Fung Limahong was a native of Raoping district(ATM) In the 10th month of the 2nd year of Lung Hing(), A.D. 1568 of Ming dynasty, he took sixty-two battleships with 2,000 sea-soldiers, 1,500 women, and a large store of food and ammunition to attack the Philippines. He was defeated and his fleet dispersed by the soldiers of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 31 aides and guardians. His two major aides, according to a Taiwanese temple keeper, are major deities in their own right: T'ai I Chiu K'u T'ien Tsun (AZREF) and Lei Yin P'u Hua T'ien Tsun (LEO). He has a senior deity as his personal messenger, Teh Chih Chiangchun (特赤將軍) A Buddhist priest guiding a visitor around his temple in Chia I county in Taiwan, in which the Jade Emperor was the main deity on a side altar in a side hall pointed out that he had four bodyguards: The Marshals Wen (溫), Ma (馬), K'ang (康) and Chao (趙) with blue, white, red and black faces respectively. The full title of the Jade Emperor is: Hao T'ien Chin Kuan Yu Huang Shang Ti (昊天金阙玉皇上帝) or T'ien Ti San Chieh Shih Fang Wan Ling Chen Tsai (天帝三界十方万灵真宰). This is possibly best translated as The True Lord of Heaven, Earth and Mankind, in all areas and of the Mystical Spirits. The following are the short titles by which the Jade Emperor is known: Yu Ti (玉帝) Yu Huang T'ien Kung (玉皇天公) T'ien Kung (天公) T'ien Kung Tsu (天公祖) T'ien Kung Yeh Yeh (天公爷爷) T'ien Shang Ti (天上帝) Tien Ti (天帝) He is also known as: Yu Huang Ta T'ien Tsun Hsuan Ch'iung Kao Shang Ti (玉皇大天尊玄穹高上帝) Yu Ch'ing Shang Ti (玉清上帝) Hao T'ien Shang Ti (昊天上帝) Shang Ti (上帝) Lao T'ien Yeh (老天爷) North China ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h deui-lyun dim-dang Wif ding-hau T`LI Dongguan 東莞 dong-ji Dung Ping Guk 東本局 faan Fa-Gung Fa-Mou (EAEN fa-paai TEMP Fau-Ng ởH Fong 兒 fong fong-jeung Fu Qing (47 fu 伏 Fu-Hip gwan-ma 郡馬 Gwok-Yin Gwong-Yu K Gwong-Yu Tong Gwun-Yam #E Gyun 銷 Ha Tsuen 厦村 Ha Che 下崟 haang 坑 ha-fu F Hak-Sa ha-yan FA Hei-Ye 起野 heui-lok Heung heung Fui-Sing !! Fung Yuk-Daan MƒU!! Gaai-Yut gaam-sang Gai-Jau # heung-on Ho fil hoi-dang EH hou 號 Hung-Fan Taam gam-taap Gam-Tin Gaozong h Gau Ga Chyun **† hung-jeuk FL Hung-Ji 孔子 Hung-Ji 洪贄 Hung-Sing # Hung-Yi 洪儀 geui-yan git-jing #7 Git-Sau gu l Guangdong MAC Guangzong 光宗 guk 榖 gung-chou Y gung-sang Gwaan-Dai BNR Gwai-Ting gwai-waan (?) Gwai-Wong E gwan 棍 Gwan-Haak 7K Gwan-Leung R jaap-fo 雜貨 Jai Baak-Fu Jan 鈞 Jan-Ting Jau M Jau-Man B jau-tung 州同 Jeung Hoi Jeung 張 Jeung-Luk A jeun-si 進士 Jiangxi 江西 Ji-Ga Tong #18 2 Jik-Gin jiu BE Page 369 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 68 recopied in the 780s either by Adam, or on Adam's instructions. The Book of Praise contains a prayer giving thanks for the composition of 35 named books. The explanatory note makes it clear that Adam had been given access to Ch'ang-an's imperial library (presumably by the emperor Te-tsung); that these 35 books had been translated by him from their original Syriac into Chinese, and were a small portion of the scriptures which Reuben had brought to Ch'ang-an in 635; and that the translations had been sent to the Tun-huang monastery. The note reads as follows: "Regarding the list of books, there are altogether 530 religious works of our church of Syria (Ta-ch'in), and they are all on patra leaves in the Syriac language. In the ninth Cheng-kuan year [635] of the emperor T'ai-tsung of the Tang bishop Reuben (A-lo-pen) came to China and presented a petition to the emperor in his native language. Fang Hsuan-ling and Wei Cheng made known the interpretation of the words of the petition. Later by imperial order bishop Adam (Ching-ching) of this church translated the above thirty and more rolls of books. The majority are on patra leaves or on leather in wrappers, and have still not been translated.' Among the 35 books listed are four of which versions have been recovered from Tun-huang, the Book of the Secret of Peace and Joy, the Book of the Origin of Origins, the Hymn in Adoration of the Holy Trinity, and the Hymn in Adoration of the Transfiguration of Our Lord. Now if these books are, as the note to the Book of Praise implies, seventh-century works connected with Reuben, 'Christianity' should be rendered by the term 'teaching of the scriptures', and be associated with Persia, not Syria. Instead, notes in the manuscripts of the Hymn in Adoration of the Transfiguration of Our Lord and the Book of the Origin of Origins state that they were written in the Sha-chou Ta-ch'in ssu, the 'Sha-chou Syrian monastery', implying that the notes, at least, were added after 745. Furthermore, in the titles of three of these four works, we find that the term Ta-ch'in ching-chiao, the 'Syrian brilliant teaching', has been added. It does not occur in the titles as given in the Book of Praise. In the case of the fourth book, the Book of the Secret of Peace and Joy, the title remains as given in the Book of Praise, but the term ching-chiao, ‘brilliant teaching' occurs three times in the text. All four manuscripts have been copied (or at ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 81 Also in Taiwan lone images occupy the altar of a number of small temples in the Hsinchu area. In each case the image is a portrait rather than a standard image, of elderly men, obviously ancestral images, revered and prayed to as local benefactors by local residents who rarely know their personal names or life stories. They are all from Hakka communities, and are referred to as Ta-jen A. They include Yang Ta-jen, Huang Ta-jen, Hsieh Ta-jen, Heng Ta-jen and Chao Ta-jen. Presumably each had some social position and status and their present day minor cults have been stimulated by the construction of a decorous and specific shrine or temple housing its charismatic image. The following are examples of the legends and cults connected with four deceased locals whose charisma led to them being honoured and later revered as local deities. Two were local secret society gang leaders, the third a scholar who was a renowned healer and the fourth was a local philanthropist. Yeh Te-lai, a Hakka immigrant to Kuala Lumpur where he is better known as Yap Ah-loy, was appointed Kapitan China by the Sultan of Selangor in 1868 with the right to tax tin and opium and to judge lawsuits between Malays and Chinese. During inter-racial troubles his private army of some 2500 Chinese fought many battles against his rivals. He was a go-getter who succeeded in establishing a firm business base for the community in Kuala Lumpur, a 'frontier town' where he maintained law and order by means of his secret society 'soldiers' under their generals, one of whom was Sheng Ming-li and another Ch'en Chung-lai. Ming-li and Chung-lai were both murdered in Negri Sembilan in about 1860, and on the orders of Yeh Te-lai, were deified and their images placed on the main altars in some four temples, in Rasah, Semenyih and Kuala Lumpur. Ming-li was referred to as Shih-yeh (Adviser) or Ssu Shih-yeh Kung-li (the Fourth Secretary [in an official yamen]). His image and that of Chung-li used to be borne around Kuala Lumpur during their annual festival on the 1st of the ninth lunar month. Legend has it that when Sheng Ming-li was decapitated his blood was white, not red, a miracle in the eyes of his followers, who buried him near Malacca. The second case is Hsin Ting. Hsin Ting is the main deity in his temple in Taipei where he is portrayed as a scholar holding a scroll. Although his cult was carried to Taipei by a scholar who had passed his examinations after praying to the deity, Hsin Ting has reverted to his original skill of medicine and is now prayed to by the sick for ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 19 dominance of Cantonese by the 1860s when a Ningbo native, Chen Xuyuan, replaced the Cantonese as the chief comprador in Russell & Co. By the turn of the century, the Zhejiang compradors had outnumbered their Cantonese counterparts in Shanghai. Wu Jianzhang acted as the Shanghai tantai less than two years and was not succeeded by a Cantonese until 1864 when Ding Richang was called to the office by Li Hongzhang. However Ding had not been wholly pro-Cantonese. In response to the challenge of the Ningbo people, Cantonese such as Xu Run, Tang Tingshu and Zheng Guanying attempted, with success, to secure patronage from Li Hongzhang by taking part in his guandu shangban project. The Ningbo clique, however, competed with every effort to seek equal political support from another bureaucrat Zuo Zongtang in the 1870s.24 Entering into the Republican period, Cantonese gradually realised they were a minor group when compared with Ningbo men. They not only competed with one another but also collaborated together. Famous Cantonese capitalists such as Guo Piao, Huang Huan'dan, and Jian Dongpu were active in the Shanghai business community. Network of Hong Kong and the Pacific Rim The story of the Chinese in Hong Kong as settlers can be classified in the following way. First, the Chinese merchants or traders. They knew the region, they traded successfully and they made their homes wherever their trade led them. They remained the dominant group of settlers in nineteenth century and perhaps even into the twentieth century. Second, the labourers or coolies who arrived during the second half of the nineteenth century. Their main significance was that they came in large numbers, although for the main part they came for short periods and many failed, became destitute and were sent home. The more successful ones, however, returned with their savings to help their families back in China. Nevertheless, amongst them were a number who remained, having married locally or having lifted themselves above their labouring status and turned successfully to trade. Again, for most of them it was their ability to establish a trade, and therefore own property, which was the first step towards settling down. Included amongst them were many artisans who were able to use their skills to establish businesses. Amongst them also were partly literate or semi-literate people who used their writing skills either to work for Chinese businesses or to go into business for themselves. Sooner or later, the two main reasons for settling were success in business and the acquisition of a family. Third, the import- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 27 Shanghai, named the Guang Zhao Gongsuo, Needless to say, Tang was famous amongst Cantonese merchants. In 1876, when Tang was organizing the telegraph office in Fuzhou, he was invited by Ding Richang to set up a Chinese bank with branches in Tokyo and London. The venture was supported by a group of Cantonese merchants to set up a modern bank with a paid-up capital of three hundred thousand taels to meet the increasing need of a financial institution to accelerate Chinese trade in foreign countries. Tang was also active in business circles in Hong Kong. He joined in partnership with his brother Tang Maozhi in the first sugar refinery in Hong Kong. Tang contributed three thousand taels while William McGregor Smith contributed the largest share of sixteen thousand taels. They planned to export sugar to Jiujiang, but probably due to Tang's transfer to Shanghai, export of refined sugar was changed to connect with Shanghai where they operated successfully until 1864. Afterwards Tang sold his share to his brother Tang Maozhi. The refinery was set up at East Point, Hong Kong, under the name of Smith, Wahee & Co. However, it eventually went bankrupt and was taken over by Jardine, Matheson & Co. Tang left his work at China Merchants' Steam Navigation Co. in 1884 to manage the Kaiping Mines in Tianjin in which he had a personal investment of three hundred thousand taels. It has to be mentioned that with the appointment of Tang as the Kaiping's general manager, a large number of Cantonese workers were recruited for Tianjin. By 1891, the number of Cantonese workers had grown to five hundred of which some had returned from California and Australia. Though these Cantonese miners were more skilled and experienced than local workers, they did not get along with the local people and refused to teach their skills to the northerners, as they were called. In 1883 a group of a hundred men from Swatow had to be discharged because of conflicts between them and their headmen. Zhang Guanying (1842-1922) Zheng was born in Zhongshan. It is unclear when he moved from Zhongshan to Macau but it was certain that he had received his traditional education in Canton. After Zheng had failed in the public examination, he decided to become a merchant. In 1858, he was sent to his uncle Zheng Tingjiang in Shanghai, who had been a comprador to Overweg & Co. Zheng soon entered into the Anglo-Chinese School organized by a ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 34 Chan Kin Tong 陳健堂 Cheang Hoong WA Chen Xuyuan 陳照元 Ding Richang TRS Guo Piao 郭標 Ho Kai 何啟 Ho Tung 何東 Huang Huan'nan # Jian Dongfu 簡東甫 Glossary Wu Jianzhang f Xu Rongcun 徐榮村 Xu Run 徐潤 Xu Yuting 徐鈺亭 Yuan Shikai 袁世凱 Zheng Guanying Zheng Tingjiang Baoyuanxiang 寶源祥 Zuo Zongtang E Law Pak Sheung A Bendi 本地 Law Sai Nam 劉世南 Lee Chak 李澤 guandu-shangban Leung Xiu 梁喬 Li Hing 李慶 Li Hongzhang 李鴻章 Lo Hok Pang #09 Ng A Cheong AS O Kee Cheung 柯其祥 Sheng Xuanhuai 盛宣懷 Soong Xe 宋琪 Sung Chin Tseung Tong Mow Chee # Tong Ying Shu (Xing Sing) 唐廷樞(景星) Wei Kwong #* Wei Yuk 韋玉 Danjia 晉家 # Guang Yang Xing 廣陽興 Guang Zhao Gongsuo 廣肇公所 Heshengxiang # huashang fugu huodong HÆ! Kejia 客家 lianhao 聯號 O Chin Sin Tong Qing Xu Yuzhi Xiansheng Run Zixu Nianpu 清徐雨之先生潤自序年譜 Sanyi 三邑 Shiyi 四邑 tongxiang hui 同鄉會 Zongban 總辦 Wong Kong 黄亞廣 References Cheng, T C. 1969 Chinese Unofficial Members of the Legislative and Executive Councils in Hong Kong In Journal of the Hong Kong Branch of the Royal Asiatic Society 9: 1-30 Choi, Chi-cheung 1991 Cong difangzhi kan Xiangshan xian difang shili de zhuanbian (The influence of migration in Xiangshan county as viewed from local gazetteers) In Zhongguo Shehui Jingjishi Yanjiu 1991/1: 60-8 1993. Competition among Brothers: the Kun Tye Lung Company and its Associate Companies, Unpublished paper presented at the Workshop on Chinese Business Houses in Southeast Asia since 1870 School of Oriental and African Studies, University of London ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 36 Kong, Capital Communications Lid Ho, Ping-ti 1966a. Zhongguo huiguan shilun (On the history of Landsmannschaften in China). Taibei, Shihuo Chubanshe. 1966b. The Geographical Distribution of Hui-kuan (Landsmannschaften) in Central Upper Yangtze Provinces. In Tsing Hua Journal of Chinese Studies 5/2 120-52 Honig, Emily. 1992. Creating Chinese Ethnicity Subet People in Shanghai 1850-1980. New Haven and London, Yale University Press. Hunter, William C 1882 'Fan Kwae' at Canton Before Treaty Days, 1825-1844, London Kegan Paul, Trench & Co King, Frank H. H. 1983. edited. Eastern Banking Essays in the History of the Hongkong and Shanghai Banking Corporation London, Athlone Press Keswick, Maggie 1982. The Thistle and the Jade: A Celebration of 150 Years of Jardine, Matherson & Company London, Octopus. Lai, Chi-kong. 1992 The Qing State and Merchant Enterprise: the China Merchants' Company, 1872-1902. In Jane K. Leonard (edited) 139-56. Lee, Pui Tak. 1990 Kindai Chugoku ni okeru kōsho Kigyō no rekishi teki tenkai Kanyahyōkōshi wo jirei toshite (The historical Origins of Commercial and Industrial Enterprises in China, the Case of Han-yeh-p'ing Coal & Iron Company Limited, 1896-1991) M Litt. Thesis. University of Tokyo. Leonard, Jane K 1992. edited; To Achieve Wealth and Security, the Qing Imperial State and the Economy, 1644-1911. Ithaca, East Asia Program, Cornell University Leung, Yuensang 1982 Regional Rivalry in Mid-nineteenth Century Shanghai. Cantonese vs Ningpo Men. In Ch'ing-shih wen-t'i: 4/8; 29-50. 1986. The Shanghai-Tientsin Connection. Li Hung-chang's Political Control over Shanghai during the Late Ch'ing Period In Chinese Studies 4/1 315-31 1990 The Shanghai Taotai: Linkage Man in a Changing Society, 1843-90 Singapore. National Singapore University Press Liu, Kwang-ching 1979 Credit Facilities in China's Early Industrialization The Background and Implications of Hsu Jun's Bankruptcy in 1883. In Modern Chinese Economic History 499-509, Edited by Chiming Hou Taibei, Institute of Economics, Academia Sinica 1982 A Chinese Entrepreneur In Maggie Keswick (edited) 103-30. — 1990. Jinshi Shixuang yu Xincheng Qiye (The new thoughts and modern enterprises) Taibei, Lianjing Chuban Shiye Gongsi Mann, Susan Jones 1972. Finance in Ningpo the 'Ch'ien Chuang', 1750-1880 In W E. Willmott (edited) 47-78 1974 The Ningpo Pang and Financial Power at Shanghai In Mark Elvin & G. William Skinner (edited) 73-96 — 1976. Merchant Investment, Commercialization, and Social Change in the Ningpo Area In Reform in Nineteenth-Century China 41-8. Edited by Paul A, Cohen Cambridge and Massachusetts, Harvard University Press. McElderry, Andrea Lee 1992 Guarantors and Guarantees in Qing Government-Bussiness Relations In Jane K. Leonard (edited) 119-38 1993 Guarantors in China's Treaty Ports the Evolution of Employee Bonding Unpublished paper presented at the 34th International Congress on Asian and North African Studies, Hong Kong Mei, June 1979 Socioeconomic Origins of Emigration Guangdong to California, 1850-1882 In Explorations in Economic History 7/4 451-73 Qing Xu Yuzhi xiansheng ruḥ zixu nianpu (Chronological autobiography of Xu Run) Reprinted in 1981 Quan, Hansheng 1972 Zhongguo Jingjishi luncong (Collected essays on Chinese economic ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 44 19 Ruan Yuan as a "bridge for classical learning" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that "recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era."10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan. After becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously." Other scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that "Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that "Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun."'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success. Ruan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 45 Major scholarly activities Ruan Yuan provided opportunities for the scholars to work on literary projects or in academic institutions, and often published their own works as well. Since he organized and controlled the projects, from conceptualization to approval of the final draft, as well as finding the funding of the projects, his name was listed as author, compiler or editor of these publications, although Ruan Yuan was always careful to give due credit to others. The 75 titles I have located encompass works in several major areas of learning. In-depth discussion of these works belongs to another study. At the present, however, attention can be called superficially to a few works in several categories. 13 Classics: as director of studies in Zhejiang 1795-98, Ruan Yuan organized more than 40 scholars in Hangzhou to compile Jing ji zuan gu (106 + 10 juan), a dictionary to the Classics, printed in 1800. A thesaurus of classical terms and phrases, Jing fu, planned to comprise more than 100 juan, was compiled around 1810 but was never printed. In 1816, shortly before his transfer to Canton, Ruan Yuan reprinted from rare Sung editions the thirteen Classics, Song ben Shi san jing zhu shu, 243 juan, in Jiangxi. Affixed to this work were collation notes on the Classics Ruan Yuan had gathered earlier. The most monumental work on the Classics compiled under Ruan Yuan's aegis was the Huang-Qing jing jie, 1,400 juan, printed in 1826 in Canton, embodying more than 180 treatises written on the Classics during the Qing era. Discourses by scholars at the academies he founded, the Gu jing jing she (Gu jing jing she wen ji) in Hangzhou and the Xue hai tang (Xue hai tang ji) in Canton, were also published. Archaeology: A large number of buried ancient bronzes were being excavated at that time. Contemporary scholars were not interested in the vessels so much as objects of art as they were in the inscriptions (ming wen) on them as a reference to authenticate classical texts. For the same reasons, inscriptions on stone were scrutinized. Ruan Yuan's Ji gu zhai chong ding yi chi kuan shi, 10 juan, preface dated 1804, is still used as a standard reference work today for identification of bronze vessels and inscriptions. His study on stone inscriptions include Shan zuo jin shi zhi, 24 juan, 1795-1797, stone inscriptions of Shandong, Liang Zhe jin shi zhi, 18 juan, 1824, of Zhejiang, and Yueh dong jin ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 46 shi lue, 16 juan. 17 History and Statecraft: Chou ren zhuan, 46 juan, started between 1797 and 1799 but not completed and printed until 1810, was the first effort of any Chinese scholar to put in chronological order summaries of the lives and works of 242 Chinese and 38 non-Chinese astronomers and mathematicians, thus providing materials that made possible a systematic history of mathematics and its related field, astronomy, as well. Ruan Yuan also wrote biographies of scholars, including those who were not officials and therefore would not have been included in official compilations, in Guo shi ru lin zhuan and Guo shi wen yuan zhuan, 1810. Discourse on contemporary administrative issues included Liang Guang yen fa zhi (Salt administration in Guangdong and Guangxi), Hai yun kao, 2 juan (sea transport), 1805, Hai tang zhi, 30 juan (Coastal Gazetteer of Haining), and an essay putting forth his suggestions on the most efficient way to transport tribute grain, Liang chuan liang mi jie fa shuo, composed while he was director of grain transport. Historical Geography: In addition to encouraging other scholars to compile provincial and local gazetteers, Ruan Yuan himself compiled two provincial gazetteers, Guang dong tong zhi, 334 juan in 1818-1822, and Yun nan tong zhi gao, 216 juan, in 1835, when he was governor-general in the respective provinces. Bibliography: As a scholar, Ruan Yuan relished in collecting books. He made sure that cataloguing of well-known collections, such as that of the Fang Family in Ningbo, was brought up to date, in Tian yi ge shu cang shu mu, 4 juan, 1804. He established libraries that included Classical as well as contemporary works in the Lingyin Monastery (Hangzhou) and the Jiaoshan Monastery off Zhenjiang, and compiled catalogues for the collections. As director of studies in Shandong, he drew up a list of books for young students to peruse, Shan dong xue zheng Ruan Yuntai shi tong sheng shu mu, 1 juan. 20 Literature and Other Collectanea: Ruan Yuan collected and published works of literally thousands of poets, including women and other social minorities, whose work would not have otherwise survived. Liang Zhe you xuan lu, for instance, contained 9,241 poems by 3,133 poets from Zhejiang, including 381 poems by 183 women poets, and 314 poems by 117 monks and priests, together with biographical notes of the poets. His own essays and poems are also published in Yan jing shi ji, 54 juan, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 54 - preferred not to enter government service. He was a contemporary of Hong Liangji on the personal staff of Bi Yuan. Ling excelled in phonetics, textual criticism, the Classic of Rites, including music, as well as astronomy and mathematics both the Chinese and Western tradition. He was asked by Ruan Yuan to tutor his son Ruan Changsheng (adopted 1793, d. 1833). It was Ling who brought the excitement of the Tian yi ge collection to Ruan Yuan's attention. Ling, with Li Rui and Jiao Xun, had worked on the chou ren zhuan from the beginning. His own manuscript, Li jing shi li (Exposition on the Classic of Rites), 13 juan, was edited by and printed by Ruan Yuan after Ling's death. His prose, Jiao li tang wen chỉ [Collected prose of Ling Tingkan], 36 juan, first printed in 1812, has been useful in research on Ruan Yuan as well. Zhang Jian (1768-1850) was one of the scholars who had been associated with Ruan Yuan from the beginning of the latter's official career until after his retirement. Zhang had served on the personal staff of Ruan Yuan, together with Yang Fenghao (1755-1816), Shi Guochi, and He Yuanxi (1766-1829). As a scholar, Zhang worked on various compilations, such as the Jing chỉ zhuan gu, and lectured at the Gu jing jing she. He was more useful to Ruan Yuan in his government, however. Zhang was best known for his expertise on sea transportation of tribute grain. It has been understood that Ying-he's famous memorial on sea transportation was based on Zhang's work. Zhang edited Ruan Yuan's papers on famine relief (in Ying zhou bi tan) and Liang Guang yen fa zhi [Salt Administration of Guangdong and Guangxi]. Zhang also supervised the compilation of Ruan Yuan's nian-pu, Lei tang an zhu di zu ji. Liu Wen chi (1789-1856) of Yangzhou had studied under Bao Shicheng at Mei hua Academy. He was a nephew of Ling Shu (1775-1829), another scholar who had been close to Ruan. Liu was of a younger generation of scholars who had not known Ruan Yuan in his heyday. Being a neighbour, however, he had corresponded with Ruan Yuan before the latter's retirement in 1838. In 1837, Ruan wrote a preface to Liu's work, Yang zhou shui dao ji. Ruan Yuan in retirement was an important figure in Liu's diary and they worked together on several works including a new printing of a Song-Yuan edition of a prefectural gazetteer of Zheng jiang, for which Liu wrote a preface in Ruan's name (1843). Liu recorded that he had written prefaces to several other works for Ruan Yuan, as the latter grew more + ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 57 Collectively, these secretaries were known as mu.38 There are a number of learned treatises on the subject in Chinese, but I do not think that the function of these people should be expounded here; suffice to say that they were treated as respected senior secretaries by the officials, including Ruan Yuan, and were assigned certain tasks. A few examples of Ruan Yuan's secretaries follow: Zhang Jian was with Ruan Yuan in Zhejiang, Canton, and after his retirement, in Yangzhou as well. He helped formulate and implement such policies as eradication of coastal piracy, famine relief, salt administration, and transportation of tribute grain by sea. Chen Hongshou's expertise ranged from river administration to coastal defence. Together with Chen Wenxu, Zhu Weibi, Shi Guoqi, and Ruan Yuan himself, he also drafted the memorials Ruan Yuan sent to the Jiaqing Emperor while he was Governor of Zhejiang. Scholars with "an extraordinarily fine hand"39 who worked as actual copyists for Ruan Yuan's memorials include Fang Pu, He Yuanxi, Shi Guoqi, and Wu Shucheng.40 Ruan Yuan found jobs for other scholars in academic institutions. The academies he founded, Gu jing jing she in Hangzhou and the Xue hai tang in Canton, had absorbed scores of scholars. Other academies took on dozens of others. Among the less commonly known academies founded or rejuvenated by Ruan Yuan were the An lan Academy41 in Haining, Zhejiang,42 and the Ta liang Academy in Henan.43 In appointing scholars he considered worthwhile to these academies, Ruan Yuan in fact helped to spread Han Learning throughout the country. Ruan Yuan must have been at his wit's end in trying to find a suitable place for so eccentric a scholar as Fang Dongshu (1772-1851). Fang, from Tongcheng, who only attained the first degree, was noted for his poverty and his inability to get along with anyone, except perhaps Ruan Yuan. In 1819, Ruan Yuan brought him to Canton to work on the Guang dong tong zhi under Jiang Fan. Jiang assigned him research and writing which was supposed to take two years to complete, but Fang finished the task in one month. Ruan Yuan then found him a job at Hai men Academy in Lianzhou, where he lasted less than one year; with a repeat performance at the Chang yang Academy for a similar period. Exasperated, Ruan Yuan took Fang onto his own personal staff. For scholars who worked on various literary projects sponsored by Ruan Yuan, see the Appendices to this paper. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 60 Governor-General of Yunnan & Guizhou Kunming 2A 1816-1835 Assistant Examiner of Metropolitan Exam Beijing 1833 Assistant Grand Secretary Kunming 1B & Peking Grand Secretary in charge of Board of War Beijing 1A 1835/3 Acting President of the Censurate Beijing 1835/10 Reader, Palace Examination Beijing 1836 Senior Professor (Hanlin Academy) Beijing 1836 Appendix 2 Ruan Yuan's Major Works and Compilations Kao gong ji ju zhi tu jie 考工記車制圖解 Shi qu sui bi 石渠隨筆 Yi li shi jing kan ji 儀禮石經校勘記 Shandong xue zheng Ruan Yuntai shi tong sheng shu mu 山东学政阮芸台示童生书目 Shan zuo shi ke 山左石刻 Jingyin dao ren zhuan 淨因道人傳 Yunfeng zhi bei tu 云峰志碑图 Zhejiang shi ke 浙江詩課 Chong xiu piao zhong guan ji 重修剽中观记 Xiao cang lang bi tan 小滄浪筆談 Shan zuo jin shi zhi 山左金石志 Huai hai ying ling ji 淮海英靈集 Liangzhe yu xuan lu 兩浙輶軒錄 Ceng zi shi pian zhu shu 曾子十篇註疏 Wei yu shu shi sui bi zhu 魏餘蔬食隨筆注 Zhu cha xiao zhi 竹姹小志 Jing ji zuan gu bu yi 經籍纂詁補遺 Di jiu tu shuo 地球圖說 Guang ling shi shi 廣陵詩事 Chong xiu Hui ji Da yu ling miao bei ji 重修惠济大禹陵庙碑记 Ding xiang ting bi tan 定香亭筆談 Chong jian Yangzhou hui guan bei ming 重建扬州会馆碑铭 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao Ku jing jing she wen ji 詁經精社文集 (Wang fu zhai) zhung ding kuan shi (E) H** Xue shi zhong ding kuan shi 薛氏鐘鼎款識 Jiao shan ding-kao 焦山定陶鼎考 Huang Qing bei ban lu Hai tang zhi 海塘志 Ji gu zhai zhung ding yi qi kuan shi **** 海連考 Hai yun kao I Liang Zhe jin shi zhi 兩浙金石志 Shi san jing zhu shu fu jiao kan ji +¶EAH Yang zhou Ruan shi jia miao bei 揚州阮氏家廟碑 Yen jing shi wen ji 擘經室文集 Sui Wen xuan lou ming Ying zhou shu ji 瀛舟書記 Qu jiang ting ji 曲江亭記 ** Si ku wei shou shu mu ti yao 四庫未收書目提要 Tian yi ge shu mu 大一閣書目 Ling yin shi shu zang mu Chou ren zhuan AM Shi san jing jing fu +* ****! Yi li shang fu da gong zhang zhuan zhu chuan wu Kao x 功章傳注舛考 Han Yen xi xi yue Hua shan bei kao ✶✶U** Ru lin zhuan kao ####N Guo shi wen yuan zhuan 國史文苑傳 Jiao shan shu cang shu mu 焦山書藏書目 (Song ben) shi san jing zhu shu (**)+*** Jiang su shi zheng # Jiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記 Guangdong tong zhi 廣東通志 Gai jian Guangdong xiang shi wei she zhuo bei ji ***** 碑記 Shi shu gu shun 詩書古訓 Yen jing shi ji 擘經室集 Chong xiu Ruan shi zu-pu CEE** Huang Qing jing jie 皇清經解 Xue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記 61 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 119 prestige since the Tang dynasty. I shall return to this point later Genealogies that are available now are the result of many updates and only then prefaces can be dated. Some of those in the collection of Luo, op. cit. contain a preface dated 1269 (p. 363), another a preface dated 1406 (p. 48), another was first compiled during the same period (p. 67). As the prefaces do not usually dwell on the many different names of ancestors, we cannot expect prefaces to indicate ordination names as such. The earliest dated preface in the collection to mention ordination names was written in 1780. It drew attention to early ancestors whose achievements as officials are not known but are immortals in the celestial count, referred to by their religious names. It would be useful to examine unabridged genealogies to find mention of ordination names in early prefaces. 1. Check the Golden Lotus for ordination of a male child. Ordination in a funeral seems to appear in the famous Qing novel, the Red Chamber. NJ Hu Bo'an's *Zhonghua Chuanguo Lingji*, reprinted 1990, Zhengzhou: Zhongzhou Guji Chubanshe, *shang bian*, j. 1, p. 82 describes a practice in Tianjin province of Buddhist ordination; the child will later become a layman again in a rite to be carried out at the age of 12. 21 Qu Dajun, *Beijing: Zhonghua*, 1985, pp. 302–303. The passage is repeated by Yihe Dong Biji, written around the 18th century (the author Li Diaoyuan obtained his Jinshi degree during the Qianlong period, 1736-1795). If the passage in *Guangdong Xinyu* was copied from some earlier book, the original would not have been written before 1569, when Yong'an was first established as a separate county. "The Third Gazetteer of Yong'an, j. 1, p. 207 in the reprint by Chengwen Chubanshe, 1974. The Changle County Gazetteer, j. 4, p. 247 in a reprint in the 70s (2) in Taiwan. According to the *Gongguo Difang Zhi Zonghe Mulu* ('Comprehensive Catalogue of Chinese Gazetteers'), the earliest version, of circa 586 and circa 663 respectively, still exist. 21 The passage does mention that the area has Yao and Liao minorities, but the sentence about the sorcerers seems to refer to Han villagers. See Hu, op. cit., *shang bian*, j. 8, p. 50. 24 Op. cit., j. 1, pp. 8b-9a. 1 Jl, * Michel Strickmann, in 'The Longest Taoist Scripture', in *History of Religions*, 1978, p. 349, suggests that the appearance of the name Satan here attests to the influence of Manichaeism in Southeastern China. The Satan was worshipped by some circles of agnostics, according to the entry in Mircea Eliade, ed., *The Encyclopedia of Religion*, New York: Macmillan, 1987. 26 Interpreted as King of Skanda by Strickmann, op. cit. 27 In some cases written as Mei Shan, Mei Shan, Lu Shan, or Lu Shan. * Li and Huang, ed., *Liannan Bapai Yanjiu Ziliao*, published by Guangdong Sheng Shehui Kexueyuan in the 1980s. See, for example, p. 554 and p. 564 for King of Asura, p. 433 for ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 121 4. Such as Muxía San Lang (p 695), Hagoo Wu Lang (p. 1802), Hupe Wu Lang (p 1802) and Mu Ping San Lang (p. 308) 12 See for example, Yi Yuan of Southern Dynasties15 p. 1, Shoku edition. The passage reportedly appears also in Hua Yang Guo Zhi of earlier Jin dynasty, and the Hou Han Shu of the Southern Dynasties "Kainan Xhuan Xin" 4, Shoku edition pt Hht No Gan p 5 in Shankar edition 14 For Tarshan Shi(4) Lang see p. 297 21b Tarshan Sau Lang | 298 p 24b Huayue San Lung | 300 p 30 and ↑ 301 p 33, Huashan San Lang | 303 p 39. There is even a Ji (7) Lang son of Daryue San Lang in) 305-p-490). By in Xiaoshuo Daguan edition reprinted Yangzhou 1983 ** J 4 p 21 in Shrakat edition "The Wudu HaYao", quoted by Wang Jiayon Daojiao Tungan, hengdu Basu Shushe, 1987, $49 IN Nanbu Xusha, Simoku edition mp4 Hong op out p 508 * Quoted by Rolf A. Stein "Religious Laoism and Popular Religion from the Second to the Seventh Centuries”, in Holmes Welch and Seidel eds. Facets of Taoism. Yale University Press, 1979. He dates the collection as from Tang dynasty (p. 67). The text is in the Daoist Canon, vol 704 4) Garyu Congkao | 37, p 677 in reprint by Hefei Rennin Chubanshe 1990. 52 Hong mp of, pp. 916, 1692 * The most curious example is abid, pp. 328-110, quoting an abridged document submitted to a temple as petition. The quoted passage gave an additional name of himself in the form Ediscuss here. The quoting passage seems to have overlooked the fact the author of the quoted passage was the husband of the female ghost who made trouble. DIYLp 41, p 25 "He may be related to Zhan Hou of Jin dynasty who appeared in a legend about a stone horse and stone rider, related in the Yi Yuan a work of the Southern Dynasties quoted by Taiping Guangji4 (top en ↑ 284 p 1969). Perhaps the same Zhao Hou is referred to by Zhao Hou Nan Fa (Southern Magic) and Zhao Hou Da (register) mentioned by the Ming Daoist manual [Tan Huang Daojiaoling Yu Ce, in the Daoist Canon vol. 1109-1110]. There are a few schools of magic, that calls themselves Nan Fa. One is mentioned in Du Guangting op cit 12 p 5, and another in Hong op cit pp. 1733 and 1736] Page 150 Page 151 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 181 per-muing hia-pren, diffighi Vol 2 (Hong Kong Urban Council. 1986), pp. 395-402 * Interview of Lo Ch`uan, op cat Jun 22 1991 46 Interviews La P'o † # (surname Ho, age 70+), Ma Wan Chung, Jun 30, 1991, Ch'en Kuang-sheng P4144 (age 63) Fishermen's Village. Jul 8,1991 & by telephone, Aug 1,1991, 20 Mall, op cit 1 Anthony KK Sau “Distribution of Temples on Lantan Island as Recorded in 1979.** JHKBRAS, Vol 20(1980), p 138 ** Ch^en Po-Cao BR1MB "Touwang ku-mao sheng-shih per-chu,” (Kowloon: n.p., 1917) the Flouwang Temple Kowloon City For different opinions on the Houwang's identity, see Hsiao Kuo-chuen "Hstang-kang Hou-lung so ssu-feng chih 'Yang-hou-ta-wang' k'ao,” in Hstang-kang ch'inh-tai-shih huu-chu (Taipei: Taiwan Shang-wu yin-shu-kuan, 1985), pp 307, 313, Jao Tsung-yı "Yang-1'ai-hou chia-chih yu Chit-lung Yang-Houwang miao,' in Chu-hung vu Sung-chi shuh-hao (Hong Kong: Wan-yu t'u-shu kungssa, 1959), pp 84--92 * Ronald Ng. "Culture and Society of a Hakka Community on Lantau Island,” in I_C Jarvie, ed, A Society in Fransition. Contributions to the Study of Hong Kong Society (London: Butler & Tanmer Lid. 1969), pp. 55, 62 40 According to an interview at the Tung Chung Public School, Jun 24,1991, see also interviews. La P'o †% (age 63), upper Ling Per, Jun 15, 1991, Cheng Man-hung, op cit 1 5? Interview of 11 Chii-sheng PL/ (age_73), Lam Che. Jun 18,1991 * Interview of M. Huang (age 76), Wong Ka Wai, Jun 25, 1991 Brim, op eit, p. 100, N 10 ** Interview of Cheng Man-hung, op uit, upper Ling Per Aug. 11. 1991 Ho, op ett. p 13 Flayes, 1967, op eit, p 91 * Ho, op. cit, p9 5 lbid. p 13 * Brum op eit,p/103 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 182 ++ James W Hayes, "The Patterns of Life in the New Territories in 1898,” JHKBRAS, Vol 2 (1962), p. 75. James Hayes, "The Settlement and Development of a Multiple-clan Village," in Royal Asiatic Society Hong Kong Branch, ed., Aspects of Social Organization in the New Territories, Week-end Symposium, 9th-10th May, 1964 (Hong Kong: Cathy Press) p. 13. Hayes. 1966 op cit, pp 92-93 ***Kung-li Ta-hsi-shan Tung-Hsi-chung Chiang-shan chu-tien Liang-hsiang ho-huo yung-yuan chao-na pei,” £££%£¶‡ui (@N✯ in K'o, et al. op cit. p 43 65 For the concept equating local temples with the yamen and temple gods with local officials, see Faure, 1986, op. cit. p 71 James Hayes, "Secular Non-gentry Leadership of Temple and Shrine Organizations in Urban British Hong Kong," JHKBRAS, Vol 23 (1983), pp. 113-114 K'o et al, op cit. pp 399-402 + * Law Man Sang, "The Rural Leadership of Tung Chung " Graduation Thesis, History, Chinese University of Hong Kong, 1992, pp 36 AT Interview of Kung Chao-hsiang, op cit For this point, see Topley, op cit p 18 Interviews of Kung Chao-hsiang, op cit, Jul 6, 1991, Jul 8, 1991 70 Ibid "Interview of Cheng Man-hung op cit Jul 1, 1991 Ibid 21 Interviews Lo Chin-hu (age 80), Shek Lau Po, Jun 29, 1991, Li P'o, Cheng Man-hung etc, upper Ling Pei, Aug 11, 1991, Huang P'ing T (age 70), Ma Wan Chung, Aug 19, 1991, Cheng Man-hung, Huang Chieh-lin etc, Tung-sheng-lou Sept 23, 1991 # "Interview of Cheng Man-hung, op cit. Aug 11, 1991 "Law, op cit p7 Th Interview of Huang P'ing, op cit. Aug 18, 1991 + "Ng Cheuk You "Land and People in Tung Chung Valley An Example of Rural Land Use in Hong Kong." Ph D Thesis University of Hong Kong, 1965, p "Interview of Ch'en Kuang-sheng, op cit, Jul 8, 1991 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1997 https://digitalrepository.lib.hku.hk/catalog/wp98g7579 77 health and fortune would not be harmed by evil spirits. In fact, these two religious activities are held in Fanling Wai (the settlement of the Pang lineage in Fanling) by the Pangs exclusively. The Pang villagers, be they in Fanling Wai or in other settlements, will enjoy the supernatural benefit from these activities through the descent line of their father or husband. This figure was collected from the Lands Department in the North District Office. 12 See Fong, Peter, K. W., op. cit. "But the Lees in Wo Hang, Sha Luk Kok recognised that renting village houses out would infringe on the values contributing to the maintenance of their community as a whole. The villagers defined occupancy within the village as permanent residence, and the rights for it could only be enjoyed and inherited by their fellow villagers through the male line. Houses were not simply residential structures but constituted Wo Hang as an agnatic village community. The house was a source of the rootedness that permitted the natives to claim identity with their natal village community through their right of occupancy." See Allen Chun, op. cit., pp. 249-50. David Faure, The Structure of Chinese Rural Society: Lineage and Village in the New Territories, Hong Kong, pp. 2-4. Hong Kong: Oxford University Press. Liao Hua Chuan, "Xin Jie Yifan Lai Min Quan Yi Lu You" (The Origin of the New Territories Indigenous Inhabitant's Prerogative), p. 144, in Lu Yan (Ed.), Xiang Gang Zhang Gu (Legends of Hong Kong), Xiang Gang: Guang Jia Jing, 1987. 16 See GWE Jones, “Rural Housing in Hong Kong", in Lok, S. K. Wong (Ed.), Housing in Hong Kong: A Multi-Disciplinary Study, Hong Kong: Heinemann Educational Books (Asia), Hong Kong, 1975; Kwok Kam-chau, Planning for Village Development in the New Territories, M.Sc. thesis, The University of Hong Kong, 1987; Allen Chun, op. cit.; and James Hayes, Chinese Customary Law in the New Territories of Hong Kong, paper proceedings of the fourth International Symposium on Asian Studies in 1988. 18 For details, see Heung Yee Kuk (Ed.), Xin Jie Xiao Xing Wu Yu Zheng Ce Te Ji (Special Collection of the New Territories Small House Policy), 1980. **Of this total of twelve houses, four were built in 1979, five in 1980, two in 1981, and one in 1982. 19 The one allowed to build ding wu on Crown land had to pay a premium of about $4,000 at that time. 20 210 hectares of this new town were designated for residential and commercial development, 50 hectares for industrial development, and 140 hectares for government and community use. See Hong Kong Government, Hong Kong 1984 (Annual Report), p. 132. Hong Kong Government Press. 21 Hong Kong Government, Hong Kong 1985 (Annual Report), p. 183. Hong Kong Government Press. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1999 https://digitalrepository.lib.hku.hk/catalog/s178b887x 285 Probably it was worth it with someone fanning you the whole time. We all had a good laugh........... On the third day, after breakfast, we took a sampan ride along the serene Perfume River and visited the Minh Mang Tomb, built between 1840 and 1843. The zenith of the Nguyen Dynasty was reached during the reign of Emperor Minh Manh. The tomb consists of about 40 monuments of various dimensions. All lie within a wall, oval in shape and 2,000 metres across. The main entrances to the monumental complex opens to varied scenes offering visitors pleasant sights. Most of the monuments mirror themselves in man-made lakes. The planning of the tombs reflects the strict social organization in Minh Mang times, the centralism and the monarch's Confucian inclinations. Another place we visited was the Khai Dinh Tomb. Emperor Khai Dinh (1885-1925) ruled the country for nine years, from 1916 to 1925. His tomb, however, was built within a period of 11 years, from 1920 to 1931. Under Khai Dinh, western culture vigorously infiltrated Vietnam. As a result, in his tomb, several elements of western architecture blend with Vietnamese traditional art, particularly in the use of concrete in place of wood, ardoise slates for roofing, iron gates, lightning rods and electric lamps. Mountains, hills and rivulets around the tomb are exploited to fulfil the geomantic requirements thus offering the tomb a majestic environment. In the Thien Dinh Palace, inside the tomb, its interior decoration features colourful mosaics made up of millions of ceramic chips. The Khai Dinh Tomb has been classified as a work of "neo-classicism." The last monument we visited was the Thien Mu Pagoda. It was built by Lord Nguyen Hoang, in 1601, and named "Pagoda of the Heavenly Lady". The pagoda area can be divided into two sectors separated by a triple gate. The front sector comprises monuments and memorials such as the seven-story Phuoc Duyen Tower, the Big Bell, weighing two tons, a Stele on the back of a Tortoise, and the Stele "Bell of the Pagoda of the Heavenly Lady". The rear sector of the Pagoda is set aside for the practise of Buddhism and monks' activities. Also preserved there are some precious antiquities such as the bronze gong, cast in 1677, and the 1715 timber gilded board with Lord Nguyen Phuc Chu's inscription. With landscape and monuments in perfect harmony, the monuments mirror themselves in the peaceful Perfume River. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n Fang Xiang Li Bing 李丙 Huang Chengyi Z 丞乙 Zhou Deng 周登 Liu Hong 劉供 115 The Spirit who is the Bearer of News The Spirit who Superintends the Year The Spirit who Superintends the Month The Spirit who Superintends the Day The Spirit who Superintends the Period The Iconography of Taisui In a few temples Taisui is represented simply by an image of the President, Yin Jiao,* where he is depicted as a fierce figure with eight arms and a third eye. In the majority of temples there is either a lone image or more usually in southern China, sixty images or sixty tablets representing each of the Taisui, one for each of the years within the sixty-year cycle of years.¥ The cycle was known as Hua Jia Hua Jiazi¥, which was the measurement of time during Imperial days. In a few temples a large deeply carved gilded tablet dedicated to Taisui stands in the centre of the Taisui hall, in addition to the one or sixty images. In Fukienese communities in Taiwan and South-east Asia his single image tends to stand alone, an awesome deity, whereas in Cantonese, Chaozhou and Hainanese communities his image either stands alone, a benign conventional young man, sitting holding either a ruyi [sceptre] or, more usually, an extended scroll bearing Chinese characters. The Taisui can also be portrayed in a group of sixty each one of whom is again usually a benevolent young or middle-aged man. Each of the sixty serves for one year, in rotation, within the Chinese sixty-year cycle. All sixty images are generally carefully carved and decorated, each being different, some being radically different. An aspect of Taisui ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 156 whereupon he changed his surname He grew up to be a tall, heavily built, clever fellow, and a good judge of character. He spoke the various frontier dialects well, a point which once saved his life when condemned to death for sheep-stealing He began to be employed in repressing the raids of the Kitan Tatars, in which occupation he made quite a name for himself, and was at length taken to the capital. The emperor T'ang Ming Huang took a great fancy to him, and the emperor's concubine, Yang Kuei-fei, called him her adopted son, making him do obeisance to her first and to the emperor afterwards, on the ground that such was the Turkic custom. Despatched upon an expedition against the Kitans, he was so successful that he was ennobled as Duke. Then, with inflated pride and ambition, he rebelled, and added to the general confusion which was surrounding the wretched Ming Huang, who had been repeatedly warned of this new danger. An called himself Emperor Hsiung Wu of the Great Yen dynasty, and for a time carried everything before him. He was assassinated by his own son, An Ch'ing-hsu, who feared that he was going to be deprived of the succession in favour of the offspring of a concubine. And within three years of the first rising, the son too had been put to death by Shih Ssu-ming. This rebellion was one of several eras in Chinese history which has provided a popular theme for opera and tea-house story tellers' tales providing Chinese with a familiarity with the dramatic events of the times and details of the lives and times of well-known heroes and villains of the time. The same can also be said of traditional stories told within popular religion temples where tales are told and retold of a select number of the deified heroes of the victorious Tang imperial forces whose images are on altars. We shall be examining the roles of the emperor, his personal doctor and six generals loyal to the emperor during the campaign to suppress the rebellion and their eventual role in the celestial bureaucracy. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 157 But First, the Story of the Rebellion. Tang Ming Huang, or Xuan Zong, the sixth emperor of the Tang dynasty, who reigned between AD 713-756, became infatuated by Yang Yuhuan, the consort of his son, Prince Shou, and caused her notionally to enter a Daoist nunnery. She soon became the favourite concubine of the emperor who shared with him her love of music and dance and whose hold over him led to his neglect of state affairs. It is rarely explained that the Concubine Yang was comparatively plump, conforming to the social concept of beauty of the era. By about 740 the Emperor, tired of the daily routine of his high office, now addicted to luxury and women, also became indolent. As the eunuchs gained ever greater control over state affairs so the emperor surrendered power into the hands of two men, Li Linfu and Yang Guozhong, the latter being a relative of the concubine. Only this one woman, the Concubine Yang [Yang Guifei], a famous beauty, was able to fascinate the ageing emperor. He took her into his own harem where she speedily dominated the aged emperor's consort after which he gradually slid into dissipation with his name forever linked with her and their ill-fated romance. Her hold over him led to his loss of interest in imperial duties transforming him from being a staid and good ruler to a playboy. This led to his downfall and her murder. In the late 740s she adopted An Lushan as her son and she, the emperor and An remained in a very friendly relationship until immediately prior to him rebelling. Despite An's gross and huge frame scandalous stories have circulated down the ages of his sexual excesses with the emperor's concubine, Yang, which may or may not have had any truth to them. General An lost the emperor's favour when Yang Guozhong, a distant relative of Yang Guifei who had worked his way into power, became the most powerful man in Court. He hated An and with the ear of the emperor he was able to turn the emperor's fondness into one of hate and distrust. Eventually, believing the calumny spread by Yang Guozhong, the emperor lost faith in his favourite general, An Lushan found his position untenable and finally, at the end of 755, he rebelled, almost certainly to counter the threat to himself posed by the ever-growing power of Yang Guozhong and his realisation that he had lost the support of the emperor. An Lushan's army drove east and in a series ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 159 Meanwhile, General An's army was facing the threat of yet more foreign forces coming to the aid of the new emperor and the armies of Guo Ziyi. These were mainly Uighur and during the summer of 757 after the two Chinese capitals had been captured by the Uighurs, one of the cities, Luoyang, suffered several days of carnage and plunder. An was assassinated, some say by his son, Qingxu, others by a fellow rebel early in 757, but all agree that he was succeeded by his son who was in his turn murdered by his general, Shi Siming. Shi Siming was also a native of Liuchak, of Turkic descent, who had co-operated with An Lushan in his campaign against the Kitans. After the death of An Qingxu, he proclaimed himself emperor Yingtian Huangdi of the Great Yan dynasty. In the east, severe fighting had been going on; but, owing to the valour displayed by the garrisons at Pingyuan and Chang Shan, the progress of the rebels in the direction of Shandong was checked. Nor were they more successful in their attempts to invade the Yangzi region. In the direction of Anhui, they were confronted by the stronghold of Suiyang, of which we will learn more later; and in the direction of Hubei, their advance was blocked by the city of Nanyang, both of these cities held out stubbornly. Shi Siming was in his turn murdered by his own son, who proclaimed himself emperor and reigned for a matter of months before he too was overthrown and put to death, thereby ending the four-year-old rebel dynasty. The rebellion had lost its impetus and festered on with intermittent battles until 763. Even during the last years, the outcome was far from certain. It was ultimately quelled and the dynasty regained the throne, but not before the emperor and his son and heir had both disappeared from the scene in death. This epic story is well known to all Chinese, having been related down the centuries throughout China by village tea-house storytellers. Now that we have a picture of the Rebellion, let us focus on the emperor Tang Ming Huang and the eight generals who took part in the suppression of the An Lushan rebellion and have become local, regional, and even nation-wide popular religion cult deities with their images, euhemerized heroes revered on a number of altars. Although images of leaders of various rebellions down the centuries have become popular religion cult deities, no image has been seen on altars of An Lushan. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 160 The Emperor Tang Ming Huang was the third son of the fifth emperor of the Tang. His personal name was Li Longji [AD 685-761], though popularly known as the Third Son, San Lang. He is now the patron of actors and professional musicians, worshipped backstage by Fukienese devotees in Taiwan and several places in South-east Asia. Prior to 1949 he was also revered throughout northern China as the patron of actors, actresses and musicians, with incense burnt before his altar prior to every performance [Photograph 1]. He succeeded his father who abdicated in his favour in 713, and ruled the country fairly. The first part of his reign approximated that of his great-grandfather, Tai Zong, in prosperity and glory. He began by economising and by 740 the country was reasonably prosperous. Being a man of the arts he surrounded himself by a brilliant court, welcoming such men as the poet Li Bo. It quickly became the most glorious period of Tang culture. He loved song and dance and he had built within his palace an area known as the Pear Orchard, Liyuan, to bring together the best actors and actresses, dancers and singers in all China. The title, Liyuan, later became a common designation for anyone who sang, acted or danced professionally. Many myths are particularly centred on Tang Ming Huang - and stories about him abound describing him as a very sociable man, fond of music and drama, with men and maidservants being trained as actors and musicians for whom he composed tunes. He also founded a school of dramatic art. There are at least six temples in Taiwan dedicated to this deity, in Taipei, Taichung, Changhua and Kaohsiung where his festival is celebrated on or about the 24th of the sixth lunar month. As a deity he is known by a number of titles, including Ming Huang Dadi 明皇大帝; Lao Lang Ming Huang 老郎明皇; Lao Lang 老郎; and in Beijing Xi Shen, the God of Happiness. In Sichuan, however, his images were simply referred to as the Bodhisattva Prince, Taizi Pusa and, as elsewhere, were worshipped backstage, principally to prevent actors and actresses from bursting out into uncontrolled laughter or forgetting their lines. He is the patron in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 161 and the Fulu particular of two opera companies, the Xipi Pai and Erhuang Pai [or Fi Pai], the latter, the northern school, being especially dedicated to woodwinds3. In legend he is said to have had an emotional reunion with the soul of his dead concubine, Yang Guifei, in the palace of Guanghan on the Moon. 4 A tablet on a minor altar at the rear of a secondary hall in the temple of the City God in Hsinchu in northern Taiwan refers to him as Tang Xuan Zong, whilst his usual title in Taiwanese temples of the Lord of the Western Qin, Xi Qin WangyeE is not usually understood beyond Taiwan. There is no image, whereas in the Ma Tsu temple in Taipei a side altar is dedicated to him and his image, portraying him as a standard scholar-official with a black beard, is flanked by two very elderly male aides. In South-east Asia images of the emperor have been seen in temples in Seremban and Ipoh in Malaysia, and in Singapore, in some of which he is simply referred to as Zunzhu Mingwang, the Lord Prince Ming, 尊主明王, An image seen on the only altar in a side hall of the temple on Miaofeng Shan in Beijing's Western Hills and identified as Tang Ming Huang, is better known in the temple as the God of Happiness, Xi Shen [Photograph 2]. He is referred to as Liyuan Shen, and is portrayed as a smiling figure with beard and moustache, standing with his hands in a theatrical pose. His modern image is dressed in imperial yellow robes decorated with a large dragon and the whole body of the image is swathed in a red robe placed there by devotees. Disappointingly, there appears to be no image of the Concubine Yang on any altars. However, a modern [1996] tableau in an old temple, now converted into a theme-park, depicts in a series of life-size plaster images scenes ranging from the Tang Ming Huang's first sight of the Concubine Yang bathing, progressing through stages of his infatuation though ending before her death and his overthrow. This can be seen on a low hill overlooking the bend in the Yellow River at the south-western tip of Shanxi province, at a place known as Yang Guifei's pool. The main altar has the Tang Ming Huang and the Concubine sitting with her pouring wine for him. Before the altar stand three incense pots, a container holding fortune spills and plastic fruit as an offering and before ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 162 the altar and the altar table is a typical temple offertory box into which devotees have thrust cash offerings [Photograph 3], Both the sad emperor Tang Ming Huang and his putative doctor, Lei Haijing, are both popular religion cult deities revered particularly in Fujian communities. Images vary from temple to temple, all being standard scholar-official figures with none having any special attribute or feature Some believe that Lei Haijing, commonly referred to as Marshal Tian Dou, (Tian Dou Yuanshuai), when his image is on an altar, was a doctor who accompanied 'the Emperor in the West' during his flight. After Lei died during the emperor's escape to Sichuan province his spirit remained on, guarding and protecting the emperor who Saw and recognised the two characters 'Tian Dou' of his protector floating in the air. And once he had arrived in the relative safety of Sichuan the emperor created Lei Haijing - Marshal Tian Dou. Others claim that Lei was a musician popularly referred to a thousand or more years ago in Fujian as the 'Marshal'. Lei Haijing is another patron of actors, but predominantly from southern Fukienese communities. There are two Marshals Tian Dou revered on altars within Fukienese communities, with their legends so enmeshed that they virtually become one and the same deity. In the most commonly repeated legend Tian Dou was a young prince named Lei Haijing, whose age has varied from ten to his mid-twenties. He lived in Fujian province where he was obsessively keen on practical jokes and opera. As a twenty-year old he lived for pleasure and one day having used his position and rank to force a married woman spend the night with him woke to find that she had painted a crab around his mouth in indelible ink, some say to punish him, others to ensure that his lasciviousness received wide publicity. The prince got away with it the first time by telling his friends that he had painted the crab on his mouth for amateur theatricals; however, when he forced her yet again to spend the night with him she painted another crab on his forehead which this time he was unable to explain away. Another version claims that he slept with a young girl who as a joke painted the crab around his mouth whilst he slept and again, several nights later, as he had been so annoyed at the first joke she drew one on his forehead ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 165 In 755, during the revolt of An Lushan, Guo helped defend the capital, and in 760 he was despatched to recover territory from Central Asian barbarians and finally, three years after the Turfans [Uighurs] had captured the capital, Guo raised an army and drove them out, more by cunning than military force. The disasters which broke out during the declining years of the Tang Ming Huang emperor were suppressed chiefly by the vigour and determination with which Guo wrested province after province from the hands of the insurgents. He spent a considerable part of his life in warfare and was uniformly successful. His images in temples in Northern and Central China usually portrayed him as an old mandarin, with a parted beard, both halves held separately in each of his hands, and with a tiered hat. Occasionally his image depicted him as an old man, sitting, with a long white beard and a white robe, carrying a ruyi sceptre engraved with the four characters for 'Everything shall be as You Desire'. According to one sect, the Jin Dan H., Guo is said to have founded the sect in collaboration with Lü Dongbin, the doctor of renown and one of the Eight Immortals. His image on altars in Sichuan was referred to as Cifu Tianguan14 where he was regarded as a God of Wealth. No images of Guo have been noted on temple altars in Taiwan, Hong Kong, Macau or South-east Asia, though a temple in Haikang in Tainan county bears the hall title of Fenyang Dian and contains on its main altar not an image of him but one of a local provincial cult deity, Guangze Zunwang, the patron of the Guo clan. Both Mesny and Timothy RichardR claim that Guo Ziyi was a follower of Nestorian Christianity, Mesny even claiming that Guo's name was carved on the famous Nestorian tablet at Xi'an. We move on to images of the two major deified heroes of the era on temple altars who have had their historic figures embellished by tea-house story-tellers down the centuries include: Zhang Xun✯ and Xu Yuan,F are heroes of renown and unique deities whose images have been seen on temple altars in Zhejiang, Taiwan, Hong Kong and South-east Asia [Photographs 6 and 7]. Both are protective deities worshipped particularly by the southern Fukienese, both within Fujian province and in southern Fukienese ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 169 the hills. In temples in and around Hsintien and Mucha Wang Gong is revered as the protective deity (with the pair being revered in a few places but still known as Wang Gong) with his [their] annual festival celebrated on the 10th day of the fourth lunar month, but largely without the great majority of devotees realizing the original identity of the deities. Wang Gong A is also referred to as Weng Gong and Huang Gong A, both of which are almost certainly erroneous titles due to mistaken homophones. In and around Hangzhou they are known together as Er Da Ming Huang [The Two (Generals) of Tang emperor Ming Huang]. A fierce image of Zhang, with his mouth wide open used to stand on a minor altar in a small temple near Donghu, a city some sixty miles upstream from Hangzhou. Devotees there believed that pain could be cured merely by touching the abdomen of the image whilst throwing a few coppers into its mouth. Two large images of Zhang and Xu in an old temple some fifteen miles east of Hangzhou, destroyed during the Cultural Revolution, have been replaced with modern images with the image makers being guided by the elderly from memory. This temple stands out in the countryside with the nearest village some half a mile away and with the catchment area for contributions for the rebuilding extending some ten miles in all directions. The refurbished temple has yet [early 1994] to have the two dozen aides flanking the side of the main hall completed, though the images of their main deities and their consorts have been finished. They are regarded as the local protective deities. In 1963 in Hong Kong, in a Chaozhou community squatter-shack temple on Lion Rock hillside above Kowloon [now long demolished], the two deities, represented on a framed paper icon on the main altar as two relaxed, seated mandarins in floral robes, were first identified as "The Two Loyal Dukes" or "the Two Loyal Saintly Lords". The two deities were later identified by several devotees as Wang Zhang Ek and Wang Xu Elf. The two mandarins, with long black beards, were identical and were prayed to as the patron deities and protectors of Chaozhou people. In 1927 Goodrich in Beijing recorded seeing images of “two famous generals of the Tang dynasty, Zhang Xun and Xu Yuan” in the Dongyue Temple to the east of the city.13 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n An image of Tang emperor Ming Huang on the main altar of a small popular religion temple in Seremban, central Malaysia. Beside him, on his right hand but out of the picture, is an image of Hou Tu Furen, an early Chinese mythical Spirit of Earth. 175 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 176 Another image of the Tang emperor Ming Huang. This time he is simply known as the God of Happiness and his image stands on a side altar in the Miaofeng Shan Temple in the Western Hills of Beijing. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 177 A large modern tableau in the old former Five Springs Temple at the extreme south western tip of Shanxi province, overlooking the bend in the Yellow River with a pool in the temple grounds. The tableau depicts the Tang emperor Ming Huang and his concubine, Yang Guifei, at the site of the pool where she is said to have bathed. She is portrayed here as a slim beauty, pouring wine for the emperor, and not as a typical Tang plump beauty. Incense, fortune sticks and offerings have been left on the altar table by visitors. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 184 Marshal Tiandou is the patron of actors and a popular deity revered in particular by southern Fujianese. He is said to have been Lei Haijing, the doctor who accompanied the Tang emperor during his flight to Sichuan province during the An Lushan rebellion. After his death in exile his spirit remained with the emperor as his protector. This image, with the crab painted round his mouth, is in the same small temple in Seremban in central Malaysia as Tang Ming Huang. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 49 Second: deities only to be seen on Hainan island and not carried abroad by emigrants Third: major deities uniquely Hainanese Fourth: secondary deities uniquely Hainanese Fifth: deities shared with other ethnic Han Chinese groups Sixth: Images on altars of aides to Hainanese deities Seventh: deified Hainanese locals in both Hainan and South-east Asia Eighth: unidentified images in Hainanese temples believed by the temple custodian to be uniquely Hainanese. 2: Uniquely Hainanese gods Deities not noted beyond the shores of Hainan island These are the deities to be seen only on Hainan island and have not been carried abroad by Hainanese emigrants: a] The Five Marquises, Wu Gong LA, were all exiled to Hainan, four by Qin Gui [1090-1155], the Prime Minister of the Southern Song who is best known as the Minister who ordered the execution of Yue Fei, the hero who became the patron of soldiers. All five are revered in a shrine in the southern suburbs of Haikou where Hainanese honour the memory of the 'five patriotic officials of the Tang and Song sent into exile' on their island. It was first built in 1617 and is dedicated to the Five: Li Deyu, Li Gang, Li Guang, Hu Chuan and Zhao Ding. Four of these officials, that is apart from Li Deyu, were exiled for their opposition to the traitor Qin Gui. Their images portray them today, reconstructed following their destruction during the Cultural Revolution, as almost identical standing officials, dressed in red robes and all with black beards. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 262 War in 218 AD between two of the Three Kingdoms [San Guo], between Sun Quan of Wu and Liu Bei of Shu, led amongst other things to the capture of the city of Qingzhou. One of Liu Bei's generals, Guan Yu, hurried south to defend the city but was ambushed, captured and decapitated by Sun Quan after he refused to change sides. Guan was later deified as is now the immensely popular deity, the Patron of Uniformed Bodies and is known as the God of Loyalty, Guan Di. Thus, the founder of Zhenjiang had the distinction of slaying the consequent Patron deity of Soldiers, Firemen and Detectives and the second most popular god on Chinese popular religion altars. In the first years of the 6th century AD the first emperor of the Liang dynasty, Wu Di, who was renowned for his support of Buddhism and the Buddhist clergy, visited Zhenjiang. He had been visited by a divine monk in a dream who urged Wu Di to institute a great fast in order to rescue all sentient beings from the miseries of their existence. The Emperor ordered a new monastery to be built at Tse Hsin [Zexin], known today as Jin Shan to accommodate the Congress held in AD 507, and for centuries within the monastery there was a building known as the Hall of Liang Wang. This tradition is at odds with the date usually given for the founding of the monastery - AD 317. Our next story involves a deified hero who had nothing to do with Zhenjiang in life but, for some unknown reason, his cult would appear to have become centralised along the Grand Canal and especially at Zhenjiang. He is a canonised hero of the Tang dynasty, but one of a pair whose images elsewhere appear together on popular religion temple altars. These two euhemerised heroes, Zhang Xun and Xu Yuan, ***, have been seen on altars in Jiangsu, Zhejiang, Beijing, Taiwan, Hong Kong and South-east Asia. These two protective deities are known individually as the Venerable King of Peaceful Pacification, Wen'an Zunwang ✰✰ E [Zhang Xun] and the Venerable King of Military Pacification, Wu'an Zunwang ✯✯ [Xu Yuan] though they will + be referred to hereafter simply as Zhang and Xu. The most common history of the two heroes as related by a great number of temple keepers describes how Zhang and Xu, loyalists during the reign of Tang Ming Huang, opposed the rebellion led by An Lushan. They died heroically in AD 757 during the civil war defending the provincial city of Suiyang in Henan province which fell to the enemy ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 15 HOW OLD IS SHANGHAI'S LONGHUA TEMPLE? ERIC N. DANIELSON · Shanghai's Longhua Temple (Longhua Si) is a functioning Buddhist temple with a large resident monk population belonging to the Chan sect (Chan zong) of Mahayana Buddhism. It is by far the largest one in Shanghai, and probably counts among the largest in China. Located southwest of the Xujiahui shopping district, the main temple complex sits on the north side of Longhua Lu, while its seven-story pagoda stands by itself across the street on the south side. Although it has often been said by many authors that this is supposedly the only pagoda in Shanghai, that is true only if one has a very narrow definition of what Shanghai is. Within the Shanghai Municipality (Shanghai Shi) there are a total of 16 historic pagodas, the other 15 being of equal age and historical authenticity but located out in the surrounding counties of Songjiang, Qingpu, and Jiading. The temple's long history Longhua Si undoubtedly has a long history, but the question is how long? The answer is debatable. In all likelihood, it is about 900 years old, rather than the 1800 years sometimes claimed for it. Very little evidence exists to support the often heard claims that the temple and pagoda were supposedly first built in 242 A.D. and 247 A.D. by Sun Quan, the King of Wu, during the Three Kingdoms (San Guo). Furthermore, maps of Shanghai's geological history contained in Zhou Zhen He's 1999 Shanghai Lishi Ditu Ji show that most of this area was underwater until the Tang Dynasty (618-907). Some sources also make vague claims that the temple was built by the Tang Dynasty Empress Wu Ze Tian sometime during her reign (690-705 A.D.), but later destroyed at some unspecified date during the rebellion of Huang Zhao (879-884 A.D.) against the Tang Xi Zong Emperor (873-888). The first specific year to appear in most accounts is a supposed rebuilding of a new temple on the same site as the earlier San Guo and Tang temples by the Wu Yue regional kingdom in 977 A.D. If these earlier versions of Longhua Temple did in fact exist, they were ephemeral and have left no lasting traces. Substantial documented evidence of the temple's origins begins to ================================================================================